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                  <text>Chaucer Bibliography Online</text>
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              <text>Dunning, T. P.</text>
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              <text>Duthie, G. I., ed. English Studies Today, Third Series: Lectures and Papers Read at the Fifth Conference of the International Association of Professors of English Held at Edinburgh and Glasgow, August 1962 (Edinburgh: Edinburgh University Press, 1964), pp.89-106.</text>
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              <text>Duthie, G. I., ed.</text>
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              <text>English Studies Today, Third Series: Lectures and Papers Read at the Fifth Conference of the International Association of Professors of English Held at Edinburgh and Glasgow, August 1962.</text>
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              <text>Parson and His Tale&#13;
Parliament of Fowls&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; 11/21/2019</text>
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              <text>1964</text>
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                <text>Chaucer's Icarus-Complex: Some Notes on His Adventures in Theology.</text>
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                <text>Contrasts the "quasi-heretical," "so-called Augustinian" views of sex in marriage as always sinful with those of Thomas Aquinas and others who treat sexual love in marriage as sinless when consistent with "amicitia" (friendship) and reason, arguing that the latter underlies Chaucer's view of sex in marriage in ParsT, analogous material in Peraldus's "Summa Aurea de Virtutibus et de Vitiis," and PF.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Shigeo, Hisashi.</text>
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        <element elementId="98">
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              <text>The Meiji Gakuin Review (October 1980): 37-54.</text>
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              <text>1980</text>
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              <text>Legend of Good Women.</text>
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              <text>The Meiji Gakuin Review (1980)</text>
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              <text>jules SAC 04 (159)</text>
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                <text>Chaucer's Idea of 'Love' and 'Goodness' in 'The Legend of Good Women'</text>
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                <text>The stories about Hypsipyle, Medea, Lucrece, and Ariadne are treated.  In each case it seems that the poet finds feminine virtue in masculine vice.  Except for the case of Lucrece, simplicity and flippancy on the part of women are exempted from moral denunciation.</text>
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              <text>Shigeo, Hisashi.</text>
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              <text>The Meiji Gakuin Review (November, 1979): 19-43.  Meiji Gakuin University.</text>
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              <text>1979</text>
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              <text>Legend of Good Women.</text>
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              <text>The Meiji Gakuin Review (November, 1979)</text>
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              <text>jules SAC 03 (208)</text>
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                <text>Chaucer's Idea of 'love' and 'goodness' in 'The Legend of Good Women'</text>
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                <text>Chaucer's attitude toward love should be observed in the continuity of his works.  LGW, which comes in between TC and CT, plays an important part in this connection.  Here, human love is once again taken up to be praised with some controversial criteria.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Shigeo, Hisashi.</text>
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        <element elementId="98">
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              <text>Meiji Gakuin Review 323 (Tokyo, 1981): 29-45.</text>
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        <element elementId="114">
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              <text>1981</text>
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              <text>Legend of Good Women.</text>
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              <text>Meiji Gakuin Review 323 (Tokyo, 1981)</text>
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              <text>jules SAC 05 (225)</text>
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                <text>Chaucer's Idea of 'Love' and 'Goodness' in 'The Legend of Good Women' (4)</text>
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                <text>Some characteristics of the legend of Philomene, Phyllis, and Hypermnestra are discussed.  The brief conclusion proves that the poet's attitude toward LGW is ambivalent; he seems to be mocking, satirical, and at the same time serious and even religious.</text>
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                <text>In Japanese.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Olson, Glending.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>James M. Dean and Christian Zacher, eds.  The Idea of Medieval Literature: New Essays on Chaucer and Medieval Culture in Honor of Donald R. Howard (Newark: University of Delaware Press, 1992), pp. 72-90.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>1992</text>
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          <name>Alternative Title</name>
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            <elementText elementTextId="2696216">
              <text>Idea of Medieval Literature.</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2696219">
              <text>Canterbury Tales--General.</text>
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              <text>mea</text>
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                <text>Chaucer's Idea of a Canterbury Game</text>
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                <text>CT is a collection of narratives bound together in a frame with two central features: a pilgrimage and a game.  The pilgrimage is the outer frame, while the game is a second, inner framing device--the organizing principle that brings the stories into being.</text>
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                <text>Fragment 1 is a storytelling sequence that parallels medieval commonplace notions of play and players.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2728566">
              <text>Rowland, Beryl.</text>
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              <text>Chaucer Review 14 (1979): 140-54.</text>
