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                  <text>Chaucer Bibliography Online</text>
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              <text>Scott-Macnab, David.</text>
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              <text>Journal of English and Germanic Philology 104 (2005): 373-85.</text>
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              <text>Monk and His Tale.</text>
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              <text>Journal of English and Germanic Philology 104 (2005).</text>
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              <text>vxl sac 29:256</text>
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                <text>'Of prikyng and of huntyng for the hare': General Prologue to The Canterbury Tales, I 191</text>
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                <text>As used to describe the Monk in GP, the term pricking should not be understood in a sexual sense; review of sources, the OED, and the MED indicates that the term means "hard galloping."</text>
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              <text>Lee, Jenny.</text>
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              <text>Hortulus 3.1 (2007): n. p.</text>
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              <text>Troilus and Criseyde</text>
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              <text>Sources, Analogues, and Literary relations.</text>
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              <text>Hortulus: The Online Graduate Journal of Medieval Studies 03 (2007)</text>
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              <text>vxl SAC 31:314</text>
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                <text>'Of Your Herte Up Casteth the Visage': Turning Troilo/Troilus's Eyes to God</text>
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                <text>Although he derives it from Boccaccio, Chaucer alters the topos of the lover's gaze at the end of TC, transforming it into a Boethian, Christian vision of God. The article includes a coda on Criseyde's prudential "third eye."</text>
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              <text>David, Alfred.</text>
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              <text>Studies in the Age of Chaucer 15 (1993): 5-21.</text>
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              <text>1993</text>
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              <text>The Presidential Address.  The New Chaucer Society Eighth International Congress, August 1-4, 1992.  The University of Washington, Seattle.</text>
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              <text>Language and Word Studies.</text>
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              <text>Book of the Duchess.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Wife of Bath and Her Tale.</text>
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              <text>Studies in the Age of Chaucer 15 (1993)</text>
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              <text>jules SAC 17 (64)</text>
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                <text>'Old,' 'New' and 'Yong' in Chaucer</text>
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                <text>Explores the "deep structure" of nostalgia in Chaucer's works. New/old and young/old oppositions indicate that BD and TC reflect Chaucer's desire for lost courtliness, while CT--especially WBP, WBT, PardP, and PardT--suggests his wish to accomodate a brave new world.</text>
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              <text>Warren, Nancy Bradley.</text>
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              <text>Carolyn P. Collette, ed. The Legend of Good Women: Context and Reception (Cambridge: D. S. Brewer, 2006), pp. 83-104.</text>
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              <text>2006</text>
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              <text>Legend of Good Women: Context and Reception.</text>
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              <text>Legend of Good Women.</text>
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              <text>Knight and His Tale.</text>
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              <text>vxl sac 30:269</text>
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                <text>'Olde Stories' and Amazons: The Legend of Good Women, the 'Knight's Tale,' and Fourteenth-Century Political Culture</text>
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                <text>The "Amazonian" associations - legendary and figurative - of the women in LGW and KnT align the two narratives and suggest that the passive or intercessory roles of royal women in Chaucer's society entailed the "absent presence" of threat to that society.</text>
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              <text>Moorman, Charles.</text>
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              <text>Studies in the Literary Imagination 4.2 (1971): 61-71.</text>
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              <text>1971</text>
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              <text>Troilus and Criseyde</text>
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              <text>Studies in the Literary Imagination 04 (1971)</text>
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              <text>mea; 2/28/2016 No SAC</text>
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                <text>'Once more unto the breach': The Meaning of 'Troilus and Criseyde'</text>
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                <text>Interprets TC as a work in which "Courtly Love and Fortune" operate as "complementary powers," two forms of determinism, social and cosmic respectively, inflected in equal part by the characters or personalities of the three central figures.</text>
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              <text>Smith, Macklin.</text>
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              <text>Studies in the Age of Chaucer 8 (1986): 3-30.</text>
