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                  <text>Chaucer Bibliography Online</text>
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              <text>Ferris, Sumner.</text>
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        <element elementId="98">
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              <text>Modern Philology 65 (1967): 45-52.</text>
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              <text>Modern Philology 65 (1967)</text>
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              <text>Chaucer's Life&#13;
Complaint of Chaucer to His Purse</text>
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                <text>The Date of Chaucer's Final Annuity and of the "Complaint to His Empty Purse."</text>
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                <text>Speculates "about the real state of Chaucer's purse in late 1399," examining details of the poem "Purse" and the relative chronology of the poet's life records to conclude that he wrote "Purse" to Henry IV because of actual financial duress. Considers Henry's usurpation of the throne, typical bureaucratic delays, and medieval recording procedures.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Farnham, Anthony E.</text>
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        <element elementId="98">
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              <text>Chaucer Review 1.4 (1967): 207-16.</text>
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              <text>Chaucer Review 01 (1967)</text>
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              <text>Troilus and Criseyde</text>
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              <text>mea; 3/19/2018</text>
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              <text>1967</text>
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                <text>Chaucerian Irony and the Ending of the "Troilus."</text>
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                <text>Argues that the opposition between "feyned" worldly love and true heavenly love posed at the end of TC produces "dialectical" irony in which the alternatives "share equally in the truth of experience." Secrecy and deception interact with idealism throughout the poem, indicating that the characters (and all humans) should love as well as they can, despite their inability to achieve ideal love.</text>
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              <text>Ebel, Julia G.</text>
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        <element elementId="98">
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              <text>College English 29.3 (1967): 197-206.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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              <text>College English 29 (1967)</text>
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              <text>Book of the Duchess</text>
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              <text>mea; 3/19/2018</text>
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              <text>1967</text>
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                <text>Chaucer's "The Book of the Duchess": A Study in Medieval Iconography and Literary Structure.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2818672">
                <text>Applies "principles" of medieval visual art (scale and perspective) to aid in understanding how BD magnifies the Black Knight's loss by presenting it in the context of the analogous accounts of the narrator's malaise and the grief of Alcyone.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Delany, Sheila.</text>
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        <element elementId="98">
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            <elementText elementTextId="2818666">
              <text>Chaucer Review 2.2 (1967): 67-74.</text>
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            <elementText elementTextId="2818667">
              <text>Chaucer Review 02 (1967)</text>
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        <element elementId="102">
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              <text>House of Fame&#13;
Language and Word Studies</text>
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        <element elementId="109">
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            <elementText elementTextId="2818669">
              <text>mea; 3/19/2018</text>
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        <element elementId="114">
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            <elementText elementTextId="2818670">
              <text>1967</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2818663">
                <text>Phantom and the "House of Fame."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Explores various denotations in medieval uses of "phantom," and contends that Chaucer's use of the word in HF (line 493) capitalizes on these meanings and neatly encapsulates the poem's fundamental concern with the difficulties of seeking to recognize and express "error and truth."</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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              <text>Delany, Paul.</text>
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        <element elementId="98">
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              <text>Philological Quarterly 46 (1967): 560-66.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2818659">
              <text>Philological Quarterly 46 (1967)</text>
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            <elementText elementTextId="2818660">
              <text>Merchant and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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              <text>mea; 3/19/2018</text>
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              <text>1967</text>
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                <text>Constantinus Africanus and Chaucer's "Merchant's Tale."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2818656">
                <text>Examines the allusion to Constantinus Africanus's "De Coitu" in MerT 4.1810-11, suggesting that knowledge of the treatise helps us to understand that January's consumption of aphrodisiacs is "manically compulsive" and sinful.</text>
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              <text>David, Alfred.</text>
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        <element elementId="98">
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              <text>PMLA 82 (1967): 217-25.</text>