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              <text>1979</text>
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              <text>Pardoner and His Tale.</text>
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              <text>Chaucer Review 14 (1979)</text>
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              <text>jules SAC 03 (129)</text>
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                <text>Chaucer's Idea of the Pardoner</text>
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                <text>If the Pardoner is taken as a hermaphrodite, it is easier to approach the question of how he can explain his false practices and still expect his listeners to be taken in by them.  According to late medieval writers, the hermaphrodite's dual nature represented a duplicity, a doubleness of character.  The Pardoner's physical ambivalence is both counterpart and cause of his conduct.</text>
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              <text>Coghill, Nevill.</text>
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              <text>London: English Association, 1971.</text>
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              <text>Language and Word Studies&#13;
Sources, Analogues, and Literary Relations&#13;
Knight and His Tale&#13;
Wife of Bath and Her Tale&#13;
Franklin and His Tale</text>
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                <text>Chaucer's Idea of What Is Noble.</text>
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                <text>Explores the history of the idea of nobility or gentility in European tradition, tracing the etymology of "gentilesse" and Chaucer's importance in the development of the concept in English, especially in KnT, FranT, and WBT.  Links Chaucer's uses to related concepts in "Aristotle, the New Testament, Boethius, Ramon Lull, Guillaume de Lorris and Dante."</text>
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              <text>Rowland, Beryl.</text>
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              <text>Beryl Rowland, ed.  Companion to Chaucer Studies (New York: Oxford University Press, 1979), pp. 117-42.</text>
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                <text>Chaucer's Imagery</text>
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                <text>Chaucer's figurative language is mostly traditional, but its effect usually transcends the merely visual:  it is emotional and intellectual--aiming at more than concrete realism.  Often, however, the nature of this imagery eludes us because Chaucer's world is so different from ours.</text>
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                <text>Reprinted from the first (1968) edition, with updated bibliography.</text>
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              <text>mea; 04/17/2017 No SAC</text>
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              <elementText elementTextId="2815252">
                <text>Studies Chaucer's similes and metaphors to trace the "development of imagery in each of [his] works" from BD through CT, suggesting that Chaucer shows a "progressive awareness of the image as an essential tool of his art." Results of statistical analysis of the density of his images coincides with traditional dating of his poems, and his imagery becomes more important to his characterizations over time.</text>
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              <text>Keen, William P.</text>
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              <text>Shipman and His Tale.</text>
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              <text>Topic: A Journal of the Liberal Arts 50 (2000)</text>
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              <text>jules; mea 1/19/2017 SAC 24 (298)</text>
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                <text>Chaucer's Imaginable Audience and the Oaths of The Shipman's Tale</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2753980">
                <text>Assesses the six oaths by saints--Martyn, Denys, Peter, Yves, Austyn, and Jame--in ShT, arguing that familiarity with details of the saints' lives provokes the audience to condemn the characters in the Tale.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2806826">
              <text>Jimura, Akiyuki.</text>
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              <text>Yoshiyuki Nakao and Yoko Iyeiri, eds. Chaucer's Language: Cognitive Perspectives (Suita: Osaka, 2013), pp. 27-45.</text>
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            <elementText elementTextId="2806828">
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          <elementTextContainer>
            <elementText elementTextId="2806829">
              <text>Chaucer's Language: Cognitive Perspectives.</text>
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        <element elementId="102">
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              <text>Troilus and Criseyde</text>
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              <text>mea SAC 37:163</text>
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              <elementText elementTextId="2806825">
                <text>Chaucer's Imaginative and Metaphorical Description of Nature</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2806830">
                <text>Illustrates how the descriptions of nature in TC reflect main characters' cognitive processes as well as the development of love.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2719819">
              <text>Vaughan, M. F.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
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              <text>Philological Quarterly 60 (1981): 117-23.</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2719821">
              <text>1981</text>
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            <elementText elementTextId="2719823">
              <text>Miller and His Tale.</text>
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          <elementTextContainer>
            <elementText elementTextId="2719824">
              <text>Philological Quarterly 60 (1981)</text>
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        <element elementId="109">
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              <text>jules SAC 07 (146)</text>
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                <text>Chaucer's Imaginative One-Day Flood</text>
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              <elementText elementTextId="2719822">
                <text>Examines the apocalyptic tradition behind Nicholas's flood.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2720553">
              <text>Sudo, Jun.</text>
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        <element elementId="98">
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              <text>Poetica (Tokyo) 13 (1982): 50-74.</text>
