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              <text>Wood, Chauncey</text>
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              <text>Traditio 23 (1967): 149-90.</text>
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              <text>Traditio 23 (1967)</text>
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              <text>Man of Law and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; 3/19/2018</text>
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              <text>1967</text>
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                <text>Chaucer's Man of Law as Interpreter.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Reads MLT as a satire on its narrator whose volatile comments on the action of the poem contrast sharply with Constance's own patient acceptance, and characterize him as "anti-Boethian, anti-humanistic, [and] anti-religious," a man interested in "temporal satisfaction." He is a poor literary critic who misinterprets the works of Innocent III and Bernard Silvestris, and he misunderstands the "astrological situation" in the poem. Comparison of MLT with Trevet's version indicates that Chaucer's lawyer does not distinguish between romance and hagiography or between Providence and destiny.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Wilson, William S.</text>
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              <text>Chaucer Review 1.3 (1967): 181-84.</text>
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              <text>Chaucer Review 01 (1967)</text>
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              <text>House of Fame</text>
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              <text>mea; 3/19/2018</text>
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        <element elementId="114">
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                <text>Scholastic Logic in Chaucer's "House of Fame."</text>
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                <text>Suggests that the three books of HF reflect the three medieval "linguistic arts," or trivium, focusing on how book 3 reflects the techniques of logic or dialectic, depicting the pros and cons of fame and "refining it into a philosophic idea." The inconclusiveness of the poem indicates the insufficiency of the trivium.</text>
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              <text>Wilhelm, James J.</text>
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              <text>Chaucer Review 1.4 (1967): 201-06.</text>
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        <element elementId="100">
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              <text>Chaucer Review 01 (1967)</text>
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              <text>Parliament of Fowls&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; 3/19/2018</text>
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              <text>1967</text>
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                <text>The Narrator and His Narrative in Chaucer's "Parlement."</text>
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                <text>Comments on the tripartite structure of PF, its shifting tone and three styles (religious/philosophical, romantic, realistic), the sad plight of the narrator who is left without love, and the predominance of Nature, the poem's "heroine" who fails to offer fulfillment. Identifies parallels between PF and the "Pervigilium Veneris."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Strohm, Paul.</text>
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        <element elementId="98">
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              <text>Chaucer Review 2.1 (1967): 32-42.</text>
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              <text>Chaucer Review 02 (1967)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2818868">
              <text>Tale of Melibee&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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              <text>mea; 3/19/2018</text>
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              <text>1967</text>
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            <name>Title</name>
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              <elementText elementTextId="2818863">
                <text>The Allegory of the "Tale of Melibee."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2818864">
                <text>Reads Mel as a "moral allegory," identifying where (in relative degrees) Chaucer and his sources encourage peaceable Christian humility and reliance upon on God's aid rather than self-assertive militancy in resisting the world, the flesh, and the devil.. Chaucer's use of the name "Sophie" indicates his interest in this emphasis, and heightens it. </text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Strange, William C.</text>
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        <element elementId="98">
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            <elementText elementTextId="2818858">
              <text>Chaucer Review 1.3 (1967): 167-80.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818859">
              <text>Chaucer Review 01 (1967)</text>
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          <name>Chaucer Subject</name>
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              <text>Monk and His Tale&#13;
Sources, Analogues, and Literary Relations&#13;
Nun's Priest and His Tale</text>
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              <text>mea; 3/19/2018</text>
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        <element elementId="114">
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              <text>1967</text>
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            <name>Title</name>
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              <elementText elementTextId="2818855">
                <text>The "Monk's Tale": A Generous View.</text>
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                <text>Explores MkT as a revelation of its narrator, positing a structural arrangement among the individual tragedies and their various depictions of Fortune and interpreting this arrangement as a reflection of the Monk's character and psychology: he modifies traditional accounts and "suppresses evidence of [the] culpability" of his protagonists, indicating his own presumption and "bad conscience." Identifies echoes between MkT and NPT.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Smyser, H. M.</text>
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              <text>Speculum 42 (1967): 68-83.</text>
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            <elementText elementTextId="2818851">
              <text>Speculum 42 (1967)</text>
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          <name>Chaucer Subject</name>
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              <text>Language and Word Studies&#13;
Style and Versification</text>
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              <text>mea; 3/19/2018</text>
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              <text>1967</text>
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                <text>Chaucer's Use of "Gin" and "Do."</text>
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            <description>An account of the resource</description>
