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              <text>Winders, Susan Melissa. </text>
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              <text>Dissertation Abstracts International A76.11 (2015): n.p.</text>
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              <text>Book of the Duchess&#13;
Sources, Analogues, and Literary Relations</text>
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mea; 2/29/2018</text>
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                <text>Reading Medieval Courtesy.</text>
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                <text>While attempting to locate courtesy literature in a larger literary milieu, examines Machaut and BD on the way to an examination of Langland.</text>
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              <text>Stanbury, Sarah.</text>
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              <text>Studies in the Age of Chaucer 37 (2015): 133-61.</text>
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              <text>Studies in the Age of Chaucer 37 (2015)</text>
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Sources, Analogues, and Literary Relations&#13;
Style and Versification</text>
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mea; 2/29/2018</text>
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                <text>The Place of the Bedchamber in Chaucer's "Book of the Duchess."</text>
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                <text>Contextualizes the bedchamber of BD, exploring its adaptations of French source material, the otherness of France, the social and psychological implications of beds and textiles, and the imagery of black and white. Emphatically English in its wordplays and domestic situation, BD locates the process of poetic composition "on English ground."</text>
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              <text>McNamara, Rebecca F.</text>
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              <text>Literature and Medicine 33.2 (2015): 258-78.</text>
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              <text>Book of the Duchess&#13;
Knight and His Tale&#13;
Sources, Analogues, and :Literary RElations</text>
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2/29/2018</text>
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                <text>Wearing Your Heart on Your Face: Reading Lovesickness and the Suicidal Impulse in Chaucer.</text>
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                <text>In BD, Chaucer reinvents the "dits amoreux" tropes of Froissart (in "Le paradis d'Amours") and Machaut (in "Le jugement dou roy de Behaingne"), applying Galen's humoral medicine to depictions of the lovelorn knight. Likewise, in KnT, the banished Arcite's plight foregrounds humoral imbalance and melancholy, and his death is described in Galenic detail. Establishes how both texts invite the audience to a closer and more empathic reading of suicidal characters than is usually available within the "artifice" of "fin'amors" poetry.</text>
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              <text>Hardaway, Reid.</text>
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              <text>Chaucer Review 50.1-2 (2015): 159-77.</text>
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              <text>Book of the Duchess</text>
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2/29/2018</text>
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            <description>An account of the resource</description>
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                <text>Links BD with Freudian method, arguing that the poem "foreshadows" psychoanalysis through its depiction of how certain uses of language can heal trauma from painful memories</text>
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                <text>A Fallen Language and the Consolation of Art in the "Book of the Duchess."</text>
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              <text>Fumo, Jamie Clire.</text>
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              <text>Cardiff: University of Wales Press, 2015.</text>
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              <text>244 pp.</text>
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              <text>Book of the Duchess&#13;
Facsimiles, Editions, and Translations&#13;
Chaucer's Influence and Later Allusion</text>
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2/29/2018</text>
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                <text>Studies the history of interpretation of BD, surveying scholarly commentary, material transmission, and late medieval/early modern creative reception. Emphasizes the (re)making of BD over time, by means of the interrelated textual processes of writing, reading, and reception modeled within the poem itself. As a work that, paradoxically, has been both marginalized and freighted with canonical import, BD impacts our understanding of Chaucerian authorship, English and French vernacularity, and the late medieval culture of book production in ways that demand fuller reckoning.</text>
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                <text>Making Chaucer's "Book of the Duchess": Textuality and Reception.</text>
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              <text>Dunai, Amber Rose.</text>
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              <text>Dissertation Abstracts International A77.03 (2015): n.p.</text>
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              <text>Dissertation Abstracts International 77 (2015)</text>
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              <text>Book of the Duchess</text>
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2/29/2018</text>
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                <text>Dreams and Visions in Medieval Literature.</text>
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                <text>Considers BD in a larger survey of dream visions, with particular attention to "connections [to] the conventions of medieval mystical texts."</text>
