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              <text>Carson, M. Angela.</text>
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              <text>Annuale Mediaevale 8 (1967): 46-58.</text>
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              <text>Annuale Mediaevale 08 (1967)</text>
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              <text>Book of the Duchess&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>1967</text>
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                <text>The Sovereignty of Octovyen in the "Book of the Duchess."</text>
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                <text>Argues that BD draws on Welsh mythology for a number of its details including the king named Octavian, the hunt motif, and the "white castle on a rich hill." King Octavian is a "composite figure" with several onomastic resonances.</text>
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              <text>Chaucer Review 1.3 (1967): 157-60.</text>
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                <text>Easing of the "Hert" in the "Book of the Duchess."</text>
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            <description>An account of the resource</description>
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                <text>Contrasts the "tone, circumstance and result" of the Ceyx and Alcyone story and the grief of the Black Knight in BD, suggesting that the contrasts in the heart/herte hunt emphasize the consolation of Chaucer's poem.</text>
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              <text>Bolton, W. F.</text>
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              <text>Chaucer Review 1.4 (1967): 217-27.</text>
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              <text>Chaucer Review 01 (1967)</text>
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              <text>Knight and His Tale&#13;
Style and Versification&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>The Topic of the "Knight's Tale."</text>
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            <description>An account of the resource</description>
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                <text>Argues that KnT is a heightened, courtly "particularization" of a fundamental aspect of the human condition: "the disorderly promptings of carnal love and their disastrous effects." Considers the imagery of the poem (Christian, Boethian, fire, and animal), various structural parallels of plot and character, and recurrent representations of the continuities of love and death, suggesting that the inseparability of the two underlies human affairs. Comments on Chaucer's adaptations of Boccaccio, the temple scenes, and the Knight as narrator.</text>
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              <text>Berryman, Charles.</text>
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              <text>Chaucer Review 2.1 (1967): 1-7.</text>
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        <element elementId="100">
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            <elementText elementTextId="2818595">
              <text>Chaucer Review 02 (1967)</text>
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              <text>Troilus and Criseyde</text>
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            <name>Title</name>
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                <text>The Ironic Design of Fortune in "Troilus and Criseide."</text>
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            <description>An account of the resource</description>
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                <text>Locates and assesses a prevailing irony in TC: the narrator and each of the major characters follows the "same pattern" of early knowledge of Fortune's instability, "followed by self-deception, and eventual submission to the facts." Love and truth only seem to delay Fortune in human affairs, although Chaucer celebrates the "unstable and attractive world."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Berger, Harry, Jr.</text>
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              <text>Chaucer Review 1.2 (1966): 88-102 and 1.3 (1967): 135-56.</text>
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              <text>Chaucer Review 01 (1966)&#13;
Chaucer Review 01 (1967)</text>
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              <text>Squire and His Tale&#13;
Franklin and His Tale&#13;
Knight and His Tale</text>
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              <text>mea; 3/18/218</text>
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              <text>1967&#13;
1966</text>
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            <name>Title</name>
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                <text>The F-Fragment of the "Canterbury Tales": Parts I and II.</text>
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                <text>Interprets SqT and FranT as "expressions of their tellers," with the latter being an "instructive modification" of the "Squire's attitude toward life." Contrasts the uses of rhetorical devices in SqT and KnT in order to show the Squire's youthful, narcissistic failure to control his material and his own attraction to romance, magic, and fantasy. The Franklin is similarly attracted, but wisely controls himself and his rhetoric, indicating his awareness of the "social context of narration" and the need to engage his audience responsibly.</text>
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              <text>Baltzell, Jane.</text>
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              <text>Pacific Coast Philology 2 (1967): 32-39.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818579">
              <text>Pacific Coast Philology 02 (1967)</text>
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              <text>Style and Versification&#13;
Prioress and Her Tale</text>
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              <text>1967</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Rhetorical "Amplification" and "Abbreviation" and the Structure of Medieval Narrative.</text>
