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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
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              <text>Blake, N. F.</text>
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        <element elementId="98">
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              <text>Leeds Studies in English 1 (1967): 19-36.</text>
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            <elementText elementTextId="2819092">
              <text>Leeds Studies in English 01 (1967)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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              <text>Facsimiles, Editions, and Translations&#13;
Chaucer's Influence and Later Allusion</text>
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              <text>mea; 4/10/2018</text>
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              <text>1967</text>
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                <text>Caxton and Chaucer</text>
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            <description>An account of the resource</description>
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                <text>Gauges William Caxton's appreciation of Chaucer's literature by exploring why Caxton printed the works of Chaucer that he did, how he treated the texts, and to what extent his decisions reflect his own tastes or those of patrons, poets, and the likes of Stefano Surigone. Concludes that Caxton's views are all "second-hand" (usually derived from Lydgate) and that he treated Chaucer's texts much as he did other works that he printed, evincing no special reverence.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819082">
              <text>Wimsatt, James I.</text>
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        <element elementId="98">
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              <text> Medium Aevum 36.3 (1967): 231-41.</text>
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              <text> Medium Aevum 36 (1967): 231-41.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2819085">
              <text>Book of the Duchess&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
          <name>Source</name>
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              <text>mea; 4/8/2018</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2819087">
              <text>1967</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2819080">
                <text>The Sources of Chaucer's "Seys and Alcyone."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Focusing on the exemplum of Ceyx and Alcyone in BD, illustrates Chaucer's "early use of multiple sources in close alternating sequence," discussing source relations with Machaut, Froissart, Virgil, Ovid, Statius, the "Ovide Moralise," and the "Roman de la Rose." Also comments on the date of Chaucer's composition.</text>
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              <text>Wimsatt, James I.</text>
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        <element elementId="98">
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              <text>Journal of English and Germanic Philology 66 (1967): 26-44.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2819076">
              <text>Journal of English and Germanic Philology 66 (1967)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2819077">
              <text>Book of the Duchess&#13;
Sources, Analogues, and Literary Relations&#13;
Style and Versification</text>
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        <element elementId="109">
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              <text>mea; 4/8/2018</text>
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        <element elementId="114">
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            <elementText elementTextId="2819079">
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              <elementText elementTextId="2819072">
                <text>The Apotheosis of Blanche in "The Book of the Duchess."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2819073">
                <text>Argues that in BD Chaucer "heavily inlays the Black Knight's long description of his lady with imagery of the Blessed Virgin" and "that the effect produced by such imagery is an apotheosis not inconsonant with the traditional apotheosis of the English elegiac lament." Considers the rhetorical features of Chaucer's description of Blanche in light of its sources and analogues.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2819066">
              <text>Rea, John A.</text>
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        <element elementId="98">
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            <elementText elementTextId="2819067">
              <text>Philological Quarterly 46 (1967): 128-30.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819068">
              <text>Philological Quarterly 46 (1967)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2819069">
              <text>General Prologue to the Canterbury Tales&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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            <elementText elementTextId="2819070">
              <text>mea; 4/8/2018</text>
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            <elementText elementTextId="2819071">
              <text>1967</text>
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              <elementText elementTextId="2819064">
                <text>An Old French Analogue to General Prologue 1-18.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2819065">
                <text>Offers the "tempting hypothesis" that Adenet le Roi's "Berte aud Grans Pies" is a source of the "coincidence of . . . three motifs" in GP ("pilgrimage, spring, framing device"); also observes several "interesting verbal similarities" between the two.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Owen, Charles A., Jr.</text>
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        <element elementId="98">
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            <elementText elementTextId="2819059">
              <text>Philological Quarterly 46 (1967): 433-56.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819060">
              <text>Philological Quarterly 46 (1967)</text>
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        <element elementId="102">
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            <elementText elementTextId="2819061">
              <text>Complaint of Mars&#13;
Knight and His Tale&#13;
Troilus and Criseyde&#13;
Canterbury Tales--Genera</text>
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              <text>MEA; 4/8/2018</text>
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              <text>1967</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2819056">
                <text>The Problem of Free Will in Chaucer's Narratives.</text>