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              <text>Wuest, Charles.</text>
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              <text>Dissertation Abstracts International A76.10 (2015): n.p.</text>
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              <text>Boece&#13;
Lyrics and Short Poems&#13;
Parliament of Fowls&#13;
Troilus and Criseyde</text>
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2/29/2018</text>
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                <text>Chaucer's Variations on a Boethian Theme.</text>
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                <text>Considers Chaucer's repeated engagement with a passage from Boethius's "Consolation" in Bo, several shorter works, PF, and TC, leading to an argument that Chaucer ultimately suggests that some limits of translation are insurmountable.</text>
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2/29/2018</text>
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                <text>Reveals similarities in the rhetorical strategies of the loathly lady in WBT and Lady Philosophy in Bo.</text>
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              <text>Anelida and Arcite&#13;
Sources, Analogues, and Literary Relations</text>
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2/29/2018</text>
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                <text>Chaucer's Sources and Chaucer's Lies: "Anelida and Arcite" and the Poetics of Fabrication.</text>
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                <text>Maintains that in Anel, a poem about the faithless lover Arcite, the poet narrator is also false both in specific details and in reference to his putative sources. Argues that Chaucer emphasizes "the deception inherent in his poetic process" in a poem that claims to preserve memory but "fabricates" its own claims to authenticity and truthfulness.</text>
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              <text>Riley, Deirdre.</text>
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              <text>Mediaevalia 36/37 (2015/2016): 263-90.</text>
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              <text>Mediaevalia 36-37 (2015/2016)</text>
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              <text>Chaucer's Retraction&#13;
Canterbury Tales--General</text>
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              <text>SAC 39:192&#13;
2/29/2018</text>
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              <elementText elementTextId="2825021">
                <text>Retraction and Recollection: Chaucer's Apocalyptic Self-Examination.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2825131">
                <text>Reads Ret as the culmination of Chaucer's growing self-knowledge that unifies CT.</text>
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              <text>Ziolkowski, Theodore.</text>
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              <text>New York: Oxford University Press, 2015.</text>
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              <text>xiii, 237 pp.</text>
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Chaucer's Influence and Later Allusion</text>
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2/29/2018</text>
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              <elementText elementTextId="2818204">
                <text>The Alchemist in Literature: From Dante to the Present.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2825657">
                <text>Surveys the figure of the alchemist and the uses of alchemical imagery in western literature, focusing on how satire and trivialization of the subject gave way to more esoteric uses, especially as the practice of alchemy gave way to chemistry. Includes a summary (pp. 28–32) of CYT as an early example of satire with touches of esoteric knowledge, and suggests in passing how John Lyly's "Galathea" (1592) is "indebted extensively" to Chaucer's tale.</text>
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              <text>Scala, Elizabeth.</text>
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        <element elementId="98">
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          <elementTextContainer>
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              <text>Word &amp; Image 26.4 (2010): 381–92.</text>
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              <text>Word &amp; Image 26 (2010)</text>
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          <name>Chaucer Subject</name>
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              <text>Nun's Priest and His Tale&#13;
Manuscripts and Textual Studies&#13;
Facsimiles, Editions, and Translations</text>
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              <text>SAC 39:189&#13;
2/29/2018</text>
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                <text>Seeing Red: The Ellesmere Iconography of Chaucer's Nun's Priest.</text>
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                <text>Shows that the Nun's Priest is often illustrated in manuscripts and books, even though he is not described in the GP, arguing that the illustrations are informed by the Host's comments on the Priest and by the description of the protagonist of NPT, the "red-topped rooster," Chauntecleer. Surveys illustrations in extant manuscripts of CT, and examines portraits of the Nun's Priest in visual history. Includes 10 color illus.</text>
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  <item itemId="273586" public="1" featured="0">
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              <text>Spearing, A. C.</text>
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              <text>Kathryn Kerby-Fulton, John T. Thompson, and Sarah Baechle, eds. New Directions in Medieval Manuscript Studies and Reading Practices: Essays in Honor of Derek Pearsall (Notre Dame: University of Notre Dame Press, 2014), pp. 7-33.</text>
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              <text>New Directions in Medieval Manuscript Studies and Reading Practices: Essays in Honor of Derek Pearsall.</text>
