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              <text>Haught, Leah.</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
General Prologue to the Canterbury Tales&#13;
Knight and His Tale&#13;
Wife of Bath and Her Tale&#13;
Clerk and His Tale&#13;
Franklin and His Tale</text>
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                <text>In Pursuit of "Trewth": Ambiguity and Meaning in&#13;
"Amis and Amiloun."</text>
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                <text>The Middle English romance "Amis and Amiloun" explores the complex concept of "trewth" in the fourteenth century. This essay contends that the binding oath made by childhood friends is reminiscent of the agreement of the GP pilgrims, as well as pledges made in FranT, ClT, and WBT, but differs from the pledge binding Palamon and Arcite in KnT</text>
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              <text>Hanna, Ralph III, and Traugott Lawler, eds., using materials collected by Karl Young and Robert A. Pratt.</text>
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              <text> xiv, 605 pp.; 1 b&amp;w illus.</text>
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Young, Karl, contributor&#13;
Pratt, Robert A., contributor</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
Parliament of Fowls&#13;
Wife of Bath and Her Tale&#13;
Merchant and His Tale&#13;
Franklin and His Tale&#13;
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mea; 2/19/2018</text>
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                <text>Critical edition of seven commentaries (one excerpted) on Walter Map's Latin antifeminist treatise, with analyses of contents and impact, manuscript information, variants and emendations, extensive notes, and facing-page translations. The introduction (pp. 1–14) describes the volume, citing Chaucer's uses of Map and the commentaries, especially in WBP, and on the "objections to Map's satire on women" included in three of the commentaries. The notes (pp. 495-576) include recurrent comments on Chaucerian echoes in these sources, specifically WBP, PF, FranT, and MerT.</text>
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                <text>Jankyn's Book of Wikked Wyves. Vol. 2: Seven Commentaries on Walter Map's "Dissuasio Valerii" by John Ridewell, Nicholas Trivet, Eneas of Siena, and Four Anonymous Authors. </text>
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              <text>Ginsberg, Warren.</text>
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              <text>viii, 250 pp.</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
Style and Versification&#13;
Canterbury Tales--General&#13;
Miller and His Tale&#13;
Wife of Bath and Her Tale&#13;
Clerk and His Tale&#13;
Merchant and His Tale&#13;
Franklin and His Tale&#13;
Pardoner and His Tale&#13;
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mea; 2/19/2018</text>
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            <description>An account of the resource</description>
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                <text>With special consideration of Ovid, Dante, and Boccaccio as models (not sources), explores the relationship between Chaucer's predecessors and CT while conducting in-depth investigation into Chaucer's reworking of the original texts both through the pilgrims' tales as translations and the pilgrims themselves as translators. Examines individual characters' narrative roles in FranT, WBT, ClT, MerT, PardT, and MilT, and focuses on Chaucer's use of interruption of speech and repetition as narrative conventions.</text>
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                <text>Tellers, Tales, and Translation in Chaucer's "Canterbury Tales."</text>
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              <text>Cornelius, Ian.</text>
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              <text>Representations 131 (2015)</text>
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mea; 2/19/2018</text>
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                <text>Gower and the Peasants' Revolt.</text>
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                <text>Discusses John Gower's "Visio Anglie" as a departure from his usual compositional style and from his other treatments of the Revolt. Argues that specific depictions carry out a mimetic reenactment of the Revolt, rejecting the notion that Chaucer's "moral Gower" (TC, V.1856) was wholly concerned with pedantry, and asserting that "Visio Anglie" fully realizes themes present in Gower's earlier work.</text>
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              <text>Studies in the Age of Chaucer 37 (2015): 55-100.</text>
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              <text>Studies in the Age of Chaucer 37 (2015)</text>
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              <text>Manuscripts and Textual Studies&#13;
Canterbury Tales--General&#13;
Adam Scriveyn&#13;
Boece</text>
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mea; 2/19/2018</text>
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                <text>Scribes Misattributed: Hoccleve and Pinkhurst.</text>
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                <text>Critiques the methods and conclusions of various analyses of late medieval English vernacular scribes, challenging the arguments that British Library, MS Royal 17 D.XVIII is Thomas Hoccleve's holograph; that Adam Pinkhurst was "Scribe B" of Cambridge, Trinity College, MS R.3.2 (John Gower's "Confessio Amantis"); that Adam Pinkhurst was the scribe of the Hengwrt and Ellesmere CT manuscripts; and giving various corollary discussions. Finds "no evidence" that Pinkhurst knew Chaucer, even though he did embellish a manuscript of Bo, and calls for renewed attention to all pertinent and available evidence in scribal analysis.</text>
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              <text>Tokunaga, Satoko.</text>
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              <text>Chaucer Review 50.1–2 (2015): 30–54.</text>
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Facsimiles, Editions, and Translations</text>
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mea;2/19/2018</text>
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                <text>Wynkyn de Worde's Lost Manuscript of the "Canterbury Tales": With New Light on HRC MS 46</text>
