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              <text>Bevan, E. Dean.</text>
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              <text>Ulrich Müller and Kathleen Verduin, eds. Papers from the Fifth Annual General Conference on Medievalism 1990 (Göppingen: Kümmerle, 1996), pp. 435-41.</text>
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              <text>1996</text>
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              <text>Papers from the Fifth Annual General Conference on Medievalism 1990.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Recordings and Films.</text>
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              <text>jules SAC 23 (243)</text>
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                <text>Chaucer's Criseyde on Film</text>
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                <text>Comments on Bevan's efforts to represent in a film script various aspects of Chaucer's art in TC: Chaucer's sense of history, the subtleties of his diction, and his "world view."</text>
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              <text>Ludlum, Charles.</text>
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        <element elementId="98">
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              <text>Pacific Coast Philology 21 (1986): 37-41.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
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              <text>1986</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Manuscripts and Textual Studies.</text>
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              <text>Pacific Coast Philology 21 (1986)</text>
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              <text>jules SAC 10 (255)</text>
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                <text>Chaucer's Criseyde: 'Hire Name, Allas! Is Publisshed so Wyde'</text>
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            <description>An account of the resource</description>
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                <text>In TC 5.1095, "publisshed" (contained in five manuscripts) is preferable to "punisshed" (in fourteen manuscripts) because the fourteenth-century sense of "denounced publicly" better suits the immediate context in the poem and the widespread bad reputation of Criseyde in Chaucer's day.</text>
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              <text>Pinent, Pat.</text>
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          <name>Published</name>
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          <elementTextContainer>
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              <text>Linda Cookson and Bryan Loughrey, ed. Critical Essays on The General Prologue to The Canterbury Tales (Harlow: Longman, 1989), pp. 39-49.</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2786535">
              <text>1989</text>
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            <elementText elementTextId="2786536">
              <text>Critical Essays on The General Prologue to The Canterbury Tales.</text>
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              <text>General Prologue to the Canterbury Tales</text>
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              <text>Canterbury Tales--General</text>
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              <text>mea 3/8/2013 No SAC</text>
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                <text>Chaucer's Critique of the Church in the 'General Prologue'</text>
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                <text>Considers three groups of ecclesiastical figures in CT, categorizing them by religious role and descriptive technique:  1) members of religious orders (Prioress, Monk, and Friar), who the narrator "damns by faint praise and irony"; 2) servants of the institutional Church (Summoner and Pardoner), "condemned for veniality and corruption"; and 3) the idealized pairing of sacred and secular (Parson and Plowman). Significant attention to GP and the theme of pilgrimage.</text>
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              <text>Hatton, Thomas J.</text>
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              <text>Chaucer Review 3.2 (1968): 77-87.</text>
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              <text>Chaucer Review 03 (1968)</text>
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        <element elementId="102">
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              <text>Knight and His Tale&#13;
Sources, Analogues, and Literary Relations&#13;
Language and Word Studies</text>
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        <element elementId="109">
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              <text>mea; 11/02/2017</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>1968</text>
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              <elementText elementTextId="2815932">
                <text>Chaucer's Crusading Knight, a Slanted Ideal.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2815933">
                <text>Argues that the GP description of "Chaucer's perfect Knight . . . seems carefully constructed to accord with the aims" of a "unified crusade" that was articulated by Philip de Mézières in his proposal to organize an Order of the Passion of Jesus Christ. Also uses Geoffrey de Charny to clarify the nuances of "worthy" as it recurs in the Knight's description.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Kordecki, Lesley.</text>
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              <text>Carolynn Van Dyke, ed. Rethinking Chaucerian Beasts (New York: Palgrave Macmillan, 2012), pp. 249-60.</text>
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        <element elementId="114">
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              <text>Rethinking Chaucerian Beasts.</text>
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              <text>Parliament of Fowls</text>
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              <text>mea SAC 36:211</text>
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                <text>Chaucer's Cuckoo and the Myth of Anthropomorphism</text>
