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              <text>Kolve, V. A.</text>
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              <text>Studies in the Age of Chaucer 12 (1990): 5-46.</text>
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              <text>Biennial Chaucer Lecture, the New Chaucer Society, Sixth International Congress, August 9-11, 1988, The University of British Columbia, Vancouver.</text>
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              <text>Friar and His Tale.</text>
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              <text>Parliament of Fowls.</text>
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              <text>Boece.</text>
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              <text>Studies in the Age of Chaucer 12 (1990)</text>
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              <text>jules SAC 14 (191)</text>
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                <text>'Man in the Middle': Art and Religion in Chaucer's 'Friar's Tale'</text>
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                <text>In the carter's episode, the ethical center of FrT, balanced curses and blessings invoke medieval images of humanity, "in the middle" between heaven and hell, and so preoccupied with daily life that it forgets spiritual concerns.  Carters are so presented in PF 102 and Bo; in the latter, "the carter working on his cart is proof of man's free will."  The "middle" space of the carter is the locus of Chaucer's art.</text>
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              <text>Edwards, A. S. G.</text>
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              <text>Chaucer Review 25 (1990): 76-77.</text>
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              <text>Man of Law and His Tale.</text>
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              <text>Chaucer Review 25 (1990)</text>
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              <text>jules SAC 14 (171)</text>
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                <text>'Man of Law's Tale' 517: A Conjectural Emendation</text>
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                <text>By emending Constance's plea to the constable from "The lyf out of hir body for to twynne" to "The lyf not of hir body for to twynne," an emendation that has no support from the variant readings of the manuscripts, we can bring the line into harmony with the passage from which it is drawn.</text>
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              <text>May, David.</text>
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              <text>Notes and Queries 232 (1987): 178-82.</text>
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              <text>1987</text>
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              <text>House of Fame.</text>
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              <text>Notes and Queries 232 (1987)</text>
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              <text>jules SAC 11 (237)</text>
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                <text>'Mandeville's Travels,' Chaucer, and 'The House of Fame'</text>
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                <text>Verbal echoes suggest that Chaucer had read Mandeville either in French or in English before composing HF.</text>
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              <text>Raybin, David.</text>
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              <text>David Raybin and Linda Tarte Holley, eds. Closure in The Canterbury Tales: The Role of The Parson's Tale (Kalamazoo: Medieval Institute Publications, Western Michigan University, 2000), pp. 11-43.</text>
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              <text>2000</text>
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              <text>Closure in The Canterbury Tales: The Role of The Parson's Tale.</text>
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              <text>Parson and His Tale.</text>
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              <text>Tale of Melibee.</text>
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              <text>General Prologue to the Canterbury Tales.</text>
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              <text>Pardoner and His Tale.</text>
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              <text>Friar and His Tale.</text>
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              <text>Clerk and His Tale.</text>
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              <text>jules SAC 24 (336)</text>
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                <text>'Manye Been the Weyes' : The Flower, Its Roots, and the Ending of The Canterbury Tales</text>
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                <text>ParsT confronts and resolves the dual focus evident throughout CT: the intricate variety of human error and the radical simplicity of penance. Echoing GP--and recalling the theology of spiritual progress reflected in FrT, PardT, ClT, and Mel--ParsT revels in the diversity that defines the human while simultaneously asserting the goal of unity with the divine.</text>
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              <text>Tomasch, Sylvia.</text>
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        <element elementId="98">
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              <text>Mark L. Greenberg and Lance Schachterle, eds.  Literature and Technology (Bethlehem, Penn.: Lehigh University Press, 1992), pp. 66-98.</text>
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              <text>1992</text>
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              <text>Literature and Technology.</text>
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              <text>Greenberg, Mark L., ed.</text>
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              <text>Schachterle, Lance, ed.</text>
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              <text>Knight and His Tale.</text>
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              <text>mea</text>
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                <text>'Mappa Mundi' and 'The Knight's Tale': The Geography of Power, the Technology of Control</text>
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                <text>Theseus's attempts to impose order upon his world reveal Chaucer's familiarity with medieval cartographical constructs as well as their underlying intellectual visions and political motives.  This is most apparent in the construction of Theseus's ampitheatre, shaped like the "O" forming the boundary of most medieval maps.</text>
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              <text>Somerset, Fiona.</text>
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              <text>English Literary History 68: 315-34,   2001.</text>