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                <text>Explores free will in Mars, KnT, TC, and CT, focusing on the relative balance of astrological determinism and character complexity. The "compulsions of astrology" in Mars are lessened in KnT, replaced by the "searching" for examples of providence in human affairs. In TC the narrator insists on historicity but shows Troilus and Criseyde in decision-making processes that convey their "independence" from cosmic and authorial control. In the drama of CT, "nothing external, neither God nor the poet, compels the characters to will what they do." Instead, "whatever they will has meaning."</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819050">
              <text>Hoffman, Richard L.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2819051">
              <text>American Notes and Queries 5.6 (1967): 83-84.</text>
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        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819052">
              <text>American Notes and Queries 05 (1967)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2819053">
              <text>Physician and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; 4/8/2018</text>
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            <elementText elementTextId="2819055">
              <text>1967</text>
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          <element elementId="50">
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              <elementText elementTextId="2819048">
                <text>Pygmalion in the "Physician's Tale."</text>
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                <text>Interprets the allusion to Pygmalion in PhyT (6.7-18) as an indication of Apius's "concupiscence," drawing on  depictions of Pygmalion in Ovid's "Metamorphoses" and Jean de Meun's "Roman de la Rose."</text>
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            <elementText elementTextId="2819042">
              <text>Greenfield, Stanley B.</text>
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            <elementText elementTextId="2819043">
              <text>Medium Aevum 36.2 (1967): 141-51.</text>
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          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2819044">
              <text>Medium Aevum 36 (1967)</text>
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              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations&#13;
Treatise on the Astrolabe&#13;
Style and Versification</text>
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              <text>mea; 4/8/2018</text>
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            <elementText elementTextId="2819047">
              <text>1967</text>
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                <text>The Role of Calkas in "Troilus and Criseyde."</text>
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              <elementText elementTextId="2819041">
                <text>Compares and contrasts the characterizations of Calkas in the Troy stories of Guido, Benoit, Boccaccio, and Chaucer, arguing that in TC he is depicted so as to ridicule "astrology-prophetism" even while contributing to the poem's "atmosphere of destinal determinism." Comments on the style of Calkas's speaking in TC, on the "condemnation of judicial astrology" in Astr, and on Calkas's role as "a thematic and structural counterpoint" to Troilus.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Garbaty, Thomas Jay.</text>
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              <text>Philological Quarterly 46 (1967): 457-70.</text>
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              <text>Philological Quarterly 46 (1967)</text>
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              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; 4/8/2018</text>
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                <text>The "Pamphilus" Tradition in Ruiz and Chaucer.</text>
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            <description>An account of the resource</description>
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                <text>Explores parallels of plot and detail found in "Pamphilus de Amore" (or "Pamphilus and Galatee"), "aspects" of the "Roman de la Rose," "parts" of Juan Ruiz's "Libro de Buen Amor," and the first three books of TC, demonstrating that the "'Pamphilus' group" should be included among the "specific sources" of Chaucer's poem.</text>
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              <text>Dean, Nancy.</text>
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              <text>Comparative Literature 19 (1967): 1-27.</text>
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            <elementText elementTextId="2819028">
              <text>Comparative Literature 19 (1967)</text>
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              <text>Book of the Duchess&#13;
Troilus and Criseyde&#13;
Complaint of Mars&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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              <text>mea; 4/8/2018</text>
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        <element elementId="114">
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            <elementText elementTextId="2819031">
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            <name>Title</name>
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                <text>Chaucer's "Complaint," a Genre Descended from the "Heroides."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2852048">
                <text>Surveys the status of the complaint as a formal genre in classical and in medieval French, Provencal, Italian, and English traditions as background to discussing Chaucer's uses of the genre in BD, TC, Mars, and elsewhere. Focuses on Chaucer's authenticating techniques, on the influence of Ovid's "Heroides" on his practices in Mars, and on the similarities and differences between complaint and other genres--the lay, the verse epistle, the "salut," etc.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
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              <text>Burlin, Robert B.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2819019">
              <text>Neophilologus 51 (1967): 55-73.</text>
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            <elementText elementTextId="2819020">
              <text>Neophilologus 51 (1967)</text>
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              <text>Franklin and His Tale&#13;
Sources, Analogues, and Literary Relations&#13;
Wife of Bath and Her Tale&#13;
Clerk and His Tale&#13;
Knight and His Tale</text>
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        <element elementId="114">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819023">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2819016">
                <text>The Art of Chaucer's Franklin.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2819017">