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        <element elementId="100">
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              <text>PMLA 82 (1967)</text>
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              <text>Man of Law and His Tale&#13;
Sources, Analogues, and Literary Relations&#13;
Parson and His Tale</text>
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        <element elementId="109">
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              <text>mea; 3/19/2018</text>
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              <text>1967</text>
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              <elementText elementTextId="2818647">
                <text>The Man of Law vs. Chaucer: A Case in Poetics.</text>
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            <description>An account of the resource</description>
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                <text>Contrasts the moral seriousness of MLT with the comic mode of MLP and MLE, arguing that they combine to present the Man of Law as Chaucer's "ironic portrait" of pedantic, dogmatic, or moralistic readers and critics (perhaps John Gower) who would limit art to narrow didacticism, leaving little room for the entertainment value that he endorses. Includes discussion of the role of Innocent III's "De Miseria Conditionis Humane" in MLPT and compares MLP with ParsP.</text>
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              <text>Crawford, William R.</text>
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              <text>Seattle: University of Washington Press, 1967.&#13;
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              <text>xliv, 144 pp.&#13;
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              <text>Bibliographies, Reports, and Reference</text>
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              <text>mea; 3/18/2018</text>
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                <text>Bibliography of Chaucer, 1954-63.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Lists items of Chaucer scholarship published between 1954 and 1963, some lightly described, arranged in categories that include Chaucer's Life, individual works, manuscripts, style, various social and intellectual backgrounds, relations with other literature, etc. The volume includes an Index of authors and topics, and an extensive Introduction (pp. xiii-xl) that describes "New Directions in Chaucer Criticism."</text>
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              <text>Chaucer Review 1.4 (1967): 228-52.</text>
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              <text>Canterbury Tales--General&#13;
Man of Law and His Tale&#13;
Wife of Bath and Her Tale&#13;
Shipman and His Tale&#13;
Manuscripts and Textual Studies</text>
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              <text>mea; 3/18/2018</text>
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        <element elementId="114">
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                <text>A Question of Order in the "Canterbury Tales."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2818632">
                <text>Challenges arguments which assert that the MLE should be followed by ShT in the order of the CT, and argues that, in "light of both external and internal evidence," the Ellesmere order is the best order, with WBPT after MLT, and an emended version of MLE included between them. This arrangement, Cox suggests, best accommodates available manuscript evidence and scribal practice, Chaucer's reassignment of the ShT from Wife of Bath to Shipman, thematic interaction between MLT and WBPT, and the drama of the CT, especially considering the characterization of the Wife of Bath.</text>
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              <text>Correale, Robert M.</text>
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              <text>Chaucer Review 1.3 (1967): 161-66.</text>
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              <text>Reeve and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Chaucer's Parody of Compline in the "Reeve's Tale."</text>
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                <text>Supports a reading of "complyn" (variant "coupling") at RvT 1.4171, identifying parodic echoes of the prayer from the Holy Office in the language and action of the end of the Tale. The parody "brightens" the comic irony and morality of the Tale.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Carson, M. Angela.</text>
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        <element elementId="98">
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              <text>Annuale Mediaevale 8 (1967): 46-58.</text>
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          <elementTextContainer>
            <elementText elementTextId="2818619">
              <text>Annuale Mediaevale 08 (1967)</text>
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            <elementText elementTextId="2818620">
              <text>Book of the Duchess&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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            <elementText elementTextId="2818622">
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                <text>The Sovereignty of Octovyen in the "Book of the Duchess."</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2818616">
                <text>Argues that BD draws on Welsh mythology for a number of its details including the king named Octavian, the hunt motif, and the "white castle on a rich hill." King Octavian is a "composite figure" with several onomastic resonances.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Carson, M. Angela.</text>
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        <element elementId="98">
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              <text>Chaucer Review 1.3 (1967): 157-60.</text>
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        <element elementId="100">
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            <elementText elementTextId="2818614">
              <text>1967</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2818607">
                <text>Easing of the "Hert" in the "Book of the Duchess."</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2818608">
                <text>Contrasts the "tone, circumstance and result" of the Ceyx and Alcyone story and the grief of the Black Knight in BD, suggesting that the contrasts in the heart/herte hunt emphasize the consolation of Chaucer's poem.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
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              <text>Bolton, W. F.</text>
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        <element elementId="98">
