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              <text>Wicher, Andrzej.</text>
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              <text>Clerk and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Griselda's Afterlife, or the Relationship between Shakespeare's "The Winter's Tale, Chaucer's "The Clerk's Tale" and the "Tale of Magic."</text>
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                <text>Offers "folkloric analysis" of several motifs--slaughtered wives, lost and restored children, and incest--in ClT and in "The Winter's Tale" (and other Shakespearean plays), arguing that such analysis allows us "to see these texts in connection with particular archetypal patterns that make certain crucial elements of their plots stand out in relief." The female protagonist in each plot "may . . . be said to have saved" her husband from himself.</text>
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              <text>Nixon, Jo.</text>
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Sources, Analogues, and Literary Relations</text>
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                <text>Examines the frequent mention of Griselda's face in ClT, as compared to his sources, and simultaneously argues that Chaucer's version highlights Griselda's interiority and how she maintains her patience.</text>
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              <text>Ph.D. Dissertation. University of Chicago, 2021, &#13;
Dissertation Abstracts International A83.04(E).</text>
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                <text>Patience, Exemplarity, and the Affective Didactics of Middle English Literature.</text>
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                <text>"Traces the theme of patience in Middle English verse exempla amid the proliferation of exemplary works in late medieval England to examine the sociality of feeling within narratives of individual virtue," including a chapter pertaining to ClT.</text>
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              <text>Turner, Marion.</text>
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              <text>Princeton: Princeton University Press, 2022.</text>
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              <text>x, 320 pp.; 14 color illus.</text>
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              <text>Wife of Bath and Her Tale&#13;
Sources, Analogues, and Literary Relations&#13;
Chaucer's Influence and Later Allusion</text>
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                <text>The Wife of Bath: A Biography.</text>
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                <text>Combines personal appreciation and critical analysis of the Wife of Bath as a character; Chaucer's art in creating her and WBPT; and the voluminous historical reception and impact of the Wife from early scribal glosses to international modern adaptations in poetry, drama, fiction, opera, film, children's literature, poster-art, and more. Includes commentary on source study of the Wife; cultural and socioeconomic backgrounds to her in post-plague England; close reading of passages of WBPT; and assessments of adaptations by Shakespeare, Dryden, Pope, Voltaire, Percy MacKaye, James Joyce, Vera Chapman, Caroline Bergvall, Jean "Binta" Breeze, Patience Agbabi, Zadie Smith, and more.</text>
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              <text>Strouse, A. W.</text>
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              <text>New York: Fordham University Press, 2021.</text>
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              <text>[165 pp.]</text>
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              <text>The Foreskin of Marriage</text>
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              <text>SAC 46:232</text>
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                <text>Form and Foreskin: Medieval Narratives of Circumcision.</text>
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                <text>Uses Pauline "theo-poetics of circumcision" to explore circumcision and "uncircumcision" as hermeneutic tropes, focusing on allegoresis and amplification, and analyzing queerly Augustine's Boy with a Long Foreskin" (from "De Genesi ad litteram"); "Sir Gawain and the Green Knight"; and, in Chapter 3, "The Foreskin of Marriage," WBT. Identifies medieval association of marriage and "the allegorical praeputium" in the latter and suggests that the "Wife vernacularizes and feminizes the 'Latinate praeputium' in order to circumcise the marriage plot."</text>
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              <text>Steinberg, Glenn A.</text>
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              <text>Arthuriana 31 (2021): 3-28.</text>
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Sources, Analogues, and Literary Relations</text>
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                <text>Is Ugliness Only Skin Deep? Middle English Gawain Romances and the "Wife of Bath's Tale."</text>
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                <text>Explores "the socioeconomic significance of the ugly, monstrous figures in the Gawain romances" and in WBT, arguing that Chaucer "bifurcates" the "ugly antagonist" of the romances into the "crude, social-climbing Wife . . . and the loathly lady of her tale" while amplifying criticism of the "old aristocracy" and highlighting "tensions and ugliness" among the parvenu Canterbury pilgrims.</text>
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                <text>Explicates details in the GP description of the Cook, CkPT, and ManP, exploring their physical and moral implications for characterization, "food safety" in Chaucer's London, and hygiene among its victuallers--cooks, innkeepers, and manciples.</text>
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              <text>Pecan, David.</text>
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              <text>Journal of Narrative and Language Studies 10 (2022): 281-92.</text>
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              <text>Cook and His Tale&#13;
General Prologue to the Canterbury Tales</text>
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                <text>[Un]Licensed Riot: Prodigality, Hypocrisy, and Guild Discourse in Chaucer's "Cook's Tale'."</text>
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                <text>Assesses the social and economic dynamics of CkT and the GP descriptions of the Cook and the guildsmen, arguing that the tale "indicts both the laterally mobile prodigal apprentice and the decadent hypocrisy" of his master "through the linked subversion of license and guild authority."</text>
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              <text>Taylor, Joseph.</text>
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              <text>Cambridge: Cambridge University Press, 2022.</text>
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              <text>xiv, 254 pp.</text>
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              <text>Cambridge Studies in Medieval Literature.</text>
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              <text>Reeve and His Tale</text>
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              <text>Chaucer's Northern Consciousness in the "Reeve's Tale"</text>
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                <text>Writing the North of England in the Middle Ages: Regionalism and Nationalism in Medieval English Literature.</text>
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                <text>Examines "the North as a regional concept in the literature of medieval England," considering a range of texts from Bede's "Historia ecclesiastica gentis Anglorum" to the Towneley plays. Chapter 4, "Chaucer's Northern Consciousness in the 'Reeve's Tale'," surveys the presence of northern England in CT and focuses the use of northern dialect in RvT as "symptomatic of a larger engagement with the region's long-standing cultural identity as an uncanny presence in England's national story."</text>
