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              <text>Nishide, Kimiyuki.</text>
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                <text>Focuses on Chaucer's verse lines ending as "A and B" to find out frequent combinations of the words in A and B. In Japanese.</text>
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                <text>Suggests that Chaucer deployed the tradition of grammatical "correction" as a metaphor for moral reform, finding examples in CT, TC, and Adam.</text>
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Troilus and Criseyde&#13;
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mea 2/22/2018</text>
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                <text>Uses examples from CT, TC, and the anonymous Middle English Dialogue of Solomon and Marcolf, read in a context created by Bakhtin's theory of "speech genres," to demonstrate the power of proverbs to transform the situations in which they are embedded. These proverbs "indicate courses of action, encapsulate worldviews, console and reconcile their recipients to the ways of this world, and mediate for fictional characters and for readers the overwhelming variety of lived experience."</text>
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Style and Versification</text>
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mea; 2/22/2018</text>
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                <text>Examines relations between ekphrasis and inventory lists in Form Age. Reflects on "relationship between material things and the categories that classify them in multilingual England."</text>
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Style and Versification</text>
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Rouse, Margitta, ed.</text>
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                <text>Collection of essays on ekphrastic discourse from the eleventh to the seventeenth century in texts written in Middle English, but also Medieval Latin, Old French, Middle Scots, Middle High German, and Early Modern English. For four essays that pertain to Chaucer, search for Art of Vision: Ekphrasis in Medieval Literature and Culture under Alternative Title.</text>
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              <text>Art of Vision: Ekphrasis in Medieval Literature and Culture.</text>
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              <text>Style and Versification&#13;
Troilus and Criseyde&#13;
General Prologue to the Canterbury Tales&#13;
Man of Law and His Tale</text>
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mea;2/22/2018</text>
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                <text>Faces in the Crowd: Faciality and Ekphrasis in Late Medieval England.</text>
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                <text>Explores the "function of faciality" in medieval poetry of Chaucer, Gower, and Hoccleve. Examines Chaucer's portraits of faces in GP, MLT, and TC.</text>
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              <text>Style and Versification&#13;
Book of the Duchess&#13;
House of Fame&#13;
Knight and His Tale</text>
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mea;2/22/2018</text>
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                <text>Speaking Images: Iconographic Criticism and Chaucerian Ekphrasis.</text>
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                <text>Explores Chaucer's uses of ekphrasis as "expressions of an increasingly anxious desire to allow literary images to speak for themselves" in KnT, BD, and HF.</text>
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            <elementText elementTextId="2817198">
              <text>Warren, Rosanna.</text>
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              <text>Yale Review 103.1 (2015): 54–61.</text>
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              <text>Yale Review 103 (2015)</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Style and Versification</text>
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              <text>SAC 39:72&#13;
mea; 2/22/2018</text>
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          <elementTextContainer>
            <elementText elementTextId="2817203">
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            <name>Title</name>
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              <elementText elementTextId="2817196">
                <text>Stepping Out and Stepping Over: The Figure of Hyperbation.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2825355">
                <text>Discusses the stylistic device of inverting or rearranging word order for poetic effect. Highlights the writing of William Dunbar, who acknowledged Chaucer to be included among the "masters who by making were remade."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Warren, Nancy Bradley.</text>
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              <text>ELH 82, no. 2 (2015): 589–613.</text>
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            <elementText elementTextId="2817192">
              <text>ELH 82 (2015)</text>
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            <elementText elementTextId="2817193">
              <text>Chaucer's Influence and Later Allusion</text>
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            <elementText elementTextId="2817194">
              <text>SAC 39:71&#13;
mea; 2/21/2018</text>
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          <elementTextContainer>
            <elementText elementTextId="2817195">
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            <name>Title</name>
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              <elementText elementTextId="2817188">
                <text>"Flying from the Depravities of Europe, to the American Strand": Chaucer and the Chaucer Tradition in Early America.</text>
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2817189">
                <text>Focuses on how Chaucer influenced the writings of Cotton Mather, Anne Bradstreet, and Nathaniel Ward in seventeenth- and early eighteenth-century New England.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2817182">
