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                  <text>Chaucer Bibliography Online</text>
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              <text>Carpenter, Garth Chivalle.</text>
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              <text>Ph.D. Dissertation.  Victoria University of Wellington, 1997. Fully accessible via https://openaccess.wgtn.ac.nz/articles/thesis/Chaucer_s_Solar_Pageant_an_Astrological_Reading_of_the_Canterbury_Tales/16959343?file=31374472 (accessed April 6, 2026).</text>
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              <text>iv, 499 pp.; illus.</text>
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              <text>Canterbury Tale--General&#13;
Treatise on the Astrolabe</text>
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              <text>mea; 4/6/2026</text>
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              <text>1997</text>
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                <text>Chaucer's Solar Pageant: An Astrological Reading of the Canterbury Tales.</text>
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            <description>An account of the resource</description>
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                <text>Correlates the "twenty-four 'Canterbury Tales'" with the twelve signs of the zodiac, observing two binary oppositions of the zodiacal signs in the "main characters" of each tale as they "symbolize parts of the body in the "astrological medical melothesia." Proposes a revision to the order of the parts of the CT (with Part 2 separating Parts 4 and 5 in the Ellesmere order), and suggests that Chaucer intended CT to be the "fifth part" of Astr.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Wilkins, Nigel.</text>
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              <text>Cambridge: D. S. Brewer, 1980.</text>
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        <element elementId="114">
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              <text>1980</text>
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              <text>29 pp.</text>
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              <text>Lyrics and Short Poems.</text>
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              <text>jules SAC 05 (116)</text>
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                <text>Chaucer's Songs</text>
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                <text>A companion volume to "Music in the Age of Chaucer."  Fourteen of Chaucer's lyrics on the French model are presented in a performing edition with musical settings derived from contemporary songs by Machaut, Senleches, Solange, Andrieu, and the French-Cypriot repertory. </text>
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                <text>The main justification for this exercise in "contrafactum" is Chaucer's observation in the PF that the musical setting for the roundel of the birds "maked was in France"; further strong links between Chaucer's lyrics and the French musical and poetic background are established.</text>
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            <elementText elementTextId="2766203">
              <text>Lerer, Seth.</text>
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              <text>University of Toronto Quarterly 73: 906-15, 2004</text>
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              <text>Chaucer's Life.</text>
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              <text>Treatise on the Astrolabe</text>
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              <text>University of Toronto Quarterly 73 (2004)</text>
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              <text>vxl SAC 28:10</text>
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                <text>Chaucer's Sons</text>
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                <text>Comments on Thomas and Lewis as Chaucer's sons and explores Astr as a didactic treatise, part of Chaucer's "Macrobean" development from "literary study to moral inquiry."</text>
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              <text>Miller, T. S.</text>
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              <text>Journal of English and Germanic Philology 114 (2015): 373-400.</text>
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              <text>Anelida and Arcite&#13;
Sources, Analogues, and Literary Relations</text>
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2/29/2018</text>
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        <element elementId="114">
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              <text>2015</text>
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              <elementText elementTextId="2825020">
                <text>Chaucer's Sources and Chaucer's Lies: "Anelida and Arcite" and the Poetics of Fabrication.</text>
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            <description>An account of the resource</description>
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                <text>Maintains that in Anel, a poem about the faithless lover Arcite, the poet narrator is also false both in specific details and in reference to his putative sources. Argues that Chaucer emphasizes "the deception inherent in his poetic process" in a poem that claims to preserve memory but "fabricates" its own claims to authenticity and truthfulness.</text>
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              <text>Rowland, Beryl.</text>
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              <text>English Studies in Canada (Toronto): 7, 2 (1981): 129-40.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>English Studies in Canada 07 (1981)</text>
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              <text>jules SAC 05 (249)</text>
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                <text>Chaucer's Speaking Voice and Its Effect on His Listeners' Perception of Criseyde</text>
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                <text>The narrator establishes a relationship with the audience to give the impression that they are jointly and empirically exploring human nature.  His continuous presence and the mode of oral delivery enables the narrator to impose his views on the audience, especially his view of Criseyde.</text>
