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              <text>Lightsey, Scott.</text>
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              <text>Chaucer Review 52.2 (2017): 188-201.</text>
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              <text>House of Fame&#13;
Chaucer's Life</text>
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              <text>SAC 41:281</text>
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                <text>Explores the significance of Chaucer's travels through Kent. Claims that HF resonates with the cult and Church of St. Leonard in Kent.</text>
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                <text>Chaucer's Return from Lombardy, the Shrine of St. Leonard at Hythe, and the "corseynt Leonard" in the "House of Fame." Lines 112-18."</text>
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              <text>Blamires, Alcuin.</text>
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              <text>Mediaevalia 5 (1979): 245-69.</text>
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              <text>1979</text>
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              <text>Background and General Criticism.</text>
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              <text>Mediaevalia 05 (1979)</text>
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              <text>jules SAC 05 (50)</text>
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                <text>Chaucer's Revaluation of Chivalric Honor</text>
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                <text>Although the prevailing code of honor was belligerent, Chaucer's dissatisfaction with this aggressive style is subtly indicated in Truth, Mars, Th, and KnT by presentation of "heroic" actions and martial "worshippe" as slightly ridiculous.  In Mel, Prudence demonstrates that true "honour" lies in man's control over himself.</text>
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              <text>Cureton, Kevin K.</text>
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              <text>Studies in Bibliography 42 (1989): 153-84.</text>
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              <text>1989</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Studies in Bibliography 42 (1989).</text>
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              <text>jules SAC 13 (233)</text>
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                <text>Chaucer's Revision of 'Troilus and Criseyde'</text>
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                <text>R. K. Root's theory of how the text of TC underwent authorial revision, thus resulting in a number of significant variants between the manuscript groups, has been challenged by Barry A. Windeatt (1984) and Ralph Hanna (1986).</text>
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                <text>  Root clearly went too far in trying to explain these variants with a single hypothesis.  However, the skepticism of Windeatt and Hanna goes too far in the other direction.  Undoubtedly, Chaucer made revisions, but when or how they came about we cannot claim to know.</text>
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              <text>Seymour, M. C.</text>
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              <text>Modern Language Review 92 (1997): 832-41.</text>
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              <text>Legend of Good Women.</text>
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              <text>Manuscripts and Textual Studies.</text>
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              <text>Modern Language Review 092 (1997)</text>
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              <text>jules SAC 21 - 277</text>
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                <text>Chaucer's Revision of the Prologue to 'The Legend of Good Women'</text>
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                <text>Compares the original (F) version with the revised (G) version of LGWP, commenting on stages of transmission of G--from its composition to the extant manuscript Cambridge University Library Gg 4.27.  Hypothesizes that Chaucer revised LGWP as a separate work after Henry IV's usurpation, imitating Gower's "Confessio Amantis" and motivated by political and aesthetic concerns.</text>
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              <text>Miller, Robert P.</text>
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              <text>Leigh A. Arrathoon, ed. Chaucer and the Craft of Fiction (Rochester, Mich.: Solaris Press, 1986), pp. 219-40.</text>
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              <text>Chaucer and the Craft of Fiction.</text>
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              <text>jules SAC 10 (180)</text>
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                <text>Chaucer's Rhetorical Rendition of Mind: 'The Squire's Tale'</text>
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                <text>Apparent artistic infelicities and a concern with surface style reflect the Squire's immature mind, unformed tastes, and youthful impatience.  SqT is not badly written or unfinished.</text>
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              <text>Maffetone, Elizabeth Christine.</text>
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              <text>Ph.D. Dissertation. Indiana University, 2020.Dissertation Abstracts International A81.12(E). Fully available via ProQuest Dissertations &amp; Theses Global.</text>
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              <text>Background and General Criticism&#13;
Troilus and Criseyde&#13;
Clerk and His Tale&#13;
Physician and His Tale&#13;
Manciple and His Tale</text>
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              <text>SAC 45:79</text>
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              <text>2020</text>
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              <text>vii, 224 pp.</text>
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                <text>Chaucer's Rhetorical Violence.</text>
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                <text>Traces "gendered protocols of violence that have been inherited through literary interpretive practices as they are represented in Chaucer's corpus." Argues that "acts of reading, writing, and translation can function as forms of violence in medieval literature." Focuses on ClT, PhyT, ManT, and TC, with a chapter on pedagogical applications.</text>
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              <text>Brody, Saul Nathaniel.</text>
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              <text>Chaucer Review 20 (1985): 113-31.</text>
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              <text>Style and Versification.</text>
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                <text>Chaucer's Rhyme Royal Tales and the Secularization of the Saint</text>
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                <text>By his choice of stanza Chaucer invites us to compare four tales: SNT, PrT, MLT, ClT, each an elevated tale of saintly suffering involving impingement of secularism upon the saintly ideal.  Completed earlier, PhyT is not in rhyme royal.</text>
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              <text>Chickering, Howell.</text>