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                <text>Studies Chaucer's uses of "gan" and "do" with infinitive forms, tracing the history of the usage in English and providing statistics about Chaucer's uses and their relative chronologies. In Chaucer's works, "gan" is generally periphrastic and used for purposes of rhyme and meter; "do," on the other hand, is meaningful, often involving causation, although also used prosodically as well. </text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Scott, Kathleen L. </text>
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            <elementText elementTextId="2818842">
              <text>Review of English Studies 18 (1967): 287-90.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818843">
              <text>Review of English Studies 18 (1967)</text>
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            <elementText elementTextId="2818844">
              <text>Miller and His Tale</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>mea; 3/19/2018</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818846">
              <text>1967</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2818839">
                <text>Sow-and-Bagpipe Imagery in the Miller's Portrait.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2818840">
                <text>Identifies several medieval visual images of a sow playing bagpipes and suggests that the iconography underlies the reference to bagpipes and the two references to a female pig in the GP description of the Miller, helping to characterize him as coarse and over-indulgent. </text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2818833">
              <text>Robbins, Rossell Hope.</text>
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        <element elementId="98">
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              <text>Chaucer Review 2.2 (1967): 135-137.</text>
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          <elementTextContainer>
            <elementText elementTextId="2818835">
              <text>Chaucer Review 02 (1967)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2818836">
              <text>Chaucer's Influence and Later Allusion</text>
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        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2818837">
              <text>mea; 3/19/2018</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818838">
              <text>1967</text>
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              <elementText elementTextId="2818831">
                <text>A Late-Sixteenth-Century Chaucer Allusion (Douce MS. 290).</text>
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          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2818832">
                <text>Identifies and transcribes an extended praise of Chaucer as a "pierles poet" (cast as a description of his burial site) found in Oxford, Bodleian Library, Douce MS 290 (90 (Bodl. SC 21864).</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
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              <text>Presson, Robert K.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2818826">
              <text>Studies in English Literature, 1500-1900 7 (1967): 239-56.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2818827">
              <text>Studies in English Literature, 1500-1900 07 (1967)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2818828">
              <text>Chaucer's Influence and Later Allusion&#13;
Parliament of Fowls</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2818829">
              <text>mea; 3/19/2018</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818830">
              <text>1967</text>
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          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2818823">
                <text>Two Types of Dreams in the Elizabethan Drama: Somnium Animale and the Prick-of-Conscience.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2818824">
                <text>Inculdes comments on the "somnium animale" in classical and medieval literature, particularly Chaucer's dream poetry. Explores the possibility that the dream in PF influenced Mercutio's dream of Mab in Shakespeare's "Romeo and Juliet."</text>
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          </element>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Peck. Russell A.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>Chaucer Review 1.4 (1967): 253-71.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2818819">
              <text>Chaucer Review 01 (1967)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2818820">
              <text>Franklin and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2818821">
              <text>mea; 3/19/2018</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818822">
              <text>1967</text>
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          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2818815">
                <text>Sovereignty and the Two Worlds of the "Franklin's Tale."</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2818816">
                <text>Suggests that FranT is an exposé of "bourgeois sentimentality," and argues that its "central theme" is the "difficulty of perceiving truth in a world of illusions." Self-deceived, the Franklin mistakes his own desires for reality. He projects a false sense of gentility and, in his Tale, distorts the proper ideal of sovereignty in marriage. The characters of FranT are similarly self-deceived, and "allusions to the Creator and his creation" highlight their illusions and failure to understand proper hierarchical order. Contrasts FranT with Boccaccio's "Filocolo," considering the "regenerative" potential of its seasonal imagery triggered by Dorigen's confrontation with reality.</text>
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  <item itemId="273663" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
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              <text>Peck, Russell A.</text>
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        <element elementId="98">
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              <text>Annuale Mediaevale 8 (1967): 17-37.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818811">
              <text>Annuale Mediaevale 08 (1967)</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2818812">
              <text>Second Nun and Her Tale&#13;
Canon's Yeoman and His Tale&#13;
Language and Word Studies</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2818813">
              <text>mea; 3/19/2018</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818814">
              <text>1967</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2818807">
                <text>The Ideas of  "Entente" and Translation in Chaucer's "Second Nun's Tale."</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2818808">
                <text>Explores the imagery, action, and word-plays of SNPT to show that they are "concerned with the interplay" between the dark, mundane world and the bright heavenly one. In their "werk," both the Second Nun and Cecilia help others to achieve "their full 'entente' and to be translated" from this world to the next, the latter a world that Almachius fails to perceive. The paired themes anticipate CYPT and are fittingly located near the end of CT.</text>
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  </item>
  <item itemId="273662" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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    <itemType itemTypeId="24">
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818801">
              <text>Overbeck, Pat Trefzger.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818802">
              <text>Chaucer Review 2.2 (1967): 75-94.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818803">
              <text>Chaucer Review 02 (1967)</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818804">