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              <text>Shutters, Lynn.</text>
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              <text>Studies in the Age of Chaucer 44 (2022): 359-60.</text>
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                <text>Response to Leah Schwebel and Jennifer Alberghini.</text>
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                <text>Responds to two essays concerned with sexual consent in medieval literature, including Leah Schwebel, "Chaucer and the Fantasy of Retroactive Consent." SAC 44 (2022): 337–45. Suggests that we might read RvT "as an incel revenge fantasy."&#13;
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                  <text>Chaucer Bibliography Online</text>
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              <text>Schwebel, Leah.</text>
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              <text>Studies in the Age of Chaucer 44 (2022): 337-45.</text>
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            <elementText elementTextId="2849041">
              <text>Studies in the Age of Chaucer 44 (2022)</text>
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              <text>Reeve and His Tale&#13;
Chaucer's Life</text>
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        <element elementId="114">
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            <elementText elementTextId="2849044">
              <text>2022</text>
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              <elementText elementTextId="2849037">
                <text>Chaucer and the Fantasy of Retroactive Consent.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2851984">
                <text>Explores aspects of sexual consent and non-consent in RvT--particularly Malyne's romanticizing of Aleyn's assault--linking them with Augustine's comments on Lucretia in "De civitate Dei," modern notions of "retroactive consent," and the Chaucer life records that pertain to Cecily Chaumpaigne. For response, see Lynn Shutters"Response to Leah Schwebel and Jennifer Alberghini." SAC 44 (2022): 359-60.</text>
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  <item itemId="277084" public="1" featured="0">
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            <elementText elementTextId="2849030">
              <text>Miller, T. S., and Elizabeth Miller.</text>
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        <element elementId="98">
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            <elementText elementTextId="2849031">
              <text>Extrapolation: A Journal of Science Fiction and Fantasy 62 (2021): 133-56.</text>
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            <elementText elementTextId="2849033">
              <text>Extrapolation: A Journal of Science Fiction and Fantasy 62 (2021)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2849034">
              <text>Reeve and His Tale&#13;
Facsimiles, Editions, and Translations</text>
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        </element>
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            <elementText elementTextId="2849035">
              <text>SAC 46:218</text>
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            <elementText elementTextId="2849036">
              <text>2021</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2849028">
                <text>Tolkien and Rape: Sexual Terror, Sexual Violence, and the Woman's Body in Middle-Earth.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2849029">
                <text>Connects the "gendered terror" of female sexuality and the "evasiveness" of J. R. R. Tolkien's treatment of sexual violence against women in his Middle-Earth narratives, and assesses suppression of rape in Tolkien's 1939 bowdlerized version of RvT in light of this evasiveness.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Baechle, Sarah.</text>
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        <element elementId="98">
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              <text>Chaucer Review 57 (2022): 463-74.</text>
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            <elementText elementTextId="2849024">
              <text>Chaucer Review 57 (2022)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2849025">
              <text>Reeve and His Tale&#13;
Chaucer's Life</text>
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              <text>SAC 46:217</text>
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        <element elementId="114">
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            <elementText elementTextId="2849027">
              <text>2022</text>
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              <elementText elementTextId="2849020">
                <text>Speaking Survival: Chaucer Studies and the Discourses of Sexual Assault.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2849021">
                <text>Focuses on RvT and argues that newly discovered documents allow scholars to move beyond Chaucer's individual blame and address structural issues and concerns with language describing and depicting sexual assault in late medieval texts.</text>
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  <item itemId="277082" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2849013">
              <text>Radulescu, Raluca L.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2849014">
              <text>Claire McIlroy and Anne M. Scott, Literature, Emotions, and Pre-Modern War: Conflict in Medieval and Early Modern Europe (Leeds: Arc Humanities, 2021), pp. 45-63.</text>
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Scott, Anne M., ed.</text>
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Legend of Good Women&#13;
Man of Law and His Tale&#13;
Franklin and His Tale</text>
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                <text>From Imprisonment to Liberation: Chaucer's "Knight's Tale" as a Multilayered Exploration of a Paradigm for Prison Life.</text>
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                <text>Argues that the "unique aspect" of the depiction of imprisonment in KnT is that the "only liberation that can happen is apparently at the end of this life, which is seen as a prison," hence "hardly a liberation at all." Comments on Chaucer's likely knowledge of material prisons and on how the tale exerts pressure to read imprisonment allegorically.</text>
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              <text>Nall, Catherine.</text>
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O'Loughlin, Katrina, ed.</text>
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                <text>Violent Compassion in Late Medieval Writing.</text>
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                <text>Explores the theme of knightly and royal pity (and related concepts, such as mercy, compassion, and resulting actions) in literary representations of war in a range of late medieval English texts, with particular attention to the Alliterative "Morte Arthure," Malory's adaptation of it, and KnT, addressing Theseus's "compassionate pity" in the latter, along with its ironies and the physiology of pity as liquid.</text>
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                <text>Uses trauma theory to read KnT as a "meditation on catastrophe and survival."</text>
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              <text>Knight and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Attends to the source relations between KnT and Boccaccio's "Teseida" to examine the latter in light of game theory.</text>
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Facsimiles, Editions, and Translations</text>
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                <text>The Knight's Tale.</text>
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