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              <text>Summoner and His Tale.</text>
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              <text>jules SAC 25 (202)</text>
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                <text>'Mark Him Wel for He Is On of Þo' : Training the 'Lewed' Gaze to Discern Hypocrisy</text>
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                <text>Various late-medieval English texts (including the Wycliffite "Twelve Conclusions" and Roger Dymmok's "Reply" and other Wycliffite discourse) reflect "anxiety" about laypeople's inabilities to discern clerical hypocrisy. In FrT, Chaucer distinguishes between the summoner's lack of discernment and the astute discernment of the devil and the old lady. Also considers the hypocrisy of the Friar, the Summoner, and the Pardoner.</text>
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              <text>McClellan, William.</text>
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          <name>Date</name>
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            <elementText elementTextId="2754200">
              <text>2000</text>
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          <name>Alternative Title</name>
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            <elementText elementTextId="2754201">
              <text>Rhetorical Poetics of the Middle Ages: Reconstructive Polyphony. Essays in Honor of Robert O. Payne.</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2754203">
              <text>Clerk and His Tale.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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        <element elementId="109">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2754205">
              <text>jules SAC 24 (271)</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>'Me Thynketh It a Thyng Impertinent' : Inaugurating Dialogic Discourse in the Prologue to the Clerk's Tale</text>
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                <text>The Clerk's polemical stance in relation to Petrarch in ClP differentiates the Clerk's voice, rhetorical style, and ideology from Petrarch's, thus allowing for the introduction of dialogic discourse in the Tale itself.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2752000">
              <text>Carruthers, Mary [J.]</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2752001">
              <text>Studies in the Age of Chaucer 21: 3-26,   1999.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2752002">
              <text>1999</text>
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        <element elementId="108">
          <name>Alternative Title</name>
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            <elementText elementTextId="2752003">
              <text>Presidential Address, the New Chaucer Society, Eleventh International Congress, 17-20 July 1998, Université de Paris IV-Sorbonne, Paris.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2752005">
              <text>Background and General Criticism.</text>
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            <elementText elementTextId="2752006">
              <text>Language and Word Studies.</text>
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          <elementTextContainer>
            <elementText elementTextId="2752007">
              <text>Studies in the Age of Chaucer 21 (1999)</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>jules SAC 23 (81)</text>
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          <element elementId="50">
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              <elementText elementTextId="2751999">
                <text>'Micrological Aggregates' : Is the New Chaucer Society Speaking in Tongues?</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2752004">
                <text>Confronts questions of canonicity, the "value" of literature, and the relations between language and literature, encouraging members of the New Chaucer Society to help revitalize the role of language study. Equipped with a historical sense of how no language or literature is universal, Chaucerians can promote mastery of the "crafts of reading and composing in English" as the goals of their pedagogy.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2803031">
              <text>McCracken, Samuel.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2803032">
              <text>Notes and Queries 218 (1973): 283.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2803033">
              <text>1973</text>
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            <elementText elementTextId="2803035">
              <text>Miller and His Tale</text>
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            <elementText elementTextId="2803036">
              <text>Manuscripts and Textual Studies</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2803037">
              <text>Notes and Queries 218 (1973)</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2803038">
              <text>mea 3/10/2015 No SAC</text>
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      </elementContainer>
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              <elementText elementTextId="2803030">
                <text>'Miller's Tale' [I (A) 3384]</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2803034">
                <text>Suggests a link between the Gild of St. Nicholas, performance of mystery plays by parish clerks, and Nicholas of MilT.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2740449">
              <text>Butterfield, Ardis.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2740450">
              <text>Huntington Library Quarterly 58 (1996): 49-80.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2740451">
              <text>1996</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2740452">
              <text>Reading from the Margins: Textual Studies, Chaucer, and Medieval Literature.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2740454">
              <text>Manuscripts and Textual Studies.</text>
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            <elementText elementTextId="2740455">
              <text>Troilus and Criseyde.</text>
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          </elementTextContainer>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2740456">
              <text>Huntington Library Quarterly 58 (1996)</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2740457">
              <text>jules SAC 20 (1998), 15</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2740448">
                <text>'Mise-en-page' in the 'Troilus' Manuscripts: Chaucer and French Manuscript Culture</text>
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          <element elementId="41">
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              <elementText elementTextId="2740453">
