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                <text>Investigates the logic of "sovereignty" in PhyT, and how sovereignty is transferred from God, to nature, then to Virginia, and back to the people who "subvert the&#13;
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            <elementText elementTextId="2818038">
              <text>Franklin and His Tale</text>
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        <element elementId="109">
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            <elementText elementTextId="2818039">
              <text>SAC 39:170&#13;
mea; 2/26/2018</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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              <text>2015</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2818033">
                <text>Pleasures of the Table: A Literary Anthology.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2825144">
                <text>Focuses on literary food writing and includes brief discussion of the Franklin's hospitality in GP..</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2818027">
              <text>Greene, Darragh.</text>
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        <element elementId="98">
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            <elementText elementTextId="2818028">
              <text>Chaucer Review 50.1–2 (2015): 88-107.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2818029">
              <text>Chaucer Review 50 (2015)</text>
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            <elementText elementTextId="2818030">
              <text>Franklin and His Tale</text>
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        <element elementId="109">
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            <elementText elementTextId="2818031">
              <text>SAC 39:169&#13;
mea; 2/26/2018</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2818032">
              <text>2015</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2818026">
                <text>Argues that the Franklin presents a formula for happiness: living a life of "gentilesse" as opposed to the principle of adhering to a law-based system of morality.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2825036">
                <text>Moral Obligations, Virtue Ethics, and "Gentil" Character in Chaucer's "Franklin's Tale."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2818019">
              <text>Gaston, Kara.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2818020">
              <text>Studies in the Age of Chaucer 37 (2015): 227-56.</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2818021">
              <text>Studies in the Age of Chaucer 37 (2015): 227-56.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2818022">
              <text>Franklin and His Tale&#13;
Sources, Analogues, and Literary Relations&#13;
Legend of Good Women&#13;
Canterbury Tales--General</text>
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        </element>
        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2818023">
              <text>SAC 39:168&#13;
mea; 2/26/2018</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818024">
              <text>2015</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2825037">
                <text>The Poetics of Time Management from the "Metamorphoses" to "Il filocolo" and "The Franklin's Tale."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2825667">
                <text>Examines the management of time in the "Aeson episode" of Ovid's "Metamorphoses" (Book VII), the Tale of Menedon in Boccaccio's "Filocolo,"and FranT, focusing on Medea's "carmen," Tebano's magic, Dorigen's complaint, and their parallels with poetic composition. Dorigen's complaint conveys a sense of "productive contingency" and resists order or completion, suggesting that what remains unsaid can be powerfully evocative (as in LGW) and that the "establishment of interpretive perspective . . . [is] an event that takes place in time" (as in CT).</text>
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  <item itemId="273564" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2818011">
              <text>Kikuchi, Akio.</text>
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        <element elementId="98">
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            <elementText elementTextId="2818012">
              <text>Tohoku Romantic Studies 2 (2015): 1–14.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2818013">
              <text>Tohoku Romantic Studies 02 (2015)</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2818014">
              <text>Squire and His Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2818015">
              <text>SAC 39:165&#13;
mea; 2/26/2018</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2818016">
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2825146">
                <text>Considers why the tale of the Mongol Empire is allocated to the young Squire. Points out the Squire's idealistic representation of the royal family of the Empire and discusses Chaucer's possible attitude toward SqT, taking fourteenth-century political affairs into account. In Japanese.</text>
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          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2825264">
                <text>"Ancestral voices prophesying war": The Representation of the Mongol Empire in Chaucer's "Squire's Tale."</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2818003">
              <text>Karnes, Michelle.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2818004">
              <text>ELH 82.2 (2015): 461–90.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2818005">
              <text>ELH 82 (2015)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2818006">
              <text>Squire and His Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2818007">
              <text>SAC 39:164&#13;
mea; 2/26/2018</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818008">
              <text>2015</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2818002">
