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              <text>Delany, Sheila.</text>
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              <text>Comparative Literature 20 (1968): 254-64.</text>
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              <text>Comparative Literature 20 (1968).</text>
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              <text>House of Fame&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Chaucer's "House of Fame" and the "Ovide moralisé."</text>
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                <text>Shows that Chaucer's depiction of Fame in HF has several parallels with the depiction of her in the French "Ovide moralisé":  use of anaphora in amplification of Ovid's original, Fame's role of judge and her "aura of authority," and overt concern with the "problem of conflicting authorities."</text>
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              <text>Dickerson, A. Inskip.</text>
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              <text>Texas Studies in Literature and Language 18 (1976): 171-83.</text>
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              <text>jules - 7/10/94 SAC 1 (227)</text>
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                <text>Chaucer's "House of Fame": A Skeptical Epistemology of Love.</text>
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                <text>HF refutes rumors about Chaucer's libertinism.  It raises the question of love's definition through the story of Dido and Aeneas in Book I, the remonstrations of the Eagle in Book II, and the scandals in the houses of Fame and Rumour in Book III.</text>
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              <text>Brookhouse, Christopher</text>
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              <text>Medium Ævum 34.1 (1965): 40-42.</text>
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              <text>Medium Ævum 34 (1965)</text>
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              <text>Book of the Duchess&#13;
Anelida ad Arcite&#13;
Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations&#13;
Style and Versification</text>
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                <text>Chaucer's "Impossibilia."</text>
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                <text>Identifies several instances of Chaucer's uses of lists of impossibilities (rhetorical "adynata" or "impossibilia") in "personal laments and exclamations of fidelity and sincerity" (TC, BD, Anel), giving classical precedents in Virgil's "Eclogues" and Ovid's "Heroides."</text>
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              <text>Rumble, T. C.</text>
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        <element elementId="98">
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              <text>Philological Quarterly 43 (1964): 130-33.</text>
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              <text>Philological Quarterly 43 (1964)</text>
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              <text>Knight and His Tale&#13;
Language and Word Studies&#13;
Facsimiles, Editions, and Translations</text>
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              <text>mea; 8/6/2019</text>
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              <text>1964</text>
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                <text>Chaucer's "Knight's Tale," 2680-83.</text>
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                <text>Interprets "chiere" of KnT 1.2683 as "frame of mind" or "state of feeling," and maintains that this obviates the question of the whether or not the preceding two lines on the fickleness of women are spurious.</text>
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              <text>Beidler, Peter G.</text>
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              <text>English Record 18 (1968): 54-60.</text>
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              <text>mea 09/02/2017; no SAC</text>
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                <text>Chaucer's "Knight's Tale" and Its Teller.</text>
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                <text>Argues that the subject matter, irony, depiction of love, and touches of humor in KnT are "in no way inappropriate" to the characterization of the Knight evident elsewhere in CT</text>
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              <text>Penninger, F. Elaine.</text>
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              <text>South Atlantic Quarterly 63 (1964): 398-405.</text>
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              <text>South Atlantic Quarterly 63 (1964)</text>
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              <text>Knight and His Tale&#13;
Parson and His Tale</text>
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              <text>mea; 11/21/2019</text>
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                <text>Chaucer's "Knight's Tale" and the Theme of Appearance and Reality in "The Canterbury Tales."</text>
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                <text>Argues that by "idealizing" reality "into unreality" KnT opens the "question of appearance and reality," a recurrent concern throughout CT which is resolved only in ParsT.</text>
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              <text>Roney, Lois.</text>
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              <text>Tampa : University of South Florida Press, 1990.</text>
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              <text>jules SAC 14 (159)</text>
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                <text>Chaucer's "Knight's Tale" and Theories of Scholastic Psychology</text>
