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                  <text>Chaucer Bibliography Online</text>
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              <text>Yeager, R. F.</text>
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              <text>Studies in the Age of Chaucer 9 (1987): 97-121.</text>
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              <text>1987</text>
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              <text>Tale of Melibee.</text>
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              <text>Tale of Sir Thopas.</text>
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              <text>Studies in the Age of Chaucer 09 (1987)</text>
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              <text>jules SAC 11 (212)</text>
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                <text>'Pax Poetica': On the Pacifism of Chaucer and Gower</text>
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                <text>The pacifism of Gower's later writings develops from an early grounding in the legalist theories of Isidore and Gratian to an Augustinian emphasis on motivation.  Chaucer's position is less clear, but also eirenic, as inferred from biographical data, from concerns about the morality of war expressed in contemporary literature, and from his adopting Mel and Th narratives in CT.</text>
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              <text>Hendrix, Laurel L.</text>
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              <text>Exemplaria 6 (1994): 141-66.</text>
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              <text>Man of Law and His Tale.</text>
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              <text>Exemplaria 06 (1994)</text>
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              <text>jules SAC 18 (1996) - 168</text>
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                <text>'Pennance Profytable': The Currency of Custance in Chaucer's Man of Law's Tale</text>
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                <text>The Man of Law erases distinctions among spiritual, linguistic, and monetary exchange by trying to turn Custance and Christ into signs that can be circulated and traded for profit, raising the question of whether his tale is "true coining."</text>
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              <text>Van Nolcken, Christina.</text>
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              <text>ChauR 47.1 (2012): 107-33.</text>
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              <text>Chaucer's Influence and Later Allusion</text>
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              <text>mea SAC 36:64</text>
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              <elementText elementTextId="2800790">
                <text>'Penny Poet' Chaucer, or Chaucer and the 'Penny Dreadfuls'</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2800794">
                <text>Discusses William Thomas Stead's 1895 publication of Masterpiece Library's CT, part of the "Penny Poets" series, and its effects on the circulation of Chaucer's works.</text>
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            <elementText elementTextId="2752819">
              <text>Wheeler, Jim.</text>
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        <element elementId="98">
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            <elementText elementTextId="2752820">
              <text>English Language Notes 37.3: 11-24,   2000.</text>
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        <element elementId="114">
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              <text>Troilus and Criseyde.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>English Language Notes 37 (2000)</text>
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        <element elementId="109">
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              <text>jules SAC 24 (394)</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>'Peple' and 'Parlement' : An Examination of the Prisoner Exchanges Depicted in Geoffrey Chaucer's 'Troilus and Criseyde' and Giovanni Boccaccio's 'Il Filostrato'</text>
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              <elementText elementTextId="2752822">
                <text>The exchange of Criseyde for Antenor in TC inserts "peple" and a "Parlement" into the negotiations described in "Il Filostrato," a change resulting from the political context of 1381, when the peasants revolted and Parliament became more sensitive to their wishes than to those of the knightly estate. Chaucer thus indicts the fourteenth-century analogues of "peple" and "Parlement": the peasants and English Parliament.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2718445">
              <text>Wetherbee, Winthrop.</text>
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        <element elementId="98">
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              <text>Lois Ebin, ed. Vernacular Poetics in the Middle Ages (Kalamazoo: Western Michigan University Press, Medieval Institute Publications, 1984), pp. 153-76.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>1984</text>
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            <elementText elementTextId="2718448">
              <text>Vernacular Poetics in the Middle Ages.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>jules SAC 08 (236)</text>
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                <text>'Per te poeta fui, per te cristiano': Dante, Statius and the Narrator of Chaucer's 'Troilus'</text>
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                <text>Parallels between the "Thebiad" and TC, particularly when viewed in light of the Christianized Statius in Dante's "Purgatorio," point to a pattern of engagement and transcendence that characterizes Chaucer's narrator.  At the end of TC, the narrator discovers his independence from his pagan material, realizes first what it means to be a poet and then what it means to be a Christian poet.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Rayner, Samantha.</text>
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        <element elementId="98">
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              <text>Literature Compass 5.2 (2008): 195-206.</text>
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        <element elementId="114">
