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              <text>Tambling, Jeremy.</text>
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              <text>English 64, no. 244 (2015): 42-64.</text>
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              <text>English: The Journal of the English Association 64 (2015)</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Canterbury Tales--General&#13;
General Prologue to the Canterbury Tales&#13;
Pardoner and His Tale&#13;
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mea; 2/21/2018</text>
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                <text>Dickens and Chaucer.</text>
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                <text>Analyzes the influence of Chaucer on several Romantic thinkers and their subsequent influence on Dickens, as well as Dickens's own reference and allusions to CT. Focuses on how "Our Mutual Friend" reflects medievalism in such aspects as the pilgrimage with its vast array of characters, the device of framed narrative, and the characterization of Canterbury as the past. Allusions to Chaucer, especially in GP and PardT, are also abundant in "Our Mutual Friend."</text>
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              <text>Rogers, Cynthia A.</text>
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              <text>Dissertation Abstracts International A76.11 (2015): n.p.</text>
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mea; 2/21/2018</text>
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                <text>Explores a Middle English scrapbook from the fifteenth and early sixteenth centuries that includes some Chaucerian love literature, and considers the book's role in a performance of gentility, particularly on the part of its women readers. </text>
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                <text>"Make Thereof a Game": The Interplay of Texts in the Findern Manuscript and Its Late Medieval Textual Community."</text>
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              <text>Payne, Deborah C.</text>
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              <text>Review of English Studies 66, no. 273 (2015): 87–105.</text>
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              <text>Review of English Studies 66 (2015).</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Parson and His Tale</text>
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              <text>SAC 39:66&#13;
mea; 2/21/2018</text>
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                <text>Includes a reference to Pepys's advice to John Dryden that he include Chaucer's Parson in His "Fables."</text>
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                <text>Theatrical Spectatorship in Pepys's Diary.</text>
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              <text>Owens, Richard.</text>
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              <text>postmedieval 6.2 (2015): 146–53.</text>
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              <text>postmedieval 06 (2015)</text>
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              <text>Chaucer's Influence and Later Allusion</text>
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              <text>SAC 39:65&#13;
mea; 2/21/2018</text>
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                <text>Caroline Bergvall Her "Shorter Chaucer Tales."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2825712">
                <text>Examines Caroline's Bergvall's five Chaucer poems in her "Meddle English" (2011), including discussion of their relations with Chaucer's originals. Focuses especially on Bergvall's "Fried Tale." </text>
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              <text>Munro, Lucy.</text>
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              <text>New York: Cambridge University Press, 2013. </text>
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              <text>xii, 308 pp.; 4 b&amp;w illus.</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Language and Word Studies</text>
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mea; 2/21/2018</text>
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                <text>Archaic Style in English Literature.</text>
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                <text>Explores the use of "archaic linguistic and poetic style" in poetry and drama, 1590–1674, analyzing how combinations of anachronism and nostalgia help to influence the idea of English "nationhood." Includes recurrent comments on lexical "Chaucerisms" and "Chaucer's authority," and Chapter 4, "Chaucer, Gower, and the Anxiety of "Obsolescence" (pp. 69–104), explores how four early modern works express or resist concern about obsolescence through use of Chaucer and Gower, considering Book IV of Spenser's "The Faerie Queene," the anonymous play "The Return from Parnassus," Shakespeare and Wilkins's "Pericles," and William Cartwright's "The Ordinary."</text>
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              <text>Lerer, Seth.</text>
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              <text>Chaucer Review 49.4 (2015): 474-98.</text>
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              <text>Chaucer Review 49 (2015)</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Troilus and Criseyde</text>
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mea; 2/21/2018</text>
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                <text>"The Tongue": Chaucer, Lydgate, Charles d'Orleans, and the Making of a Late Medieval Lyric.</text>
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                <text>The stanzas known as "The Tongue" in the Findern manuscript use source material from Lydgate's "Fall of Princes" and Chaucer's TC to create a coherent poem that is consistent with the manuscript's broader themes and is indebted to the literary legacy of Charles d'Orleans.</text>
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              <text>Kendrick, Laura.</text>
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              <text>Cahiers de recherches medievales et humanistes/Journal of Medieval and Humanistic Studies 29, no. 1 (2015): 215–33.</text>
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              <text>Cahiers de recherches medievales et humanists 29 (2015)&#13;
Journal of Medieval and Humanistic Studies 29 (2015)</text>
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                <text>Examines how Deschamps's balade 285 is a surprisingly generous recognition and glorification of Chaucer as a pioneering translator from Latin and French into English, and as an "illuminator" or enlightener of his native England. Reveals how this praise pleased Chaucer's followers, who reinforced the critical tradition of Chaucer as the first embellisher of the English language.</text>