                <text>Argues that SqT is an exception among medieval romances because it investigates things that are not what they seem. The first section of the tale scrutinizes the mechanics of marvels and wonder; the second explores the mechanics of stories, especially figurative language. Draws heavily on appeals to medieval philosophical theories and finds that the tale links literature to marvels, claiming that such an association was crucial to the development of literary theory in England</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2825039">
                <text>Wonder, Marvels, and Metaphor in the "Squire's Tale."</text>
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  <item itemId="273562" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2817995">
              <text>Zedolik, John.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2817996">
              <text>Studies in Philology 112.3 (2015): 490-503.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2817997">
              <text>Studies in Philology 112 (2015)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2817998">
              <text>Merchant and His Tale&#13;
Canterbury Tales--General</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2817999">
              <text>SAC 39:163&#13;
mea; 2/26/2018</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818000">
              <text>2015</text>
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        <elementContainer>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2817994">
                <text>Treats control as a thematic device in MerT and in CT at large. January seeks to control May through literal enclosure, but is himself figuratively controlled by May and Damian, becoming a keeper kept. Conversely, the pilgrim narrator of CT relinquishes the closed form of the GP descriptions and gives control over to the other pilgrims, maintaining partial control by becoming a participant himself.</text>
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          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2825990">
                <text>"The gardyn is enclosed al aboute": The Inversion of Exclusivity in the "Merchant's Tale."</text>
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            </elementTextContainer>
          </element>
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  </item>
  <item itemId="273561" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2817987">
              <text>Al-Garrallah, Aiman Sanad.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2817988">
              <text>Neohelicon 42 (2015): 671–86.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2817989">
              <text>Neohelicon 42 (2015)</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2817990">
              <text>Merchant and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2817991">
              <text>SAC 39:161&#13;
mea; 2/26/2018</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2817992">
              <text>2015</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2825041">
                <text>The Cunning Wife/Fruit Tree Syndrome: Chaucer's "The Merchant's Tale" and Seven Arabic Stories.</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2825668">
                <text>Suggests Arabic texts not as sources for MerT, but as fellow exemplars of certain similar "universal" archetypes (tree, garden, billet-doux, key). Juxtaposes Arabic tales (some from "The Arabian Nights") with MerT, and organizes stories by tree type (pear, sycamore, palm). Reads the shared archetypes through a Jungian lens, comparing them to the shadow, anima, animus, and persona. Refers to "hortus conclusus" and "locus amoenus" as integral to these archetypal manifestations of a "collective unconsciousness" or "ur-myth."</text>
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            </elementTextContainer>
          </element>
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  <item itemId="273560" public="1" featured="0">
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              <text>Rodrıguez Mesa, Francisco Jose.</text>
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              <text>Elisa Borsari, ed. En lengua vulgar castellana traduzido: Ensayos sobre la actividad traductora durante la Edad Media (San Millan de la Cogolla: Cilengua, 2015), pp. 121–33.</text>
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              <text>En lengua vulgar castellana traduzido: Ensayos sobre la actividad traductora durante la Edad Media.</text>
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Sources, Analogues, and Literary Relations</text>
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mea; 2/26/2018</text>
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                <text>Entre exegesis y adicion: El papel del Prologo al "Cuento del erudite" en la adaptacion de Chaucer del de insigni obedientia et fide uxoris.</text>
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                <text>Evaluates Chaucer's strategies of adapting his Italian sources in ClT. He uses three paratexts to adjust the original story to the specific narratological and structural microcosm of CT: ClP, the conclusion explaining what Petrarch meant in Griselda's story, and the sarcastic epilogue questioning the validity of the Italian's purpose for an English context</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Normandin, Shawn.</text>
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              <text>Notes and Queries 260 (2015): 218–19.</text>
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Sources, Analogues, and Literary Relations&#13;
Style and Versification</text>
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              <text>SAC 39:159&#13;
mea; 2/26/2018</text>
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            <description>An account of the resource</description>
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                <text>In rendering Petrarch's explanation for why God tests humans in the form of a disjointed sentence (ClT, 1153-61), Chaucer points out its irrationality. Argues how this ploy resonates with the Clerk's expression of qualms about Petrarch at the beginning of his tale.</text>