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            <elementText elementTextId="2720555">
              <text>1982</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Poetica: An International Journal of Linguistic Literary Studies 13 (1982)</text>
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        <element elementId="109">
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            <elementText elementTextId="2720559">
              <text>jules SAC 07 (240)</text>
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              <elementText elementTextId="2720552">
                <text>Chaucer's Imitation and Innovation in 'Troilus and Criseyde'</text>
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          <element elementId="41">
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              <elementText elementTextId="2720556">
                <text>By comparing Chaucer's TC with Boccaccio's "Filostrato" in sounds, grammar, word choice, similes and metaphors, ambiguities, and construction, the article investigates Chaucer's literary and linguistic imitation and humorous innovation.</text>
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              <text>Carruthers, Leo.</text>
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              <text>ed.</text>
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                <text>Examines Chaucer's involvement with the royal family and shows how one of his descendents became heir to the throne in 1484. </text>
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                <text>Table of succession from Edward I to Henry VIII includes families of De Bohun, Holland, Mortimer, Beaufort, Tudor, Neville, De la Pole, and Chaucer.</text>
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        <element elementId="114">
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              <text>Saito, Bishu,ed.</text>
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                <text>In Japanese.</text>
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          <elementTextContainer>
            <elementText elementTextId="2772522">
              <text>Trigg, Stephanie.</text>
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        <element elementId="114">
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            <elementText elementTextId="2772524">
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              <text>vxl sac 30:74</text>
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                <text>Trigg considers recurrent issues in the reception of Chaucer: responses to his self-shaped "poetic signature," admiration for his rhetoric and sentiment, and mourning for the loss of his genius by poets who seek to emulate him. Surveys rewritings and adaptations of TC and CT and raises questions about the reciprocity of canon formation and the institutions that produce such canons.</text>
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              <text>Winston, Robert P.</text>
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        <element elementId="98">
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              <text>American Literature 56 (1985): 584-90.</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2714069">
              <text>1985</text>
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        <element elementId="100">
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            <elementText elementTextId="2714072">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2714070">
                <text>Harry Russecks, miller of Church Creek, Md., is based on the miller of RvT.  Barth's spirit of ribaldry is influenced by MilT.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>MacDonald, Donald.</text>
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        <element elementId="98">
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              <text>Medium Aevum 39 (1970): 21-27.</text>
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        <element elementId="114">
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              <text>Style and Versification</text>
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              <elementText elementTextId="2810879">
                <text>Identifies three aspects of Robert Henryson's uses of proverbial wisdom in his "Fables," locating precedent for each of them in a work by Chaucer:  use of proverbs by fable characters (NPT), comic misapplication of proverbial wisdom (MilT), and clustering proverbial sayings (Pandarus in TC).</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <text>Benson, C. David.</text>
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        <element elementId="98">
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              <text>Notes and Queries 216 (1971): 127-30.</text>
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        <element elementId="114">
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          <description/>
          <elementTextContainer>
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              <text>1971</text>
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              <text>Troilus and Criseyde</text>
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        <element elementId="100">
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        <element elementId="109">
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          <elementTextContainer>
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              <text>mea; 04/07/2016 No SAC</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2808770">
                <text>Shows that the characterization of Calchas in TC influenced the fifteenth-century "Sege of Troy."</text>
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  <item itemId="261435" public="1" featured="0">
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              <text>Shigeo, Hisashi.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2694975">
              <text>Hisao Turu, ed.  Reading Chaucer's Book of the Duchess.  Medieval English Literature Symposium Series, no. 5 (Tokyo: Gaku Shobo Press, 1991), pp. 142-70 (in Japanese).</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
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              <text>1991</text>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
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              <text>Reading Chaucer's Book of the Duchess.</text>
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              <text>Medieval English Literature Symposium Series, no. 5</text>
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              <text>mea.</text>
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                <text>Chaucer's Innovation</text>
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                <text>Analyzes the relationship of the real world to the dream world in BD and surveys noncourtly innovations derived from French romances, taking account of Chaucer scholarship of the late twentieth century.</text>