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              <text>Chaucer Review 1.4 (1967): 217-27.</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2818603">
              <text>Chaucer Review 01 (1967)</text>
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          <name>Chaucer Subject</name>
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              <text>Knight and His Tale&#13;
Style and Versification&#13;
Sources, Analogues, and Literary Relations</text>
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            <elementText elementTextId="2818606">
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2818599">
                <text>The Topic of the "Knight's Tale."</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2818600">
                <text>Argues that KnT is a heightened, courtly "particularization" of a fundamental aspect of the human condition: "the disorderly promptings of carnal love and their disastrous effects." Considers the imagery of the poem (Christian, Boethian, fire, and animal), various structural parallels of plot and character, and recurrent representations of the continuities of love and death, suggesting that the inseparability of the two underlies human affairs. Comments on Chaucer's adaptations of Boccaccio, the temple scenes, and the Knight as narrator.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
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        <element elementId="98">
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            <elementText elementTextId="2818594">
              <text>Chaucer Review 2.1 (1967): 1-7.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818595">
              <text>Chaucer Review 02 (1967)</text>
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          <name>Chaucer Subject</name>
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              <text>Troilus and Criseyde</text>
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            <elementText elementTextId="2818598">
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          <element elementId="50">
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              <elementText elementTextId="2818591">
                <text>The Ironic Design of Fortune in "Troilus and Criseide."</text>
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            <description>An account of the resource</description>
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                <text>Locates and assesses a prevailing irony in TC: the narrator and each of the major characters follows the "same pattern" of early knowledge of Fortune's instability, "followed by self-deception, and eventual submission to the facts." Love and truth only seem to delay Fortune in human affairs, although Chaucer celebrates the "unstable and attractive world."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Berger, Harry, Jr.</text>
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              <text>Chaucer Review 1.2 (1966): 88-102 and 1.3 (1967): 135-56.</text>
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Chaucer Review 01 (1967)</text>
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              <text>Squire and His Tale&#13;
Franklin and His Tale&#13;
Knight and His Tale</text>
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              <text>mea; 3/18/218</text>
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              <text>1967&#13;
1966</text>
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                <text>The F-Fragment of the "Canterbury Tales": Parts I and II.</text>
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              <elementText elementTextId="2818584">
                <text>Interprets SqT and FranT as "expressions of their tellers," with the latter being an "instructive modification" of the "Squire's attitude toward life." Contrasts the uses of rhetorical devices in SqT and KnT in order to show the Squire's youthful, narcissistic failure to control his material and his own attraction to romance, magic, and fantasy. The Franklin is similarly attracted, but wisely controls himself and his rhetoric, indicating his awareness of the "social context of narration" and the need to engage his audience responsibly.</text>
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              <text>Baltzell, Jane.</text>
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              <text>Pacific Coast Philology 2 (1967): 32-39.</text>
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              <text>Style and Versification&#13;
Prioress and Her Tale</text>
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                <text>Rhetorical "Amplification" and "Abbreviation" and the Structure of Medieval Narrative.</text>
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                <text>Describes structural devices found in the medieval "artes poeticae," for example, those in treatises by Matthew of Vendome, Geoffrey of Vinsauf, and John of Garland, illustrating them with various literary works, including works by Chaucer. Discusses at greatest length the uses of amplification and abbreviation in PrT.</text>
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              <text>Somerville, Elizabeth S.</text>
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        <element elementId="98">
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              <text>Dissertation Abstracts International 28.08 (1968): 3158-59A.</text>
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              <text>Dissertation Abstracts International 28 (1968).</text>
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              <text>mea; 3/15/2018</text>
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            <elementText elementTextId="2818574">
              <text>1968</text>
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              <elementText elementTextId="2818567">
                <text>The Application of an Ontological Perspective to the Literary Interpretation of Works Drawn from Several Periods.</text>
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                <text>Illustrates how literary works "can be read existentially from the point of view of the reader's ontological concern with them," discussing James Joyce's "Clay," William Blake's "The Little Black Boy," and WBPT. Reads WBT as a "reflection of the meaning of Alice's own experience in marriage" and "her transcendence of her Martian-Venerian nature."</text>
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              <name>Title</name>
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              <text>Mukerji, N.</text>
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        <element elementId="98">