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                <text>Proposes that KnT has a "two-fold focus:  one centering on theories of human nature--Franciscan, Dominican, and Chaucerian; the other centering on theories of valid language use, whether literal alone or figurative as well." Allegory is not the right term.  In Chaucer, the husk still has meaning; and "of all issues embodied" in KnT, "metaphysical freedom is the most important."  </text>
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                <text>Roney examines psychological, linguistic, and philosophic contrasts between Palamon and Arcite, drawing on the scholastic debate regarding "which is prior ('nobilior') among the faculties of the human soul, the intellect or the will."  Chaucer characterizes each "according to the faculty psychology of one side:  Arcite according to the intellectualist theories of the Aristotelian Thomists; Palamon according to the voluntarist theories of the Augustinian Franciscans."</text>
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                <text>The characterization of Theseus constitutes "a third psychological theory, in fact a Chaucerian resolution the whole controversy."  KnT puts forth important scholastic truths embodied in pagan "lies," at the same time refuting scholastic poetics by conveying truth figuratively. </text>
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                <text>To scholastic principles of "faculty structure, thinking process and language use," Chaucer adds his theory that "the human mind is completely free, uses language to think with, and learns from thinking about its own individual experiences."  Chaucer tests his own theory throughout CT.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Cozart, William R.</text>
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        <element elementId="112">
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              <text>Armato, Rosario P., ed.&#13;
Spalek, John M., ed.</text>
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              <text>mea; 08/20/2017</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2815508">
              <text>1968</text>
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        <element elementId="108">
          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2815526">
              <text>Medieval Epic to the "Epic Theater" of Brecht: Essays in Comparative Literature.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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              <text>Knight and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>Rosario P. Armato and John M. Spalek, eds. Medieval Epic to the "Epic Theater" of Brecht: Essays in Comparative Literature (Los Angeles: University of Southern California Press, 1968), pp. 25-34.</text>
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              <elementText elementTextId="2815502">
                <text>Chaucer's "Knight's Tale": A Philosophical Re-appraisal of a Medieval Romance.</text>
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            <elementTextContainer>
              <elementText elementTextId="2815503">
                <text>Suggests that the notion of making a "virtue of necessity" in TC and Theseus's "First Mover" speech reflect late-medieval nominalism and express concern with the precariousness of human life and its relation to "Ultimate Justice." Ending on a "pessimistic note," Theseus's speech may indicate the need for faith.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Braswell, Mary Flowers.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2757722">
              <text>Teaneck, N.J. :</text>
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              <text>London : Fairleigh Dickinson University Press ;</text>
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              <text>Associated University Presses, 2001.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2757725">
              <text>2001</text>
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        <element elementId="99">
          <name>Physical Description</name>
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          <elementTextContainer>
            <elementText elementTextId="2757726">
              <text>170 pp.</text>
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            <elementText elementTextId="2757728">
              <text>Background and General Criticism.</text>
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              <text>Franklin and His Tale.</text>
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            <elementText elementTextId="2757730">
              <text>Reeve and His Tale.</text>
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            <elementText elementTextId="2757731">
              <text>Shipman and His Tale.</text>
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              <text>Pardoner and His Tale.</text>
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            <elementText elementTextId="2757733">
              <text>Cook and His Tale.</text>
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            <elementText elementTextId="2757734">
              <text>Miller and His Tale.</text>
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            <elementText elementTextId="2757735">
              <text>Canon's Yeoman and His Tale.</text>
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            <elementText elementTextId="2757736">
              <text>Miller and His Tale.</text>
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              <text>Friar and His Tale.</text>
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            <elementText elementTextId="2757738">
              <text>House of Fame.</text>
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            <elementText elementTextId="2757739">
              <text>Canterbury Tales--General.</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>jules SAC 25 (93)</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2757720">
                <text>Chaucer's "Legal Fiction" : Reading the Records</text>
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              <elementText elementTextId="2757727">