                <text>In addition to large formal sections, the "ordinatio" of fifteenth-century TC manuscripts marks categories of text and genre shifts (songs, letters, lyrics).  Such practice, resembling that in manuscripts of Machaut and Froissart, suggests that TC participates in a cultural process in which scribal prerogatives of dividing the text and subordinating certain features to a larger conceptual hierarchy are closely aligned with new ideas of authorship.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2705570">
              <text>Saito, Isamu.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2705571">
              <text>Kinshiro Oshitari et al., eds.  Philologia Anglica (Tokyo: Kenkyusha, 1988), pp. 346-55.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2705572">
              <text>1988</text>
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          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2705573">
              <text>Philologia Anglica.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2705576">
              <text>Nun's Priest and His Tale.</text>
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        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2705577">
              <text>jules SAC 13 (183)</text>
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            <elementTextContainer>
              <elementText elementTextId="2705569">
                <text>'Moralite' in Chaucer's Nun's Priest's Tale'</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2705574">
                <text>The Nun's Priest's pronouncement, "Taketh fruyt, and lat the chaf be stille," has been interpreted exegetically.  Scriptural exegesis, however, is invalid for explicating NPT, which is Menippean--dialogic and polyphonic.</text>
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              <elementText elementTextId="2705575">
                <text>(In Japanese.)</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2705900">
              <text>Hawes, Clement.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2705901">
              <text>Publications of the Arkansas Philological Association 15:2 (1989): 12-25.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2705902">
              <text>1989</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2705904">
              <text>Publications of the Arkansas Philological Association 15 (1989)</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>jules SAC 13 (218)</text>
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            <elementTextContainer>
              <elementText elementTextId="2705899">
                <text>'More Stars, God Knows, Than a Pair': Social Class and the Common Good in Chaucer's 'Parliament of Fowls'</text>
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              <elementText elementTextId="2705903">
                <text>The dream in PF is a "populist countervision" both to Cicero's "Dream of Scipio's" "stoicism that excludes love" and to the tercelets' 'fine amour that abuses (love)."  Ultimately, "it is precisely the earthy and earthlythat are shown to serve...the common good."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2717824">
              <text>Delany, Sheila.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2717825">
              <text>Mosaic 17:1 (1984): 1-8.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2717826">
              <text>1984</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2717829">
              <text>Nun's Priest and His Tale.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2717830">
              <text>Mosaic 17 (1984)</text>
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            <elementText elementTextId="2717831">
              <text>Medieval Literary Politics:  Shapes of Ideology.</text>
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        </element>
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              <text>jules SAC 08 (182)</text>
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              <elementText elementTextId="2717823">
                <text>'Mulier est hominis confusio': Chaucer's Antipopular 'Nun's Priest's Tale'</text>
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                <text>Slightly reviesd in Sheila Delany, Medieval Literary Politics: Shapes of Ideology (University of Manchester Press, 1990), pp. 141-50.</text>
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              <elementText elementTextId="2717828">
                <text>NPT presents the wife subordinate to the husband, an emblem with parallels in natural, social, and cosmic hierarchies.  Inconsistent with his sources and with attitudes toward marriage in "popular" literature, Chaucer approves the hierarchical and dualistic Pauline-Augustinian ideology.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2697956">
              <text>Dane, Joseph A.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2697957">
              <text>Notes and Queries 237 (1992): 276-78.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2697958">
              <text>1992</text>
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            <elementText elementTextId="2697960">
              <text>Nun's Priest and His Tale.</text>
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            <elementText elementTextId="2697961">
              <text>Notes and Queries 237 (1992).</text>
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              <text>mea</text>
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                <text>'Mulier est hominis confusio': Note on Chaucer's Nun's Priest's Tale, Line 3164</text>
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                <text>Line 3164 of NPT includes a pun, for "confusio" is also a technical term referring to the meaning of words.  The joke: an apparent mistranslation is not one.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2730454">
              <text>Witte, Stephen P.</text>
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        <element elementId="98">
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            <elementText elementTextId="2730455">
              <text>Papers on Language and Literature 13 (1977): 227-37.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2730456">
              <text>1977</text>
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        <element elementId="102">
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            <elementText elementTextId="2730458">
              <text>Prioress and Her Tale.</text>
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          <elementTextContainer>
            <elementText elementTextId="2730459">
              <text>Papers on Language and Literature 13 (1977)</text>
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        <element elementId="109">
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              <text>jules SAC 02 (195)</text>
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          <element elementId="50">
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              <elementText elementTextId="2730453">
                <text>'Muscipula Diaboli' and Chaucer's Portrait of the Prioress</text>