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            <elementText elementTextId="2779643">
              <text>Background and General Criticism</text>
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              <text>LitComp 05 (2008).</text>
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              <text>vxl SAC 32:136.</text>
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                <text>'Perced to the Roote': Challenges in Teaching Chaucer at UK Universities</text>
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                <text>Surveys pedagogical tools for teaching Chaucer to secondary and undergraduate students, maintaining that "the future looks promising for medieval studies." Includes a summary of studies that address the topic and contrasts practice in the United Kingdom and the United States.</text>
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              <text>Stock, Lorraine Kochanske.</text>
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              <text>T. L. Burton and John F. Plummer, eds. "Seyd in Forme and Reverence": Essays on Chaucer and Chaucerians in Memory of Emerson Brown, Jr. (Provo, Utah: Chaucer Studio Press, 2005), pp. 97-114.</text>
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              <text>2005</text>
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            <elementText elementTextId="2770231">
              <text>Seyd in Forme and Reverence: Essays on Chaucer and Chaucerians in Memory of Emerson Brown, Jr.</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2770233">
              <text>Book of the Duchess.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>vxl SAC 29:282</text>
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                <text>'Peynted . . . text and [visual] glose': Primitivism, Ekphrasis, and Pictorial Intertextuality in the Dreamers' Bedrooms of Roman de la Rose and Book of the Duchess</text>
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                <text>Reads descriptions of the bedchamber in the Roman de la Rose as a source for the bedchamber scene in BD, arguing that Chaucer's "visual/verbal intertextuality" reveals his preference for civilization over primitivism.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2721937">
              <text>Taylor, Paul Beekman.</text>
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        <element elementId="98">
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            <elementText elementTextId="2721938">
              <text>Comparative Literature 34 (1982): 116-29.</text>
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        <element elementId="114">
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              <text>1982</text>
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            <elementText elementTextId="2721941">
              <text>Pardoner and His Tale.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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            <elementText elementTextId="2721943">
              <text>Comparative Literature 34 (1982)</text>
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        <element elementId="109">
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            <elementText elementTextId="2721944">
              <text>jules SAC 06 (129)</text>
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                <text>'Peynted Confessioun': Boccaccio and Chaucer</text>
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                <text>In Panfilo's tale of Ser Ciappelletto in the "Decameron," we are directed to respond, disapproving, to that character's hypocrisy, but the Pardoner, in the tradition of philosophical nominalism, so confuses the differences among word, intent, and deed that we are never certain how sincere or how hypocritical he is.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2739555">
              <text>Collette, Carolyn P.</text>
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        <element elementId="98">
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              <text>Chaucer Yearbook 2 (1995): 49-62.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2739557">
              <text>1995</text>
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              <text>Physician and His Tale.</text>
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              <text>Chaucer Yearbook 02 (1995)</text>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2739561">
              <text>jules SAC 190 (1997) - 235</text>
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            <name>Title</name>
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              <elementText elementTextId="2739554">
                <text>'Peyntyng with Greet Cost': Virginia as Image in the 'Physician's Tale'</text>
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              <elementText elementTextId="2739558">
                <text>Compares the description of Virginia in PhyT with Wycliffite or Lollard materials to argue that Virginia is cast as a perfect image rather than a false one--a reflection of contemporary concern with images, their uses, and their abuses.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
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              <text>Horobin, S. C. P.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2759024">
              <text>Notes and Queries 246: 109-10,   2001.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2759025">
              <text>2001</text>
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            <elementText elementTextId="2759027">
              <text>Miller and His Tale.</text>
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              <text>Language and Word Studies.</text>
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              <text>Reeve and His Tale.</text>
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          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2759030">
              <text>Notes and Queries 246 (2001)</text>
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        <element elementId="109">
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              <text>jules SAC 25 (180)</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2759022">
                <text>'Phislophye' in 'The Reeve's Tale' (Hg 4050) in Answer to 'Astromye' in 'The Miller's Tale' (3451)</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2759026">