                <text>In addition to overt allusions to law and its practitioners and his depictions of legal proceedings, Chaucer weaves legal terminology into his texts and uses "embedded" references to real court cases in developing his plots and characters. Advocates and accusers in medieval courts often used creative narration to argue their cases, just as Chaucer does. As well, Chaucer uses "interrogative" rather than "declarative" style so that his audience, like courtroom participants, is expected to analyze the evidence and reach conclusions that are purposely withheld. Braswell discusses numerous courtroom cases, HF, FranT, RvT, ShT, PardP, CkPT, CYT, MilT, and FrT.</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2845151">
              <text>Stadnik, Katarzyna.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2845152">
              <text>SELIM: Journal of the Spanish Society for Medieval Language and Literature 23 (2018): 87-114.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2845153">
              <text>SELIM: Journal of the Spanish Society for Medieval Language and Literature 23 (2018)</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2845154">
              <text>Legend of Good Women&#13;
Sources, Analogues, and Literary Relations</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>SAC 45:163</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
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              <text>2018</text>
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                <text>Chaucer's "Legend of Dido": Negotiating Worldviews through Narrative Fiction.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2850730">
                <text>Analyzes the "Legend of Dido" in LGW to reveal how narrative serves as a "cognitive tool for shaping worldviews" held within cultural communities. Discusses the "cognitive-cultural underpinnings" and strategies Chaucer uses to tell a fragmentary version of the Dido and Aeneas narrative. Examines how Chaucer's "epistemic stance" influences the expression of selected social-cultural categories in the story.</text>
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          <elementTextContainer>
            <elementText elementTextId="2837620">
              <text>Aers, David.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2837621">
              <text>Graham D. Caie and Michael D. C. Drout, eds.  Transitional States: Change, Tradition, and Memory in Medieval Literature and Culture (Tempe: Arizona Center for Medieval and Renaissance Studies, 2018), pp. 235-48.</text>
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          <name>Contributor</name>
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          <elementTextContainer>
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              <text>Caie, Graham D., ed.&#13;
Drout, Michael D. C., ed.</text>
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              <text>Transitional States: Change, Tradition, and Memory in Medieval Literature and Culture.</text>
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              <text>Second Nun and Her Tale</text>
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        <element elementId="109">
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837626">
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2850940">
                <text>Chaucer's "Lyf of Seinte Cecile": Theology and Politics.</text>
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            <description>An account of the resource</description>
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                <text>Treats the concerns of "faith, miracle, and conversion" in SNT, separating the tale from its "putative and absent narrator" and emphasizing its orthodoxy in the relation between faith and understanding, sexuality and marriage, and female deference to male sacerdotal authority, especially in the administration of baptism. Discusses Almachius as a "figure of the teleology of Wyclif's political vision and its ecclesiology" and Cecile's "last will and testament" as the "foundation of the Church's extensive temporalities."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2728247">
              <text>Burch, Beth.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2728248">
              <text>Language Quarterly 17.3-4 (1979): 50-51.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2728249">
              <text>1979</text>
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              <text>Man of Law and His Tale.</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2728252">
              <text>Language Quarterly 17 (1979)</text>
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        <element elementId="109">
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              <text>jules SAC 03 (96)</text>
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                <text>Chaucer's "Man of Law's Tale: and "The Handless Maiden."</text>
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          <element elementId="41">
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                <text>Chaucer's version of MLT is more like Trevet's than the folktale version identified as "The Handless Maiden."  If Chaucer knew this folktale version, his choice of Trevet's more sophisticated version is another tribute to his art.</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Mustanoja, Tauno F.</text>
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              <text>Jess B. Bessinger, Jr., and Robert P. Creed, eds. Franciplegius: Medieval and Linguistic Studies in Honor of Francis Peabody Magoun, Jr. (New York: New York University Press, 1965), pp. 250-54.</text>
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            <elementText elementTextId="2823664">
              <text>Manciple and His Tale&#13;
Source, Analogues, and Literary Relations</text>
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        <element elementId="109">
          <name>Source</name>
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        <element elementId="114">
          <name>Date</name>
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                <text>Chaucer's "Manciple's Tale," Lines 311-13.</text>
