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              <text>Gruber, Loren Charles.</text>
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              <text>DAI 33.06 (1972): 2891A.</text>
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              <text>Miller and His Tale</text>
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              <text>Dissertation Abstracts International 33 (1972)</text>
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              <text>mea; 2/10/2016 No SAC</text>
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                <text>Isolation in Old English Elegies and the Canterbury Tales: A Contribution to the Study of the Continuity of English Poetry</text>
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                <text>Treats various characters of CT as figures in or of isolation: Arcite (KnT), John (MilT), Constance (MLT), Friar John (SumT), Thomas (SumT), and the Pardoner. As such, they share characteristics with figures in Old English poetry.</text>
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              <text>DiMarco, Vincent Joseph.</text>
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              <text>DAI 33.04 (1972): 1677A.</text>
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        <element elementId="114">
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              <text>1972</text>
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              <text>Knight and His Tale</text>
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              <text>Squire and His Tale</text>
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            <elementText elementTextId="2807780">
              <text>Dissertation Abstracts International 33 (1972)</text>
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              <text>mea; 2/10/2016 No SAC</text>
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                <text>Literary and Historical Researches Respecting Chaucer's Knight and Squire</text>
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                <text>Studies the historical underpinnings of the GP descriptions of the Knight and Squire and discusses KnT and SqT for the ways they reflect the development of the Squire's "Romantic Chivalry" out of the Knight's "Religious Chivalry," questioning the idealization of the Knight and asserting the Squire's considerable knowledge and skill.</text>
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              <text>Dean, James [M.]</text>
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              <text>DAI 32.12 (1972): 6924A.</text>
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        <element elementId="114">
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            <elementText elementTextId="2807767">
              <text>1972</text>
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            <elementText elementTextId="2807769">
              <text>Clerk and His Tale</text>
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            <elementText elementTextId="2807770">
              <text>Dissertation Abstracts International 32 (1972)</text>
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        <element elementId="109">
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              <text>mea; 2/10/2016 No SAC</text>
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                <text>The World Grows Old: The Significance of a Medieval Idea</text>
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            <description>An account of the resource</description>
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                <text>Traces the theme of the decline of the world in biblical and medieval tradition, examining three literary texts: Bernard of Cluny's "De Contemptus Mundi," John Gower's "Confessio Amantis," and ClT, where the virtues of "steadfastness and patience" are "no longer to be found in the world."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Beidler, Peter G.</text>
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        <element elementId="98">
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              <text>Costerus 5 (1972): 1-25.</text>
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        <element elementId="114">
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            <elementText elementTextId="2807758">
              <text>1972</text>
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              <text>Merchant and His Tale</text>
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            <elementText elementTextId="2807761">
              <text>Costerus 05 (1972)</text>
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            <elementText elementTextId="2807762">
              <text>mea; 2/10/2016 No SAC</text>
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                <text>Chaucer's Merchant and the Tale of January</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2807759">
                <text>Argues that the Merchant's attitudes are reflected in the views of Justinus (not January) in MerT.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Bargreen, Melinda Lueth.</text>
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        <element elementId="98">
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            <elementText elementTextId="2807747">
              <text>DAI 33.06 (1972): 2884A.</text>
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            <elementText elementTextId="2807748">
              <text>1972</text>
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            <elementText elementTextId="2807750">
              <text>Troilus and Criseyde</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2807752">
              <text>Dissertation Abstracts International 33 (1972)</text>
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              <text>mea; 2/10/2016 No SAC</text>
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            <name>Title</name>
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              <elementText elementTextId="2807745">
                <text>The Author in his Work: The Priest/Pupil Narrative Topos</text>
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            <description>An account of the resource</description>
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                <text>Reads the Pandarus/Troilus relationship in TC as a variation on the priest/pupil motif also found in works by Ovid, Andreas Capellanus, Guillaume de Lorris, Jean de Meun, and John Gower.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2807735">
              <text>Yasui, Michael.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2807736">
              <text>Journal of Social Sciences and Humanities (Tokyo Metropolitan University) 479 (2013): 1-10.</text>