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              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations</text>
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          <elementTextContainer>
            <elementText elementTextId="2818194">
              <text>SAC 39:231&#13;
2/29/2018</text>
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          <elementTextContainer>
            <elementText elementTextId="2818195">
              <text>2014</text>
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              <elementText elementTextId="2818188">
                <text>Narrative and Freedom in "Troilus and Criseyde."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2825659">
                <text>Discusses how TC is a "renarration" of earlier medieval narratives and reveals how Chaucer uses the "autographic 'I'" in Book II of TC. Focuses on "aspects of narrative freedom" used by Chaucer throughout TC.</text>
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              <text>Skala, Elizabeth.</text>
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              <text>Kathryn Kerby-Fulton, John T. Thompson, and Sarah Baechle, eds. New Directions in Medieval Manuscript Studies and Reading Practices: Essays in Honor of Derek Pearsall (Notre Dame: University of Notre Dame Press, 2014), pp. 363-83.</text>
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              <text>New Directions in Medieval Manuscript Studies and Reading Practices: Essays in Honor of Derek Pearsall.</text>
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              <text>Nun's Priest and His Tale</text>
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        <element elementId="109">
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            <elementText elementTextId="2818186">
              <text>SAC 39:188&#13;
2/29/2018</text>
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              <text>2014</text>
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                <text>Quoting Chaucer: Textual Authority, the Nun's Priest, and the Making of the "Canterbury Tales."</text>
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                <text>Examines Derek Pearsall's Variorum Edition of NPT and suggests that the Nun's Priest's "self-conscious literary performance transforms" the tales of CT, which are enhanced by Chaucer's quotations, allusions, and references to his own works. In particular, Chaucer's act of "self-quotation" is highlighted in NPT. Also discusses MLT, WBPT, and MkT.</text>
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              <text>Parsons, Ben.</text>
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              <text>Notes and Queries 260 (2015): 525-29.</text>
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              <text>Notes and Queries 260 (2015)</text>
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              <text>Nun's Priest and His Tale&#13;
Language and Word Studies</text>
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2/29/2018</text>
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                <text>Although the phrase "Colle oure dogge" (NPT 7.338) has been cited as support for the notion that "collie" derives from a medieval pet name, a review of attestations of "colle" provides no evidence that dogs given that name tended to be members of the sheep-herding breed.</text>
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                <text>"Collie" and Chaucer's "Colle."</text>
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            <elementText elementTextId="2818166">
              <text>Barrington, Candace, and Jonathan Hsy.&#13;
</text>
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        <element elementId="98">
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              <text>postmedieval 6.2 (2015): 136-45.</text>
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            <elementText elementTextId="2818168">
              <text>postmedieval 06 (2015)</text>
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            <elementText elementTextId="2818169">
              <text>Tale of Melibee&#13;
Chaucer's Influence and Later Allusion&#13;
Facsimiles, Editions, and Translations</text>
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            <elementText elementTextId="2818170">
              <text>SAC 39: 186&#13;
2/29/2018</text>
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        <element elementId="114">
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            <elementText elementTextId="2818171">
              <text>2015</text>
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              <elementText elementTextId="2825025">
                <text>Remediated Verse: Chaucer's "Tale of Melibee" and Patience Agbabi's "Unfinished Business."</text>
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            <elementTextContainer>
              <elementText elementTextId="2825662">
                <text>Focuses on the "mirroring structure" of Agbabi's "Unfinished Business," from"Telling Tales" (2015), and Mel. Also reflects on the inherent "problematizing of translation" that accompanies transforming Mel into contemporary poetry.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2818158">
              <text>Carlson, David R.</text>
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        <element elementId="98">
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              <text>Review of English Studies 66, no. 274 (2015): 240–57.</text>
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              <text>Review of English Studies 66 (2015)</text>
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              <text>Tale of Sir Thopas&#13;
Chaucer's Influence and Later Allusion</text>
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            <elementText elementTextId="2818162">
              <text>SAC 39:185&#13;
2/29/2018</text>
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        <element elementId="114">
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            <elementText elementTextId="2818163">
              <text>2015</text>