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                <text>From Error to Anacoluthon: The Moral of the "Clerk's Tale."</text>
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              <text>Ida, Hideho.</text>
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              <text>Doshisha Global and Regional Studies Review 4 (2015): 45-65.</text>
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              <text>Doshisha Global and Regional Studies Review 04 (2015)</text>
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              <text>Clerk and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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            <elementText elementTextId="2817966">
              <text>SAC 39:158&#13;
mea; 2/26/2018</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2817967">
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            <name>Title</name>
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            <elementTextContainer>
              <elementText elementTextId="2825043">
                <text>A Literary Comparison between Chaucer's "The Clerk's Tale" and Its Latin and French Originals.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2825149">
                <text>Points out lines of ClT not included in either of the Latin and French sources and considers the meanings of these additions by Chaucer. Argues that Walter is characterized as stricter in ClT, and discusses the narrator Clerk's position in relation to the Wife of Bath. In Japanese, with English abstract.</text>
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              <text>Hui-jeong, Seon.</text>
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        <element elementId="98">
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              <text>Medieval and Early Modern English Studies 22.2 (2014): 31-59.</text>
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              <text>Clerk and His Tale</text>
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            <elementText elementTextId="2817958">
              <text>SAC 39:15&#13;
mea; 2/26/20187</text>
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        <element elementId="114">
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              <elementText elementTextId="2825044">
                <text>The Clerk's Ironic Storytelling in The Clerk's Tale.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2825669">
                <text>Examines the irony and paradoxes of ClT, claiming that through the Tale, the Clerk "challenges an audience as Griselda's impassive patience challenges Walter." Views the Clerk as a "complicated figure of utter submissiveness and essential silence like Griselda."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Whearty, Bridget.</text>
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        <element elementId="98">
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              <text>Mediaevalia 36 / 37 (2015 / 2016): 223–61.</text>
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            <elementText elementTextId="2817948">
              <text>Mediaevalia 36 / 37 (2015 / 2016)</text>
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            <elementText elementTextId="2817949">
              <text>Summoner and His Tale&#13;
Manuscripts and Textua Studies</text>
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        <element elementId="109">
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mea; 2/26/2018</text>
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                <text>The Leper on the Road to Canterbury: The Summoner, Digital Manuscripts, and Possible Futures.</text>
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2817945">
                <text>Examines the Summoner in GP in connection with representations of leprosy and discusses the limitations of the digital manuscripts used to research findings.</text>
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              <text>Morrison, Stephen.</text>
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              <text>Bulletin des Anglicistes Medievistes 86 (2015): 37–52.</text>
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            <elementText elementTextId="2817940">
              <text>Bulletin des Anglicistes Medievistes 86 (2015)</text>
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              <text>Wife of Bath and Her Tale</text>
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            <elementText elementTextId="2817942">
              <text>SAC 39:151&#13;
mea' 2/26/2018</text>
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        <element elementId="114">
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            <elementText elementTextId="2817943">
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              <elementText elementTextId="2817936">
                <text>Editing Middle English Texts: Spin-offs for the Oxford English Dictionary. </text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2825670">
                <text>Analyzes the Wife of Bath's "deceptive nature of fine outward show," in terms of her dress and clothing, as opposed to her inner purity in WBT.</text>
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              <text>Takana, Hidekuni.</text>
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              <text>Bulletin of Seikei University 46 (2011): 13–22.</text>
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              <text>The Fitness of "The Wife of Bath's Tale."</text>
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            <elementText elementTextId="2817932">
              <text>Bulletin of Seikei University 46 (2011)</text>
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          <name>Chaucer Subject</name>
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              <text>Wife of Bath and Her Tale&#13;
Shipman and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>SAC 39:155&#13;
mea; 2/26/2018</text>
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            <description>An account of the resource</description>