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        <element elementId="114">
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            <elementText elementTextId="2807737">
              <text>2013</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2807739">
              <text>Troilus and Criseyde</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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            <elementText elementTextId="2807741">
              <text>Journal of Social Sciences and Humanities (Tokyo Metropolitan University) 479 (2013)</text>
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              <text>Jinbun Gakuho 479 (2013)</text>
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            <elementText elementTextId="2807743">
              <text>mea SAC 37:172</text>
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                <text>Ambiguity and Disruption in Chaucer's Troilus and Criseyde: The Effects of Hermeneutic Mimetics</text>
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                <text>Discusses how origins of the meaning of TC are "decentred" on different levels. Argues that complicated use of external sources obfuscates the meaning of the text and that the subject-positions of Pandarus and the narrator create a "disruption" in the text.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Vines, Amy N.</text>
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            <elementText elementTextId="2807726">
              <text>Cambridge: D. S. Brewer, 2011.</text>
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              <text>xi, 169 pp.</text>
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              <text>Troilus and Criseyde</text>
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              <text>Manuscripts and Textual Studies</text>
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              <text>mea SAC 37:170</text>
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                <text>Examines what "medieval romances convey about the possibilities for female social and cultural influence" during the Middle Ages. Chapter 1 analyzes how Chaucer's depictions of Cassandra and Criseyde were influenced by "representations of women's reading and interpretation" in the Corpus Christi manuscript of TC.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>mea SAC 37:168</text>
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                <text>The Structure of Chaucer's Ambiguity</text>
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                <text>Proposes a theoretical framework, a "double prism structure," to examine ambiguity attributable to textual, interpersonal, and linguistic "domains" in TC.</text>
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              <text>Moreno, Christine M.</text>
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              <text>DAI A74.05 (2013): n.p.</text>
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              <text>Troilus and Criseyde</text>
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              <text>Dissertation Abstracts International 74 (2013)</text>
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              <text>mea sac 37:167</text>
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                <text>Secrecy and Fear in Confessional Discourse: Subversive Strategies, Heretical Inquisition, and Shifting Subjectivities in Vernacular Middle English and Anglo-French Poetry</text>
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                <text>Reflects on secrecy and fear in confessional moments in several works, including TC.</text>
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            <elementText elementTextId="2807696">
              <text>Mann, Jill.</text>
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              <text>Strumenti Critici 28 (2013): 3-26.</text>
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              <text>Troilus and Criseyde</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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              <text>Strumenti Critici 28 (2013)</text>
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              <text>mea sac 37:166</text>
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                <text>In Defence of Francesca: Human and Divine Love in Dante and Chaucer</text>
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                <text>Argues that "Inferno" V does not justify dismissing Francesca's love for Paolo as "lust," given the continuity between the "disiato riso" that leads them to kiss and the "santo riso" of Beatrice that draws Dante upward to Paradise. Echoing Dante and Guinizelli, Chaucer shows Troilus discovering a divine dimension in human existence.</text>
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              <text>Judkins, Ryan Russell.</text>
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              <text>Troilus and Criseyde</text>
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            <elementText elementTextId="2807692">
              <text>Dissertation Abstracts International 74 (2013)</text>
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              <text>mea sac 37:165</text>
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                <text>Noble Venery: Hunting and the Aristocratic Imagination in Late Medieval English Literature</text>
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                <text>Contends that metaphors of hunting in TC and the alliterative "Morte Arthure" are intended for a noble audience, and in turn, they shape that audience's attention to ideas of love and chivalry.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Jost, Jean E.</text>
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              <text>Medieval Perspectives 28 (2013): 145-82,</text>
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              <text>Troilus and Criseyde</text>
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            <elementText elementTextId="2807683">
              <text>Medieval Perspectives 28 (2013)</text>
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              <text>mea sac 37:164</text>
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                <text>Fortune or Free Will in Chaucer's 'Troilus and Criseyde': How Fortune 'Pleyeth with Free and Bonde'</text>
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                <text>Though medieval orthodoxy insisted on the reality of free will, TC presents three characters subject to fortune at every turn, perhaps because they are pre-Christian pagans.  Troilus is a victim of fortune from the moment he sees Criseyde.  Pandarus is similarly enchained, but achieves a kind of agency by taking up Troilus' cause with Criseyde, whose compliant nature he manipulates shamelessly. History itself is another of Fortune's agents as the tragedy unwinds.</text>