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              <text>Tale of Sir Thopas</text>
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                <text>Chaucer's Riding Rhyme</text>
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                <text>Chaucer's poetry should be declaimed or at least heard with the "mind's ear." His decasyllabic couplets, once dismissed by critics as "riding rhyme" and even confused with the doggerel of Th, are "eminently playable," offering a variety of phonological and semantic possibilities. Rhyme, enjambment, and caesurae contribute to Chaucer's conversational style in CT.</text>
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              <text>Hirsh, John C.</text>
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        <element elementId="98">
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              <text>Chaucer Review 31 (1996): 45-57.</text>
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        <element elementId="114">
          <name>Date</name>
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                <text>Considers Chaucer's two tales set in ancient Rome--PhyT and SNT--maintaining that each is "particularly concerned with political corruption"; "the depravity of those who wield the state's power has quite undermined it."  Hirsh notes a possible "progression" in certain late tales, which "give evidence of a growing authorial disinclination to privilege the ideal and ordered, but rather to engage the incongruous,the eccentric, and palpably false or unjust."</text>
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              <text>Saunders, Corinne [J.]</text>
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              <text>Corinne Saunders, ed. A Companion to Romance: From Classical to Contemporary. (Malden, Mass: Blackwell, 2004), pp. 85-103.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2768567">
              <text>2004</text>
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              <text>A Companion to Romance: From Classical to Contemporary.</text>
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              <text>Book of the Duchess.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Knight and His Tale.</text>
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              <text>Wife of Bath and Her Tale.</text>
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              <text>Squire and His Tale.</text>
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            <elementText elementTextId="2768575">
              <text>Franklin and His Tale.</text>
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              <text>Tale of Sir Thopas.</text>
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              <text>vxl sac 29:140</text>
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                <text>Chaucer's Romances</text>
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              <elementText elementTextId="2768569">
                <text>Chaucer transcended and transgressed the commonly accepted conventions of "romance": Th parodies the genre, while BD elevates its status by associating romance with classical works. Th, KnT, SqT, FranT, and WBT reflect a variety of approaches to romance. In TC, Chaucer combines realism and romance and raises "existential questions relating to free will, faith, and transience."</text>
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              <text>Seya, Yukio, trans.</text>
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              <text>Shi to Sanbun (Poetry and Prose) 51-52 (1992): 68-73, 82-86.</text>
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                <text>Chaucer's Romaunt of the Rose, Parts I and II</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2695506">
                <text>A Japanese prose translation of Rom, based on The Riverside Chaucer.  Includes notes.</text>
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          <elementTextContainer>
            <elementText elementTextId="2843466">
              <text>Manley, Francis.</text>
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              <text>Modern Language Notes 74 (1959): 385-88.</text>
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          <elementTextContainer>
            <elementText elementTextId="2843468">
              <text>Modern Language Notes 74 (1959)</text>
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              <text>Prioress and Her Tale</text>
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              <text>mea; 10/28/2023</text>
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              <text>1959</text>
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                <text>Chaucer's Rosary and Donne's Bracelet: Ambiguous Coral.</text>
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          <element elementId="41">
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              <elementText elementTextId="2843465">
                <text>Traces backgrounds to the coral beads held by the Prioress (GP 1.158-59), both as an amulet against evil and a charm for earthly love, also found in John Donne's "Sonnet. The Token," lines 10-12.</text>
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              <text>Seymour, Michael C.</text>
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            <elementText elementTextId="2837800">
              <text>Medium Aevum 87.1 (2018): 23-40</text>
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              <text>Romaunt of the Rose&#13;
Manuscripts and Textual Studies</text>
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        <element elementId="114">
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            <elementText elementTextId="2837804">
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                <text>Chaucer's Rose.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2837798">
                <text>Demonstrates the need for a reexamination of the physical description and linguistic analysis of University of Glasgow, MS Hunter 409 (MS V.3.7) of Rom. Manuscript study reveals the "canard" that a northerner translated Fragment B. Refutes the three-fragment theory of Rom and claims that Chaucer is the author of the entire manuscript.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Martin, Ellen E.</text>
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              <text>Exemplaria 3 (1991): 467-90.</text>
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              <text>1991</text>
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              <text>Legend of Good Women.</text>
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              <text>Exemplaria 03 (1991)</text>
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              <text>mea</text>
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                <text>Chaucer's Ruth: An Exegetical Poetic in the Prologue to the Legend of Good Women</text>
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                <text>Examines exegetical interpretations of and allusions to the story of Ruth.  Chaucer's allusion to Ruth in LGWP expresses alienation and belatedness and asserts poetic privilege and the interpretive creativity of marginality.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Takamiya, Toshiyuki</text>
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              <text>Key-Word Studies in "Beowulf" and Chaucer 1 (1980): 59-65.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>1980</text>