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                <text>Compares WBT with its Middle English analogues and comments on the relations between WBPT and ShT. http://repository.seikei.ac.jp/dspace/bitstream/10928/86/1/bungaku-46_13-22.pdf (accessed January 12, 2016). In Japanese.</text>
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                <text>"Basu no nyobo no monogatari no fusawashi-sa-ko" ("The Fitness of The Wife of Bath's Tale").</text>
              </elementText>
            </elementTextContainer>
          </element>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Stadolnik, Joseph.</text>
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              <text>English Studies 97.1 (2016): 15–21.</text>
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mea;2/26/2018</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2825671">
                <text>Argues that the Wife's "fyr" and "tow" not only warn against sexual temptation but are also a contemporary "reference to the fatal accident at the "bal des ardents" at the French royal court in 1393, which very nearly took the life of Charles VI."</text>
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                <text>The Stuff of Metaphor: "Fyr" and "tow" in the "Prologue" to the "Wife of Bath's Tale."</text>
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              <text>Studies in the Age of Chaucer 37 (2015): 163–94.</text>
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Language and Word Studies</text>
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mea; 2/26/2015</text>
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            <elementText elementTextId="2817918">
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              <elementText elementTextId="2825047">
                <text>Beaten for a Book: Domestic and PedagogicViolence in The "Wife of Bath's Prologue."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2825672">
                <text>Identifies relations between domestic and pedagogical violence in WBP, establishing that its vocabulary is "redolent of the classroom" and arguing that Jankyn's treatment of Alison grants her agency, albeit unintentionally. Describes the motivations and restrictions of wife-beating and student-beating in medieval discourse and assesses how in the final altercation in WBP the contradictions between two sets of prescribed limits on violence reveal awareness of the need for disciplinary restraint.</text>
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              <name>Title</name>
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              <text>Nakley, Susan.</text>
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        <element elementId="98">
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          <description/>
          <elementTextContainer>
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              <text>Journal of English and Germanic Philology 114.1 (2015): 61-87</text>
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              <text>Wife of Bath and Her Tale&#13;
Sources, Analogues, and Literary Relations</text>
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          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2817909">
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mea; 2/26/2018</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2817910">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2825268">
                <text>"Rowned she a pistel": National Institutions and Identities According to Chaucer's Wife of Bath.</text>
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            <description>An account of the resource</description>
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                <text>Establishes how WBT's treatment of sovereignty and of civic and domestic institutions "redefine[s] English nobility as a national form of identity" that crosses class and gender boundaries. Further argues that Chaucer's anachronistic use of Dante in the old woman's sermon creates a sense of nobility based not on heritage but on "shared ethical standards of virtuous living" and "civic responsibility."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <text>Edwards, A. S. G.</text>
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              <text>Chaucer Review 49.3 (2015): 376–77.</text>
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          <name>Chaucer Subject</name>
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Manuscripts and Textual Studies&#13;
Facsimiles, Editions, and Translations</text>
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              <text>SAC 39:150&#13;
mea; 2/26/2018</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2817902">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2817896">
                <text>Argues that WBP 3.21 should be emended from "fifthe" to "sixte."</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Wife of Bath's Sixth Man ("Canterbury Tales," III 21).</text>
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              <description>A name given to the resource</description>
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              <text>Delony, Mikee C.</text>
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          <description/>
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              <text>Priscilla Pope-Levison and John R. Levison, eds. Sex, Gender, and Christianity (Eugene, OR: Cascade Books, 2012), pp. 33–57.</text>
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Levison, John R., ed. </text>
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mea; 2/26/2018</text>
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                <text>Weaving the Sermon: The Wife of Bath's Preaching Body in the "Canterbury Tales."</text>
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                <text>Examines connections between women's weaving and preaching by focusing on Alisoun. Uses the metaphor of weaving to establish how Alisoun "wove textiles and words as a mode of female expression and critique of the patriarchal church's interpretation of sacred knowledge."</text>
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