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              <text>Downes, Stephanie.</text>
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              <text>Isabel Davis and Catherine Nall, eds. Chaucer and Fame: Reputation and Reception (Cambridge: D. S. Brewer, 2015), pp. 127-42.</text>
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Romaunt of the Rose&#13;
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mea; 2/19/2018</text>
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                <text>After Deschamps: Chaucer's French Fame.</text>
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                <text>Discusses Eustace Deschamps's balade in praise of Chaucer, the Duxworth manuscript of Chaucer that belonged to Jean Angouleme, and two sixteenth-century French references to Chaucer that evince French awareness of Chaucer as a poet: an anecdote about Chaucer and his wife and a discussion of Rom that asserts that Jean de Meun was himself an Englishman.</text>
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              <text>Dinkler, Michal Beth.</text>
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mea; 2/19/2018</text>
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                <text>Within the framework of examining Chaucer and Dostoevsky, discusses critical approaches to literary examples in relationship to teaching the Bible as literature.</text>
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              <text>De Ridder, Antonio Joaquim.</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Canterbury Tales--General&#13;
Clerk and His Tale</text>
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mea; 2/19/2018</text>
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                <text>Storytelling as Preaching in Marguerite de Navarre's "Heptameron."</text>
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                <text>Examines Marguerite in the context of other historical writers of "framed short fiction," including Chaucer, and suggests commonalities with CT, and ClT, in particular.</text>
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              <text>Croll, Angus.</text>
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              <text>San Francisco: No Starch Press, 2015.</text>
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General Prologue to the Canterbury Tales&#13;
Style and Versification</text>
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mea; 2/19/2018</text>
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                <text>If Hemingway Wrote JavaScript (1).</text>
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                <text>A collection of playful JavaScript programs, imitating or responding to well-known literary authors--Hemingway, Shakespeare, Austin, Woolf, Borges, etc.--and including&#13;
brief descriptions of each writer's style. The section on Chaucer (pp. 104–11) presents a sample that echoes GP. Illustrated by Miran Lipovaca.</text>
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              <text>Cooper, Helen.&#13;
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              <text>Marginalia 19 (2015): 4–15.</text>
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Style and Versification</text>
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mea; 2/19/2018</text>
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                <text>Chaucer at the Edge: Middle English and the Rhetorical Tradition.</text>
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                <text>Plenary lecture positions Chaucer as important to sixteenth-century writers for his incorporation of the Latin rhetorical tradition--particularly the concepts of decorum and Augustine's three levels of style--into English, even as he does so with colorful parody and vernacular panache.</text>
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              <text>Candeloro, Antonio.</text>
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              <text>1616: Anuario de la Sociedad Espanola de Literatura General y Comparada 5 (2015): 163-87.</text>
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              <text>1616: Anuario de la Sociedad Espanola de Literatura General y Comparada 5 (2015)</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
House of Fame</text>
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mea; 2/19./2018</text>
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                <text>"Ası empieza lo malo" de Javier Marıas: Rumor y fama, entre William Shakespeare y Geoffrey Chaucer."</text>
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                <text>Analyzes Chaucer and Shakespeare in Javier Marıas's novel, "Ası empieza lo malo." Chaucer's concepts of "fame" and "rumor," as described in HF, are central to Marias's depiction of contemporary men and their incapacity to face rumor and establish the truth.</text>
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                <text>Argues that Underdowne's "Theseus and Ariadne" (1566) draws on a number of earlier versions of the myth, including Ovid's "Heroides" and Chaucer's LGW.</text>
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mea; 2/19/2018</text>
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                <text>Includes a section entitled "Shorter Chaucer Tales" (pp. 21–51) with five pieces inspired by CT: "The Host Tale," "The Summer Tale (Deus Hic, 1)," "The Franker Tale (Deus Hic, 2)," "The Not Tale (Funeral)," and "Fried Tale (London Zoo)." The introduction to the volume, "Middling English" (pp. 5–19), comments on Chaucer's language as inspiration.</text>
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Parson and His Tale</text>
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mea; 2/19/2018</text>
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                <text>The Sources of the Verse Examples in Gascoigne's "Certayne Notes of Instruction."</text>
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                <text>In this "first printed work of English vernacular literary criticism" (dated 1575), Gascoigne refers to ParsT (10.43) in arguing "For it is not inough to roll in pleasant woordes, nor yet to thunder in Rym, Ram, Ruff, by letter (quoth my master Chaucer)."</text>
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mea; 2/19/2018&#13;
rev. mea 10/28/20</text>
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                <text>Telling Tales.</text>
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                <text>Poetic adaptation of CT with modern multicultural  settings, details, and dialects.</text>
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              <text>Man  of Law and His Tale&#13;
Franklin and His Tale&#13;
Tale of Melibee&#13;
Parson and His Tale</text>
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                <text>From Lawman to Plowman: Anglo-Saxon Legal Tradition and the School of Langland.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2816895">
                <text>Examines alliterative English writing by focusing on Anglo-Saxon legal-homiletic discourse within vernacular English poetry. Brief mention of FranT, ParsT, MLT, and Mel.</text>
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Sources, Analogues, and Literary Relations</text>
