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                  <text>Chaucer Bibliography Online</text>
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              <text>Higuchi, Masayuki.</text>
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              <text>Hiroshima Studies in English Language and Literature 32 (1987): 28-43.</text>
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              <text>1987</text>
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              <text>Language and Word Studies.</text>
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              <text>Hiroshima Studies in English Language and Literature 32 (1987)</text>
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              <text>jules SAC 12 (51)</text>
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                <text>Chaucer's Present Participle: The Progressive</text>
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                <text>Describes Chaucer's use of the present participle in progressive constructions, which occur most frequently in CT.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Finlayson, John.</text>
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              <text>Studia Neophilologica 60 (1988): 171-74.</text>
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              <text>1988</text>
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              <text>Prioress and Her Tale.</text>
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              <text>Studia Neophilologica 60 (1988).</text>
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              <text>jules SAC 12 (186)</text>
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                <text>Chaucer's Prioress and 'Amor Vincit Omnia'</text>
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                <text>The unmistakably sexual connotations of the source passages in "The Romance of the Rose" for the table manners and motto of Chaucer's Prioress help confirm "the impression that there 'is' a deliberate tension directed between the ideal of spiritual courtesy and the Prioress's penchant for the manifestations of secular and social courtesy"--a penchant that implies "supressed sexual instincts."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Loney, Douglas.</text>
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              <text>Chaucer Review 27 (1992): 107-08.</text>
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          <name>Date</name>
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              <text>1992</text>
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              <text>General Prologue to the Canterbury Tales.</text>
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              <text>Prioress and Her Tale.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>Chaucer Review 27 (1992).</text>
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              <text>mea</text>
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                <text>Chaucer's Prioress and Agur's 'Adulterous Woman'</text>
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                <text>The passage on the Prioress's table manners (GP 127-36), borrowed from Romance of the Rose, contains biblical echoes from Matthew 23.25-27 concerning the "clean cup of salvation" and from Proverbs 30.20 concerning an adulterous woman who wipes her mouth and proclaims her innocence.</text>
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              <text>Frank, Hardy Long.</text>
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        <element elementId="98">
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              <text>Chaucer Review 13 (1979): 346-62.</text>
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        <element elementId="114">
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              <text>1979</text>
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              <text>Prioress and Her Tale.</text>
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            <elementText elementTextId="2728629">
              <text>Chaucer Review 13 (1979)</text>
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        <element elementId="109">
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              <text>jules SAC 03 (135)</text>
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                <text>Chaucer's Prioress and the Blessed Virgin</text>
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                <text>Chaucer and his fellow pilgrims saw Madame Eglentyne as the Virgin's handmaiden, reflecting in her foibles and virtues the Queen of Heaven, whose "amor vincit omnia" (love conquers all).  Support for the existence of the Marian echoes includes the use of "simple and coy" in a fourteenth-century "serventois" to the Virgin, the fact that eglantine is a common symbol for the Virgin, and the likelihood that St. Eloy would have been especially pleasing to the Virgin.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Hawkins, Sherman.</text>
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              <text>Journal of English and Germanic Philology 63 (1964): 599-624.</text>
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              <text>Journal of English and Germanic Philology 63 (1964)</text>
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              <text>Prioress and Her Tale&#13;
Shipman and His Tale&#13;
Tale of Sir Thopas&#13;
Pardoner and His Tale</text>
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              <text>mea; 9/12/2019</text>
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              <text>1964</text>
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                <text>Chaucer's Prioress and the Sacrifice of Praise.</text>
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            <description>An account of the resource</description>
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                <text>Explores the Augustinian "figurative implications" of PrT, identifying a "clear symbolic pattern" evident in interpreting it Scripturally--the "childishness" of the teller and her protagonist, the literalness of the Jews, echoes of the liturgy of the Holy Innocents, the "pit of misery," the multivalent symbolism of the "greyn," the clergeon's "speaking in tongues," and the glorification of Mary. Comments on resonances between PrT on the one hand, and ShT, NPT, and PardT on the other.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Delany, Sheila.</text>
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              <text>Medieval Encounters 5: 198-213,   1999.</text>
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              <text>1999</text>