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              <text>Studies in the Age of Chaucer 08 (1986)</text>
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              <text>jules SAC 10 (144)</text>
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                <text>'Or I Wol Caste a Ston</text>
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                <text>Alison's threat trades on the story of the Woman Taken in Adultery (John 8), on classifications of adultery associated in ParsT with stoning, and on a liturgical setting in Lauds.</text>
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              <text>ChauR 42 (2007): 48-75.</text>
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              <text>2007</text>
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              <text>Legend of Good Women</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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          <description/>
          <elementTextContainer>
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              <text>vxl SAC 31:292</text>
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                <text>'Other Smale Ymaad Before': Chaucer as Historiographer in the Legend of Good Women</text>
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                <text>Each of the legends makes use of "the metonymic possibilities of objects and bodies" to represent the difficulty of discerning truth from fable in written sources available to the historiographer.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Fradenburg, Louise O.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>R. A. Shoaf, ed. Chaucer's Troilus and Criseyde: "Subgit to alle Poesye": Essays in Criticism.  Medieval &amp; Renaissance Texts &amp; Studies, no. 104. Pegasus Paperbacks, no. 10 (Binghamton, N.Y.: Medieval &amp; Renaissance Texts &amp; Studies, 1992), pp. 88-106.</text>
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        <element elementId="114">
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            <elementText elementTextId="2698306">
              <text>1992</text>
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              <text>Troilus and Criseyde.</text>
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              <text>mea</text>
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                <text>'Our owen wo to drynke': Loss, Gender, and Chivalry in Troilus and Criseyde</text>
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                <text>Examines the roles of loss and violence in the construction of feminine figures in chivalric literature, considering such constructions in light of fourteenth-century social history. In TC, Chaucer considers the relation between heroism and suffering and explores how and why Criseyde has been shaped by her world to consent to violence without recourse to ennobling complaint.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2776886">
              <text>Forkin, Thomas Carney.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2776887">
              <text>Essays in Medieval Studies 24 (2007): 31-41.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2776888">
              <text>2007</text>
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              <text>Cook and His Tale</text>
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              <text>Essays in Medieval Studies 24 (2007)</text>
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              <text>vxl SAC 31:193</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2776885">
                <text>'Oure Citee': Illegality and Criminality in Fourteenth-Century London</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2825865">
                <text>Close reading of CkT, of descriptions of Roger the Cook in CT, and of relevant late fourteenth-century laws and statutes reveals that Chaucer's powers of observation extend to the lower levels of society and the workings of London's "underworld."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2752276">
              <text>Nissé, Ruth.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2752277">
              <text>Studies in the Age of Chaucer 21: 275-99,   1999.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2752278">
              <text>1999</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2752280">
              <text>Chaucer's Influence and Later Allusion.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2752281">
              <text>Studies in the Age of Chaucer 21 (1999)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2752282">
              <text>jules SAC 23 (53)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2752275">
                <text>'Oure Fadres Olde and Modres' : Gender, Heresy, and Hoccleve's Literary Politics</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2752279">
                <text>In his "Regement of Princes" and "Address to Oldcastle," Hoccleve seeks to assert a revival of chivalry as a means of recovering from the degeneracy of the reign of Henry IV. In doing so, he champions "father" Chaucer's orthodoxy and presents Chaucerian reading "as a kind of chivalric practice that directly counters the feminine Lollard program of translation and interpretation" (p. 278)</text>
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  <item itemId="266262" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          </elementContainer>
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      <elementContainer>
        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2742616">
              <text>Spillenger, Paul.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2742617">
              <text>Chaucer Yearbook 3 (1996): 103-28.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2742618">
              <text>1996</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2742620">
              <text>Monk and His Tale.</text>
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            <elementText elementTextId="2742621">
              <text>Sources, Analogues, and Literary Relations.</text>
            </elementText>
            <elementText elementTextId="2742622">