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mea; 2/19/2018</text>
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                <text>Immature Pleasures: Affective Reading in Margery Kempe, Petrarch, Chaucer, and Modern Fan Communities.</text>
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                <text>Considers how the three titular authors equate excessive emotional response and similar qualities to texts with immaturity. Reads ClPT as Chaucer's reaction to Petrarch on the vernacular.</text>
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House of Fame&#13;
Troilus and Criseyde&#13;
Clerk and His Tale&#13;
Chaucer's Influence and Later Allusion</text>
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mea;2/19/2018</text>
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                <text>Chaucer Joins the "Schiera": "The House of Fame," Italy, and the Determination of Posterity.</text>
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                <text>Explores how Chaucer used Petrarch, Petrarch used Dante, and Dante used Virgil: a sequence of influence that underpins Chaucer's "conception of renown" and encouraged him to lay claim to belonging to the schiera (band) of famous poets. Discusses references and allusions to famous poets in HF, the end of TC, and ClP; comments on Lydgate's, Hoccleve's, and Deschamps's praise of Chaucer; and reassesses the relative dates of composition for HF, TC, ClPT,&#13;
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General Prologue to the Canterbury Tales&#13;
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Wife of Bath and Her Tale&#13;
Pardoner and His Tale&#13;
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                <text>As part of an examination of the image of the virgin body as "a dwelling place for God's Word," looks at Aelfric, Kempe, and SNT.</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
General Prologue to the Canterbury Tales&#13;
Knight and His Tale&#13;
Wife of Bath and Her Tale&#13;
Clerk and His Tale&#13;
Franklin and His Tale</text>
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mea; 2/19/2018</text>
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                <text>In Pursuit of "Trewth": Ambiguity and Meaning in&#13;
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                <text>The Middle English romance "Amis and Amiloun" explores the complex concept of "trewth" in the fourteenth century. This essay contends that the binding oath made by childhood friends is reminiscent of the agreement of the GP pilgrims, as well as pledges made in FranT, ClT, and WBT, but differs from the pledge binding Palamon and Arcite in KnT</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
Parliament of Fowls&#13;
Wife of Bath and Her Tale&#13;
Merchant and His Tale&#13;
Franklin and His Tale&#13;
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                <text>Critical edition of seven commentaries (one excerpted) on Walter Map's Latin antifeminist treatise, with analyses of contents and impact, manuscript information, variants and emendations, extensive notes, and facing-page translations. The introduction (pp. 1–14) describes the volume, citing Chaucer's uses of Map and the commentaries, especially in WBP, and on the "objections to Map's satire on women" included in three of the commentaries. The notes (pp. 495-576) include recurrent comments on Chaucerian echoes in these sources, specifically WBP, PF, FranT, and MerT.</text>
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Style and Versification&#13;
Canterbury Tales--General&#13;
Miller and His Tale&#13;
Wife of Bath and Her Tale&#13;
Clerk and His Tale&#13;
Merchant and His Tale&#13;
Franklin and His Tale&#13;
Pardoner and His Tale&#13;
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                <text>With special consideration of Ovid, Dante, and Boccaccio as models (not sources), explores the relationship between Chaucer's predecessors and CT while conducting in-depth investigation into Chaucer's reworking of the original texts both through the pilgrims' tales as translations and the pilgrims themselves as translators. Examines individual characters' narrative roles in FranT, WBT, ClT, MerT, PardT, and MilT, and focuses on Chaucer's use of interruption of speech and repetition as narrative conventions.</text>
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                <text>Discusses John Gower's "Visio Anglie" as a departure from his usual compositional style and from his other treatments of the Revolt. Argues that specific depictions carry out a mimetic reenactment of the Revolt, rejecting the notion that Chaucer's "moral Gower" (TC, V.1856) was wholly concerned with pedantry, and asserting that "Visio Anglie" fully realizes themes present in Gower's earlier work.</text>
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          <elementTextContainer>
            <elementText elementTextId="2816820">
              <text>Warner, Lawrence.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2816821">
              <text>Studies in the Age of Chaucer 37 (2015): 55-100.</text>
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            <elementText elementTextId="2816822">
              <text>Studies in the Age of Chaucer 37 (2015)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2816823">
              <text>Manuscripts and Textual Studies&#13;
Canterbury Tales--General&#13;
Adam Scriveyn&#13;
Boece</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2816824">
              <text>SAC 39:32&#13;
mea; 2/19/2018</text>
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          </elementTextContainer>
        </element>
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          <name>Date</name>
          <description/>
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                <text>Scribes Misattributed: Hoccleve and Pinkhurst.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2825738">
                <text>Critiques the methods and conclusions of various analyses of late medieval English vernacular scribes, challenging the arguments that British Library, MS Royal 17 D.XVIII is Thomas Hoccleve's holograph; that Adam Pinkhurst was "Scribe B" of Cambridge, Trinity College, MS R.3.2 (John Gower's "Confessio Amantis"); that Adam Pinkhurst was the scribe of the Hengwrt and Ellesmere CT manuscripts; and giving various corollary discussions. Finds "no evidence" that Pinkhurst knew Chaucer, even though he did embellish a manuscript of Bo, and calls for renewed attention to all pertinent and available evidence in scribal analysis.</text>
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          <elementTextContainer>
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              <text>Tokunaga, Satoko.</text>
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              <text>Chaucer Review 50.1–2 (2015): 30–54.</text>
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          <elementTextContainer>
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              <text>Manuscripts and Textual Studies&#13;
Facsimiles, Editions, and Translations</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2816816">
              <text>SAC 39:31&#13;
mea;2/19/2018</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2816817">