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                <text>Presents textual analysis about CT manuscript descent, specifically, that "a copying of *W [the MS used by De Worde for his 1498 edition of CT]" is likely to have "led to the production of Gg [CUL, MS Gg.IV.27] and Ph1 [University of Texas, Harry Ransom Center, MS 46], or a manuscript behind them."</text>
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              <text>Matsuda, Takami.</text>
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              <text>Kiyoko Myojo and Noburu Notomi, eds. What Is a Text? An Introduction to Textual Scholarship (Tokyo: Keio University Press, 2015), pp. 81–104.</text>
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          <elementTextContainer>
            <elementText elementTextId="2816806">
              <text>What Is a Text?</text>
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          <description/>
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              <text>Canterbury Tales--General</text>
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              <text>SAC 39:129&#13;
mea; 2/19/2018</text>
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                <text>Vernacular Literature of Medieval Europe: Chaucer's "Canterbury Tales."</text>
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                <text>Refers to Paul Zumthor's notion of "mouvance," and argues that CT should be understood not as a single text but as a group of different, co-existent texts. In Japanese.</text>
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              <text>Myojo, Kiyoko, and Noburu Notomi, eds.</text>
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              <text>Tokyo: Keio University Press, 2015.</text>
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          <elementTextContainer>
            <elementText elementTextId="2816797">
              <text>xiv, 258 pp. </text>
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mea; 2/19/2018</text>
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                <text>What Is a Text? An Introduction to Textual Scholarship.</text>
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            <description>An account of the resource</description>
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                <text>Includes a chapter on the issues of the text of CT. In Japanese. For an essay that pertains to Chaucer, search for What Is a Text? under Alternative Title.</text>
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          <elementTextContainer>
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              <text>Koster, Josephine.</text>
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              <text>Textual Cultures 09 (2015)</text>
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              <text>Facsimiles, Editions, and Translations&#13;
Manuscripts and Textual Studies&#13;
Adam Scriveyn</text>
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        <element elementId="109">
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          <description/>
          <elementTextContainer>
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              <text>SAC 39:29&#13;
mea; 2/19/2018</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2816792">
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          <element elementId="50">
            <name>Title</name>
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            <elementTextContainer>
              <elementText elementTextId="2816785">
                <text>Masters and Commanders: Considering the Concept of the Edited Text.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2825740">
                <text>Questions the concept of a "standard edition" in the postmodern world of textual editing and uses the controversy about Adam Pinkhurst (Was he Chaucer's scribe cited in Adam?) as evidence that "medievalists really seek editorial closure," despite insufficient, open-ended, or ambiguous data.</text>
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          </element>
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    </elementSetContainer>
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          <elementTextContainer>
            <elementText elementTextId="2816779">
              <text>Kerby-Fulton, Kathryn, John T. Thompson, and Sarah Baechle, eds.</text>
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        <element elementId="98">
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          <elementTextContainer>
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              <text>Notre Dame: University of Notre Dame Press, 2014.</text>
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          <elementTextContainer>
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          <elementTextContainer>
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mea; 2/19/2018</text>
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Baechle, Sarah, ed.</text>
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              <elementText elementTextId="2816777">
                <text>New Directions in Medieval Manuscript Studies and Reading Practices: Essays in Honor of Derek Pearsall.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2825741">
                <text>Collection of interdisciplinary manuscript studies and critical essays presented at the "New Directions in Medieval Manuscript Studies and Reading Practices in Honour of the 80th Birthday of Derek Pearsall" conference on October 21-22, 2011. Includes index of manuscripts and incunabula. For three essays that pertain to Chaucer, search for New Directions in Medieval Manuscript Studies and Reading Practices under Alternative Title.</text>
              </elementText>
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          </element>
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              <text>Jahner, Jennifer.</text>
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              <text>Exemplaria 27 (2015): 18–34.</text>
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              <text>Exemplaria 27 (2015)</text>
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        <element elementId="102">
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          <elementTextContainer>