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Language and Word Studies</text>
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                <text>The Invention of Fire.</text>
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                <text>Historical novel set in London, Kent, Calais, and during a pilgrimage to Durham, 1386; the second in a series that features John Gower as first-person narrator investigating criminal and political events, in this case a mass murder that involves parliamentary machinations, Nicholas Brembre's mayoralty, and the development of handguns. Includes a range of characters both historical and fictional, with Chaucer in his role as "shire justice in Kent" and as Gower's shrewd friend and literary competitor.</text>
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                <text>Proposes that when Langland revised B into C, the literary landscape was very different (from Edwardian to Ricardian poetry). Chaucerian dream vision, especially PF with its "emphasis upon the poetic figure who seeks to understand the world through his books and to craft this search as imaginative fiction," may be responsible for the new explicitness and clarity of Piers Plowman C.</text>
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              <text>Chaucer Review 49.3 (2015): 378-86.</text>
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General Prologue to the Canterbury Tales</text>
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mea; 2/21/2018</text>
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                <text>Contends that the opening of Elizabeth Bishop's "The Moose" contains several echoes of GP.</text>
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              <text>Canon's Yeoman and His Tale&#13;
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mea; 2/21/2018</text>
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                <text>El frau de l'alquimista en l'infern dantesc de Joan Pasqual i en la tradicio medieval.</text>
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                <text>Taking as a starting-point the study of a chapter from the "Tractat de les penes particulars d'infern" by Joan Pasqual (c. 1436), traces the dissemination (and the "stemma narrationum") of two narrative motifs: the fake alchemist and the king (Thompson, K.111.4), and the account-book of mistakes or fools (Thompson, J.1371), and places CYT within this tradition.</text>
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              <text>x, 249 pp.; 7 b&amp;w illus.</text>
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              <text>Chaucer Studies, no. 43.</text>
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mea; 2/20/2018</text>
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            <description>An account of the resource</description>
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                <text>Eleven essays and an introduction (by Davis) deal with Chaucer's concern with poetic fame and/or with his poetic reputation among his contemporaries, down to the twenty-first century. The introduction (pp. 1–19) describes the essays and comments on poetic fame in HF and LGW as the topic relates to Chaucer's omissions and elisions, his uses of names and his (non-)naming of sources, and his relations with several works that influenced him, especially Boccaccio's "e mulieribus claris." Includes a bibliography and index. For the eleven essays that pertain to Chaucer, search for Chaucer and Fame under Alternative Title.</text>
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              <text>Strakhov, Elizaveta.</text>
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              <text>Isabel Davis and Catherine Nall, eds. Chaucer and Fame: Reputation and Reception (Cambridge: D. S. Brewer, 2015), pp. 57-74.</text>
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              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>sac 39:233&#13;
mea; 2/20/2018</text>
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                <text>"And kis the steppes where as thow seest pace": Reconstructing the Spectral Canon in Statius and Chaucer.</text>
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                <text>Reviews the presence of Statius's "Thebaid" in TC, exploring in detail the juxtaposition of Statian and Ovidian material in Cassandra's explanations of Troilus's dream of the boar, explaining Chaucer's elision of Boccaccio from his poem as Chaucer's imitation of Statius's "poetics of disavowal," and commenting on Chaucer's complex use of the list-of-poets topos in TC, 5.1782.</text>
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              <text>Blamires, Alcuin.</text>
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              <text>Isabel Davis and Catherine Nall, eds. Chaucer and Fame: Reputation and Reception (Cambridge: D. S. Brewer, 2015), pp. 344-51.</text>
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              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations&#13;
House of Fame</text>
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              <text>SAC 39:216&#13;
mea; 2/20/2018</text>
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                <text>Surveys classical and medieval skeptical views of the significance of fame and contrasts the attitudes toward reputation expressed by Criseida in Boccaccio's "Filostrato" and Criseyde in TC, focusing on the heroines' views about infamy before leaving Troy. Chaucer's character briefly rejects the opinions of others and, like the narrator of HF, "glimps[es] something interesting about personal sufficiency," without ultimately disregarding reputation.</text>
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                <text>"I nolde sette at al that noys a grote': Repudiating Infamy in "Troilus and Criseyde" and "The House of Fame."</text>
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              <text>Havely, Nick.</text>
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              <text>Isabel Davis and Catherine Nall, eds. Chaucer and Fame: Reputation and Reception (Cambridge: D. S. Brewer, 2015), pp. 43-56.</text>
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              <text>House of Fame&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>sac 39:206&#13;
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                <text>"I wolde . . . han hadde a fame': Dante, Fame, and Infamy in Chaucer's "House of Fame."</text>
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                <text>Describes how in Book III of HF Chaucer engages with Dante's "Commedia", especially Canto XI of the "Purgatorio"; focuses particularly on speaking silences, tacit allusions, and concerns with infamy.</text>
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              <text>Boffey, Julia, and A. S. G. Edwards.</text>