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                <text>Chaucer's use of the mouse, traditionally associated with gluttony and drunkenness, his juxtaposition of it to Christian terms like "charitee" and "tendre herte," and the possible allusion to Christ's sacrifice as Satan's "mousetrap" suggests harsh satire on a nun, knowingly or not, following the devil.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2724453">
              <text>Shoaf,  R[ichard] A[llen].</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
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              <text>Genre 14 (1981): 163-69.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2724455">
              <text>1981</text>
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        <element elementId="102">
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              <text>Book of the Duchess.</text>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2724458">
              <text>Genre 14 (1981)</text>
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        <element elementId="109">
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              <text>jules SAC 05 (2140</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2724452">
                <text>'Mutatio Amoris': 'Penitentia' and the Form of 'The Book of the Duchess'</text>
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          <element elementId="41">
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              <elementText elementTextId="2724456">
                <text>BD's central theme is that change is necessary and inevitable and must be graciously accepted.  Initially the Black Knight avoids change; by the end of BD he is reconciled with, and embraces, change.  In BD, Chaucer succeeds in his portrayal of arguments as a theological poet.</text>
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  </item>
  <item itemId="265141" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
                </elementText>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2731051">
              <text>Shoaf, Richard Allen.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2731052">
              <text>Dissertation Abstracts International 38 (1978): 4812A.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2731053">
              <text>1978</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2731055">
              <text>Book of the Duchess.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2731056">
              <text>Dissertation Abstracts International 38 (1978)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
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              <text>jules SAC 02 (247)</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2731050">
                <text>'Mutatio Amoris': Revision and Penitence in Chaucer's 'The Book of the Duchess'</text>
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          <element elementId="41">
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              <elementText elementTextId="2731054">
                <text>BD is revisionary art which de-mystifies the language of conventionalized desire and revises the Boethian consolation dialogue.  The narrator suffers the same "tristitia" as the knight and must be cured.  A confession entails the knight's Augustinian re-iter-ation of "sententia" of his "romaunce" such that at the story's end, the paradigm of meaning is revealed.</text>
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  <item itemId="266208" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2742079">
              <text>Leicester, H. Marshall, Jr.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2742080">
              <text>Peter G. Beidler, ed. Geoffrey Chaucer: "The Wife of Bath."   (Boston and New York: Bedford-St. Martin's, 1996), pp. 234-54.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2742081">
              <text>1996</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2742082">
              <text>Geoffrey Chaucer: "The Wife of Bath": Complete Authoritative Text with Biographical and Historical Contexts, Critical History and Essays from Five Contemporary Critical Perspectives.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2742084">
              <text>Wife of Bath and Her Tale.</text>
            </elementText>
            <elementText elementTextId="2742085">
              <text>Language and Word Studies.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
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            <elementText elementTextId="2742086">
              <text>jules SAC 20 (1998), 173</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2742078">
                <text>'My Bed Was Ful of Verray Blood: Subject, Dream, and Rape in the Wife of Bath's Prologue and Tale</text>
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              <elementText elementTextId="2742083">
                <text>Treats the Wife of Bath as a subject in the process of self-definition who simultaneously seeks to deconstruct the society that constitutes that process.  Leicester focuses on the dream of blood in WBP (577-82) to show the difficulty of determining any single meaning.  He deconstructs "Paradventure" in WBT (893) to explore the indeterminable relations between rape and lawful marriage and, more generally, the indeterminacy of any text.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2790186">
              <text>Abdalla, Laila.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790187">
              <text>Jennifer C. Vaught, ed. Rhetorics of Bodily Disease and Health in Medieval and Early Modern England. Literary and Scientific Cultures of Early Modernity (Burlington, Vt.: Ashgate, 2010), pp. 65-84.</text>
            </elementText>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790188">
              <text>2010</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790189">
              <text>Rhetorics of Bodily Disease and Health in Medieval and Early Modern England.</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2790191">
              <text>Pardoner and His Tale</text>
            </elementText>
            <elementText elementTextId="2790192">
              <text>Language and Word Studies</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="104">
          <name>Series</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790193">
              <text>Literary and Scientific Cultures of Early Modernity.</text>
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        </element>
        <element elementId="109">
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            <elementText elementTextId="2790194">
              <text>vxl sac 34:242</text>
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            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2790185">
                <text>'My body to warente . . . ': Linguistic Corporeality in Chaucer's Pardoner</text>
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          <element elementId="41">
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              <elementText elementTextId="2790190">