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              <text>Prioress and Her Tale.</text>
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              <text>Chaucer's Life.</text>
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              <text>Medieval  Encounters: Jewish, Christian and Muslim Culture in Confluence and Dialogue 05 (1999)</text>
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              <text>jules SAC 23 (194)</text>
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                <text>Chaucer's Prioress, the Jews, and the Muslims</text>
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                <text>Since PrT is set in Islamic "Asia," the anti-Semitism of PrT makes little historical sense, since medieval Muslims accepted Judaism in ways Christianity did not. Chaucer's knowledge of Jews and Muslims has been underestimated, even suppressed, a result of modern unwillingness to accept historical reality.</text>
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              <text>McGowan, Joseph P.</text>
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              <text>Chaucer Review 38 : 199-202,   2003.</text>
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            <elementText elementTextId="2765247">
              <text>Prioress and Her Tale.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
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            <elementText elementTextId="2765248">
              <text>Chaucer Review 38 (2003)</text>
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        <element elementId="109">
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          <description/>
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              <text>vxl SAC 27:245</text>
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            <name>Title</name>
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                <text>Chaucer's Prioress: Et Nos Cedamus Amori</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2765246">
                <text>The Prioress's ambiguous motto--"love conquers all"--is only half of a quotation from Virgil. The remainder--"and we must give in to it"--does not lessen the equivocal nature of the portrait.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2851565">
              <text>Schoeck, Richard J.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2851566">
              <text>The Bridge: A Yearbook of Judaeo-Christian Studies 2 (1955): 239-55.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2851567">
              <text>The Bridge: A Yearbook of Judaeo-Christian Studies 02 (1955)</text>
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        <element elementId="102">
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            <elementText elementTextId="2851568">
              <text>Prioress and Her Tale</text>
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        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2851569">
              <text>mea; 11/14/2025</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2851570">
              <text>1955</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2851563">
                <text>Chaucer's Prioress: Mercy and Tender Heart.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2851564">
                <text>Argues that Chaucer's characterization of the Prioress in GP "leaves shadows of doubt" about the Prioress, along with "several kinds of uncertainty" and some "strong implications" for the audience. Further, in PrT, her "own words . . . convict her of bigotry" and oppose the "authentic mind of the Church." She is not condemned, however: "rather is the poem's objective view one of understanding pity for her."</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2724284">
              <text>Shikii, Kumiko.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2724285">
              <text>Soundings 7 (Tokyo, 1981): 11-24.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2724286">
              <text>1981</text>
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          <elementTextContainer>
            <elementText elementTextId="2724289">
              <text>Prioress and Her Tale.</text>
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            <elementText elementTextId="2724290">
              <text>Soundings (Tokyo) 07 (1981)</text>
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        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2724291">
              <text>jules SAC 05 (193)</text>
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              <elementText elementTextId="2724283">
                <text>Chaucer's Prioresse Re-considered</text>
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2724287">
                <text>Chaucer's Prioress is said to be a miniature of CT.  Just as Madame Eglantine is a religious with fairly secular characters, so CT shows all kinds of people, with their sublime and indecent faces, their beauty, and their ugliness.</text>
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              <elementText elementTextId="2724288">
                <text>In Japanese.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2759847">
              <text>Quinn, William A.</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2759848">
              <text>Studies in the Age of Chaucer 23: 109-41,   2001.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2759849">
              <text>2001</text>
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            <elementText elementTextId="2759851">
              <text>ABC.</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2759852">
              <text>Studies in the Age of Chaucer 23 (2001)</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2759853">
              <text>jules SAC 25 (290)</text>
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              <elementText elementTextId="2759846">
                <text>Chaucer's Problematic Priere : An ABC as Artifact and Critical Issue</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2759850">
                <text>Explores ABC as a prayer, especially in its relations with Psalm 118 and 119 and the rosary, and in light of the possibility that it was presented to Duchess Blanche for inclusion in her devotional primer. Quinn confronts several formal features and rhetorical-theological cruces in ABC, showing that they can be resolved as expressions of orthodox faith-valid as a heuristic method and as a form of historicism.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852455">
              <text>Ripplinger, Michelle.</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2852456">
              <text>Studies in the Age of Chaucer 45 (2023): 139-69.</text>