              <text>Warren, Michelle R.</text>
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        <element elementId="98">
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              <text>postmedieval 6.1  (2015): 79–93.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2817184">
              <text>postmedieval 06(2015)</text>
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            <elementText elementTextId="2817185">
              <text>Chaucer's Influence and Later Allusion&#13;
Canterbury Tales--General</text>
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            <elementText elementTextId="2817186">
              <text>SAC 39:70&#13;
mea 2/21/2018</text>
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          <elementTextContainer>
            <elementText elementTextId="2817187">
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            <name>Title</name>
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              <elementText elementTextId="2825277">
                <text>"The last syllable of modernity": Chaucer in the Caribbean.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2825711">
                <text>Reviews references to how Chaucer is represented and appropriated in Anglophone Caribbean literature and critical essays. Includes example of "fictional allusion" to CT in Jean Rhys's "Again the Antilles."</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2817174">
              <text>Tambling, Jeremy.</text>
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              <text>English 64, no. 244 (2015): 42-64.</text>
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          <elementTextContainer>
            <elementText elementTextId="2817176">
              <text>English: The Journal of the English Association 64 (2015)</text>
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          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2817177">
              <text>Chaucer's Influence and Later Allusion&#13;
Canterbury Tales--General&#13;
General Prologue to the Canterbury Tales&#13;
Pardoner and His Tale&#13;
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              <text>SAC 39:69&#13;
mea; 2/21/2018</text>
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              <elementText elementTextId="2817172">
                <text>Dickens and Chaucer.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2825194">
                <text>Analyzes the influence of Chaucer on several Romantic thinkers and their subsequent influence on Dickens, as well as Dickens's own reference and allusions to CT. Focuses on how "Our Mutual Friend" reflects medievalism in such aspects as the pilgrimage with its vast array of characters, the device of framed narrative, and the characterization of Canterbury as the past. Allusions to Chaucer, especially in GP and PardT, are also abundant in "Our Mutual Friend."</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Rogers, Cynthia A.</text>
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              <text>Dissertation Abstracts International A76.11 (2015): n.p.</text>
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            <elementText elementTextId="2817168">
              <text>Dissertation Abstracts International 76 (2015)</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2817169">
              <text>Chaucer's Influence and Later Allusion</text>
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            <elementText elementTextId="2817170">
              <text>SAC 39:68&#13;
mea; 2/21/2018</text>
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          <elementTextContainer>
            <elementText elementTextId="2817171">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2825195">
                <text>Explores a Middle English scrapbook from the fifteenth and early sixteenth centuries that includes some Chaucerian love literature, and considers the book's role in a performance of gentility, particularly on the part of its women readers. </text>
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              <elementText elementTextId="2826004">
                <text>"Make Thereof a Game": The Interplay of Texts in the Findern Manuscript and Its Late Medieval Textual Community."</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Parson and His Tale</text>
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mea; 2/21/2018</text>
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                <text>Includes a reference to Pepys's advice to John Dryden that he include Chaucer's Parson in His "Fables."</text>
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                <text>Theatrical Spectatorship in Pepys's Diary.</text>
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              <text>Owens, Richard.</text>
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mea; 2/21/2018</text>
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                <text>Caroline Bergvall Her "Shorter Chaucer Tales."</text>
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              <elementText elementTextId="2825712">
                <text>Examines Caroline's Bergvall's five Chaucer poems in her "Meddle English" (2011), including discussion of their relations with Chaucer's originals. Focuses especially on Bergvall's "Fried Tale." </text>
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              <text>Munro, Lucy.</text>
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              <text>New York: Cambridge University Press, 2013. </text>
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              <text>xii, 308 pp.; 4 b&amp;w illus.</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Language and Word Studies</text>
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mea; 2/21/2018</text>
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                <text>Archaic Style in English Literature.</text>