                <text>Considers PardPT in light of Augustinian semiotic theory. Focus on the body in the Pardoner's materials signals the need to attend to the objects of signs, and the quarrel with the Host "renders impotent" the Pardoner's nominalist "attack on signification." PardPT reconfigures the Sophist question of whether a false person can tell a good tale, placing responsibility on readers to attend to all available signs.</text>
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              <text>Czarnowus, Anna.</text>
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              <text>Monk and His Tale.</text>
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              <text>vxl sac 28:164</text>
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                <text>'My cours, that hath so wyde for to turne, / Hath moore power than woot any man' : The Children of Saturn in Chaucer's Monk's Tale</text>
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                <text>Suggests a link between KnT and MkT: Saturn's "children" can be either individuals born under the sign of Saturn or societies suffering the effects of the "Age of Saturn." The predicament of the Monk's Hugelyn and his children can be read in light of these traditions.</text>
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              <text>Sleeth, Charles R.</text>
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              <text>Neuphilologische Mitteilungen 89 (1988): 174-84.</text>
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              <text>1988</text>
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              <text>Canterbury Tales--General.</text>
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              <text>Neuphilologische Mitteilungen 89 (1988)</text>
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              <text>jules SAC 12 (133)</text>
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                <text>'My Dames Loore' in 'The Canterbury Tales'</text>
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                <text>The invocations of a mother's advice in WBP, PardT, and MkT, in contrast to the wisdom of "Oure Lady" invoked by the two nuns in CT, become an ambiguous source of authority not in themselves but because of the actions they appear to justify.</text>
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              <text>Kensak, Michael.</text>
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              <text>T. L. Burton and John F. Plummer, eds. "Seyd in Forme and Reverence": Essays on Chaucer and Chaucerians in Memory of Emerson Brown, Jr. (Provo, Utah: Chaucer Studio Press, 2005), pp. 83-96.</text>
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              <text>Book of the Duchess.</text>
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              <text>vxl SAC 29:276</text>
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                <text>'My first matere I wil yow telle': Losing (and Finding) Your Place in Chaucer's Book of the Duchess</text>
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                <text>Assesses the narrator's digressions and "digression-returns" in BD, arguing that they are part of Chaucer's indications of the inexpressibility of grief.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2753626">
              <text>Knight, Stephen.</text>
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              <text>Studies in the Age of Chaucer 22: 381-86,   2000.</text>
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        <element elementId="114">
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              <text>2000</text>
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              <text>Monk and His Tale.</text>
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              <text>General Prologue to the Canterbury Tales.</text>
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              <text>Studies in the Age of Chaucer 22 (2000)</text>
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              <text>jules SAC 24 (312)</text>
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                <text>'My Lord, the Monk'</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2753629">
                <text>Recurrent concern with lordship in MkT and in the GP sketch of the Monk reveals the Monk's pretense to knightly status, a case of estate transgression.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2747785">
              <text>Ward, Antonia.</text>
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        <element elementId="98">
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              <text>Studies in Medievalism 09 (1997): 44-57.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>1997</text>
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              <text>Chaucer's Influence and Later Allusion.</text>
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              <text>Studies In Medievalism 09 (1997)</text>
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              <text>jules SAC 22 - 78</text>
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                <text>'My Love for Chaucer': F. J. Furnivall and Homosociality in the Chaucer Society</text>
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                <text>Argues that the impulse behind Furnivall's Chaucer scholarship was homosocial, a desire to become as close to Chaucer as possible and to share his love of the poet with other men as a way of bringing them closer together.  This homosocial element has been a recurrent feature of medieval English Studies.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Petrina, Alessandra.</text>
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        <element elementId="98">
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              <text>Scottish Studies Review 7 (2006): 9-23.</text>
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        <element elementId="114">
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              <text>2006</text>
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              <text>Chaucer's Influence and Later Allusion.</text>
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              <text>Manuscripts and Textual Studies.</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2772465">
              <text>Scottish Studies Review 07 (2006)</text>
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              <text>vxl sac 30:68</text>
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                <text>'My Maisteris Dere': The Acknowledgement of Authority in 'The Kingis Quair'</text>
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            <description>An account of the resource</description>
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                <text>Petrina considers the citation of Gower and Chaucer at the end of "The Kingis Quair" and the poem's context in Bodley MS Arch. Selden. B.24, a manuscript with a high number of misattributions to Chaucer; also speculates about intellectual exchange at the Lancastrian court among James I, Lydgate, and Hoccleve.</text>
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