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              <text>House of Fame&#13;
Manuscripts and Textual Studies&#13;
Facsimiles, Editions, and Translations</text>
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              <text>sac 39:202&#13;
mea; 2/20/2018</text>
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                <text>The Early Reception of Chaucer's "The House of Fame."</text>
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                <text>Surveys knowledge of and responses to HF from the earliest manuscripts and printed editions to Alexander Pope's adaptation, "The Temple of Fame" (1710), with commentary on early uncertainty about the title and author of HF, and on the "ways in which Chaucer's poem embedded itself into various kinds of literary consciousness."</text>
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              <text>Isabel Davis and Catherine Nall, eds. Chaucer and Fame: Reputation and Reception (Cambridge: D. S. Brewer, 2015), pp. 143-63.</text>
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Chaucer's Influence and Later Allusion</text>
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mea; 2/20/2018</text>
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                <text>"French anamalit termes": The Contradictory Celebrity of Chaucer's Aureation.</text>
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            <description>An account of the resource</description>
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                <text>Describes a change in Chaucer's "linguistic fame" from fifteenth-century praise of his rhetoric and aureate diction to sixteenth-century admiration of his plain speaking: a shift that reflects the early modern "Inkhorn Controversy" and efforts to separate "Englishness" from French. Chaucer was regarded as the "Father of English" by representatives of both groups.</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Chaucerian Apocrypha&#13;
Manuscripts and Textual Studies&#13;
Facsimiles, Editions, and Translations</text>
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mea; 2/20/2018</text>
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                <text>Revenant Chaucer: Early Modern Celebrity.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2825723">
                <text>Looks at the "transition of the invented textual presence of Chaucer in the late Middle Ages to the invented personal presence of the poet in the early modern period." Comments on several spurious links between tales in the Lansdowne 851 manuscript of CT, by exploring various editions and uses of Chaucer's works in early modern England (especially Shakespeare and Fletcher's "Two Noble Kinsmen"), and discussing the use of Chaucer's "celebrity" in "Chaucer's Incensed Ghost" (1617), Richard Brathwait's anti-tobacco tract.</text>
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Isabel Davis and Catherine Nall, eds. Chaucer and Fame: Reputation and Reception (Cambridge: D. S. Brewer, 2015), pp. 165-84.</text>
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                <text>Exemplifies the variety of sixteenth- and seventeenth-century versions of Chaucer, which reflects he "fragmentation, diversity, and complexity" of the English Reformation itself. Discusses Chaucer as an authority figure in the writings of polemical authors Job Throckmorton, John Clare, Matthew Sutcliffe, Richard Bancroft, and Samuel Harsnett, gauging their relative discernment in understanding Chaucer's works. Most surprising, perhaps, is Harsnett's use of MilT.</text>
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                <text>Argues that fifteenth-century verbal and visual depictions of Chaucer as an "aged penitent" (in Gascoigne, Hoccleve, Gower, Scogan, and the Bedford Hours) reflect the Derridean (and Augustinian) gaps that are evident in Ret and elsewhere in Chaucer's poetry. Chaucer's persistent attention to "textual mediation" evokes "the illusion of presence," or an "absent presence" whereas his followers employ echoes of him and his poetry to evoke a politically charged "secular penance" that has parallels with Lancastrian reforms.</text>
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House of Fame&#13;
Man of Law and His Tales&#13;
Chaucer's Influence and Later Allusion&#13;
Facsimiles, Editions, and Translations</text>
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mea; 2/20/2018</text>
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                <text>Explores the "reciprocal status of antiquity and celebrity" in the reception of Chaucer, his "construction (and self-construction) as a vernacular authority," and the relations of fame and temporality in his works, especially MLP.  Recurrent concerns with time, time-passing, and old age inflect his characterizations and his Ovidian poetics. Includes comments on early modern canon formation, Byron's views of Chaucer, and a 2011 on-demand reprint of HF by Nabu Press.</text>
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              <text>Espie, Jeff.</text>
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                <text>Examines Chaucer's influence on Wordsworth's poetry, especially in "Lyrical Ballads" and "Ecclesiastical Sonnets." Establishes that Wordsworth is a "Chaucerian translator," because of his engagement with Chaucerian literary tradition.</text>
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              <text>Downes, Stephanie.</text>
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              <text>Chaucer Review 49, no. 3 (2015): 352-70.</text>
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mea; 2/19/2018</text>
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                <text>Discusses the reception of Chaucer's poetry by nineteenth-century French critics who focused on CT, read Chaucer as a "European" rather than an English writer, discussed the accessibility of his language, and examined Chaucer's national literary and cultural affinities.</text>
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Chaucer's Life&#13;
Manuscripts and Textual Studies&#13;
Romaunt of the Rose&#13;
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mea; 2/19/2018</text>
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                <text>After Deschamps: Chaucer's French Fame.</text>
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            <description>An account of the resource</description>
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                <text>Discusses Eustace Deschamps's balade in praise of Chaucer, the Duxworth manuscript of Chaucer that belonged to Jean Angouleme, and two sixteenth-century French references to Chaucer that evince French awareness of Chaucer as a poet: an anecdote about Chaucer and his wife and a discussion of Rom that asserts that Jean de Meun was himself an Englishman.</text>
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