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              <text>Folklore 9 (1968): 75-85.</text>
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        <element elementId="100">
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            <elementText elementTextId="2818563">
              <text>Folklore 09 (1968)</text>
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        <element elementId="102">
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              <text>Franklin and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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              <text>mea; 3/15/2018</text>
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        <element elementId="114">
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              <text>1968</text>
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            <name>Title</name>
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                <text>Chaucer's Franklin's and the Tale of Madanasena of Vetalapachisi.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2818560">
                <text>Compares FranT with the tenth tale (Madassena and Her Rash Promise) of the "Vetalapachisi," identifying common motifs (rash promise, promise to return, and noble theft) and differences in frame, characterization, and setting. Observes relations with Boccaccio's "Filocolo."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Morrow, Patrick.</text>
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        <element elementId="98">
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              <text>Bucknell Review 16.3 (1968): 74-90.</text>
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          <name>Journal by Volume Number</name>
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              <text>Bucknell Review 16 (1968)</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2818556">
              <text>Clerk and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="114">
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            <elementText elementTextId="2818558">
              <text>1968</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2818551">
                <text>The Ambivalence of Truth: Chaucer's "Clerkes Tale."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2818552">
                <text>Explores the combination of religion and secularity in ClT, discussing its fusion of ideals and practical realities as Chaucer's means to increase the ambivalences of his sources. The tension between the Clerk's moralization of the Tale and its action increases the ambivalence, as does the Envoi, perhaps a result of the Clerk's own disturbed awareness of the "discrepancy between the ideal and real worlds" and maybe the reason he is on pilgrimage.</text>
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  <item itemId="273630" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Ingham, Muriel Brierley.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2818546">
              <text>Dissertation Abstracts International 68.10 (1968): 4132-33A.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818547">
              <text>Dissertation Abstracts International 68 (1968)</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2818548">
              <text>Background and General Criticism&#13;
Troilus and Criseyde&#13;
Canterbury Tales--General</text>
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              <text>mea; 3/15/2018</text>
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        <element elementId="114">
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          <description/>
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            <elementText elementTextId="2818550">
              <text>1968</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2818543">
                <text>Some Fifteenth-Century Images of Death and Their Background.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2818544">
                <text>Identifies and analyzes the motifs and imagery of death in England in the fourteenth century to the sixteenth, including discussion of the relatively positive depictions of death in TC and CT.</text>
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  <item itemId="273629" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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              <text>Heyworth, P. L., ed.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2818538">
              <text>Oxford: Oxford University Press, 1968.</text>
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          <name>Physical Description</name>
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          <elementTextContainer>
            <elementText elementTextId="2818539">
              <text>xii, 176 pp.</text>
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            <elementText elementTextId="2818540">
              <text>Chaucerian Apocrypha</text>
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        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2818541">
              <text>mea; 3/15/2018</text>
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        <element elementId="114">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818542">
              <text>1968</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2818535">
                <text>Jack Upland, Friar Daw's Reply, and Upland's Rejoinder.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2818536">
                <text>Edits "Jack Upland" (wrongly attributed to Chaucer from the 16th century to the 18th), along with "Friar Daw's Reply" and "Upland's Rejoinder," with full critical apparatus.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818529">
              <text>Delasanta, Rodney K.</text>
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        <element elementId="98">
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            <elementText elementTextId="2818530">
              <text>Tennessee Studies in Literature 13 (1968): 117-32.</text>
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            <elementText elementTextId="2818531">
              <text>Tennessee Studies in Literature 13 (1968)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2818532">
              <text>Nun's Priest and His Tale&#13;
Monk and His Tale&#13;
Prioress and Her Tale</text>
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        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
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              <text>mea; 3/15/2018</text>
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            <elementText elementTextId="2818534">
              <text>1968</text>
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          <element elementId="50">