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              <text>Federico, Sylvia.</text>
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              <text>Studies in the Age of Chaucer 35 (2013): 137-77.</text>
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              <text>Troilus and Criseyde</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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              <text>Studies in the Age of Chaucer 35 (2013)</text>
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              <text>mea sac 37:162</text>
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                <text>Two Troy Books: The Political Classicism of Walsingham's 'Ditis ditatus' and Chaucer's 'Troilus and Criseyde'</text>
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                <text>Treats TC and Thomas Walsingham's "Ditis ditatus" as the two major Troy narratives of late fourteenth-century England, considering the influences of Dictys and Dares (along with Boccaccio) on the two works, and focusing on their depictions of various secondary characters (Helen, Paris, Deiphebus, and Hector) as mirrors of late-medieval political events and conditions.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Crocker, Holly A.</text>
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          <elementTextContainer>
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              <text>Journal of Medieval and Early Modern Studies 43 (2013): 303-34.</text>
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              <text>2013</text>
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              <text>Troilus and Criseyde</text>
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            <elementText elementTextId="2807663">
              <text>Chaucer's Influence and Later Allusion</text>
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            <elementText elementTextId="2807664">
              <text>Journal of Medieval and Early Modern Studies 43 (2013)</text>
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              <text>mea sac 37:161</text>
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              <elementText elementTextId="2807657">
                <text>'As false as Cressid': Virtue Trouble from Chaucer to Shakespeare</text>
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              <elementText elementTextId="2807661">
                <text>Looks at Shakespeare's "Troilus and Cressida" in the context of its medieval legacy, including works by Chaucer, Lydgate, and Henryson, to argue that Shakespeare "continues an important late medieval poetic tradition, which highlights the problematic consequences of virtue's performativity for idealized women in premodern England."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Nowlin, Steele.</text>
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              <text>Exemplaria 25 (2013): 16-35.</text>
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            <elementText elementTextId="2807651">
              <text>2013</text>
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              <text>Legend of Good Women</text>
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            <elementText elementTextId="2807654">
              <text>Exemplaria 25 (2013)</text>
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              <text>mea sac 37:157</text>
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                <text>The Legend of Good Women and the Affect of Invention</text>
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            <description>An account of the resource</description>
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                <text>Analyzes LGW as "a narrative treatise on the 'affect of invention,'" linking the processes of emergence that precede the mind's conscious recognition of emotion with the inventional processes which culminate in poetic art. LGWP introduces a method for reconceptualizing invention, and the legends dramatize the process by which affect and invention collapse into emotion and poetry. The poem exposes the discourses that shape late medieval ideas of gender and the affect that infuses those discourses with power.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Desmond, Marilynn R.</text>
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        <element elementId="98">
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              <text>Studies in the Age of Chaucer 35 (2013): 179-207.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2807639">
              <text>2013</text>
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            <elementText elementTextId="2807641">
              <text>Legend of Good Women</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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              <text>Troilus and Criseyde</text>
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              <text>Man of Law and His Tale</text>
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          <elementTextContainer>
            <elementText elementTextId="2807645">
              <text>Studies in the Age of Chaucer 35 (2013)</text>
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        <element elementId="109">
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            <elementText elementTextId="2807646">
              <text>mea sac 37:156</text>
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              <elementText elementTextId="2807636">
                <text>The 'Translatio' of Memory and Desire in 'The Legend of Good Women': Chaucer and the Vernacular 'Heroides'</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2807640">
                <text>Explores the influence of Italian and French vernacular versions of Ovid's "Heroides" on the legends of LGW, where Chaucer engages and undermines the historical emphasis of these vernacular versions and reasserts the literary, rhetorical authority of the Ovidian originals. Also comments on the Ovidianism of letters in TC and on the presentation of LGW in MLP.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2807627">
              <text>Arner, Lynn.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2807628">
              <text>University Park: Pennsylvania State University Press, 2013.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2807629">
              <text>2013</text>
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          </elementTextContainer>
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        <element elementId="99">
          <name>Physical Description</name>