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        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2852457">
              <text>Studies in the Age of Chaucer 45 (2023)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2852458">
              <text>Troilus and Criseyde&#13;
Legend of Good Women&#13;
Sources, Analogues, and Literary Relations</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852459">
              <text>SAC 47:17</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852460">
              <text>2023</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2852453">
                <text>Chaucer's Proleptic Palinode.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854041">
                <text>Reads TC as a "proleptic palinode" that gives Chaucer "something to apologize for" before he writes LGW, modeling his poetic career on Ovid's. Argues that Pandarus "grounds his amatory practice" in Ovid's works, considers Criseyde's and Cassandra's readings of Theban material in relation to Ovid's treatment of female readership, and presents LGW as Chaucer's "own 'Heroides'," a rejection of reductive moralizing interpretation, and a defense of the "ethical value of narrative fiction."</text>
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  <item itemId="264736" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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          </elementContainer>
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    <itemType itemTypeId="24">
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2727151">
              <text>Mustanoja, Tauno F.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2727152">
              <text>Beryl Rowland, ed.  Companion to Chaucer Studies (New York: Oxford University Press, 1979), pp. 65-94.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2727153">
              <text>1979</text>
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          </elementTextContainer>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2727154">
              <text>Companion to Chaucer Studies.</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2727157">
              <text>Style and Versification.</text>
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        </element>
        <element elementId="109">
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            <elementText elementTextId="2727158">
              <text>jules SAC 03 (29)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2727150">
                <text>Chaucer's Prosody</text>
              </elementText>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2727155">
                <text>Chaucer's meters are of mixed Romance and native origin, but the details of scansion--whether the verse is accentual or syllabic and the pronunciation of final "e"--are still in dispute.</text>
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              <elementText elementTextId="2727156">
                <text>Reprinted from the first (1968) edition, with updated bibliography.</text>
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  </item>
  <item itemId="272012" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2802432">
              <text>Pyle, Fitzroy.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2802433">
              <text>Medium Aevum 42 (1973): 47-56.</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2802434">
              <text>1973</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2802436">
              <text>Style and Versification</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2802437">
              <text>Medium Aevum 42 (1973)</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2802438">
              <text>mea; 1/21/2015 No SAC</text>
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            <name>Title</name>
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              <elementText elementTextId="2802431">
                <text>Chaucer's Prosody</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2802435">
                <text>Reviews Ian Robinson's book-length study, "Chaucer Prosody: A Study of the Middle English Verse Tradition" (1971).</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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              <text>Fox, Allan B.</text>
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              <text>Language and Style 10 (1977): 27-41.</text>
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              <text>1977</text>
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            <elementText elementTextId="2727817">
              <text>Chaucer's Influence and Later Allusion.</text>
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              <text>Language and Style 10 (1977)</text>
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              <text>jules SAC 02 (62)</text>
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                <text>Chaucer's Prosody and the Non-Pentameter Line in John Heywood's Comic Debates</text>
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                <text>Although Heywood's comic debates are dismissed as negligible in metrical skill, once we realize that Chaucer's line is a non-pentameter, more dependent on alliterative accentual native verse than most metrists allow, then we can see that the debates reveal a formal control in a verse tradition stemming from Chaucer.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2809173">
              <text>Robinson, Ian.</text>
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        <element elementId="98">
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              <text>Cambridge: Cambridge University Press, 1971.</text>
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            <elementText elementTextId="2809175">
              <text>1971</text>
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            <elementText elementTextId="2809176">
              <text>xii, 251 pp.</text>
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            <elementText elementTextId="2809178">
              <text>Style and Versification</text>
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              <text>Manuscripts and Textual Studies</text>
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        <element elementId="109">
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              <text>mea; 05/16/2016 No SAC</text>
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                <text>Chaucer's Prosody: A Study of the Middle English Verse Tradition</text>
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              <elementText elementTextId="2809177">