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                <text>Argues that the cuckoo-merlin dialogue in PF deconstructs the traditional human-animal binary by presenting a "fleeting realization of anthropomorphism gone awry." The cuckoo's "brood parasitism . . . resolves itself into a mode of communal profit" and the poem becomes a "parody of overclassification."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Lynch, Kathryn, ed.</text>
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        <element elementId="98">
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              <text>New York and London: Routledge, 2002.</text>
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          <name>Date</name>
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            <elementText elementTextId="2761011">
              <text>2002</text>
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              <text>[viii], 320 pp.</text>
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              <text>Background and General Criticism.</text>
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              <text>Squire and His Tale.</text>
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              <text>Canterbury Tales--General.</text>
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              <text>vxl sac 26:144</text>
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                <text>Chaucer's Cultural Geography: Basic Readings in Chaucer and His Time</text>
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                <text>Twelve essays by various authors who assess Chaucer's uses of and attitudes toward the familiar and the foreign, especially the Mid-East, in SqT (four essays), FranT, CT, CYT, PrT, KnT, LGW, and MLT. Includes ten essays published between 1983 and 1999 by John M. Fyler, Vincent J. DiMarco, Kathryn Lynch, Dorothee Metlitzki, Katharine Slater Gittes, Louise O. Fradenburg, Sylvia Tomasch, Sheila Delany, Susan Schibanoff, and Derek Pearsall. Includes an introduction and a subject index. For the two new essays, search for Chaucer's Cultural Geography under Alternative Title.</text>
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              <text>Dutton, Marsha L.</text>
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                <text>Chaucer's Cunning: An Incarnational Pun and an Omission in the "Middle English Dictionary." </text>
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                <text>Examines the word "cunning," omission of its sexual connotations in the MED, and the ways in which Chaucer puns on the word in previously unconsidered sexual contexts.</text>
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              <text>Truth.</text>
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              <text>jules SAC 06 (185)</text>
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                <text>Chaucer's Curial Satire: the 'Balade de bon Conseyl'</text>
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                <text>"Balade de bon Conseyl," or Truth, the most popular of Chaucer's short poems, is generally thought to be derived from the Bible and Boethius's "Consolation of Philosophy."  Out of the twenty-four copies, only in one version does the envoy to "Vache" appear.  The poem is clearly a formal ballad and does not contain all the characteristics of an epistolary curial satire.</text>
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                <text>Reprinted in Reading the Past:  Essays on Medieval and Renaissance Literature (Four Courts, 1996), pp. 199-214.</text>
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              <text>Neuphilologische Mitteilungen 64 (1963): 175-80.</text>
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              <text>Neuphilologische Mitteilungen 64 (1963)</text>
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              <text>Man of Law's Tale&#13;
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                <text>Chaucer's Custance.</text>
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                <text>Describes various motifs in MLT, observing that it "includes features common to the early form of the 'märchen' combined with relatively late developments," and claiming that Chaucer's "most important addition to his source," Trevet's "Cronicle," is his "vitalization" of Constance as a "woman of strong and singular personality."</text>
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              <text>Studies in the Age of Chaucer 01 (1979)</text>
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                <text>Chaucer's Dainty 'Dogerel': The 'Elvyssh' Prosody of 'Sir Thopas'</text>
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            <description>An account of the resource</description>
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                <text>Most critics agree Th parodies Middle English tail-rhyme romances.  A regularity of stress, external rhyme, internal alliterations, stanza pattern, and a "bobbing" meter reflect Chaucer's polished craft.  While offering an ample measure of "sentence" and "solace," Chaucer illustrates the tension between ornamentation and sincerity.</text>
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                <text>Reprinted in Jean E. Jost, ed.  Chaucer's Humor:  Critical Essays (Garland, 1994), 271-94.</text>
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              <text>Rowland, Beryl.</text>
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              <text>Notes and Queries 208 (1963): 210.</text>
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              <text>Legend of Good Woimen</text>
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            <elementText elementTextId="2831536">
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              <elementText elementTextId="2831529">
                <text>Chaucer's Daisy (Prol. LGW F 120-3; G. 109-11).</text>
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            <description>An account of the resource</description>
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                <text>Surveys historical comments on the odor of daisies and suggests that Chaucer's praise of its odor in LGWP may be due to botanical accuracy, unusual because he usually follows literary conventions.</text>
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              <text>Rowland, Beryl.</text>