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                <text>Identifies several medieval analogues to the sentiment expressed in ManT 311-13, the earliest being the "Carmen as Astralabium Filium," attributed to Peter Abelard.</text>
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              <text>Jackson, Kate.</text>
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        <element elementId="98">
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              <text>Leeds Studies in English 43 (2012): 93-115.</text>
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Manuscripts and Textual Studies&#13;
Parson and His Tale</text>
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        <element elementId="114">
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                <text>Chaucer's "Melibee": What Can We Learn from Some Late-Medieval Manuscripts?</text>
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                <text>Discusses the "framing elements" of Mel, its glosses in the Hengwrt and Ellesmere manuscripts (comparing them with those in ParsT), and the codicological contexts of the five fifteenth-century manuscripts of the Tale that exist "outside the story collection" of CT and indicate that "advice on self-governance" is "central to understanding" the Tale.</text>
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              <text>Griffith, Philip Mahone.</text>
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              <text>Explicator 16 (1957): item 13.</text>
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            <elementText elementTextId="2846143">
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        <element elementId="102">
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            <elementText elementTextId="2846144">
              <text>Merchant and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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              <text>mea; 7/3/2024</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2846146">
              <text>1957</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2846140">
                <text>Assesses Chaucer's use of the name "Damian" in MerT as an allusion to St. Damian who, with his brother St. Cosmos, was associated with medical healing. Attends to a pun on "leech" (healer) in the tale.</text>
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              <elementText elementTextId="2850901">
                <text>Chaucer's "Merchant's Tale."</text>
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            <elementText elementTextId="2826624">
              <text>Harrington, David V.</text>
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        <element elementId="98">
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            <elementText elementTextId="2826625">
              <text>Notes and Queries 209 (1964): 166-67.</text>
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              <text>Merchant and His Tale&#13;
Wife of Bath and Her Tale&#13;
Manuscripts and Textual Studies</text>
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        <element elementId="109">
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              <text>mea; 10/30/2019</text>
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        <element elementId="114">
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          <description/>
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            <elementText elementTextId="2826629">
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              <elementText elementTextId="2826622">
                <text>Chaucer's "Merchant's Tale", 1427-28.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2826623">
                <text>Observes differences between January's reference to proverbially "sotile clerkis" (MerT 4.1427) and the Wife of Bath's reference to proverbially "parfyt" ones (WBT 3.44c; perhaps cancelled). The first is anti-clerical; the latter pro-clerical, and perhaps the reason Chaucer's cancelled it in WBT.</text>
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              <name>Title</name>
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        <element elementId="110">
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          <elementTextContainer>
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              <text>Hench, Atcheson L.</text>
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        <element elementId="98">
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              <text>English Language Notes 3.2 (1965): 88-92.</text>
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        <element elementId="100">
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        <element elementId="102">
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            <elementText elementTextId="2823953">
              <text>Miller and His Tale&#13;
Language and Word Studies&#13;
Facsimiles, Editions, and Translations</text>
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          </elementTextContainer>
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        <element elementId="109">
          <name>Source</name>
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              <text>mea; 1/14/2019</text>
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        <element elementId="114">
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            <elementText elementTextId="2823955">
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              <elementText elementTextId="2823948">
                <text>Chaucer's "Miller's Tale," l. 3226.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2823949">
                <text>Argues that the phrase "been lyk a cokewold" (MilT 1.3226) means that John fears he is a cuckold, not that he will be a cuckold, observing misconstruals in editions and translations of the Tale.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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        <element elementId="110">
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          <elementTextContainer>