              <text>Language and Word Studies.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2742623">
              <text>Chaucer Yearbook 03 (1996)</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>jules SAC 20 (1998), 228</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2742615">
                <text>'Oure Flessh Thou Yaf Us': 'Langour' and Chaucer's Consumption of Dante in the 'Hugelyn'</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2742619">
                <text>Explicates the Ugolino episode of MkT as an instance of Chaucer's self-consciousness about borrowing from sources, especially Dante.  Explores the courtly, Boethian, Boccaccian, and Dantean nuances of "langour" and argues that, as Ugolino passively suffers his role as a cannibal in hell, so Chaucer presents the poet who borrows from others.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789717">
              <text>Hsy, Jonathan H.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789718">
              <text>Paul Gifford and Tessa Hauswedell, eds. Europe and Its Others: Essays on Interperception and Identity (New York: Peter Lang, 2010), pp. 205-24.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789719">
              <text>2010</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789720">
              <text>Europe and Its Others: Essays on Interperception and Identity.</text>
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        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789721">
              <text>Gifford, Paul, ed.</text>
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            <elementText elementTextId="2789722">
              <text>Hauswedell, Tessa, ed.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789724">
              <text>Man of Law and His Tale</text>
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              <text>Language and Word Studies</text>
            </elementText>
            <elementText elementTextId="2789726">
              <text>Sources, Analogues, and Literary Relations</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>vxl sac 34:209</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2789716">
                <text>'Oure Occian': Littoral Language and the Constance Narratives of Chaucer and Boccaccio</text>
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          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2789723">
                <text>Hsy compares the ways MLT and Boccaccio's "Decameron" 5.2 present transnational diversity, especially through their depictions of "littoral language," i.e., Custance's and Gostanza's communications with people on the shores of foreign lands. Both works indicate the "provisionality of medieval conceptions of linguistic and cultural identity." Hsy comments on uses of the word "oure" in MLT.</text>
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  <item itemId="270644" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
    </collection>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788070">
              <text>Gutiérrez Arranz, José María.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788071">
              <text>Pedro P. Conde Parrado and Isabel Velázquez, eds. La filología latina: Mil años más. Actas del IV Congreso de la Sociedad de Estudios Latinos, Medina del Campo, May 22-24, 2003 (Madrid: Sociedad de Estudios Latinos, 2009), pp. 1579-1601.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788072">
              <text>2009</text>
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          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788073">
              <text>La filología latina: Mil años más. Actas del IV Congreso de la Sociedad de Estudios Latinos, Medina del Campo, May 22-24, 2003.</text>
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          </elementTextContainer>
        </element>
        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788074">
              <text>Conde Parrado, Pedro P., ed.</text>
            </elementText>
            <elementText elementTextId="2788075">
              <text>Velázquez, Isabel, ed.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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              <text>Sources, Analogues, and Literary Relations.</text>
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                <text>'Ovidio medieval': Los mitos Ovidianos en las obras de Geoffrey Chaucer y John Gower</text>
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                <text>Surveys Ovid's influence on medieval literature and assesses Chaucer's use of Ovidian myths.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Richmond, Velma Bourgeois.</text>
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              <text>Viator 10 (1979): 323-54.</text>
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              <text>1979</text>
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              <text>Canterbury Tales--General.</text>
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              <text>Viator 10 (1979)</text>
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              <text>jules SAC 03 (87)</text>
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                <text>'Pacience in Adversitee': Chaucer's Presentation of Marriage</text>
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                <text>Marriage has important positive values in medieval narrative, including Chaucer's.  The "Marriage Group" constitutes not so much a debate over sexual dominance in marriage as a varied demonstration of the need for mutual consideration and forgiveness, and a condemnation of force, selfishness, and illicit sexuality:  it is generally a man who has most to learn and/or to gain through forbearance or reconciliation.  These views are also clear in TC, ManT, and Mel.</text>
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              <text>Mieszkowski, Gretchen.</text>
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              <text>Chaucer Review 9 (1975): 327-36.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Chaucer's Influence and Later Allusion.</text>