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              <elementText elementTextId="2818156">
                <text>Skelton, Garnesche, and Henry VIII: Revels and Erudition at Court.</text>
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            <description>An account of the resource</description>
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                <text>Discusses how Skelton persistently mocks Henry's awarding knighthood to Garnesche by likening him to the silliest knights of romance. Claims that this portrayal of knighthood is influenced by Chaucer's mockery of knights in Th.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2818150">
              <text>Park, Hwanhee.</text>
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        <element elementId="98">
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              <text>Comitatus 46 (2015): 99–116.</text>
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            <elementText elementTextId="2818152">
              <text>Comitatus 46 (2015)</text>
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        <element elementId="102">
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            <elementText elementTextId="2818153">
              <text>Prioress and Her Tale</text>
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        <element elementId="109">
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            <elementText elementTextId="2818154">
              <text>SAC 39:184&#13;
2/29/2018</text>
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        <element elementId="114">
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              <elementText elementTextId="2825260">
                <text>"To ben holden digne of reverence": The Tale-Telling Tactics of Chaucer's Prioress.</text>
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            <description>An account of the resource</description>
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                <text>Invokes the medieval ideal (exemplified by "Ancrene Wisse") of establishing self-identity and authority by memorizing and performing texts. The Prioress does this by "over-identifying" with the clergeon. Briefly considering the anti-Semitism of the tale, argues that it may be read in the context of hagiographical tradition, where all "pagans" are usually denounced.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Blurton, Heather, and Hannah Johnson.</text>
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        <element elementId="98">
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              <text>Chaucer Review 50.1-2 (2015): 134–58.</text>
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              <text>Johnson, Hannah.</text>
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            <elementText elementTextId="2818144">
              <text>Chaucer Review 50 (2015)</text>
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            <elementText elementTextId="2818145">
              <text>Prioress and Her Tale&#13;
Manuscripts and Textual Studies&#13;
Chaucer's Influence and Later Allusion</text>
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            <elementText elementTextId="2818146">
              <text>SAC 39:182&#13;
mea; 2/29/2018</text>
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          <elementTextContainer>
            <elementText elementTextId="2818147">
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              <elementText elementTextId="2825027">
                <text>Reading the "Prioress's Tale" in the Fifteenth Century: Lydgate, Hoccleve, and Marian Devotion</text>
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                <text>Examines manuscript circulation of PrT showing Chaucer's reception as a Marian poet. This tale was not only used in devotional texts but was responded to in this register by Lydgate and Hoccleve.</text>
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              <text>Epstein, Robert.</text>
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              <text>Modern Philology 113 (2015) 17-48.</text>
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            <elementText elementTextId="2818135">
              <text>Modern Philology 113 (2015)</text>
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              <text>Shipman and His Tale</text>
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            <elementText elementTextId="2818137">
              <text>SAC 39:181&#13;
mea; 2/29/2018</text>
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        <element elementId="114">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818138">
              <text>2015</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2825028">
                <text>The Lack of Interest in the "Shipman's Tale": Chaucer and the Social Theory of the Gift.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2825138">
                <text>The exchanges of goods and services in ShT are often read following Bourdieu's theory that self-interest motivates all human actions. This essay claims that such analyses do not take into account other motivating factors clearly present in the tale, such as conjugal affection and the pleasures of generosity and friendship.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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          </elementContainer>
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      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818125">
              <text>Coley, David K.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818126">
              <text>Chaucer Review 49.4 (2015): 449-73.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818127">
              <text>Chaucer Review 49 (2015)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818128">
              <text>Shipman and His Tale</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818129">
              <text>SAC 39:180&#13;
2/29/2018</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818130">
              <text>2015</text>
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        <elementContainer>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2818124">