            <elementText elementTextId="2816774">
              <text>Manuscripts and Textual Studies&#13;
Tale of Melibee</text>
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        <element elementId="109">
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          <description/>
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            <elementText elementTextId="2816775">
              <text>SAC 39:27&#13;
mea; 2/19/2018</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="114">
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          <description/>
          <elementTextContainer>
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              <elementText elementTextId="2852043">
                <text>Studies a late medieval manuscript, San Marino, Huntington Library, HM 144 (c. 1500), which is a compilation of works chosen for their devotional and/or ethical content. Uses Mel to show how the scribe--by omitting portions of a text and interpolating Latin proverbs and maxims in a larger script, which the Middle English then comments on--directs readers from narrative to ethical emphasis, and preserves a simpler version of the narrative framework.</text>
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              <text>Ikegami, Masa.</text>
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              <text>Yuichiro Azuma, Kotaro Kawasaki, and Koichi Kano, eds. Chaucer and English and American Literature: Essays Commemorating the Retirement of Professor Masatoshi Kawasaki (Toyko: Kinseido, 2015), pp. 402–16.</text>
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          <description/>
          <elementTextContainer>
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          </elementTextContainer>
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        <element elementId="102">
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          <elementTextContainer>
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              <text>Language and Word Studies&#13;
Manuscripts and Textual Studies</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2816767">
              <text>SAC 39:26&#13;
mea; 2/19/2018</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2816768">
              <text>2015</text>
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                <text>The Past Forms of SEE in the Canterbury Tales: Hengwrt and Ellesmere Manuscripts and a Critical Edition.</text>
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          <element elementId="41">
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            <elementTextContainer>
              <elementText elementTextId="2825229">
                <text>Compares usage of the different past forms of "see" in the Hengwrt and Ellesmere manuscripts to identify Chaucer's original forms as distinguished from the scribes' later alternations. In Japanese.</text>
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            </elementTextContainer>
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          <elementTextContainer>
            <elementText elementTextId="2816755">
              <text>Horobin, Simon.</text>
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        <element elementId="98">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2816756">
              <text>Chaucer Review 50.3-4 (2015): 228-50.</text>
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          <name>Journal by Volume Number</name>
          <description/>
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          <name>Chaucer Subject</name>
          <description/>
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                <text>Revisits the question of who edited the Hengwrt and Ellesmere manuscripts because the supervisory editorial hand of Hoccleve is found in both.</text>
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                <text>Thomas Hoccleve: Chaucer's First Editor?</text>
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                <text>"That swevene hath Daniel unloke": Interpreting Dreams with Chaucer and the Harley Scribe.</text>
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                <text>Examines Chaucer's use of dream visions and the "Somniale" tradition as contrasted with that of the Harley scribe. While Chaucer is suspicious, the Harley scribe uses the tradition as a source of knowledge. Includes an edition and translation of London, British Library, MS Royal 12.C.xii "Somniale Danielis."</text>
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Wife of Bath and Her Tale</text>
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mea; 2/19/2018</text>
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                <text>Eclecticism and Its Discontents.</text>
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                <text>Cautions editors against eclectic emendation, assessing George Kane's method and observing how its rigor is undercut by subjectivity, particularly notions of authorial "genius." Uses WBP 3.838 (the Summoner jeering at the Friar) as a case study to show that this indisputably Chaucerian line is regularly emended by eclectic editors, despite scribal consistency.</text>
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Troilus and Criseyde&#13;
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mea; 2/19/2018</text>
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                <text>Latin Glossing, Medieval Literary Theory, and the Cross-Channel Readers of Chaucer.</text>
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                <text>Considers marginal glossing in manuscripts of TC and CT as examples of actual reader experience of those texts, with an eye toward recognizing different interpretations and hermeneutic approaches from relatively contemporary readers.</text>
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              <text>In Kathryn Kerby-Fulton, John T. Thompson, and Sarah Baechle, eds. New Directions in Medieval Manuscript Studies and Reading Practices: Essays in Honor of Derek Pearsall (Notre Dame: University of Notre Dame Press, 2014), pp. 384–405.</text>
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              <text>New Directions in Medieval Manuscript Studies and Reading Practices.</text>
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              <text>Manuscripts and Textual Studies&#13;