                <text>Argues that "astromye" in MilT (1.3451 and 3457) is an authorial malapropism.</text>
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  <item itemId="268961" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2770637">
              <text>Steiner, Emily.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2770638">
              <text>Representations 91 (2005): 1-25.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2770639">
              <text>2005</text>
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          <name>Chaucer Subject</name>
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              <text>General Prologue to the Canterbury Tales.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2770642">
              <text>Representations 91 (2005)</text>
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        <element elementId="109">
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            <elementText elementTextId="2770643">
              <text>vxl sax 29:172</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2770636">
                <text>'Piers Plowman,' Diversity, and the Medieval Political Aesthetic</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2770640">
                <text>Assesses the political character of late medieval English poetry, arguing that it extends the political thinking found in contemporary legal writing. Focuses on the notion of "diversity" in "Piers Plowman" and other alliterative verse as an extension of Continental legal thought and explores contrasts between Langland's "field of folk" and Chaucer's "sundry folk" in GP.</text>
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  <item itemId="271073" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2792601">
              <text>Medcalf, Stephen.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2792602">
              <text>David Daiches and Anthony Thorlby, eds. Medieval World. Literature and Western Civilization, [no. 2] (London: Aldus, 1973), pp. 643-96.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2792603">
              <text>1973</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2792604">
              <text>Medieval World.</text>
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              <text>Spirit of England: Selected Essays of Stephen Medcalf.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2792608">
              <text>Sources, Analogues, and Literary Relations</text>
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        </element>
        <element elementId="104">
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          <elementTextContainer>
            <elementText elementTextId="2792609">
              <text>Literature and Western Civilization, no. 2.</text>
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        <element elementId="109">
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            <elementText elementTextId="2792610">
              <text>mea 7/24/2013 No SAC</text>
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            <name>Title</name>
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              <elementText elementTextId="2792600">
                <text>'Piers Plowman' and the Ricardian Age in Literature</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2792606">
                <text>Describes the emergence of "something very like a Ricardian literary movement," focusing on the ability of Langland, Chaucer, and the "Pearl" poet to accept the mundane world completely and yet remain detached from it. Connects this ability with the influence of Dante, and explores how, especially in Chaucer, the combination encourages detachment in the reader. Comments on a wide range of works.</text>
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                <text>Reprinted in Brian Cummings and Gabriel Josipovici, eds. The Spirit of England: Selected Essays of Stephen Medcalf (London: Modern Humanities Research Association and Maney Publishing, 2010), pp. 91-130.</text>
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  <item itemId="261679" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2697433">
              <text>Hanna, Ralph, III.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2697434">
              <text>South Atlantic Quarterly 91 (1992): 793-812.</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2697435">
              <text>1992</text>
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            <elementText elementTextId="2697437">
              <text>Miller and His Tale.</text>
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            <elementText elementTextId="2697438">
              <text>South Atlantic Quarterly 91 (1992).</text>
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              <text>mea</text>
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              <elementText elementTextId="2697432">
                <text>'Pilate's Voice'/Shirley's Case</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>'Preserve me, oh Lord, as the pupil of thine eye' : Perception and Cognition in Chrétien de Troyes' 'Le Conte du Graal' and Geoffrey Chaucer's 'Troilus and Criseyde'</text>
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              <text>Studies in English Literature (Tokyo) 60 (1983)</text>
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              <text>jules SAC 07 (120)</text>
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                <text>'Privitee' in 'The Canterbury Tales'</text>
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                <text>Considers such words as "private" and the meanings that are concerned with private and public life, especially in WBT, SHT, MilT, and MerT.</text>
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              <text>Rambuss, Richard.</text>
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              <text>Exemplaria 2 (1990): 659-83.</text>
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              <text>Book of the Duchess.</text>
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              <text>Exemplaria 02 (1990)</text>
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              <text>jules SAC 14 (230)</text>
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                <text>'Processe of Tyme' : History, Consolation, and Apocalypse in the 'Book of the Duchess'</text>