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          <element elementId="50">
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              <elementText elementTextId="2825096">
                <text>Wynkyn de Worde's Lost Manuscript of the "Canterbury Tales": With New Light on HRC MS 46</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2825739">
                <text>Presents textual analysis about CT manuscript descent, specifically, that "a copying of *W [the MS used by De Worde for his 1498 edition of CT]" is likely to have "led to the production of Gg [CUL, MS Gg.IV.27] and Ph1 [University of Texas, Harry Ransom Center, MS 46], or a manuscript behind them."</text>
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          <elementTextContainer>
            <elementText elementTextId="2816804">
              <text>Matsuda, Takami.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2816805">
              <text>Kiyoko Myojo and Noburu Notomi, eds. What Is a Text? An Introduction to Textual Scholarship (Tokyo: Keio University Press, 2015), pp. 81–104.</text>
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          </elementTextContainer>
        </element>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2816806">
              <text>What Is a Text?</text>
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          </elementTextContainer>
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        <element elementId="102">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2816807">
              <text>Canterbury Tales--General</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2816808">
              <text>SAC 39:129&#13;
mea; 2/19/2018</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2816809">
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2825097">
                <text>Vernacular Literature of Medieval Europe: Chaucer's "Canterbury Tales."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2825227">
                <text>Refers to Paul Zumthor's notion of "mouvance," and argues that CT should be understood not as a single text but as a group of different, co-existent texts. In Japanese.</text>
              </elementText>
            </elementTextContainer>
          </element>
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      </elementSet>
    </elementSetContainer>
  </item>
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                  <text>Chaucer Bibliography Online</text>
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              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
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          <elementTextContainer>
            <elementText elementTextId="2816795">
              <text>Myojo, Kiyoko, and Noburu Notomi, eds.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2816796">
              <text>Tokyo: Keio University Press, 2015.</text>
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          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2816797">
              <text>xiv, 258 pp. </text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2816798">
              <text>Manuscripts and Textual Studies</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2816799">
              <text>SAC 39:30&#13;
mea; 2/19/2018</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2816800">
              <text>2015</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2816801">
              <text>Notomi, Noburu, ed.</text>
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          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2816793">
                <text>What Is a Text? An Introduction to Textual Scholarship.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2816794">
                <text>Includes a chapter on the issues of the text of CT. In Japanese. For an essay that pertains to Chaucer, search for What Is a Text? under Alternative Title.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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  <item itemId="273415" public="1" featured="0">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2816787">
              <text>Koster, Josephine.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2816788">
              <text>Textual Cultures 9.2 (2015): 19-26.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2816789">
              <text>Textual Cultures 09 (2015)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2816790">
              <text>Facsimiles, Editions, and Translations&#13;
Manuscripts and Textual Studies&#13;
Adam Scriveyn</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2816791">
              <text>SAC 39:29&#13;
mea; 2/19/2018</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2816792">
              <text>2015</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2816785">
                <text>Masters and Commanders: Considering the Concept of the Edited Text.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2825740">
                <text>Questions the concept of a "standard edition" in the postmodern world of textual editing and uses the controversy about Adam Pinkhurst (Was he Chaucer's scribe cited in Adam?) as evidence that "medievalists really seek editorial closure," despite insufficient, open-ended, or ambiguous data.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="273414" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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              </elementTextContainer>
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          </elementContainer>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2816779">
              <text>Kerby-Fulton, Kathryn, John T. Thompson, and Sarah Baechle, eds.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2816780">
              <text>Notre Dame: University of Notre Dame Press, 2014.</text>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2816781">
              <text>xxii, 521 pp.; illus.</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2816782">
              <text>Manuscripts and Textual Studies</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2816783">
              <text>SAC 39:28&#13;
mea; 2/19/2018</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2816784">
              <text>2014</text>
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        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2816852">
              <text>Thompson, John T., ed.&#13;
Baechle, Sarah, ed.</text>
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      </elementContainer>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2816777">
                <text>New Directions in Medieval Manuscript Studies and Reading Practices: Essays in Honor of Derek Pearsall.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2825741">
                <text>Collection of interdisciplinary manuscript studies and critical essays presented at the "New Directions in Medieval Manuscript Studies and Reading Practices in Honour of the 80th Birthday of Derek Pearsall" conference on October 21-22, 2011. Includes index of manuscripts and incunabula. For three essays that pertain to Chaucer, search for New Directions in Medieval Manuscript Studies and Reading Practices under Alternative Title.</text>
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          </element>
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