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              <text>Lynch, Kathryn L.</text>
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              <text>John M. Hill, Bonnie Wheeler, and R. F. Yeager, eds. Essays on Aesthetics and Medieval Literature  in Honor of Howell Chickering (Toronto: Pontifical Institute of Medieval Studies, 2014), pp. 115-28.</text>
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              <text>Style and Versification</text>
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              <text>mea; 2/10/2017 SAC 38:139</text>
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                <text>Chaucer's Insatiable Wives: Women Eating Men and the Romantic Turn in the 'Canterbury Tales'</text>
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                <text>Explores metaphors of eating, drinking, hunting, and food preparation, within the framework of the "storytelling performances" of the Wife of Bath in WBT and the unnamed Wife in ShT.</text>
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            <elementText elementTextId="2733000">
              <text>Myles, Robert.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2733001">
              <text>Dissertation Abstracts International 54 (1993): 172A.</text>
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          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2733002">
              <text>1993</text>
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              <text>Friar and His Tale.</text>
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            <elementText elementTextId="2733005">
              <text>Dissertation Abstracts International 54 (1993)</text>
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              <text>jules SAC 17 (179)</text>
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                <text>Chaucer's Intentionalist Realism and the 'Friar's Tale'</text>
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            <description>An account of the resource</description>
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                <text>Although Chaucer has been seen as a medieval nominalist or realist, or both at once, he should actually be recognized as an "intentional realist" in the modern (John F. Searle) sense.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2827289">
              <text>Lightsey, Scott.</text>
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              <text>James M. Dean, ed. Geoffrey Chaucer (Ipswich, Mass.: Salem Press, 2017), pp. 171-85</text>
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              <text>Geoffrey Chaucer: Critical Insights Series</text>
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          <description/>
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              <text>Chaucer's Life</text>
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          <description/>
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              <text>SAC 41:15</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827294">
              <text>2017</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2829909">
                <text>Chaucer's International Presence.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2830751">
                <text>Contends that Chaucer's "international presence," due to his European travels connected to his position and service within the court, "instilled in him a European sensibility distinctly at odds with his modern image as the avatar of Englishness."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2753909">
              <text>Hicks, James E.</text>
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        <element elementId="98">
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              <text>Essays in Medieval Studies 3: 78-98,   1986.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753911">
              <text>1986</text>
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              <text>Pardoner and His Tale.</text>
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          <name>Journal by Volume Number</name>
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              <text>Essays in Medieval Studies 03 (1986)</text>
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        <element elementId="109">
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          <description/>
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              <text>jules SAC 24 (291)</text>
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                <text>Chaucer's Inversion of Augustinian Rhetoric in the Pardoner's Prologue and Tale</text>
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              <elementText elementTextId="2753912">
                <text>In PardPT, Chaucer inverts three major precepts of Augustinian sermon rhetoric ("De Doctrina Christiana"): the preacher must pray before preaching, the preacher must maintain a grave and appropriate demeanor, and the preacher must maintain Christian instruction as his goal. Breaking each of these, the Pardoner is an inversion of the ideal Augustinian preacher.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2760009">
              <text>Ginsberg, Warren.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2760010">
              <text>Ann Arbor : University of Michigan Press, 2002.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2760011">
              <text>2002</text>
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              <text>xiv, 297 pp.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>Clerk and His Tale</text>
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              <text>Monk and His Tale</text>
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              <text>Manciple and His Tale</text>
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              <text>Troilus and Criseyde</text>
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                <text>Chaucer's Italian Tradition</text>
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                <text>Developing Walter Benjamin's model of translation and seeking to "rethink the dynamics of cross-cultural translation," Ginsberg explores how Chaucer's borrowings from and dependencies on Italian literature "disarticulate" the legacy of Dante, Boccaccio, and Petrarch. Chaucer negotiated much larger political and cultural differences in his translations of Italian than in his translations of French. Rather than simply following Italian tradition, he created his own Italian tradition, in which translation is hermeneutic and transformative and in which allegory and irony are interdependent. Ginsberg assesses the interactions among the Florentine poets (and Dante's use of Ovid), discussing how Chaucer reinterprets them in ManPT, MkT, ClT, and TC.</text>
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