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                <text>Describes structural devices found in the medieval "artes poeticae," for example, those in treatises by Matthew of Vendome, Geoffrey of Vinsauf, and John of Garland, illustrating them with various literary works, including works by Chaucer. Discusses at greatest length the uses of amplification and abbreviation in PrT.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Somerville, Elizabeth S.</text>
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        <element elementId="98">
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            <elementText elementTextId="2818570">
              <text>Dissertation Abstracts International 28.08 (1968): 3158-59A.</text>
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          <name>Journal by Volume Number</name>
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              <text>Dissertation Abstracts International 28 (1968).</text>
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          <description/>
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              <text>Wife of Bath and Her Tale</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818573">
              <text>mea; 3/15/2018</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818574">
              <text>1968</text>
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          <element elementId="50">
            <name>Title</name>
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            <elementTextContainer>
              <elementText elementTextId="2818567">
                <text>The Application of an Ontological Perspective to the Literary Interpretation of Works Drawn from Several Periods.</text>
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            </elementTextContainer>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2818568">
                <text>Illustrates how literary works "can be read existentially from the point of view of the reader's ontological concern with them," discussing James Joyce's "Clay," William Blake's "The Little Black Boy," and WBPT. Reads WBT as a "reflection of the meaning of Alice's own experience in marriage" and "her transcendence of her Martian-Venerian nature."</text>
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  <item itemId="273632" public="1" featured="0">
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Mukerji, N.</text>
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              <text>Folklore 9 (1968): 75-85.</text>
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          <elementTextContainer>
            <elementText elementTextId="2818563">
              <text>Folklore 09 (1968)</text>
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            <elementText elementTextId="2818564">
              <text>Franklin and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; 3/15/2018</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2818566">
              <text>1968</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2818559">
                <text>Chaucer's Franklin's and the Tale of Madanasena of Vetalapachisi.</text>
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            <elementTextContainer>
              <elementText elementTextId="2818560">
                <text>Compares FranT with the tenth tale (Madassena and Her Rash Promise) of the "Vetalapachisi," identifying common motifs (rash promise, promise to return, and noble theft) and differences in frame, characterization, and setting. Observes relations with Boccaccio's "Filocolo."</text>
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  <item itemId="273631" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818553">
              <text>Morrow, Patrick.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2818554">
              <text>Bucknell Review 16.3 (1968): 74-90.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818555">
              <text>Bucknell Review 16 (1968)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2818556">
              <text>Clerk and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2818557">
              <text>mea; 3/15/2018</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818558">
              <text>1968</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2818551">
                <text>The Ambivalence of Truth: Chaucer's "Clerkes Tale."</text>
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          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2818552">
                <text>Explores the combination of religion and secularity in ClT, discussing its fusion of ideals and practical realities as Chaucer's means to increase the ambivalences of his sources. The tension between the Clerk's moralization of the Tale and its action increases the ambivalence, as does the Envoi, perhaps a result of the Clerk's own disturbed awareness of the "discrepancy between the ideal and real worlds" and maybe the reason he is on pilgrimage.</text>
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          </element>
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  <item itemId="273630" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818545">
              <text>Ingham, Muriel Brierley.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2818546">
              <text>Dissertation Abstracts International 68.10 (1968): 4132-33A.</text>
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          </elementTextContainer>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818547">
              <text>Dissertation Abstracts International 68 (1968)</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
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            <elementText elementTextId="2818548">
              <text>Background and General Criticism&#13;
Troilus and Criseyde&#13;
Canterbury Tales--General</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818549">
              <text>mea; 3/15/2018</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818550">
              <text>1968</text>
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          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2818543">
                <text>Some Fifteenth-Century Images of Death and Their Background.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2818544">
                <text>Identifies and analyzes the motifs and imagery of death in England in the fourteenth century to the sixteenth, including discussion of the relatively positive depictions of death in TC and CT.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
  </item>
  <item itemId="273629" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818537">
              <text>Heyworth, P. L., ed.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818538">