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              <text>Nakao, Yoshiyuki.</text>
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              <text>Jonathan Fruoco, ed. Polyphony and the Modern (New York Routledge, 2021), pp. 169-91.</text>
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              <text>Polyphony and the Modern</text>
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              <text>Troilus and Criseyde&#13;
Style and Versification</text>
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                <text>Offers a technical linguistic analysis of STR (speech and thought representation) in TC, theorizing a hierarchical "structure of subjectivities" to examine samples from the poem, attending to nuances latent in diction, situation, point of view, manuscript context, editorial intervention, etc. Concludes with comments on the "plasticity" of Chaucer's STR, the "varying subjectivities that are likely to be encoded" in it, and how they "allow for semantic extension."</text>
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                <text>Chaucer's Speech and Thought Representation in "Troilus and Criseyde": Encoded Subjectivities and Semantic Extension.</text>
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              <text>Bulletin of University Education Center, Fukuyama University Studies in Higher Education 7 (2021): 117-38.</text>
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              <text>Bulletin of University Education Center, Fukuyama University Studies in Higher Education 07 (2021)</text>
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Troilus and Criseyde</text>
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                <text>Analyzes the structure and function of reporting verbs, such as  "seyde" and "quod, "in representing speech and thought in TC from a variety of viewpoints, including syntactical position of the reporting verbs, balance of direct and indirect speeches, and subjectivity. In Japanese, with English abstract.</text>
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              <text>Equatorie of the Planetis.</text>
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                <text>The only manuscript which reflects Chaucer's own spelling is that of "Equat."  Because this text is short, it does not provide a complete model for editors; Hengwrt is probably the best choice for a complete model.</text>
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              <text>Irma Taavitsainen, Terttu Nevalainen, Päivi Pahta, and Matti Rissanen, eds. Placing Middle English in Context (Berlin and New York: Gruyter, 2000), pp. 199-207.</text>
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            <elementText elementTextId="2755582">
              <text>Placing Middle English in Context.</text>
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        <element elementId="109">
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                <text>Chaucer's Spelling and the Manuscripts of the Canterbury Tales</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2755583">
                <text>Compiles spelling variants of 'though' (thirteen manuscripts) and the verb 'work' (ten manuscripts) as they occur in CT, seeking to establish Chaucer's basic orthography and to explore scribal habits.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2698144">
              <text>Benson, Larry D.</text>
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        <element elementId="98">
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            <elementText elementTextId="2698145">
              <text>English Manuscript Studies, 1100-1700 03 (1992): 1-28.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2698146">
              <text>1992</text>
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        <element elementId="108">
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            <elementText elementTextId="2698147">
              <text>Contradictions: From "Beowulf" to Chaucer</text>
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            <elementText elementTextId="2698150">
              <text>Equatorie of the Planetis.</text>
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          <elementTextContainer>
            <elementText elementTextId="2698151">
              <text>English Manuscript Studies, 1100-1700 03 (1992).</text>
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            <elementText elementTextId="2698152">
              <text>mea</text>
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              <elementText elementTextId="2698143">
                <text>Chaucer's Spelling Reconsidered</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2698148">
                <text>Doubtful of M. L. Samuels's argument that Equat is Chaucer's work, Benson examines dominate and recessive spelling forms to argue that it is not.  Compares spelling in Equat with that of various manuscripts of TC and CT.</text>
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                <text>Reprinted in Theodore M. Andersson and Stephen A. Barney, eds.  Contradictions: From "Beowulf" to Chaucer (Aldershot, Hant.: Scolar; Brookfield, Vt: Ashgate, 1995).</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
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              <text>Rudat, Wolfgang E. H.</text>
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        <element elementId="98">
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              <text>Annuale Mediaevale 21 (1981): 111-20.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
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        <element elementId="102">
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              <text>Merchant and His Tale.</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2721692">
              <text>Annuale Mediaevale 21 (1981)</text>
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        <element elementId="109">
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              <text>jules SAC 06 (112)</text>
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              <elementText elementTextId="2721686">
                <text>Chaucer's Spring of Comedy: The 'Merchant's Tale' and other 'Games' with Augustinian Theology</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2721690">