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                <text>Despite old objections concerning the date of Deschamps ballade to Chaucer and the Frenchman's rudimentary knowledge of English, it is likely that in his use of "pandras" Deschamps was alluding to Chaucer's TC.  This shows that, during his own lifetime, knowledge of Chaucer's masterpiece had spread to France.</text>
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              <text>Crafton, John Micheal.</text>
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              <text>Jean E. Jost, ed. Chaucer's Humor: Critical Essays (New York and London: Garland, 1994), pp. 163-86.</text>
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              <text>Chaucer's Humor: Critical Essays.</text>
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              <text>jules SAC 18 (1996) - 217</text>
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                <text>'Paradoxicum Semiotica': Signs, Comedy, and Mystery in Fragment VI of the 'Canterbury Tales'</text>
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                <text>Chaucer's comedy is a "function of the inherent paradoxes of language, particularly as articulated by Freud," and the humor of CT depends on the audience's awareness of the slippage between truth and language.  The paired opposition of PhyT and PardT caricatures the respective extremes of realism and nominalism, affirming a moderate conceptualism.</text>
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              <text>Everest, Carol (A.)</text>
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              <text>Muriel Whitaker, ed.  Sovereign Lady: Essays on Women in Middle English Literature (New York and London: Garland, 1995), pp. 63-84.</text>
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              <text>Sovereign Lady: Essays on Women in Middle English Literature.</text>
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              <text>Merchant and His Tale.</text>
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              <text>jules SAC 19 (1997) - 225</text>
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                <text>'Paradys or Helle': Pleasure and Procreation in Chaucer's 'Merchant's Tale'</text>
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                <text>The traditional Galenic idea that conception requires female orgasm indicates that May is not pregnant by January.  However, implicit and symbolic references to seed and fruit suggest that Damian has impregnated her.</text>
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              <text>Brown, Peter.</text>
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              <text>Chaucer Newsletter 12:1 (1990): 1-2.</text>
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              <text>jules SAC 14 (62)</text>
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                <text>'Parfit Glorious Pilgrimage': Canterbury '90</text>
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                <text>Surveys modern Canterbury, the commercial use of Chaucer's name, and the actual connections of the city with Chaucer issues.</text>
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              <text>Snell, William.</text>
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              <text>jules SAC 24 (288)</text>
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                <text>'Parfit Praktisour' or Quack? : Chaucer's Physician and the Literary Image of Doctors After the Black Death</text>
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                <text>Argues that critical interpretations of Chaucer's Physician as a quack have been based on the moral outrage and stock literary character of a later age.</text>
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          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2721698">
              <text>1982</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2721700">
              <text>Merchant and His Tale.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2721701">
              <text>American Benedictine Review 33 (1982)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2721702">
              <text>jules SAC 06 (113)</text>
            </elementText>
          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2721695">
                <text>'Parfite Blisses Two': January's Dilemma and the Themes of Temptation and Doublemindedness in the 'Merchant's Tale'</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2721699">
                <text>The character of January is indebted to the doctrine of "doublemindedness" promulgated in the Epistle of James, especially as interpreted by Bede.  The tale demonstrates the inner temptation undergone by those who waver between charity and cupidity; Justinus and Placebo are "allegorical representations of the inner division of January's mind."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2758676">
              <text>Minnis, A. J.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2758677">
              <text>A. J. Minnis. Magister Amoris: The Roman de la Rose and Vernacular Hermeneutics (Oxford: Oxford University Press, 2001), pp. 119-63.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2758678">
              <text>2001</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2758679">
              <text>Magister Amoris: The Roman de la Rose and Vernacular Hermeneutics.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2758681">
              <text>Canterbury Tales--General.</text>
            </elementText>
            <elementText elementTextId="2758682">
              <text>Sources, Analogues, and Literary Relations.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2758683">
              <text>jules SAC 25 (162)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2758675">
                <text>'Parler proprement' : Words, Deeds, and Proper Speech in the Rose</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2758680">
                <text>Explores Jean de Meun's treatment of vulgar talk in "Roman de la Rose" (lines 15,129-272) within the context of late-medieval theories of signification. In various passages of CT, Chaucer also confronts direct language and low subject in literature. With Jean de Meun as his predecessor, Chaucer placed vulgarity at the center rather than in the margins, thereby calling into question value judgments.</text>