              <text>Oxford: Oxford University Press, 1968.</text>
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          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818539">
              <text>xii, 176 pp.</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818540">
              <text>Chaucerian Apocrypha</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818541">
              <text>mea; 3/15/2018</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818542">
              <text>1968</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2818535">
                <text>Jack Upland, Friar Daw's Reply, and Upland's Rejoinder.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2818536">
                <text>Edits "Jack Upland" (wrongly attributed to Chaucer from the 16th century to the 18th), along with "Friar Daw's Reply" and "Upland's Rejoinder," with full critical apparatus.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
  </item>
  <item itemId="273628" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818529">
              <text>Delasanta, Rodney K.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818530">
              <text>Tennessee Studies in Literature 13 (1968): 117-32.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818531">
              <text>Tennessee Studies in Literature 13 (1968)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818532">
              <text>Nun's Priest and His Tale&#13;
Monk and His Tale&#13;
Prioress and Her Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818533">
              <text>mea; 3/15/2018</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818534">
              <text>1968</text>
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          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2818527">
                <text>"Namoore of this": Chaucer's Priest and Monk.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2818528">
                <text>Reads NPT as the teller's attack on the "anti-monastic" Monk (as well as the "indifferent" Prioress), contrasting the "sacerdotal demeanor" of the two clerics and arguing that the NPT is opposed to MkT in both theme and technique, focusing on their depictions of Fortune and the Priest's mockery of the Monk's tragedies.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818521">
              <text>Curtis, Penelope.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818522">
              <text>Critical Review (Melbourne) 11 (1968): 15-31.</text>
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        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818523">
              <text>Critical Review 11 (1968): 15-31.</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818524">
              <text>Pardoner and His Tale&#13;
Parson and His Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818525">
              <text>mea; 3/15/2018</text>
            </elementText>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818526">
              <text>1968</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2818519">
                <text>The Pardoner's "Jape."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2852045">
                <text>Explores the differences between PardP and PardT--differences in genre, atmosphere, and temporal dimension--arguing that they are part of the Pardoner's efforts to manipulate his audience. Contrasts the self-interested, time-bound play of the Pardoner with the earnest, transcendent rhetoric of ParsPT and with the presiding present-tense game of the Canterbury fiction which is evident in the Host's words to the Pardoner before and after his performance.</text>
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  </item>
  <item itemId="273626" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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              <text>Cunningham, J. V.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2818514">
              <text>Shenandoah 19.2 (1968): 38-41.</text>
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            <elementText elementTextId="2818515">
              <text>Shenandoah 19 (1968)</text>
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              <text>Clerk and His Tale</text>
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        <element elementId="109">
          <name>Source</name>
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              <text>mea; 3/15/2018</text>
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            <elementText elementTextId="2818518">
              <text>1968</text>
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              <elementText elementTextId="2818511">
                <text>Ideal Fiction: "The Clerk's Tale."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2818512">
                <text>Defines ClT as an example of "Ideal Fiction," generally unpalatable to modern taste, identifying the presence of a manipulator in the plot (Walter), the narrative "distance" achieved through its combination of "ordinariness" and fantasy, the extremeness of the action, its "ideality of invention," and the flatness of the characters.</text>
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  <item itemId="273625" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2818505">
              <text>Cameron, Allen Barry.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2818506">
              <text>Studies in Short Fiction 5.2 (1968): 119-27.</text>
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            <elementText elementTextId="2818507">
              <text>Studies in Short Fiction 05 (1968)</text>
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              <text>Knight and His Tale</text>
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              <text>mea; 3/15/2018</text>
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        <element elementId="114">
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            <elementText elementTextId="2818510">
              <text>1968</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2818503">
                <text>The Heroine in "The Knight's Tale."</text>
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                <text>Assesses the "artistic function" of Emily in KnT, focusing on her place in the theme of order. As the poem moves from chaos to order, she symbolizes "psychological and cosmic order" and serves as an "exemplar of Fortune." As "natural woman," she also is the "object" of courtly love and a "member of society."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2818496">