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                <text>Consolation can be effected in BD only by the creation of a radically "privatized" apocalyptic "moment" situated not only "outside the text itself" but also outside the historical world, a moment capable of giving mourners "imaginative space" to exchange their conception of history as an endless cycle of loss for a transcendent vision of eternal habitation.</text>
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              <text>Rowland, Beryl.</text>
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        <element elementId="98">
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              <text>Studies in the Age of Chaucer 4 (1981): 33-51.</text>
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        <element elementId="114">
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            <elementText elementTextId="2721316">
              <text>1982</text>
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            <elementText elementTextId="2721319">
              <text>Background and General Criticism.</text>
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              <text>Studies in the Age of Chaucer 04 (1981)</text>
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              <text>jules SAC 06 (71)</text>
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              <elementText elementTextId="2721313">
                <text>'Pronuntiatio' and Its Effect on Chaucer's Audience</text>
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                <text>The reaction of Chaucer's contemporary listeners was more confident and unequivocal than our own because of the way the reader presented the poetry through oral delivery. </text>
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                <text>  If the reader used techniques described by rhetoricians under the rubric of "pronuntiatio" (such gestures as facial expression, walking up and down, stamping foot, slapping the thigh, beating the head, or moving the hands), many of the opportunities for an autonomous or phenomenological interpretation of the poetry would be eliminated.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Wurtele, Douglas (J.)</text>
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        <element elementId="98">
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              <text>Neophilologus 60 (1976): 577-93.</text>
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        <element elementId="114">
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              <text>1976</text>
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              <text>Man of Law and His Tale.</text>
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          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2699771">
              <text>Neophilologus 60 (1976)</text>
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              <text>jules - 26/9/94 SAC 1 (121).</text>
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            <name>Title</name>
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              <elementText elementTextId="2699765">
                <text>'Proprietas' in Chaucer's 'Man of Law's Tale'</text>
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            <description>An account of the resource</description>
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                <text>Chaucer uses the art of "proprietas" or decorum when he makes the language and substance of MLT conform to his personality and vocation.  The narrator subscribes to Quintillian and Ciceronian theories of rhetoric and employs the techniques of "ratiocinatio," "exclamatio," and "apostrophatio" to tell his story</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Shibata, Takeo.</text>
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        <element elementId="98">
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            <elementText elementTextId="2776848">
              <text>Review of Kobe Shinwa Women's University 40 (2007): 39-50.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2776849">
              <text>2007</text>
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            <elementText elementTextId="2776852">
              <text>Miller and His Tale</text>
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              <text>Language and Word Studies.</text>
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          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2776854">
              <text>Review of Kobe Shinwa Women's University 40 (2007)</text>
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              <text>vxl SAC 31:189</text>
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                <text>'Pryvetee' in Chaucer's Miller's Tale</text>
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            <description>An account of the resource</description>
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                <text>Examines "pryvetee" as a key word and its association with the two love triangles in MilT.</text>
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              <elementText elementTextId="2776851">
                <text>In Japanese.</text>
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  <item itemId="264011" public="1" featured="0">
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2720154">
              <text>Kanno, Masahiko.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2720155">
              <text>Bulletin of the Aichi University of Education 32 (1983): 31-38.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2720156">
              <text>1983</text>
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              <text>Pardoner and His Tale.</text>
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          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2720160">
              <text>Bulletin of the Aichi University of Education 32 (1983)</text>
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              <text>jules SAC 07 (185)</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2720153">
                <text>'Purs' and 'relikes' in 'The Pardoner's Tale'</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2720157">
                <text>Through the images of purse, pardon, and false relics Chaucer constructs the spiritually degraded portrait of reality of a "gilty and ful vicious" Pardoner.</text>
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              <elementText elementTextId="2720158">
                <text>In Japanese.</text>
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