                <text>The idea of sex as hard work and the portrait of January as lover draws on Augustinian theories of pre- and postlapsarian sexuality, also important in WBT and MkT; nevertheless, bawdy treatments of Christian theories are "harmoniously absorbed by the Spring of Comedy" that infuses CT.</text>
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  <item itemId="273724" public="1" featured="0">
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              <text>Fleming, John.</text>
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        <element elementId="98">
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              <text>Notes and Queries 212 (1967): 48-49.</text>
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        <element elementId="100">
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              <text>Notes and Queries 212 (1967)</text>
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            <elementText elementTextId="2819303">
              <text>Squire and His Tale&#13;
Romaunt of the Rose&#13;
Chaucer's Influence and Later Allusion&#13;
Sources, Analogues, and Literary Relations&#13;
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        <element elementId="114">
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            <elementText elementTextId="2819305">
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                <text>Chaucer's Squire, the "Roman de la Rose," and the "Romaunt."</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2819299">
                <text>Explores relations among details of the GP description of the Squire (CT 1.94-96), the "Roman de la Rose," and a passage from fragment B of the "Romaunt of the Rose," suggesting that Chaucer influenced the fragment and that the two passages derive from different texts of the "Roman de la Rose."</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2771322">
              <text>Bloomfield, Morton W.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2771323">
              <text>Poetica (Tokyo) 12 (1981): 28-35</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2771324">
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            <elementText elementTextId="2771326">
              <text>Squire and His Tale.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2771327">
              <text>Poetica: An International Journal of Linguistic Literary Studies 12 (1981) .</text>
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        <element elementId="109">
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              <text>vxl sac 29:225</text>
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              <elementText elementTextId="2771321">
                <text>Chaucer's Squire's Tale and the Renaissance</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2771325">
                <text>Bloomfield considers natural law, an interest in distant geography, and the similarities between magic and technology in SqT as evidence of the "new spirit of the Renaissance" in Chaucer's works.</text>
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              <text>Kordecki, Lesley.</text>
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                <text>Chaucer's Squire's Tale: Animal Discourse, Women, and Subjectivity</text>
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                <text>Various concepts of "otherness" in SqT--oriental setting, magic, non-human speech, female centrality--reflect Chaucer's "reshaping" of Ovidian "transformation" myth. His efforts to enter "into feminized animal subjectivity . . . intertwine with magic." Yet, "the experiment must inevitably fail." Kordecki also comments on ManT and NPT.</text>
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              <text>Use of English 11 (1959): 102-07.</text>
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              <text>mea; 10/28/2023</text>
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              <text>1959</text>
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                <text>Argues that "gentilesse" is the main concern of SqT, linked to the sub-themes of integrity, mercy, education, truthful rhetoric, youthfulness, and social class.</text>
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                <text>Chaucer's Squire's Tale.</text>
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              <text>Kellogg, Arthur L., and Robert C. Cox.</text>
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              <text>Alfred L. Kellogg. Chaucer, Langland, Arthur: Essays in Middle English Literature (New Brunswick, N. J.: Rutgers University Press, 1972), pp. 108-45.</text>
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              <text>1972</text>
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              <text>Parliament of Fowls</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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              <text>mea; 10/06/2015 No SAC</text>
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                <text>Chaucer's St. Valentine: A Conjecture</text>
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                <text>Describes the backgrounds to Chaucer's reference to St. Valentine in PF (line 309) and explores its contemporaneous contexts in the poetry of Oton de Grandson and Charles d'Orléans. Rooted in Roman Lupercalia seasonal rites of purification and fertility, in the Christian holyday of Candlemas, and in legends of St. Valentine as "patron saint of the natural world," Chaucer's poem is indebted to Grandson's "Songe St. Valentin," although he "restored" Valentine's more direct association with nature.</text>
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              <text>Taylor, Paul Beekman.</text>
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              <text>Chaucer Yearbook 4 (1997): 1-19.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Squire and His Tale.</text>
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              <text>Romaunt of the Rose.</text>
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              <text>House of Fame.</text>
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              <text>jules SAC 21 - 148</text>
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                <text>Chaucer's Strategies of Translation</text>