              <text>Legend of Good Women&#13;
Sources, Analogues, and Literary Relations&#13;
Wife of Bath and Her Tale</text>
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          </elementTextContainer>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2818805">
              <text>mea; 3/19/2018</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818806">
              <text>1967</text>
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          </elementTextContainer>
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      </elementContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2818799">
                <text>Chaucer's Good Woman.</text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2818800">
                <text>Explores the female protagonists of the legends in LGW and Chaucer's adaptations of his sources in these legends to sketch Chaucer's "psychograph of the Good Woman," emphasizing rejection of authority and active pursuit of love and sex, "a human being who is free and willing to choose between alternative courses of action."  In these respects and others, the women of LGW anticipate the Wife of Bath.</text>
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  <item itemId="273661" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
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      </elementSetContainer>
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      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818793">
              <text>Olmert, K, Michael.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818794">
              <text>Annuale Mediaevale 8 (1967): 70-94.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818795">
              <text>Annuale Mediaevale 08 (1967)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818796">
              <text>Canon's Yeoman and His Tale&#13;
Second Nun and Her Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818797">
              <text>mea; 3/19/2018</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818798">
              <text>1967</text>
            </elementText>
          </elementTextContainer>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2818791">
                <text>"The Canon Yeoman's Tale": An Interpretation.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2818792">
                <text>Considers CYPT to be "highly moralistic," a poem that addresses the "nature and the consequences of man's transgression against the will of God." Signaled by juxtaposition with SNPT and appropriate to placement near the end of CT, CYPT is anagogical, concerned with damnation and salvation; the Canon symbolizes Satan; alchemy, the antithesis of grace.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
  </item>
  <item itemId="273660" public="1" featured="0">
    <collection collectionId="8">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2818785">
              <text>Nichols, Robert E., Jr.</text>
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        <element elementId="98">
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          <description/>
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              <text>PMLA 82 (1967): 498-504.</text>
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        <element elementId="100">
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          <description/>
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            <elementText elementTextId="2818787">
              <text>PMLA 82 (1967)</text>
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          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2818788">
              <text>Pardoner and His Tale</text>
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          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2818789">
              <text>mea; 3/19/2018</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2818790">
              <text>1967</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2818783">
                <text>The Pardoner's Ale and Cake.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2818784">
                <text>Argues that the reference to ale and cake in PardP (6.321-22) is a "device operating on three levels": 1) creating cohesion in PardPT; 2) introducing the theme of gluttony; and 3) reinforcing the irony of the portrait of the Pardoner through a Eucharist motif.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818777">
              <text>MacDonald, Donald.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2818778">
              <text>Texas Studies in Literature and Language 8 (1967): 451-61.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818779">
              <text>Texas Studies in Literature and Language 08 (1967)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2818780">
              <text>Chaucer's Influence and Later Allusion&#13;
Nun's Priest and His Tale</text>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2818781">
              <text>mea; 3/19/2018</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2818782">
              <text>1967</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2818775">
                <text>Henryson and Chaucer: Cock and Fox. </text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2818776">
                <text>Shows that NPT was the "principal source" for Henryson's "Tale of the Cock and Fox," listing and discussing eight shared features that are found in "no other extant version of the fable."</text>
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          </element>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818769">
              <text>Lewis, Robert Enzer.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818770">
              <text>Studies in Philology 64 (1967): 1-16.</text>
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          </elementTextContainer>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818771">
              <text>Studies in Philology 64 (1967)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2818772">
              <text>Man of Law and His Tale&#13;
Manuscripts and Textual Studies&#13;
Sources, Analogues, and Literary Relations</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2818773">
              <text>mea; 3/19/2018 </text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818774">
              <text>1967</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2818767">
                <text>Glosses to "The Man of Law's Tale" from Pope Innocent III's "De Miseria Humane Conditionis."</text>
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          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2825638">
                <text>Argues that the glosses from Pope Innocent III's "De Miseria" in manuscripts of MLT "were written either by Chaucer from his own manuscript of the 'De Miseria' or by a scribe copying from that same manuscript, either under Chaucer's supervision or shortly after his death," The glosses were probably introduced by Chaucer himelf.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2818761">
              <text>Levy, Bernard S.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2818762">
              <text>Studies in Short Fiction 4.2 (1967): 112-18.</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818763">
              <text>Studies in Short Fiction 04 (1967)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2818764">
              <text>Shipman and His Tale</text>
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          <name>Source</name>
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            <elementText elementTextId="2818765">
              <text>me; 3/19/2018</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818766">
              <text>1967</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2818759">