                <text>Describes the Franklin's grasping "imitation of noble ways" in FranPT and in his GP description. The genre and rhetoric of the Tale are outdated, absurd, and/or obtrusive, while its depictions of ideals of marriage, gentility, and patience are either excessive or hollow, indicating that there is "something foolish and misdirected" in the tale-teller and his Tale. Considers adaptations of material from St. Jerome and echoes from the tales of the Wife of Bath, Clerk, and Knight.</text>
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              <name>Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2819010">
              <text>Bishop, Ian.</text>
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              <text>Medium Aevum 36.1 (1967): 15-24.</text>
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        <element elementId="100">
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            <elementText elementTextId="2819012">
              <text>Medium Aevum 36 (1967)</text>
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            <elementText elementTextId="2819013">
              <text>Pardoner and His Tale&#13;
Prioress and Her Tale&#13;
Reeve and His Tale</text>
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              <text>mea; 4/8/2018</text>
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            <elementText elementTextId="2819015">
              <text>1967</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2819008">
                <text>The Narrative Art of the "Pardoner's Tale." </text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2819009">
                <text>Attributes the aesthetic success of the three-rioters account in PardT to Chaucer's suggestive "economy" of characterization and narrative and to the double perspective ("drunken fantasy" and "sober calculation") that irrevocably leads to death, which ironically could not be found when pursued. Includes comparisons with the narrative techniques of PrT and RvT.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Wentersdorf, Karl P.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2819003">
              <text>Modern Philology 64 (1967): 320-21.</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2819004">
              <text>Modern Philology 64 (1967)</text>
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            <elementText elementTextId="2819005">
              <text>Merchant and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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            <elementText elementTextId="2819006">
              <text>mea; 4/2/2018</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819007">
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          <element elementId="50">
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              <elementText elementTextId="2819000">
                <text>A Spanish Analogue of the Pear-Tree Episode in the "Merchant's Tale."</text>
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            <description>An account of the resource</description>
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                <text>Identifies an analogue to the pear-tree episode in MerT, a folktale entitled "Women Always Get Away With It," first published in Puerto Rico in 1915-16 but evidently part of oral tradition.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818993">
              <text>Thompson. Meredith.</text>
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              <text>Max F. Schulz, William D. Templeton, and Charles R. Metzger, eds. Essays in American and English Literature Presented to Bruce Robert McElderry, Jr. (Athens, Ohio: Ohio University Press, 1967), pp. 141-64.</text>
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              <text>Schulz, Max F., ed.&#13;
Templeton, William D., ed.&#13;
Metzger, Charles R., ed.</text>
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              <text>Essays in American and English Literature Presented to Bruce Robert McElderry, Jr.</text>
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              <text>Background and General Criticism</text>
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              <text>mea; 4/2/2018</text>
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            <elementText elementTextId="2818999">
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2818991">
                <text>Current and Recurrent Fallacies in Chaucer Criticism.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2818992">
                <text>Debunks tendencies in Chaucer criticism to read "too much into the text," identifying and exemplifying the "realistic fallacy," the "anachronistic fallacy," the "schematic fallacy," the "ideological fallacy," the "didactic fallacy," the "allegorical fallacy," the "christian-clerical fallacy," the "rationalistic" (or "assumptive") fallacy, the "intellectualizing fallacy," the "stylistic fallacy," and various combinations.</text>
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              <text>Rowland, Beryl.</text>
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              <text>American Notes and Queries 6.1 (1967): 3-5.</text>
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              <text>Book of the Duchess&#13;
Chaucer's Life&#13;
Language and Word Studies</text>
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              <text>mea; 4/2/2018</text>
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                <text>Chaucer as a Pawn in the Book of the Duchess.</text>
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                <text>Suggests that -- in light of details of Chaucer's career and of medieval chess-playing -- the significance of "fers" in BD 741 may be "threefold," referring to Blanche, to the chess piece, and to "Chaucer himself, the commoner promoted from pawn to 'fers'."</text>
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              <text>Robinson, Ian.</text>
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              <text>Critical Review (Melbourne) 10 (1967): 18-32.</text>
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              <text>Clerk and His Tale&#13;
Prioress and Her Tale&#13;
Man of Law and His Tale&#13;
Style and Versification</text>
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            <elementText elementTextId="2818982">
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              <elementText elementTextId="2818975">
                <text>Chaucer's Religious Tales.</text>
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                <text>Comments on the sentimental charm of PrT that conflicts with its narrator's "hatred of the Jews," and upon the combination of "touching sentiment" and "mechanical" rhetoric in MLT. Then considers the "poignant emotion" and pathos of ClT as they help to convey clearly and effectively the "Christian patience" that is the Clerk's "doctrine."</text>