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              <text>Language and Word Studies</text>
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              <text>Romaunt of the Rose.</text>
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            <elementText elementTextId="2725891">
              <text>Key-Word Studies in "Beowulf" and Chaucer 01 (1980)</text>
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              <text>mea SAC 04 (29)</text>
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                <text>Chaucer's Sad and its Related Words</text>
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              <elementText elementTextId="2725888">
                <text>Examines Chaucer's use of "sad" in his works.  The manuscript reading in ROM A211 makes it clear that he probably did not bear in mind the modern meaning of "sorrowful" or "mourning."</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2750017">
              <text>Epstein, Robert.</text>
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        <element elementId="98">
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            <elementText elementTextId="2750018">
              <text>Studies in Philology 96: 1-21,   1999.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>1999</text>
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              <text>Envoy to Scogan.</text>
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              <text>Studies in Philology 96 (1999): 1-21.</text>
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              <text>jules SAC 23 (268)</text>
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                <text>Chaucer's Scogan and Scogan's Chaucer</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2750020">
                <text>Compares Scog and Henry Scogan's "Moral Ballade," arguing that the two works reflect aspects of Ricardian and Lancastrian culture, respectively--Chaucer serves in a "benignly neglectful court culture," and Scogan heralds an "age of politicized poetry."</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2772119">
              <text>Mooney, Linne R.</text>
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        <element elementId="98">
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            <elementText elementTextId="2772120">
              <text>Speculum 81 (2006): 97-138.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2772121">
              <text>2006</text>
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              <text>Manuscripts and Textual Studies.</text>
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              <text>Adam Scriveyn</text>
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              <text>Speculum 81 (2006)</text>
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            <elementText elementTextId="2772126">
              <text>vxl sac 30:34.</text>
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                <text>Chaucer's Scribe</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2772122">
                <text>Mooney surveys the manuscripts and life records of Adam Pinkhurst, identified as the scribe addressed in Chaucer's Adam and as the scribe of the Hengwrt and Ellesmere manuscripts, among others. Includes a chronology of manuscripts Pinkhurst is known to have copied, an outline of his career, and an appendix with detailed analysis of Pinkhurst's hand, including ten reproductions sampling his work.</text>
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              <text>Warner, Lawrence.</text>
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              <text>New York: Cambridge University Press, 2018.</text>
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              <text>xv, 222 pp.</text>
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              <text>Manuscripts and Textual Studies&#13;
Adam Scriveyn&#13;
Canterbury Tales--General</text>
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              <text>mea; SAC 42:19</text>
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            <elementText elementTextId="2831782">
              <text>2018</text>
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              <elementText elementTextId="2831775">
                <text>Chaucer's Scribes: London Textual Production,1384-1432.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2831776">
                <text>Pushes back on assumptions that have been made about Adam Pinkhurst and homes in on narratives constructed by scholars such as Linne Mooney. By analyzing idiomatic and vernacular trends, responds to the cult of Pinkhurst as "Chaucer's Scribe" by arguing that Pinkhurst is not the person Chaucer addresses in Adam and that he was not the scribe of Hengwrt or Ellesmere manuscripts of CT.</text>
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  <item itemId="270914" public="1" featured="0">
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2790896">
              <text>Arner, Timothy D.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2790897">
              <text>Medium Aevum 79.1 (2010): 68-89.</text>
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        <element elementId="114">
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            <elementText elementTextId="2790898">
              <text>2010</text>
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              <text>Troilus and Criseyde.</text>
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        <element elementId="100">
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            <elementText elementTextId="2790901">
              <text>Medium Aevum 79 (2010).</text>
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              <text>vxl sac 34:297</text>
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              <elementText elementTextId="2790895">
                <text>Chaucer's Second Hector: The Triumphs of Diomede and the Possibility of Epic in 'Troilus and Criseyde'</text>
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              <elementText elementTextId="2790899">
                <text>In TC, Diomede, rather than Troilus, functions as the second Hector, and Diomede is the only hero who escapes the cycle of Theban and Trojan violence. At a dangerous time in English history, Chaucer desires a healing ideology for England; his turn from epic and history to romance parallels problems with political discourse in the Ricardian era.</text>
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  <item itemId="267848" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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              <text>Jankowski, Eileen S.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2759346">
              <text>Chaucer Review 36: 128-48,   2001.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2759347">
              <text>2001</text>
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              <text>Second Nun and Her Tale.</text>
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            <elementText elementTextId="2759350">
              <text>Chaucer Review 36 (2001)</text>
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          <description/>
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              <text>jules SAC 25 (247)</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2759344">