Wife of Bath and Her Tale</text>
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            <elementText elementTextId="2816727">
              <text>SAC 39: 21&#13;
mea; 2/19/2018</text>
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              <text>2014</text>
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                <text>Chaucer, the Continent, and the Characteristics of Commentary.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2816722">
                <text>Discusses how editorial glosses and marginalia in extant manuscripts of CT were received and interpreted by medieval readers in the fifteenth century. Includes examination of Latin source glosses of WBPT.&#13;
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              <text>Wieseltier, Meir, trans.</text>
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              <text>Tel Aviv: Ahuzat Bayit, 2013.</text>
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Facsimiles, Editions, and Translations</text>
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mea; 2/18/2018</text>
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                <text>Sipure Kanterberi (Canterbury Tales).</text>
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                <text>A WorldCat record indicates that this is a Hebrew translation of Peter Ackroyd's 2009 modernization of CT; item not seen.</text>
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              <text>Review of English Studies 66 (2015)</text>
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mea; 2/18/2018</text>
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                <text>F. J. Furnivall's Six of the Best: "The Six-Text Canterbury Tales" and the Chaucer Society</text>
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                <text>Details Furnivall's founding of the Chaucer Society in 1868, and argues that his greatest contribution was his parallel text edition of CT, a publication that has far-reaching consequences for the later editing of Chaucer. Brief references to Astr, Bo, WBT, ClT, KnT, HF, NPT, and PardPT.</text>
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              <text>xxii, 225 pp.</text>
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              <text>Background and General Criticism&#13;
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Canterbury Tales--General&#13;
Troilus and Criseyde&#13;
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                <text>Presents a brief biography of Chaucer and an overview of Chaucerian criticism before discussing challenges in compiling a Chaucer edition for modern readers. Includes direct commentary on TC and CT.</text>
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                <text>Reading Chaucer's Poems: A Guided Selection.</text>
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              <text>Johnston, Hope.</text>
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              <text>Studies in Bibliography 59 (2015): 45-70.</text>
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                <text>Readers' Memorials in Early Editions of Chaucer.</text>
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                <text>Links books as physical objects with customized Chaucer editions. Reviews how owners of early Chaucer editions customized their copies by adding "memorial inscriptions, title-page embellishments, and portraits inserted as frontispieces." As a result of this individualization, book owners "sought to provide an overall characterization&#13;
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              <text>Textual Cultures 9.2 (2015): 1-18.</text>
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mea; 2/18/2018&#13;
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                <text>On Editing "Troilus and Criseyde" Now.</text>
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                <text>Advertises an interactive online edition of TC, designed to facilitate language instruction for students of Chaucer's Middle English.</text>
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              <text>Ensley, Mimi.</text>
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mea; 2/18/2018</text>
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                <text>Establishes that John Harington owned a copy of William Thynne's 1542 edition of Chaucer's complete works and may have annotated it when he was imprisoned in the Tower of London. Comments on Harington's annotations and speculates on communal reading practices and Chaucer's connections to Boethius.</text>
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                <text>Reading Chaucer in the Tower: The Person behind the Pen in an Early-Modern Copy of Chaucer's "Works."</text>
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              <text>Bruinsma, Klaas, trans.</text>
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              <text>De strikel: Moannebled foar Fryslan (1970), </text>
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Facsimiles, Editions, and Translations</text>
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mea; 2/18/2018</text>
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                <text>Frisian verse translation of PrPT. A WorldCat record indicates that this was first published in De strikel: Moannebled foar Fryslan (1970), an item not seen.</text>
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                <text>Kenterboarger teltsjes: Oanrin ta it teltsje fan de Priorinne (The Prioress' Prologue) and It teltsje fan de Priorinne (The Prioress's Tale).</text>
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              <text>Trotwaer: Literair tydskrift 3–4 (1983)</text>
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              <text>Miller and His Tale&#13;
Facsimiles, Editions, and Translations</text>
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                <text>Frisian verse translation of MilT, with notes. A WorldCat record indicates that this was first published in Trotwaer: Literair tydskrift 3–4 (1983): 195–213, an item not seen.</text>
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                <text>Kenterboarger teltsjes: It teltsje fan de Munder (The Miller's Tale).</text>
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