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            <elementText elementTextId="2818969">
              <text>Robbie, May Grant</text>
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              <text>California English Journal 3.1 (1967): 47-54.</text>
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            <elementText elementTextId="2818971">
              <text>California English Journal 03 (1967)</text>
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              <text>Troilus and Criseyde</text>
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              <text>mea; 4/2/2018</text>
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            <elementText elementTextId="2818974">
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          <element elementId="50">
            <name>Title</name>
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                <text>Three-Faced Pandarus.</text>
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              <elementText elementTextId="2818968">
                <text>Argues that Pandarus is "honorable and well-intentioned in each of his three roles" in TC: traditional friend to Troilus, courtly friend to Troilus, and protective and loving kinsman to Criseyde. Chaucer's efforts to "knit together" these sometimes conflicting roles indicate his approval of Pandarus's motives and actions.</text>
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              <text>Owen, Nancy H.</text>
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        <element elementId="98">
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            <elementText elementTextId="2818962">
              <text>Journal of English and Germanic Philology 66 (1967): 541-49.</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2818963">
              <text>Journal of English and Germanic Philology 66 (1967)</text>
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              <text>Pardoner and His Tale</text>
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              <text>mea; 4/2/2018</text>
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            <elementText elementTextId="2818966">
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              <elementText elementTextId="2818959">
                <text>The Pardoner's Introduction, Prologue, and Tale: Sermon and "Fabliau."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2818960">
                <text>Discusses PardPT as a "dramatic monologue, in the form of a sermon," set within a "'fabliau' framework." Identifies the various parts of the sermon structure and explains similarities between the "framework" and Chaucer's other fabliaux, particularly the "victimization of an unworthy."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Isaacs, Neil D.</text>
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        <element elementId="98">
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              <text>American Notes and Queries 5.6 (1967): 85-86.</text>
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        <element elementId="100">
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            <elementText elementTextId="2818955">
              <text>American Notes and Queries 05 (1967)</text>
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              <text>Troilus and Criseyde&#13;
Language and Word Studies</text>
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              <text>mea; 4/2/2018</text>
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            <elementText elementTextId="2818958">
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              <elementText elementTextId="2818951">
                <text>"On six and sevene" ("Troilus" IV, 622).</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2818952">
                <text>Explores the ambiguities of betting terminology and suggests that Pardarus's use of such terminology in TC 4.622 means that he is urging Troilus generally to "take his chances."</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
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              <text>Hatton, Thomas J.</text>
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        <element elementId="98">
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            <elementText elementTextId="2818946">
              <text>Papers on Language and Literature 3 (1967): 179-81.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818947">
              <text>Papers on Language and Literature 03 (1967)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2818948">
              <text>Franklin and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; 4/2/2018</text>
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        <element elementId="114">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818950">
              <text>1967</text>
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              <elementText elementTextId="2818943">
                <text>Magic and Honor in "The Franklin's Tale."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2818944">
                <text>Contends that parallels between the "sacrifices" in FranT and two analogous ones found in Jean Froissart's "Chroniques" 2.137-38 encourage us to see the offer of the Franklin's magician to be illusory and worthless while Arveragus's offer of the "honor of his wife" is "very generous."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818937">
              <text>Robbins, Rossell Hope.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2818938">
              <text>Lock Haven Review 10 (1968): 3-6.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818939">
              <text>Lock Haven Review 10 (1968): 3-6.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2818940">
              <text>Merchant and His Tale&#13;
Language and Word Studies</text>
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              <text>mea; 4/2/2018</text>
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        <element elementId="114">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818942">
              <text>1968</text>
            </elementText>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2818935">
                <text>January's Caress.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2818936">
                <text>Explores Middle English examples of the word "wombe" to suggest that it may mean genitals as well as belly in MerT 4.2414.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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  <item itemId="273678" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818929">
              <text>Hargest-Gorzelak, Anna.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2818930">
              <text>Roczniki Humanistyczne 15.3 (1967): 91-102.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818931">
              <text>Roczniki Humanistyczne 15 (1967)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818932">
              <text>Knight and His Tale&#13;
Sources, Analogues, and Literary Relations&#13;