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            <elementText elementTextId="2807630">
              <text>ix, 198 pp.</text>
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            <elementText elementTextId="2807632">
              <text>Background and General Criticism</text>
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            <elementText elementTextId="2807633">
              <text>Legend of Good Women</text>
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          </elementTextContainer>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2807634">
              <text>mea SAC 37:155</text>
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          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2807626">
                <text>Chaucer, Gower, and the Vernacular Rising: Poetry and the Problem of the Populace After 1381</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2807631">
                <text>Explains how the "vernacular rising" expanded Chaucer's and Gower's readership to include "lesser merchants and prosperous artisans" (Introduction and Chapter 1). Chapters 4 and 5 emphasize LGW. In contrasting Gower and Chaucer, argues that in LGW, Chaucer "disarticulat[es] gender as a site of analysis" to "declare equity and social justice outside the domain of poetics" and "partition literature from political discourse." Concludes that "Chaucer helped found a bourgeois notion of the poet" and that English literature "represented a new means of constructing authority and imposing social control as a form of education."</text>
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  <item itemId="272506" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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            </element>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2807618">
              <text>Orlemanski, Julie.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2807619">
              <text>Exemplaria 26 (2014): 215-33.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2807620">
              <text>2014</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2807622">
              <text>House of Fame</text>
            </elementText>
          </elementTextContainer>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2807623">
              <text>Exemplaria 26 (2014)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2807624">
              <text>mea sac 37:154</text>
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          </elementTextContainer>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2807617">
                <text>Scales of Reading</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2807621">
                <text>Uses HF, which sets "archival totality" in an uncertain relation to the experience of reading, to introduce a discussion of how in our reading "discursive systems, rather than particular texts, become objects of knowledge." Aims to theorize a strategy of reading that incorporates extrinsic as well as intrinsic sources of meaning, hermeneutics in collaboration with "close reading."</text>
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  <item itemId="272505" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2807608">
              <text>Rooney, Kenneth.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2807609">
              <text>Turnhout: Brepols, 2011.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2807610">
              <text>2011</text>
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          <name>Physical Description</name>
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          <elementTextContainer>
            <elementText elementTextId="2807611">
              <text>x, 304 pp.</text>
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        </element>
        <element elementId="102">
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            <elementText elementTextId="2807613">
              <text>Book of the Duchess</text>
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            <elementText elementTextId="2807614">
              <text>Prioress and Her Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2807615">
              <text>mea SAC 37:153</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2807607">
                <text>Mortality and Imagination: The Life of the Dead in Medieval English Literature</text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2807612">
                <text>Explores the "literary negotiation of the macabre aesthetic in Middle English literature." Chapter 2, "The Progress of the Dead: From Body to Revenant," discusses "'physical' return of the dead" in BD and PrT.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2807599">
              <text>Lears, Adin Esther.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2807600">
              <text>Chaucer Review 48.2 (2013): 205-21.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2807601">
              <text>2013</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2807603">
              <text>Book of the Duchess</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2807604">
              <text>Chaucer Review 48 (2013)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2807605">
              <text>mea sac 37:152</text>
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                <text>Something from Nothing: Melancholy, Gossip, and Chaucer's Poetics of Idling in the 'Book of the Duches'</text>
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                <text>Focuses on themes of gender, sexuality, and melancholy, through analysis of "productive potential" of idleness in BD.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Davis, Nick.</text>
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              <text>London: Bloomsbury Academic, 2013.</text>
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              <text>2013</text>
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            <elementText elementTextId="2807593">
              <text>viii, 244 pp.</text>
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            <elementText elementTextId="2807595">
              <text>Book of the Duchess</text>
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            <elementText elementTextId="2807596">
              <text>mea SAC 37:151</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Early Modern Writing and the Privatization of Experience</text>
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              <elementText elementTextId="2807594">
                <text>Examines a diverse range of authors from the fourteenth to the early eighteenth centuries for their political, philosophical, and scientific perspectives in order to map a movement away from a trust in collective experience and toward a focus on the individual as the source of authentic perception, thought, and feeling. Chapter 5 refers to BD.</text>