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                <text>Explores the use of "archaic linguistic and poetic style" in poetry and drama, 1590–1674, analyzing how combinations of anachronism and nostalgia help to influence the idea of English "nationhood." Includes recurrent comments on lexical "Chaucerisms" and "Chaucer's authority," and Chapter 4, "Chaucer, Gower, and the Anxiety of "Obsolescence" (pp. 69–104), explores how four early modern works express or resist concern about obsolescence through use of Chaucer and Gower, considering Book IV of Spenser's "The Faerie Queene," the anonymous play "The Return from Parnassus," Shakespeare and Wilkins's "Pericles," and William Cartwright's "The Ordinary."</text>
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              <text>Lerer, Seth.</text>
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              <text>Chaucer Review 49.4 (2015): 474-98.</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Troilus and Criseyde</text>
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mea; 2/21/2018</text>
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              <elementText elementTextId="2825080">
                <text>"The Tongue": Chaucer, Lydgate, Charles d'Orleans, and the Making of a Late Medieval Lyric.</text>
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                <text>The stanzas known as "The Tongue" in the Findern manuscript use source material from Lydgate's "Fall of Princes" and Chaucer's TC to create a coherent poem that is consistent with the manuscript's broader themes and is indebted to the literary legacy of Charles d'Orleans.</text>
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              <text>Kendrick, Laura.</text>
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              <text>Cahiers de recherches medievales et humanistes/Journal of Medieval and Humanistic Studies 29, no. 1 (2015): 215–33.</text>
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Journal of Medieval and Humanistic Studies 29 (2015)</text>
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mea; 2/21/2018</text>
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                <text>Deschamps' Ballade Praising Chaucer and Its Impact.</text>
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            <description>An account of the resource</description>
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                <text>Examines how Deschamps's balade 285 is a surprisingly generous recognition and glorification of Chaucer as a pioneering translator from Latin and French into English, and as an "illuminator" or enlightener of his native England. Reveals how this praise pleased Chaucer's followers, who reinforced the critical tradition of Chaucer as the first embellisher of the English language.</text>
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              <text>Jacobs, Kathryn, and d'Andrea White.</text>
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              <text>Chaucer Review 50.1-2 (2015): 198-215.</text>
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              <text>White, d'Andra</text>
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              <text>SAC 39: 60&#13;
mea; 2/21/2018</text>
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            <elementText elementTextId="2817123">
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Language and Word Studies</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2817116">
                <text>Examines Spenserian and Shakespearean medievalism, seen by Ben Jonson as an irritating return to Chaucerian English.</text>
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                <text>Ben Jonson on Shakespeare's Chaucer.</text>
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              <text>Holsinger, Bruce.</text>
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              <text>New York: HarperCollins, 2015.</text>
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              <text>Chaucer's Influence and Later Allusion</text>
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              <text>SAC 39:59&#13;
mea; 2/21/2018</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Invention of Fire.</text>
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            <description>An account of the resource</description>
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                <text>Historical novel set in London, Kent, Calais, and during a pilgrimage to Durham, 1386; the second in a series that features John Gower as first-person narrator investigating criminal and political events, in this case a mass murder that involves parliamentary machinations, Nicholas Brembre's mayoralty, and the development of handguns. Includes a range of characters both historical and fictional, with Chaucer in his role as "shire justice in Kent" and as Gower's shrewd friend and literary competitor.</text>
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              <text>Hanna, Ralph.</text>
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              <text>Review of English Studies 66, no. 275 (2015): 449–64.</text>
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              <text>Review of English Studies 66 (2015)</text>
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            <elementText elementTextId="2817104">
              <text>Chaucer's Influence and Later Allusion&#13;
Sources, Analogues, and Literary Relations&#13;
Parliament of Fowls</text>
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          <elementTextContainer>
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              <text>SAC 39:38&#13;
mea; 2/21/2018</text>
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        <element elementId="114">
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          <element elementId="50">
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              <elementText elementTextId="2817099">
                <text>The "Absent" Pardon-Tearing of "Piers Plowman" C.</text>
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                <text>Proposes that when Langland revised B into C, the literary landscape was very different (from Edwardian to Ricardian poetry). Chaucerian dream vision, especially PF with its "emphasis upon the poetic figure who seeks to understand the world through his books and to craft this search as imaginative fiction," may be responsible for the new explicitness and clarity of Piers Plowman C.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Hamilton, David.</text>