                <text>Explores what can and cannot be known about the meter and rhythm of Chaucer's verse and that of his contemporaries and followers, arguing that Chaucer employed a lively "balanced parameter" that is not heavily restricted by regularity and that should be read with sensitivity to variation. Comments on metrical history and traditional analyses, the status of final "-e," variable stress, and manuscript punctuation. Recommends that readers use manuscripts (or facsimiles) for reading Chaucer and that they aim for liveliness in aural presentation, whether silent or aloud.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2775876">
              <text>Fujiki, Takayoshi.</text>
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        <element elementId="98">
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            <elementText elementTextId="2775877">
              <text>Sapientia 41 (2007): 231-45.</text>
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        <element elementId="114">
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            <elementText elementTextId="2775878">
              <text>2007</text>
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              <text>Sapientia 41 (2007)</text>
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        <element elementId="109">
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            <elementText elementTextId="2775882">
              <text>vxl SAC 31:100</text>
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                <text>Chaucer's Proverbs About Hoods (in Memory of the Late Professor Emeritus Hideshi Kishi)</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2775879">
                <text>Looks at Chaucer's use of proverbs associated with hoods for satiric and comic purposes.  In Japanese.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2778859">
              <text>Fujiki, Takayoshi.</text>
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        <element elementId="98">
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              <text>Sapientia 39 (2005): 59-72.</text>
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        <element elementId="114">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2778861">
              <text>2005</text>
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              <text>Troilus and Criseyde</text>
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              <text>Miller and His Tale</text>
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              <text>Merchant and His Tale</text>
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              <text>Summoner and His Tale</text>
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              <text>Style and Versification</text>
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              <text>Sapientia 39 (2005).</text>
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            <elementText elementTextId="2833733">
              <text>vxl SAC 32:66.</text>
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                <text>Chaucer's Proverbs and His Comic Art in Some Fabliaux</text>
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              <elementText elementTextId="2778862">
                <text>Fujiki considers comic "misapplication of proverbs" in TC (Pandarus), MilT (John), MerT (January), and SumT (the friar), suggesting that Chaucer capitalized on his audience's expectation of proverbs to characterize some users as foolish.</text>
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                <text>In Japanese, with English abstract.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2723044">
              <text>Hendrickson, Rhoda Miller Martin.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
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              <text>Dissertation Abstracts International 42 (1981): 1140A-41A.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2723046">
              <text>1981</text>
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            <elementText elementTextId="2723048">
              <text>Background and General Criticism.</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2723049">
              <text>Dissertation Abstracts International 42 (1981)</text>
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        <element elementId="109">
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            <elementText elementTextId="2723050">
              <text>jules SAC 05 (72)</text>
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              <elementText elementTextId="2723043">
                <text>Chaucer's Proverbs: Of Medicyne and of Compleynte</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Proverbs appear conventionally in most of Chaucer's early works, usually to lament changes in fortune.  In the short poems, For, Buk, and Scog, however, Chaucer's proverbs become personal.  In TC and CT proverbs spoken by characters (especially Melibee and Prudence) signal need for action to impose order and acquire wisdom.</text>
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  <item itemId="269993" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2781248">
              <text>Everhart, Deborah.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2781249">
              <text>Carmina Philosophiae 1 (1992): 35-52.</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2781250">
              <text>1992</text>
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              <text>Troilus and Criseyde</text>
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            <elementText elementTextId="2781253">
              <text>Boece</text>
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        </element>
        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2781254">
              <text>Carmina Philosophiae 01 (1992).</text>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2833513">
              <text>vxl SAC 32:303.</text>
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                <text>Chaucer's Providentialism and the Meanings of 'Hap' in Boece and Troilus and Criseyde</text>
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              <elementText elementTextId="2781251">
                <text>Everhart considers Chaucer's translation strategies in Bo and identifies his unusual one-to-one substitution of "hap" for Latin "casus" in that work. Multiple connotations of "hap" in TC imply a different, playful rhetoric of translation that in turn reflects the limits of language and human perception.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2768265">
              <text>Ronquist, Eyvind.</text>
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        <element elementId="98">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2768266">
              <text>Florilegium 21 (2004): 94-118.</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2768267">