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              <elementText elementTextId="2818527">
                <text>"Namoore of this": Chaucer's Priest and Monk.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2818528">
                <text>Reads NPT as the teller's attack on the "anti-monastic" Monk (as well as the "indifferent" Prioress), contrasting the "sacerdotal demeanor" of the two clerics and arguing that the NPT is opposed to MkT in both theme and technique, focusing on their depictions of Fortune and the Priest's mockery of the Monk's tragedies.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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              <text>Curtis, Penelope.</text>
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        <element elementId="98">
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            <elementText elementTextId="2818522">
              <text>Critical Review (Melbourne) 11 (1968): 15-31.</text>
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            <elementText elementTextId="2818523">
              <text>Critical Review 11 (1968): 15-31.</text>
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              <text>Pardoner and His Tale&#13;
Parson and His Tale</text>
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        <element elementId="109">
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          <elementTextContainer>
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              <text>mea; 3/15/2018</text>
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        <element elementId="114">
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          <description/>
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            <elementText elementTextId="2818526">
              <text>1968</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2818519">
                <text>The Pardoner's "Jape."</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Explores the differences between PardP and PardT--differences in genre, atmosphere, and temporal dimension--arguing that they are part of the Pardoner's efforts to manipulate his audience. Contrasts the self-interested, time-bound play of the Pardoner with the earnest, transcendent rhetoric of ParsPT and with the presiding present-tense game of the Canterbury fiction which is evident in the Host's words to the Pardoner before and after his performance.</text>
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  <item itemId="273626" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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              <text>Cunningham, J. V.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2818514">
              <text>Shenandoah 19.2 (1968): 38-41.</text>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2818515">
              <text>Shenandoah 19 (1968)</text>
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        <element elementId="102">
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            <elementText elementTextId="2818516">
              <text>Clerk and His Tale</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2818517">
              <text>mea; 3/15/2018</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818518">
              <text>1968</text>
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          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2818511">
                <text>Ideal Fiction: "The Clerk's Tale."</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2818512">
                <text>Defines ClT as an example of "Ideal Fiction," generally unpalatable to modern taste, identifying the presence of a manipulator in the plot (Walter), the narrative "distance" achieved through its combination of "ordinariness" and fantasy, the extremeness of the action, its "ideality of invention," and the flatness of the characters.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2818505">
              <text>Cameron, Allen Barry.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2818506">
              <text>Studies in Short Fiction 5.2 (1968): 119-27.</text>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2818507">
              <text>Studies in Short Fiction 05 (1968)</text>
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        <element elementId="102">
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              <text>Knight and His Tale</text>
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            <elementText elementTextId="2818509">
              <text>mea; 3/15/2018</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2818510">
              <text>1968</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2818503">
                <text>The Heroine in "The Knight's Tale."</text>
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            <description>An account of the resource</description>
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                <text>Assesses the "artistic function" of Emily in KnT, focusing on her place in the theme of order. As the poem moves from chaos to order, she symbolizes "psychological and cosmic order" and serves as an "exemplar of Fortune." As "natural woman," she also is the "object" of courtly love and a "member of society."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2818496">
              <text>Brennan, John Patrick, Jr.</text>
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            <elementText elementTextId="2818498">
              <text>Dissertation Abstracts International 28 (1968)</text>
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          <name>Chaucer Subject</name>
          <description/>
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              <text>Sources, Analogues, and Literary Relations&#13;
Wife of Bath and Her Tale&#13;
Franklin and His Tale</text>
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          </elementTextContainer>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2818500">
              <text>mea; 3/15/2018</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818501">
              <text>1968</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818502">
              <text>Dissertation Abstracts International 28.11 (1968): 4622-23A.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2818494">
                <text>The Chaucerian Text of Jerome "Adversus Jovinianum": An Edition Based on Pembrock College, Cambridge, MS 234.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2818495">
                <text>Describes the influence of Jerome's "Adversus Jovinianum" on Chaucer, especially in FranT and WBP, and explains why the Pembrock MS 234, edited here, is "closer to Chaucer's source manuscript than any of the other" forty-two manuscripts considered for this study.</text>
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