              <text>Brennan, John Patrick, Jr.</text>
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            <elementText elementTextId="2818498">
              <text>Dissertation Abstracts International 28 (1968)</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2818499">
              <text>Sources, Analogues, and Literary Relations&#13;
Wife of Bath and Her Tale&#13;
Franklin and His Tale</text>
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        <element elementId="109">
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            <elementText elementTextId="2818500">
              <text>mea; 3/15/2018</text>
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        <element elementId="114">
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            <elementText elementTextId="2818501">
              <text>1968</text>
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            <elementText elementTextId="2818502">
              <text>Dissertation Abstracts International 28.11 (1968): 4622-23A.</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2818494">
                <text>The Chaucerian Text of Jerome "Adversus Jovinianum": An Edition Based on Pembrock College, Cambridge, MS 234.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2818495">
                <text>Describes the influence of Jerome's "Adversus Jovinianum" on Chaucer, especially in FranT and WBP, and explains why the Pembrock MS 234, edited here, is "closer to Chaucer's source manuscript than any of the other" forty-two manuscripts considered for this study.</text>
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  <item itemId="273623" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2818488">
              <text>Braddy, Haldeen.</text>
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          </elementTextContainer>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2818489">
              <text>Southern Folklore Quarterly 32 (1968): 1-6.</text>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2818490">
              <text>Southern Folklore Quarterly 32 (1968)</text>
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        <element elementId="102">
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            <elementText elementTextId="2818491">
              <text>Language and Word Studies</text>
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        <element elementId="109">
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            <elementText elementTextId="2818492">
              <text>mea; 3/15/2018</text>
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        <element elementId="114">
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            <elementText elementTextId="2818493">
              <text>1968</text>
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              <elementText elementTextId="2818486">
                <text>Chaucer's Bilingual Idiom.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2818487">
                <text>Exemplifies Chaucer's "homely vocabulary" and "naturalistic choice of words," identifying roots in both French and native English, and commenting on instances of idiomatic phrases, rogues' speech, "zesty vocabulary," "oaths and imprecations," sexual language, etc.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2818480">
              <text>Eckert, Kenneth.</text>
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        <element elementId="98">
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            <elementText elementTextId="2818481">
              <text>Medieval and Early Modern English Studies 22.2 (2014): 131-46.</text>
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          <elementTextContainer>
            <elementText elementTextId="2818482">
              <text>Medieval and Early Modern English Studies 22 (2014)</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2818483">
              <text>Chaucerian Apocrypha</text>
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          <name>Source</name>
          <description/>
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            <elementText elementTextId="2818484">
              <text>SAC 39:237&#13;
mea; 3/1/2018</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818485">
              <text>2015</text>
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        <elementContainer>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2818479">
                <text>Connects the "Tale of Gamelyn" to Chaucer with respect to concerns of class, legal, and cultural issues, and focuses on the theme of vulnerability as an important conceit of the poem.</text>
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              <elementText elementTextId="2825977">
                <text>"He clothed him and fedde him evell": Narrative and Thematic "Vulnerability" in "Gamelyn."</text>
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  <item itemId="273621" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818472">
              <text>Burrow, John.</text>
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        <element elementId="98">
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            <elementText elementTextId="2818473">
              <text>Chaucer Review 49.4 (2015): 499-511.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2818474">
              <text>Chaucer Review 49 (2015)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2818475">
              <text>Chaucerian Apocrypha</text>
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            <elementText elementTextId="2818476">
              <text>SAC 39:236&#13;
mea; 3/1/2018</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818477">
              <text>2015</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2825255">
                <text>"The Tale of Beryn": An Appreciation.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2825639">
                <text>One scribe included the "Tale of Beryn" in his copy of CT. The Prologue presents Chaucer's pilgrims after they arrive at Canterbury, and the tale is appropriate to its teller, a merchant. Argues that the "Beryn" author was "an intelligent and attentive reader of Chaucer."</text>
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  <item itemId="273620" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2818464">
              <text>Stanley, E. G.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2818465">