Style and Versification</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818933">
              <text>mea; 4/2/2018</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818934">
              <text>1967</text>
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          </elementTextContainer>
        </element>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2818927">
                <text>A Brief Comparison of the "Knight's Tale" and "Sir Gawain and the Green Knight."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2818928">
                <text>Comments on various aspects of KnT and "Sir Gawain and the Green Knight" (sources, dates, verse forms, etc.), discussing most extensively their uses of rhetorical devices. Finds KnT to be inferior because in it "form dictates to matter" and because the poem lacks the Gawain-poet's "organic use" of subtle characterzation and structural parallelisms. Focuses on details of the lists in KnT (1.1884ff.) and Gawain's view of Bercilak's castle.</text>
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            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
  </item>
  <item itemId="273677" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818921">
              <text>Harvey, R. W.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818922">
              <text>Wascana Review 2.1 (1967): 62-73.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818923">
              <text>Wascana Review 02 (1967)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818924">
              <text>Reeve and His Tale&#13;
Miller and His Tale</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818925">
              <text>mea; 4/2/2018</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818926">
              <text>1967</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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      <elementSet elementSetId="1">
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2818919">
                <text>The Reeve's Polemic.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2818920">
                <text>Explores the "really profound difference" between the Reeve and the Miller, commenting on the Miller's rich characterizations in MilT and the vitality and "kind of justice" that underlies the outcome of his Tale. RvT, conversely, is an unwholesome "polemic" with "sterile vengefulness" as its primary motive and a "lack of parity in crime and punishment" that reveals the bitterness Reeve who is "forever calculating," the "eternal accountant."</text>
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            </elementTextContainer>
          </element>
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    </elementSetContainer>
  </item>
  <item itemId="273676" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818913">
              <text>Curtis, Penelope.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818914">
              <text>Critical Review (Melbourne) 10 (1967): 33-45.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818915">
              <text>Critical Review 10 (1967)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818916">
              <text>Wife of Bath and Her Tale&#13;
Miller and His Tale&#13;
Pardoner and His Tale</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818917">
              <text>mea; 4/2/2018</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818918">
              <text>1967</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2818911">
                <text>Chaucer's Wyf of Bath.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2818912">
                <text>Reads WBPT (with attention to the GP description of the Wife) as a "crucial example" of the way Chaucer "sees the relation between deception and self-deception" and a "median" among the Canterbury pilgrims as a gauge of hypocrisy. Balanced between the robust comedy of the Miller and self-defeating vice of the Pardoner, the Wife perches between truth and deception, or "more precisely," between "disclosure . . . and concealment of her nature."</text>
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  <item itemId="273675" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818905">
              <text>Holland, Norman N.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818906">
              <text>College English 28 (1967): 279-90.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818907">
              <text>College English 28 (1967)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818908">
              <text>Wife of Bath and Her Tale</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818909">
              <text>mea; 3/31/2018</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818910">
              <text>1967</text>
            </elementText>
          </elementTextContainer>
        </element>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2818903">
                <text>Meaning as Transformation: The Wife of Bath's Tale.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2818904">
                <text>Reads WBT psychoanalytically, exploring its "sexual taboos," its phallic and vaginal significations, and the sexual fantasy that is "at the heart of the story." The tension between authority and submission in the Tale conveys meaning equally well for medieval and modern audiences because it is simultaneously mythic and psychoanalytic and because its theme of transformation engages the relation between the conscious and unconscious.</text>
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          </element>
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  <item itemId="273674" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818897">
              <text>Howard, Donald R.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818898">
              <text>Massachusetts Review 8 (1967): 442-56.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818899">
              <text>Massachusetts Review 08 (1967)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818900">
              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818901">
              <text>mea; 3/31/2018</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818902">
              <text>1967</text>
            </elementText>
          </elementTextContainer>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2818895">
                <text>Literature and Sexuality: Book III of Chaucer's "Troilus."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2818896">
                <text>Contrasts the climactic love scenes in Boccaccio's "Il Filostrato" and in TC, considering details, omissions, emphases, and narrative perspectives to argue that Chaucer makes the scene "emotionally, and indeed sexually, more intense" without being voyeuristic. Chaucer elicits and forestalls the "moral skepticism" of his audience. His treatment of sex has "extraordinary breadth" and "portrays intense physical intimacy in its noblest and most fulfilling form."</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
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