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                <text>Explores Chaucer's meanings for "translation" and related terms, using them to examine Chaucer's use of source material.  Conjointure, verbal play, etymologizing, and transfer of meaning typify Chaucerian translation, exemplified in Troilus's complaint from Petrarch (TC 1.400-420) and emblematized in the magic ring and brass steed of SqT.  Taylor also explores the point at which Chaucer stops translating in Rom, the personification of sound in HF, and various instances of verbal play in CT.</text>
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            <elementText elementTextId="2782941">
              <text>Breeze, Andrew.</text>
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        <element elementId="98">
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              <text>Notes and Queries 254 (2009): 21-23.</text>
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        <element elementId="114">
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            <elementText elementTextId="2782945">
              <text>Reeve and His Tale.</text>
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              <text>Language and Word Studies</text>
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              <text>Notes and Queries 254 (2009): 21-23.</text>
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              <text>vxl sac 33:124</text>
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                <text>Chaucer's Strother and Berwickshire</text>
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                <text>For both linguistic and political reasons, the town in RvT from which John and Aleyn hail may be identified as Westruther in Berwickshire, making Chaucer's rendition of their speech "the first imitation of Scots dialect in English literature."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Stroud, Theodore A.</text>
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        <element elementId="98">
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              <text>Annuale Mediaevale 21 (1981): 31-45.</text>
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              <text>1981</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Knight and His Tale.</text>
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              <text>Annuale Mediaevale 21 (1981)</text>
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              <text>jules SAC 06 (75)</text>
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                <text>Chaucer's Structural Balancing of 'Troilus' and 'Knight's Tale'</text>
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              <elementText elementTextId="2721355">
                <text>Chaucer exploited the structural similarities of the "Teseida" and the "Filostrato," though he shortened the first and greatly expanded the second.</text>
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              <text>Cannon, Christopher.</text>
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                <text>Though traditional at root, Chaucer's diction, syntax, and rhetoric are made fresh by the poet's careful combination and articulation of traditional features. Doubleness (as in mixed styles, ambiguity, and irony) is characteristic of his style and a means to "generate dynamism in language."</text>
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                <text>Chaucer's Summary of Statius' Thebaid II-XII.</text>
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                <text>Quotes, translates, and anatomizes the Latin "arguments" of the "books" found in Statius' "Thebaid" that underlie Cassandra's summary of the Statius' work in TC 5.1457-1533, with its twelve-line Latin summary interpolated in most TC manuscripts. Comments on manuscript witnesses, and shows that Chaucer used the arguments found in Statius as source material.</text>
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              <text>Cawley, A. C.</text>
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              <text>Summoner and His Tale&#13;
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              <text>mea; 7/2/2024</text>
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1956</text>
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              <text>Notes and Queries 209 (1964): 48.</text>
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Sources, Analogues, and Literary Relations</text>
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              <text>mea; 10/30/2019</text>
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                <text>Chaucer's Summoner: "Wel loved he garleek, oynons, and eek lekes", C.T. I, 634.</text>
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                <text>Maintains that the Summoner's fondness for "overheating foods" conveys lechery, adducing evidence from Reginald Pecock's fifteenth-century "The Reule of Crysten Religioun."</text>
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              <text>Garbáty, Thomas Jay.</text>
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              <text>Summoner and His Tale&#13;
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                <text>Chaucer's Summoner: An Example of Assimilation Lag in Scholarship.</text>
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                <text>Reviews evidence in GP that Chaucer's Summoner suffers from venereal disease rather than leprosy, using it as an example of little-known or overlooked scholarship that might be lost or ignored. Cites other examples more briefly, including the record of Chaucer's presence in Spain in 1366.</text>
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              <text>Peltola, Niilo.</text>
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              <text>Neuphilologische Mitteilungen 69 (1968): 560-68.</text>
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              <text>Summoner and His Tale&#13;
Language and Word Studies</text>
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                <text>Chaucer's Summoner: Fyr-reed Cherubynnes Face.</text>
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                <text>Traces several iconographical, etymological, and punning associations of cherubs with redness, commenting on confusion with seraphs, and suggesting that these associations underlie details of the Summoner's description in GP.</text>
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