              <text>2004</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Nun's Priest and His Tale.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2768271">
              <text>Florilegium 21 (2004)</text>
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              <text>vxl sac 28:209</text>
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                <text>Chaucer's Provisions for Future Contingencies</text>
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                <text>Chaucer's interest in future contingencies (a problem raised by Aristotle) in part shapes the narratives in TC and NPT. The musings of Troilus and Criseyde about the future rely on Boethian principles (among others). Chauntecleer's theory--that dreams of the future create an inevitable destiny--allows for an exploration of his fatalism.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Lunz, Elisabeth.</text>
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        <element elementId="98">
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              <text>Essays in Literature (Macomb, Ill.) 4 (1977): 3-10.</text>
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              <text>1977</text>
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              <text>Tale of Melibee.</text>
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              <text>Essays in Literature (Macomb, Ill.) 04 (1977)</text>
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              <text>jules SAC 02 (116)</text>
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                <text>Chaucer's Prudence as the Ideal of the Virtuous Woman</text>
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                <text>Because Dame Prudence in Mel embodies the qualities her name implies--reason, intellect, circumspection, providence, docility, and caution--she is a model of medieval female virtue.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2814542">
              <text>Yeager, Stephen.</text>
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              <text>ChauR 48.03 (2014): 307-21.</text>
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            <elementText elementTextId="2814544">
              <text>2014</text>
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              <text>Tale of Melibee</text>
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              <text>Chaucer Review 48 (2014)</text>
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              <text>mea; 3/03/2017 sac 38:184</text>
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                <text>Chaucer's Prudent Poetics: Allegory, the 'Tale of Melibee,' and the Frame Narrative to the 'Canterbury Tales'</text>
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                <text>Reviews Prudence's "allegorical reading practices"  and argues that Mel is based on the "relationship between the literary mode of moralizing allegory and contingent reading practices."</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2810570">
              <text>Tripp, Raymond P. Jr.</text>
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        <element elementId="98">
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            <elementText elementTextId="2810571">
              <text>Bulletin of the Rocky Mountain Modern Language Association 24 (1970): 51-59.</text>
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        <element elementId="114">
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              <text>1970</text>
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              <text>House of Fame</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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            <elementText elementTextId="2810576">
              <text>Bulletin of the Rocky Mountain Modern Language Association 24 (1970)</text>
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              <text>mea; 08/05/2016 No SAC</text>
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                <text>Chaucer's Psychologizing of Virgil's Dido</text>
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              <elementText elementTextId="2810573">
                <text>Contends that Chaucer's adaptation in HF of Virgil's "Aeneid" "anticipates his development away from medieval conventions toward modem, psychological people."</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2771187">
              <text>Watson, Nicholas.</text>
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            <elementText elementTextId="2771188">
              <text>Religion and Literature 37.2 (2005): 99-114.</text>
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            <elementText elementTextId="2771189">
              <text>2005</text>
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              <text>Parson and His Tale.</text>
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              <text>Religion and Literature 37 (2005).</text>
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              <text>vxl sac 29:268</text>
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                <text>Chaucer's Public Christianity</text>
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              <elementText elementTextId="2771190">
                <text>Chaucer's religion is important even in his secular tales, a reflection of his public stance as a lay penitent, a member of the "mediocriter boni," a category of the religious to be distinguished from the contemplative path of the "perfecti." Reads ParsT as a virtual autobiography of Chaucer's view of religion and as indication of how the Pilgrims reflect the values of the "lay religious."</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2845481">
              <text>Baum, Paull F.</text>
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        <element elementId="98">
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              <text>PMLA 73.1 (1958): 167-70.</text>
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              <text>PMLA 73 (1958)</text>
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              <text>Style and Versification</text>
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              <text>mea; 5/17/2024</text>
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              <text>1958</text>
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                <text>Chaucer's Puns: A Supplementary List.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2845480">
                <text>Augments Baum's earlier dictionary of puns (PMLA 71 [1956]), with nearly 30 more examples noticed by Baum and by readers of his earlier listing, exemplifying and explaining each.</text>
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