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              <text>Whitaker, Cord J.</text>
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        <element elementId="98">
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              <text>Black Metaphors: How Modern Racism Emerged from Medieval Race-Thinking (Philadelphia: University of Pennsylvania Press, 2019), pp. 68-88.</text>
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              <text>Black Metaphors: How Modern Racism Emerged from Medieval Race-Thinking</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2841237">
              <text>Miller and His Tale&#13;
Troilus and Criseyde&#13;
Style and Versification</text>
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          </elementTextContainer>
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        <element elementId="114">
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            <elementText elementTextId="2841239">
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                <text>Chaucer's "Miller's Tale" and the Spiritual Side of Race.</text>
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                <text>Explores relations among rhetorical and philosophical principles of contrariety, Alison's "freedom from consequences" in the plot of MilT, blackness and whiteness in physiognomy, and the black and white imagery in the description of Alisoun's clothing in MilT (3235–56). Argues that Alisoun's clothing represents "a call for a nuanced interpretive process that registers blackness as an epistemic tool fundamental to the production of meaning." Also comments on the complementary contrariety of black and white in TC, I.638ff.</text>
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  <item itemId="266315" public="1" featured="0">
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            <elementText elementTextId="2743147">
              <text>Burton, T. L., and Rosemary Greentree, eds. with annotations by David Biggs, Rosemary Greentree, Hugh McGivern, David Matthews, Greg Murrie, and Dallas Simpson.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2743148">
              <text>Toronto, Buffalo, and London: University of Toronto Press, 1997</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2743149">
              <text>1997</text>
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            <elementText elementTextId="2743150">
              <text>xxxvi, 287 pp.</text>
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              <text>Greentree, Rosemary,</text>
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              <text>McGivern,Hugh, contributor.</text>
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              <text>Matthews, David, contributor.</text>
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              <text>Murrie, Greg, contributor.</text>
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              <text>Simpson, Dallas, contributor.ed.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2743160">
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            <elementText elementTextId="2743161">
              <text>Miller and His Tale.</text>
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            <elementText elementTextId="2743162">
              <text>Reeve and His Tale.</text>
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            <elementText elementTextId="2743163">
              <text>Cook and His Tale.</text>
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        <element elementId="104">
          <name>Series</name>
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          <elementTextContainer>
            <elementText elementTextId="2743164">
              <text>The Chaucer Bibliographies, no. 05</text>
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          <name>Source</name>
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                <text>Chaucer's "Miller's," "Reeve's,"and "Cook's Tales."</text>
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              <elementText elementTextId="2743156">
                <text>The complete annotated bibliography of scholarly and critical treatments of "The Miller's Tale,""The Reeve's Tale,"and "The The Cook's Tale" from 1900 through 1992, subdivided into the following categories: editions, translations, and modernizations (52 items); sources and analogues (36 items; linguistic and lexicographical items (105 items); the tellers as characters (62 items); treatments of the three Tales together (200 items); and each of the individual "Tales" ("The Miller's-195 items, "The Reeve's Tale"-73 items, "The Cook's Tales"-30 items"). The entries in each category are arranged by date of publication.Includes an index and an introduction that summarizes trends in criticism decade by decade.</text>
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              <text>Rowland, Beryl.</text>
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              <text>mea; 10/23/2018</text>
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              <text>1966</text>
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                <text>Chaucer's "Mistake": "The Book of the Duchess," Line 455.</text>
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            <description>An account of the resource</description>
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                <text>Suggests that in making the Black Knight 24 years old in BD (rather than 29, the age of John of Gaunt), Chaucer "assigned his own age to his patron."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Goodall, Peter, ed.</text>
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              <text>Buffalo, N.Y.: University of Toronto Press, 2009.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2781681">
              <text>2009</text>
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            <elementText elementTextId="2781682">
              <text>xlviii, 338 pp.</text>
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              <text>Bibliographies, Reports, and Reference.</text>