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        <element elementId="98">
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              <text>"Studies Presented to Tauno Mustanoja on the Occasion of His Sixtieth Birthday."</text>
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            <elementText elementTextId="2805053">
              <text>Neuphilologische Mitteilungen 73 (1972)</text>
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                <text>Chaucer's Dame Alys: Critics in Blunderland?</text>
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                <text>Challenges characterizations of the Wife of Bath that treat her as an icon or as a representative figure. Reads WBP for the ways that it may be regarded as a "modern case history" that reflects a complex personality rife with desires and regrets.</text>
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Canterbury Tales--General&#13;
Monk and His Tale</text>
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            <description>An account of the resource</description>
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                <text>Reconsiders CT as the source of the opening line of T. S. Eliot's "The Waste Land," exploring intertextual relations with the opening of Dante's "Divine Comedy" as well. Also clarifies the importance of Chaucer's role in the English tradition of translating Dante and argues that Eliot, aware of this role, alludes to Chaucer's (MkT 7.2407ff.) as well as to Dante's Ugolino in his reference to the key turning in the door ("The Waste Land," 412).</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2694288">
              <text>Neuse, Richard.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2694289">
              <text>Berkeley. Los Angeles, and Oxford: University of California Press, 1991.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2694290">
              <text>1991</text>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2694291">
              <text>xi, 295 pp.</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2694294">
              <text>Sources, Analogues, and Literary Relations.</text>
            </elementText>
            <elementText elementTextId="2694295">
              <text>Canterbury Tales--General</text>
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          <name>Source</name>
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              <text>mea</text>
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              <elementText elementTextId="2694287">
                <text>Chaucer's Dante: Allegory and Epic Theater in The Canterbury Tales</text>
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                <text>CT responds to Dante's Commedia in a "conscious attempt " to continue its "poetic tradition" of pilgrimage narrative.  Chaucer's pilgrims "comment or focus on one or more aspects of the Dantean pilgrimage," and both works define the human image and likeness to God by exploring the relations between literal and allegorical representation.  NPT, like the Geryon episode in the Inferno, erases animal/human distinctions to understand the human.  </text>
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                <text>  KnT and MilT provide the context for a deconstructionist reading of drama in CT and the Commedia, seeing them against epic and theatrical traditions.  MkT, FrT, and SumT recall aspects of the style and themes of the Inferno.  In Petrarchan fashion, ClT (except for the Envoy) opposes Dante's approach to allegory, and MerT echoes the gardens of Song of Songs and the Paradiso; in these narratives, marriage is a topos of interpretation, a means to avoid the death of literal reading.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2753279">
              <text>Osborn, Marijane.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2753280">
              <text>Vistas in Astronomy 39: 605-14,   1996.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753281">
              <text>1996</text>
            </elementText>
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        <element elementId="102">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753283">
              <text>Parson and His Tale.</text>
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              <text>General Prologue to the Canterbury Tales.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>Vistas in Astronomy 39 (1996)</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>jules SAC 24 (335)</text>
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              <elementText elementTextId="2753278">
                <text>Chaucer's Dantean Presentation of Time in The Canterbury Tales : Libra and the Moon</text>
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2753282">
                <text>When read "astrolabically" rather than astrologically, the "chronographia" of ParsP is accurate and ripe with spiritual meaning. It was inspired by Dante's presentation of the stars in the "Divine Comedy" and indicates the imminence of Easter. Apparent inconsistencies between the "chronographiae" of GP and ParsP are due to modern misreading.</text>
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  <item itemId="263670" public="1" featured="0">
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              <name>Title</name>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2716898">
              <text>Holloway, Julia (Bolton)</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2716899">
              <text>Bloomsbury Review 3:2 (1983): 7.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2716900">
              <text>1983</text>
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        <element elementId="102">
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            <elementText elementTextId="2716902">
              <text>Background and General Criticism.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2716903">
              <text>Bloomsbury Review 03 (1983)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2716904">
              <text>jules SAC 08 (72d)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2716897">
                <text>Chaucer's Daughters</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2716901">
                <text>Review article on Christine de Pizan's "The Book of the City of Ladies," Amazonian version of Augustine's "City of God."</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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  <item itemId="272604" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