              <text>Notes and Queries 260 (2015): 358-60.</text>
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          <elementTextContainer>
            <elementText elementTextId="2818466">
              <text>Notes and Queries 260 (2015)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2818467">
              <text>Proverbs</text>
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              <text>SAC 39: 235&#13;
mea; 3/1/2018</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2818469">
              <text>2015</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2818462">
                <text>Proverbe of Chaucer.</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2825640">
                <text>Given his "frequent equivocalness" on matters of high seriousness, there is good reason to believe that Prov, a "riddling poem" (NIMEV 3914), is Chaucer's work, philologists' objections on the basis of its inaccurate "compace"/"embrace" rhyme notwithstanding.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Stampone, Christopher..</text>
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              <text>Chaucer Review 50.3-4 (2015): 393-419</text>
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              <text>Troilus and Criseyde</text>
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              <text>SAC 39:232&#13;
mea; 3/1/2018</text>
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                <text>Examines the use of "daunce" in TC in order to explore the way dancing is linked to rhetoric in the interactions between the main characters.</text>
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                <text>Choreographing  "Fin'amor": Dance and the Game of Love in Geoffrey Chaucer's "Troilus and Criseyde."</text>
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              <text>Round, Nicholas G.</text>
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              <text>Hispanic Research Journal 11.1 (2010): 82-93.</text>
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              <text>Troilus and Criseyde&#13;
Chaucer's Influence and Later Allusion</text>
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              <text>SAC 39:230&#13;
mea; 3/1/2018</text>
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              <text>2010</text>
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              <elementText elementTextId="2825006">
                <text>Maximo Manso: Love's Fool.</text>
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                <text>Argues that Perez Galdos's "El amigo Manso" (1882) echoes TC in its concern with philosophical consolation, the theme of kinds of knowledge, and the narrator protagonist's mocking of his mourners in the afterlife. Like Troilus, Manso is an idealistic lover whose beloved does not match his ideal.</text>
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              <text>Raby, Michael B.</text>
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              <text>Dissertation Abstracts International A77.03 (2015): n.p.</text>
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              <text>Dissertation Abstracts International 77 (2015)</text>
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              <text>Troilus and Criseyde</text>
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mea; 3/1/2018</text>
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              <elementText elementTextId="2818438">
                <text>Attention and Distraction in Middle English Literature.</text>
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              <elementText elementTextId="2818439">
                <text>Considers medieval understandings of the relationship between attention and distraction or diversion, using several texts, ranging from Augustine to Walter Hilton, Julian of Norwich, and TC.</text>
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            <elementText elementTextId="2818431">
              <text>Nakao, Yoshiyuki.</text>
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              <text>Frankfurt am Main: Peter Lang, 2013.</text>
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              <text>xiii, 309 pp.</text>
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              <text>Studies in English Medieval Language and Literature, no. 6.</text>
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              <text>Troilus and Criseyde&#13;
Language and Word Studies</text>
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mea; 3/1/2018</text>
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              <text>2013</text>
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              <elementText elementTextId="2825007">
                <text>The Structure of Chaucer's Ambiguity.</text>
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              <elementText elementTextId="2825641">
                <text>Based on Nakao's earlier book, "The Structure of Chaucer's Ambiguity" (2004; in Japanese), this republished English version analyzes the "parole aspect of language" within an expanded study of ambiguity in TC. Proposes an original theoretical framework, "double prism structure," which brings together elements of cognitive linguistics, semantics, and pragmatics.</text>
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              <text>Murton, Megan.</text>
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              <text>Chaucer Review 49.3 (2015): 294-319.</text>
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              <text>Chaucer Review 49 (2015)</text>
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              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations&#13;
Boece&#13;
Manuscripts and Textual Studies</text>
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              <text>SAC 39:225&#13;
mea; 3/1/2018</text>
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              <text>2015</text>
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                <text>Argues that Chaucer's interpretation of Boethius, as shown in two key passages in TC, his translation of Bo, and a significant Bo manuscript, "enables him to present Troilus as a genuinely Boethian hero who channels philosophical insight into religious devotion."</text>
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                <text>Praying with Boethius in "Troilus and Criseyde."</text>
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