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  <item itemId="264507" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2724935">
              <text>Ikegami, Tadahiro.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2724936">
              <text>Eigo Seinen 125 (1979): 214-17.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2724937">
              <text>1979</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2724940">
              <text>Bibliographies, Reports, and Reference.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2724941">
              <text>Eigo Seinen (Tokyo) 125 (1979)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2724942">
              <text>jules SAC 04 (3)</text>
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        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2724934">
                <text>'Parliament' of Chaucerians</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2724938">
                <text>Report on the First International Congress of the New Chaucer Society.  </text>
              </elementText>
              <elementText elementTextId="2724939">
                <text>In Japanese.</text>
              </elementText>
            </elementTextContainer>
          </element>
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    </elementSetContainer>
  </item>
  <item itemId="265610" public="1" featured="0">
    <collection collectionId="8">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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          </elementContainer>
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    <itemType itemTypeId="24">
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      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2735841">
              <text>Hanning, Robert W.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2735842">
              <text>Jean E. Jost, ed. Chaucer's Humor: Critical Essays (New York and London: Garland, 1994), pp. 295-319.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2735843">
              <text>1994</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2735844">
              <text>Chaucer's Humor: Critical Essays.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2735846">
              <text>Canterbury Tales--General.</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2735847">
              <text>jules SAC 18 (1996) - 140</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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        <name>Dublin Core</name>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2735840">
                <text>'Parlous Play': Diabolic Comedy in Chaucer's 'Canterbury Tales'</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2735845">
                <text>Hanning examines the allusions to demons and devils in CT and compares them with the devil figure in late-medieval English religious drama.  In both contexts, the devil is a tricker of humans who is tricked by God; a "spirit of inversion" who seeks to distort the "salvific Truth-telling function of the Word of God."</text>
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  <item itemId="265107" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2730733">
              <text>Hartung, Albert E.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2730734">
              <text>Chaucer Review 12 (1977): 111-28.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2730735">
              <text>1977</text>
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        <element elementId="102">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2730737">
              <text>Canon's Yeoman and His Tale.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2730738">
              <text>Chaucer Review 12 (1977)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2730739">
              <text>jules SAC 02 (213)</text>
            </elementText>
          </elementTextContainer>
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      </elementContainer>
    </itemType>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2730732">
                <text>'Pars Secunda' and the Development of the 'Canon's Yeoman's Tale'</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2730736">
                <text>The argument by John M. Manly (1926) that "Pars Secunda" of CYT was not originally part of CTY at all but was an earlier tale intended for a separate occasion and a special audience is plausible in view of internal, textual, and historical evidence.</text>
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          </element>
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  </item>
  <item itemId="264464" public="1" featured="0">
    <collection collectionId="8">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
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    <itemType itemTypeId="24">
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      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2724530">
              <text>Newman, Francis X.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2724531">
              <text>Mediaevalia 6 (1980): 231-38.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2724532">
              <text>1980</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2724534">
              <text>House of Fame.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2724535">
              <text>Mediaevalia 06 (1980)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2724536">
              <text>jules SAC 05 (222)</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2724529">
                <text>'Partriches Wynges': A Note on 'Hous of Fame,' 1391-92</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2724533">
                <text>The "partridge wings" at the end of the "pictura" of Fame result not from error but from Chaucer's following the commentary on the "Metamorphoses" in "Ovide moralise," where Perdix (partridge) represents a clever but deceitful craftsman and Daedalus the type of the wise man.  "Partriches wynges" is a precise iconographic gesture, implying the emptiness of Fame and the verbal arts.</text>
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          </element>
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