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              <name>Title</name>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2807576">
              <text>D'Agata D'Ottavi, Stefania.</text>
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        <element elementId="98">
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            <elementText elementTextId="2807577">
              <text>Rachel Falconer and Denis Renevey, eds. Medieval and Early Modern Literature, Science, and Medicine. Swiss Papers in English Language and Literature, no. 28 (Tübingen: Narr Verlag, 2013), pp. 49-66.</text>
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            <elementText elementTextId="2807578">
              <text>2013</text>
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          <name>Alternative Title</name>
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            <elementText elementTextId="2807579">
              <text>Medieval and Early Modern Literature, Science, and Medicine.</text>
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              <text>Falconer, Rachel, ed.</text>
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              <text>Renevey, Denis, ed.</text>
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        <element elementId="102">
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            <elementText elementTextId="2807583">
              <text>Treatise on the Astrolabe</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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              <text>Style and Versification</text>
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          <elementTextContainer>
            <elementText elementTextId="2807586">
              <text>Swiss Papers in English Language and Literature, no. 28.</text>
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            <elementText elementTextId="2807587">
              <text>mea SAC 37:150</text>
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                <text>Between Astronomy and Astrology: Chaucer's 'Treatise on the Astrolabe' and the Measurement of Time in Late-Medieval England</text>
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              <elementText elementTextId="2807582">
                <text>Referencing SqT and MLT, maintains that Astr was literally meant for a juvenile audience, adducing its concise language, repetition, exhaustive definitions, and liberal use of adjectival possessives as pedagogical tools fit for young readers. Posits Richard Billingham's "Speculum puerorum" as a possible model for Astr's analytical and pedagogical methodology.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2807566">
              <text>Smith, Nicole D.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2807567">
              <text>Notes and Queries 258 (2013): 498-502.</text>
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          <name>Date</name>
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              <text>Parson and His Tale</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2807572">
              <text>Notes and Queries 258 (2013)</text>
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        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2807573">
              <text>mea sac 37:149</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2807565">
                <text>Love, Peraldus, and the Parson's Tale</text>
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                <text>Echoes of Peraldus's notion of sin as "amor inordinatus" in the section of ParsT on contrition and confession, thought to have been adapted primarily from Pennaforte, suggest that the former's "Summa de vitiis" "exerts a more significant influence on a larger part of the ParsT than previously understood."</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2807557">
              <text>Price, Merrall.</text>
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              <text>Medieval Perspectives 28 (2013): 45-62.</text>
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              <text>2013</text>
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              <text>Parson and His Tale</text>
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              <text>Medieval Perspectives 28 (2013)</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
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              <text>mea sac 37:148</text>
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                <text>The Caytif Body: Fiction and Flesh in the Parson's Tale</text>
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                <text>The Parson is exceptional among the Canterbury Pilgrims for his corporeal invisibility; his GP portrait gives no corporeal details and ParsPT efface his body, along with fiction, verse, and the colors of rhetoric. Moreover, ParsT displays hostility to sexuality beyond its analogues and expresses a pathological vividness in its metaphors and similes for the flesh as a fetid captor of the soul. Only with difficulty does the Parson reconcile himself to a Redemption accomplished by Incarnation.</text>
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    <collection collectionId="8">
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2807547">
              <text>Coley, David K.</text>
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          <elementTextContainer>
            <elementText elementTextId="2807548">
              <text>Syracuse, NY: Syracuse University Press, 2012.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2807549">
              <text>2012</text>
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          <name>Physical Description</name>
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          <elementTextContainer>
            <elementText elementTextId="2807550">
              <text>x, 258 pp.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2807552">
              <text>Manciple and His Tale</text>
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          <name>Series</name>
          <description/>
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              <text>Medieval Studies.</text>
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            <elementText elementTextId="2807554">
              <text>mea SAC 37:146</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2807546">
                <text>The Wheel of Language: Representing Speech in Middle English Poetry, 1377-1422</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2807551">
                <text>Discusses nominalism, speech, and power in ManT, along with speech and rhetoric in Gower's "Confessio Amantis," Langland's "Piers Plowman," and works of Hoccleve.</text>
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