                <text>The Quaint World of "The Shipman's Tale."</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2818760">
                <text>Describes the "ironic reversal" of the roles of the husband and the monk in ShT, exploring the equation of sex and commerce in the Tale, and the wife's use of them both. The Tale presents commercialization of sex and a sexualization of commerce.</text>
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  <item itemId="273656" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818753">
              <text>Kirby, Thomas A.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2818754">
              <text>Chaucer Review 1.3 (1967): 186-99.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818755">
              <text>Chaucer Review 01 (1967)</text>
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          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2818756">
              <text>Bibliographies, Reports, and Reference</text>
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        </element>
        <element elementId="109">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818757">
              <text>mea; 3/19/2018</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818758">
              <text>1967</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2818751">
                <text>Chaucer Research, 1966. Report No. 27.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2818752">
                <text>Tallies books and articles pertaining to Chaucer--ones in progress, completed, and/or published in 1966.</text>
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  <item itemId="273655" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818745">
              <text>Hussey, Maurice.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818746">
              <text>Cambridge: Cambridge University Press, 1967.</text>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818747">
              <text>172 pp. b&amp;w maps and illus.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818748">
              <text>Background and General Criticism&#13;
General Prologue to the Canterbury Tales</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818749">
              <text>mea; 3/19/2018</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818750">
              <text>1967</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2818743">
                <text>Chaucer's World: A Pictorial Companion.</text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2818744">
                <text>Compiles more than 100 maps and images that illustrate the Chaucer's world and the imagery therein, arranged loosely around the GP descriptions of Chaucer's pilgrims, with additional topics. The accompanying text includes appreciation of Chaucer's art and descriptions of various medieval buildings, manuscripts, and activities.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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          </elementContainer>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818737">
              <text>Hoffman, Richard L.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818738">
              <text>Chaucer Review 2.1 (1967): 20-31.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818739">
              <text>Chaucer Review 02 (1967)</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818740">
              <text>Physician and His Tale&#13;
Sources, Analogues, and Literary Relations&#13;
Franklin and His Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818741">
              <text>mea; 3/19/2018</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818742">
              <text>1967</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2818735">
                <text>Jephthah's Daughter and Chaucer's Virginia.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2818736">
                <text>Analyzes Chaucer's use and adaptation of the allusion to Jephthah and his daughter in PhyT, arguing that it helps to explain why the Physician's study is "but litel on the Bible" (GP 438), why Chaucer placed PhyT after FranT in the order of the CT (a matter of vows), why Chaucer assigned this tale to the Physician at all, and, finally, how the allusion thematically enriches the Tale.</text>
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              <text>Grennen, Joseph E.</text>
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              <text>House of Fame&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Interprets the eagle's descent on the narrator in HF in light of medieval medical theory, contending that it is "actually an apoplectic seizure in 'visionary' form--a 'stroke'." Also, the eagle's oration on sound evinces Chaucer's familiarity with late-medieval "scientific reading," in particular Walter Burley's commentary of Aristotelian physics.</text>
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              <text>Gaylord, Alan T.</text>
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              <text>Canterbury Tales--General&#13;
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Shipman and His Tale&#13;
Prioress and Her Tale&#13;
Tale of Sir Thopas&#13;
Tale of Melibee&#13;
Monk and His Tale&#13;
Nun's Priest and His Tale&#13;
Romaunt of the Rose</text>
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                <text>Sentence and Solaas in Fragment VII of the "Canterbury Tales": Harry Bailly as Horseback Editor.</text>
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                <text>Concentrates on the links between the Tales in Part 7 of CT, arguing that this "Literature Group" is concerned primarily with the "art of storytelling," particularly the responsibilities of audience and author as dramatized in the directions and reactions of the Host to the Tales and their tellers. Includes sustained attention to Chaucer as artist and as tale-teller, the Host as "editor and judge," and the paired concerns of "sentence" and "solaas" established in GP and assessed in Rom.</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
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Franklin and His Tale&#13;
Tale of Melibee</text>
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                <text>Translates "Pamphilus" into modern English prose (lineated as verse) and describes its influence on late medieval literature, including discussion of Chaucer's references to it in Mel and FranT and its role as a secondary source of the first three books of TC.</text>
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Sources, Analogues, and Literary Relations&#13;
Style and Versification</text>
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                <text>Examines animal, costume, and color imagery in RvT to show that Chaucer adapted his source by increasing and specifying such imagery, lending moral dimension to the fabliau plot and offering an exemplary illustration of the "sins of pride, wrath and lust."</text>
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Friar and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>The Summoner's Prologue: An Iconographic Adjustment.</text>
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                <text>Traces the iconographical motif of "Maria Misericordia" as it developed from its early roots into the satire of friars found in SumP. Originally found in treatise by Caesarius of Heisterbach, the motif was adapted by Dominican and Franciscan friars and generalized in the "burgeoning institution of the lay confraternities." In using the motif, Chaucer capitalized on its associations with mercy, justice, anger, and penance, enriching thematically his satire of both the Friar and the Summoner.</text>
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