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          <elementTextContainer>
            <elementText elementTextId="2808625">
              <text>White, Robert B. Jr.</text>
            </elementText>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2808626">
              <text>Journal of English and Germanic Philology 70 (1971): 13-30.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2808627">
              <text>1971</text>
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        <element elementId="102">
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            <elementText elementTextId="2808629">
              <text>Monk and His Tale</text>
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            <elementText elementTextId="2808630">
              <text>Sources, Analogues, and Literary Relations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2808631">
              <text>Journal of English and Germanic Philology 70 (1971)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2808632">
              <text>mea; 03/26/2016 No SAC</text>
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      </elementContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2808624">
                <text>Chaucer's Daun Piers and the Rule of St. Benedict: The Failure of an Ideal</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2808628">
                <text>Characterizes the Monk as the "satiric consummation of all possible monastic faults," analyzing him in light of the "seven points of disciple" of the Rule of St. Benedict (obedience, poverty, celibacy, propertylessness, labor, claustration, and proper diet) and showing where details and nuances in his character contrast with monastic strictures.</text>
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  </item>
  <item itemId="274443" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826178">
              <text>Brown, Joella Owens.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826179">
              <text>Criticism 6 (1964): 44-52.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826180">
              <text>Criticism 06 (1964)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2826181">
              <text>Monk and His Tale</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2826182">
              <text>mea; 8/5/2019</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826183">
              <text>1964</text>
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            <elementTextContainer>
              <elementText elementTextId="2826176">
                <text>Chaucer's Daun Piers: One Monk or Two?</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2826177">
                <text>Maintains that the characterizations of the Monk in GP and in MkPT are consistent, and attributes their differing tones to the Monk's decision to "change his image" in the eyes of his fellow pilgrims while requiting the Host's derision with the boredom of a dull, redundant "sermon."</text>
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  <item itemId="268572" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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            <elementText elementTextId="2766567">
              <text>Prendergast, Thomas A.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2766568">
              <text>New York and London : Routledge, 2004.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2766569">
              <text>2004</text>
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          <name>Physical Description</name>
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          <elementTextContainer>
            <elementText elementTextId="2766570">
              <text>vii, 180 pp.</text>
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        <element elementId="108">
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            <elementText elementTextId="2766571">
              <text>"Chaucer's Tomb and Nicolas Brigham."</text>
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        <element elementId="112">
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            <elementText elementTextId="2766572">
              <text>Tanner, Laurence.</text>
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            <elementText elementTextId="2766574">
              <text>Chaucer's Life.</text>
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            <elementText elementTextId="2766575">
              <text>Chaucer's Influence and Later Allusion.</text>
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              <text>vxl sac 28:46</text>
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                <text>Chaucer's Dead Body : From Corpse to Corpus</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2766573">
                <text>Invoking a medieval association of book and body, Prendergast examines the cultural history of Chaucer's remains. The study assesses fifteenth-century attempts to mourn Chaucer's death, traces early modern ambivalence toward the poet's body-as-relic, and discusses the restored tomb as a symbol of nineteenth-century British nationalism. Prendergast argues that this restoration project and certain editing practices share a totalizing impulse. Modernists opposed a disembodied Chaucer to a continued popular interest in the body as signifier of genius. An appendix presents Laurence Tanner's previously unpublished "Chaucer's Tomb and Nicholas Brigham."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Kean, P. M.</text>
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              <text>Medium Aevum 33.1 (1964): 36-46.</text>
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              <text>Medium Aevum 33.1 (1964)</text>
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              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; 9/12/2019</text>
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                <text>Chaucer's Dealings with a Stanza of "Il Filostrato" and the Epilogue of "Troilus and Criseyde."</text>
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                <text>Close comparison of passages in TC and their sources in Boccaccio's "Filostrato" discloses how Chaucer "sets in motion" early in his poem "a train of events whose implications go far beyond the immediate moment, perhaps beyond the love story itself," evoking Boethian inevitability and the "divinely implanted tendency of the human soul to strive to return to its true source." In this light, the epilogue is a "logical conclusion" to the poem.</text>