                <text>Argues that ShT comments on fourteenth-century controversies regarding tithing and examines the connections drawn between international finance and agrarian production.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2825029">
                <text>Money and the Plow, or the "Shipman's Tale" of Tithing.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="273577" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818116">
              <text>Simpson, James.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818117">
              <text>Studies in the Age of Chaucer 37 (2015): 31-54.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818118">
              <text>The Biennial Chaucer Lecture. The New Chaucer Society. Nineteenth International Congress, July 16–20, 2014. University of Iceland, Reykjavık.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818119">
              <text>Studies in the Age of Chaucer 37 (2015)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818120">
              <text>Pardoner and His Tale&#13;
Chaucerian Apocrypha</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818121">
              <text>SAC 39:179&#13;
2/27/2018</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818122">
              <text>2015</text>
            </elementText>
          </elementTextContainer>
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      </elementContainer>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2818114">
                <text>Not Yet: Chaucer and Anagogy.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2825664">
                <text>Explores aspects of anagogical reading practices and their relations with social prediction and prophecy. Reformation readers perceived predestinarian and prophetic themes in spurious Chaucerian texts, although Chaucer himself seems to distrust prophecy and certainty about the future. However, PardT is prophetic "in a variety of ways," reflecting Chaucer's fears of civic disruption that he anticipated when contemplating the breakdown of the sacramental system of penance. Also comments on anagogy in Julian of Norwich, "Piers Plowman," and "Pearl."</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818107">
              <text>Minnis, Alastair.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818108">
              <text>Studies in the Age of Chaucer 37 (2015): 3–27.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818109">
              <text>Studies in the Age of Chaucer 37 (2015): 3–27.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818110">
              <text>Pardoner and His Tale</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818111">
              <text>SAC 3:178&#13;
2/27/2018</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818112">
              <text>2015</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818113">
              <text>The Presidential Address. The New Chaucer Society. Nineteenth International Congress, July 16–20, 2014. University of Iceland, Reykjavık.</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2818105">
                <text>Fragmentations of Medieval Religion: Thomas More, Chaucer, and the Volcano Lover</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2825665">
                <text>Traces evidence of anatomical votive offerings, particularly genital renderings, in Roman practice, Reformation commentary, and modern accounts, presenting them as background to reading the Host's commentary on the Pardoner's cullions (PardT, 951–55). The Pardoner's genitalia are "imagined as a fecundating relic," with satiric implications.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
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  <item itemId="273575" public="1" featured="0">
    <collection collectionId="8">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818099">
              <text>Lavinsky, David.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818100">
              <text>Chaucer Review 50.3-4 (2015): 442-64.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818101">
              <text>Chaucer Review 50 (2015)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818102">
              <text>Pardoner and His Tale</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818103">
              <text>SAC 39:177&#13;
2/27/2018</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818104">
              <text>2015</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2825141">
                <text>Argues for the effectiveness of the Pardoner's speech in light of his use of fables and exempla rather than "officium." PardT affirms the power of literature over that of the Pardoner's own duplicitous nature.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2825985">
                <text>Turned to Fables: Efficacy, Form, and Literary Making in the "Pardoner's Tale."</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="273574" public="1" featured="0">
    <collection collectionId="8">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818091">
              <text>Armijo Canto, Carmen Elena.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818092">
              <text>Anuario de letras: Linguıstica y filologıa 46 (2008): 33-52.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818093">
              <text>Anuario de letras: Linguıstica y filologıa 46 (2008)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818094">
              <text>Pardoner and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818095">
              <text>SAC 39:176&#13;
2/27/2018</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818096">
              <text>2008</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2825142">
                <text>Explores thematic parallels between Odo of Cheriton's "Sermones" and "Fabulae" and PardT. Though not intended to prove any direct influence of the former on the latter, shows how some topics that were widespread in ecclesiastical texts were adopted in literary texts for entertainment purposes.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2825986">
                <text>De Odo a "Canterbury" y el "Libro de los gatos."</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
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