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        <element elementId="98">
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            <elementText elementTextId="2817094">
              <text>Chaucer Review 49.3 (2015): 378-86.</text>
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              <text>Chaucer Review 49 (2015)</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
General Prologue to the Canterbury Tales</text>
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            <elementText elementTextId="2817097">
              <text>SAC 39:57&#13;
mea; 2/21/2018</text>
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          <elementTextContainer>
            <elementText elementTextId="2817098">
              <text>2015</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2817091">
                <text>Chaucer's Moose.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2825718">
                <text>Contends that the opening of Elizabeth Bishop's "The Moose" contains several echoes of GP.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2817085">
              <text>Gomez, Francesc J.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2817086">
              <text>Magnificat: Cultura i literature medievals 2 (2015): 159–96.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2817087">
              <text>Magnificat: Cultura i literature medievals 02 (2015)</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2817088">
              <text>Canon's Yeoman and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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            <elementText elementTextId="2817089">
              <text>SAC 39:56&#13;
mea; 2/21/2018</text>
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        <element elementId="114">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2817090">
              <text>2015</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2817083">
                <text>El frau de l'alquimista en l'infern dantesc de Joan Pasqual i en la tradicio medieval.</text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2817084">
                <text>Taking as a starting-point the study of a chapter from the "Tractat de les penes particulars d'infern" by Joan Pasqual (c. 1436), traces the dissemination (and the "stemma narrationum") of two narrative motifs: the fake alchemist and the king (Thompson, K.111.4), and the account-book of mistakes or fools (Thompson, J.1371), and places CYT within this tradition.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2817074">
              <text>Davis, Isabel, and Catherine Nall, eds.</text>
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              <text>Cambridge: D. S. Brewer, 2015.</text>
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          <name>Physical Description</name>
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            <elementText elementTextId="2817076">
              <text>x, 249 pp.; 7 b&amp;w illus.</text>
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          <name>Series</name>
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          <elementTextContainer>
            <elementText elementTextId="2817077">
              <text>Chaucer Studies, no. 43.</text>
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              <text>Nall, Catherine, ed.</text>
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            <elementText elementTextId="2817079">
              <text>Background and General Criticism</text>
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            <elementText elementTextId="2817080">
              <text>SAC 39:99&#13;
mea; 2/20/2018</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2817081">
              <text>2015</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>Chaucer and Fame: Reputation and Reception.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2817073">
                <text>Eleven essays and an introduction (by Davis) deal with Chaucer's concern with poetic fame and/or with his poetic reputation among his contemporaries, down to the twenty-first century. The introduction (pp. 1–19) describes the essays and comments on poetic fame in HF and LGW as the topic relates to Chaucer's omissions and elisions, his uses of names and his (non-)naming of sources, and his relations with several works that influenced him, especially Boccaccio's "e mulieribus claris." Includes a bibliography and index. For the eleven essays that pertain to Chaucer, search for Chaucer and Fame under Alternative Title.</text>
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              <text>Strakhov, Elizaveta.</text>
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              <text>Isabel Davis and Catherine Nall, eds. Chaucer and Fame: Reputation and Reception (Cambridge: D. S. Brewer, 2015), pp. 57-74.</text>
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              <text>Chaucer and Fame: Reputation and Reception.</text>
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          <elementTextContainer>
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              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations</text>
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            <elementText elementTextId="2817070">
              <text>sac 39:233&#13;
mea; 2/20/2018</text>
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            <elementText elementTextId="2817071">
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2817064">
                <text>"And kis the steppes where as thow seest pace": Reconstructing the Spectral Canon in Statius and Chaucer.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2825719">
                <text>Reviews the presence of Statius's "Thebaid" in TC, exploring in detail the juxtaposition of Statian and Ovidian material in Cassandra's explanations of Troilus's dream of the boar, explaining Chaucer's elision of Boccaccio from his poem as Chaucer's imitation of Statius's "poetics of disavowal," and commenting on Chaucer's complex use of the list-of-poets topos in TC, 5.1782.</text>
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