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              <text>Whearty, Bridget.</text>
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              <text>Studies in the Age of Chaucer 40 (2018): 331-73.</text>
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              <text>Studies in the Age of Chaucer 40 (2018)</text>
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              <text>Chaucer's Influence and Later Allusion</text>
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              <text>mea; SAC 42:56</text>
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                <text>Chaucer's Death, Lydgate's Guild, and the Construction of Community in Fifteenth-Century English Literature.</text>
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                <text>Identifies a "pray for Chaucer" trope in fifteenth-century commentary on the poet, observing a "metaphor of literary history" that is based in "guild-like community," underpinned by notions of purgatory, intercession, and friendship. Rooted in Thomad Hoccleve's attention to "communal responsibility for Chaucer's soul," and deepened by John Lydgate, the "'pray for Chaucer' tradition" was modified by William Caxton, reworked as an exclusionary "cult of Father Chaucer."</text>
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              <text>Wilcockson, Colin.</text>
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              <text>Review 9 (1987): 277-81.</text>
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              <text>1987</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Review 09 (1987)</text>
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              <text>jules SAC 11 (268)</text>
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                <text>Chaucer's Debts in 'Troilus and Criseyde'</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2727392">
              <text>Lynn, Karen.</text>
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              <text>Chaucer Review 13 (1978): 116-27.</text>
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              <text>1978</text>
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              <text>Style and Versification.</text>
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              <text>Chaucer Review 13 (1978)</text>
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              <text>jules SAC 03 (38)</text>
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                <text>Chaucer's Decasyllabic Line: The Myth of the Hundred-Year Hibernation</text>
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                <text>Morris Halle and Samuel J. Keyser, through careful computer analysis, seem to have put down the myth of the hundred-year-hibernation of Chaucer's decasyllabic line.  By studying the stresses and their positions in the line, Halle and Keyser have concluded that later poets seem not so much to have changed the rules of Chaucer's iambic pentameter as to have observed the rules differently.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2695936">
              <text>Boyd, Beverly.</text>
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        <element elementId="98">
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              <text>Florilegium 10 (1991, for 1988): 99-105.</text>
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              <text>1991</text>
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              <text>Style and Versification.</text>
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              <text>Background and General Criticism.</text>
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        <element elementId="100">
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              <text>Florilegium 10 (1991, for 1988).</text>
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                <text>Chaucer's Decibels</text>
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                <text>Chaucer is more attentive to the noises produced by people and their actions than to those of natural phenomena.  He often suggests noises rather than describing them directly.  His noisiest passages involve tournaments, chases, and music.</text>
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              <text>Andreas, James R.</text>
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              <text>Postscript 9 (1992): 19-30.</text>
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              <text>1992</text>
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              <text>Time, Memory, and the Verbal Arts: Essays on the Thought of Walter Ong.</text>
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              <text>"'Lewedly To a Lewed Man Speke': Chaucer's Defense of the Vulgar Tongue."</text>
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              <text>Weeks, Dennis L., ed</text>
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              <text>Hoogestraat, Jane, ed.</text>
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              <text>House of Fame.</text>
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              <text>Postscript 09 (1992).</text>
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              <text>mea; mea 3/27/2013</text>
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                <text>Chaucer's Defense of the Vulgar Tongue</text>
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                <text>Especially in the Eagle's speech on sound in HF, Chaucer's verse reflects his concern not with the monological, authoritative, written aspects of speech but with speech as an exploratory, vital, interactive process, recently explored by such theoreticians as Kierkegaard, Ong, and Bakhtin.</text>
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                <text>Revised as "'Lewedly To a Lewed Man Speke': Chaucer's Defense of the Vulgar Tongue," in Dennis L. Weeks and Jane Hoogestraat, eds. Time, Memory, and the Verbal Arts: Essays on the Thought of Walter Ong (Selinsgrove, Penn.: Susquehanna University Press, 1998), pp. 134-54.</text>
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