                <text>Chaucer's Second Nun's Tale and the Apocalyptic Imagination</text>
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          <element elementId="41">
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              <elementText elementTextId="2759348">
                <text>Although SNT has been considered a straightforward account of St. Cecilia, apocalyptic techniques make it more complex. Engaging apocalyptic imagination, Chaucer focuses on "eschatology, renovation, and the collapse of time."</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2724332">
              <text>Kolve, V. A.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2724333">
              <text>Donald M. Rose, ed.  New Perspectives in Chaucer Criticism (Norman Okla.: Pilgrim Books, 1981), pp. 137-74.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2724334">
              <text>1981</text>
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          </elementTextContainer>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2724335">
              <text>New Perspectives in Chaucer Criticism.</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2724337">
              <text>Second Nun and Her Tale.</text>
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              <text>jules SAC 05 (199)</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2724331">
                <text>Chaucer's Second Nun's Tale and the Iconography of Saint Cecilia</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2724336">
                <text>Although Chaucer was not a "painterly" poet, he was, like most other serious writers of the time, an iconographic poet.  Examines a number of medieval images appropriate to Chaucer's life of Saint Cecilia and includes twenty reproductions in black and white.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2814561">
              <text>Kudo, Yoshinobu.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2814562">
              <text>Geibun-Kenkyu (Keio University) 106 (2014): 1-16.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2814563">
              <text>2014</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2814565">
              <text>Second Nun and Her Tale</text>
            </elementText>
            <elementText elementTextId="2814566">
              <text>Language and Word Studies</text>
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        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2814567">
              <text>Geibun-Kenkyu 106 (2014)</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2814568">
              <text>mea; 3/03/2017 sac 38:188</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2814560">
                <text>Chaucer's Second Nun's Tale and the Problem of Lay and Religious Self-Formation</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2814564">
                <text>Contends that in SNT Cecilia's "sense of incongruity between inner self and social definition" is directed to a pious lay audience. Argues that  the Second Nun's use of the word "bisynesse obfuscates" what the tale has to convey to her lay audience</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2855141">
              <text>Reilly, Cyril A.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2855142">
              <text>Modern Language Notes 69 (1954): 37-39.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2855143">
              <text>Modern Language Notes 69 (1954)</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2855144">
              <text>Second Nun and Her Tale</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2855145">
              <text>mea; 5/19/26</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2855146">
              <text>1954</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2855139">
                <text>Chaucer's Second Nun's Tale: Tiburce's Visit to Pope Urban.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2855140">
                <text>Argues that details and source material make clear that the description of Tiberce's visit to Pope Urban in SNT 8.352-53 indicates Tiburce received the sacrament of Confirmation as well as the sacrament of Baptism.</text>
              </elementText>
            </elementTextContainer>
          </element>
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  </item>
  <item itemId="267828" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2759141">
              <text>Lightsey, Scott.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2759142">
              <text>Studies in the Age of Chaucer 23: 289-316,   2001.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2759143">
              <text>2001</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2759146">
              <text>Franklin and His Tale.</text>
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            <elementText elementTextId="2759147">
              <text>Squire and His Tale.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2759148">
              <text>Studies in the Age of Chaucer  23 (2001)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2759149">
              <text>jules SAC 25 (218)</text>
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          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2759140">
                <text>Chaucer's Secular Marvels and the Medieval Economy of Wonder</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2759144">
                <text>Commerce in automatons, mechanical contrivances, and other marvels or mirabilia in late-medieval Europe diminished the wonder of such objects and encouraged scepticism. Chaucer's FranT and SqT rationalize the marvels they present in ways that indicate the poet's ambivalence, a combination of his technological awareness and the legacy of romance wonders.</text>
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              <elementText elementTextId="2759145">
                <text>For a revised version, see Lightsey's Manmade Marvels in Medieval Culture and Literature (New York: Palgrave Macmillan, 2007), chapter 2.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753085">
              <text>Feimer, Joel.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753086">
              <text>John M. Hill and Deborah M. Sinnreich-Levi, eds. The Rhetorical Poetics of the Middle Ages: Reconstructive Polyphony. Essays in Honor of Robert O. Payne (Madison, N.J., and London: Fairleigh Dickinson University Press and Associated University Presses, 2000), pp. 88-105.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753087">
              <text>2000</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753088">
              <text>Rhetorical Poetics of the Middle Ages: Reconstructive Polyphony. Essays in Honor of Robert O. Payne.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753090">
              <text>Legend of Good Women.</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753091">
              <text>jules SAC 24 (364)</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2753084">
                <text>Chaucer's Selective 'Remembraunce' : Ironies of 'Fyn Loving' and the Ideal Feminine</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2753089">
                <text>Although the narrator's intention in LGW is to praise his heroines for their "trouthe in love," his naiveté leads to an ironic representation of feminine ideals and, ultimately, an underlying antifeminism.</text>
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          </element>
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