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            <elementText elementTextId="2781685">
              <text>The Chaucer Bibliographies, [no. 8].</text>
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              <text>vxl sac 33:3</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2781678">
                <text>Chaucer's "Monk's Tale" and "Nun's Priest's Tale" : An Annotated Bibliography 1900-2000</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2781683">
                <text>A comprehensive annotated bibliography of scholarly and critical discussion of MkT and NPT, subdivided into the following categories: editions and translations; bibliographies, handbooks, and indices; manuscripts and textual studies; prosody, linguistics, and lexical studies; sources, analogues, and allusions; the Monk and Nun's Priest considered as characters; MkT and NPT considered together; and MkT and NPT considered separately. The items in each category are arranged by date of publication and cross-listed. Includes an index and a summary of critical trends.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Pratt, Robert A.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2834570">
              <text>Journal of English and Germanic Philology 61 (1962): 244-48.</text>
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            <elementText elementTextId="2834571">
              <text>Journal of English and Germanic Philology 61 (1962)</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2834572">
              <text>Troilus and Criseyde&#13;
Wife of Bath and Her Tale&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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              <text>mea; 4/26/21</text>
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        <element elementId="114">
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            <elementText elementTextId="2834574">
              <text>1962</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2834567">
                <text>Chaucer's "natal Jove" and "Seint Jerome . . . agayn Jovinian."</text>
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              <elementText elementTextId="2834568">
                <text>Cites the Wife of Bath's allusion to "Crisippus" (WBP 3.677) to suggest that St. Jerome's "Epistola adversus Jovinianum (1.48) is the source of Pandarus's reference to "natal Joves feste" (TC 3.150) and that the locution is part of Pandarus's persuasion that Criseyde have sex with Troilus.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2816503">
              <text>Watkins, Charles Arnold.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2816504">
              <text>Dissertation Abstracts International 28.09 (1968): 3653A.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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              <text>Dissertation Abstracts International 28 (1968)</text>
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              <text>Nun's Priest and His Tale</text>
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        <element elementId="109">
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              <text>mea' 11/27/2017</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2816508">
              <text>1968</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2816501">
                <text>Chaucer's "Nun's Priest's Tale": Satire and "Solas."</text>
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              <elementText elementTextId="2816502">
                <text>Describes the aesthetic standards espoused by the pilgrims in CT and argues that the Nun's Priest "fits his tale to his audience even as he tries to alter the views of the audience" and tries to solve for himself the question of free will versus determinism. Considers "aesthetic distance" in light of modern theories of "Kenneth Burke, Edward Bullough, Wayne C. Booth, and others."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2849915">
              <text>Stillwell, Gardiner.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2849916">
              <text>English Studies 37 (1956): 149-57.</text>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
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              <text>English Studies 37 (1956)</text>
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              <text>House of Fame</text>
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            <description>A name given to the resource</description>
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                <text>Chaucer's "O Sentence" in the "Hous of Fame."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2849914">
                <text>Maintains that Chaucer indicates that there is a "single theme" in HF, arguing that "Distrust of worldly felicity . . . is Chaucer's 'o sentence'," and hypothesizing that the poem "was written for a New Year's entertainment." Cites several contemporaneous poems that associate the New Year with "general optimism," which Chaucer treats ironically in HF.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Tagaya, Yuko.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>The Society for Chaucer Studies and Koichi Kano, eds. To the Days of Studying Medieval English Literature: Essays in Memory of Professor Tadahiro Ikegami (Tokyo: Eihosha, 2021), pp. 40-56.</text>
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              <text>To the Days of Studying Medieval English Literature</text>
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              <text>Pardoner and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="114">
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            <elementText elementTextId="2847506">
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              <elementText elementTextId="2847499">
                <text>Chaucer's "Pardoner's Tale" and its Surroundings.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2847500">
                <text>Considers the evil of indulgences through comparisons between PardT and its East Asian analogues. In Japanese.</text>
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