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              <text>Folch-Pi, Willa Babcock.</text>
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              <text>Notes and Queries 212 (1967): 10-11.</text>
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              <text>Notes and Queries 212 (1967)</text>
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              <text>Canon's Yeoman and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; 4/13/2018</text>
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              <text>1967</text>
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                <text>Ramon Llull's "Felix" and Chaucer's "Canon's Yeoman's Tale."</text>
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                <text>Translates a passage from Ramon Llull's thirteenth-century "De les Maravalles del Mon" (also known as "Felix" or "Livre de Meravalles") that has "marked similarities" with the account of the first deception in CYT.</text>
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              <text>Fleming, John.</text>
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              <text>Notes and Queries 212 (1967): 48-49.</text>
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              <text>Squire and His Tale&#13;
Romaunt of the Rose&#13;
Chaucer's Influence and Later Allusion&#13;
Sources, Analogues, and Literary Relations&#13;
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                <text>Chaucer's Squire, the "Roman de la Rose," and the "Romaunt."</text>
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                <text>Explores relations among details of the GP description of the Squire (CT 1.94-96), the "Roman de la Rose," and a passage from fragment B of the "Romaunt of the Rose," suggesting that Chaucer influenced the fragment and that the two passages derive from different texts of the "Roman de la Rose."</text>
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              <text>Boyd, Beverly.</text>
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              <text>Philadelphia: Dorrance, 1967.&#13;
vii, 88 pp.; 12 b&amp;w plates.&#13;
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              <text>vii, 88 pp.; 12 b&amp;w plates.&#13;
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              <text>Background and General Criticism&#13;
Sources, Analogues, and Literary Relations&#13;
Second Nun and Her Tale&#13;
Prioress and Her Tale&#13;
Legend of Good Women&#13;
Troilus and Criseyde</text>
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                <text>Chaucer and the Liturgy.</text>
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                <text>Explores the "predominant secularity" of Chaucer's "attitude" toward the liturgy in his various references to and uses of ecclesiastical calendars, legendaries (saints' lives, hagiographies, or lectionaries), sacramentals, breviaries, missals, primers, etc. Comments on various liturgical rites of medieval England (particularly the Use of Sarum), and describes a range of "liturgical materials" in Chaucer, with extended discussions of SNT, PrT, LGW as a legendary, references to saints in oaths in CT, the "crowned A" of TC 1.171, Chaucer's relationship with Lollard and Wycliffite concerns, etc. The volume includes an index.</text>
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              <text>Zucker, David H.</text>
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              <text>Thoth 8 (1967): 3-22.</text>
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              <text>Thoth 08 (1967)</text>
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              <text>House of Fame&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>The Detached and Judging Narrator in Chaucer's "House of Fame."</text>
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                <text>Investigates the combination of serious message (the nature of "love-in-the world") and comic method in HF, exploring Chaucer's shifts in narrative stance, his adaptations of Dante, his uses of irony, and the similarities between his methods and those used by Augustan poets, especially Alexander Pope in "The Rape of the Lock."</text>
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              <text>Wood, Chauncey.</text>
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              <text>English Language Notes 4.3 (1967): 166-72.</text>
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              <text>English Language Notes 04 (1967)</text>
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              <text>Clerk and His Tale&#13;
Parson and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Chaucer's Clerk and Chalcidius.</text>
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                <text>Traces the legacy of gladly learning and gladly teaching, from Plato's "Timaeus" in Chalcidius's translation through Jean de Meun's "Roman de la Rose" to the GP description of the Clerk (1.308), also noting the presence of the legacy in the description of the Parson (GP 1.528).</text>
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              <text>Ussery, Huling E.</text>
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        <element elementId="98">
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            <elementText elementTextId="2819269">
              <text>Tulane Studies in English 15 (1967): 1-18.</text>
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              <text>Tulane Studies in English 15 (1967)</text>
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              <text>Clerk and His Tale&#13;
Sources, Analogues, and Literary Relations&#13;
General Prologue to the Canterbury Tales</text>
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                <text>How Old is Chaucer's Clerk?</text>
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                <text>Argues that the Clerk is characterized as a "middle-aged scholar and professional logician," distinct among the other clerks of CT for his age (probably "more than thirty and less than fifty years of age") and wisdom, and unique in the GP as a representative of the medieval "intelligentsia." The character may have been inspired by the ideal of a clerk presented in Vincent of Beauvais's "De Eruditione Filiorum."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Stevens, Martin.</text>
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              <text>Leeds Studies in English 1 (1967): 1-5.</text>
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          <name>Journal by Volume Number</name>
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              <text>Leeds Studies in English 01 (1967)</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2819263">
              <text>Man of Law and His Tale&#13;
Reeve and His Tale&#13;
Cook and His Tale&#13;
Language and Word Studies</text>
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        <element elementId="109">
          <name>Source</name>
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              <text>mea; 4/12/2018</text>
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          <name>Date</name>
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          <elementTextContainer>
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              <text>1967</text>
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              <elementText elementTextId="2819258">
                <text>Malkyn in the Man of Law's Headlink.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2819259">
                <text>Argues that "Malkyn" in MLP (2.30) refers not to a generic "lewd woman" as suggested by W. W. Skeat but to the character Malyne in RvT, Symkyn's daughter, hypothesizing that Chaucer intended to cancel CkPT and follow RvT with MLPT.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
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            <elementText elementTextId="2819252">
              <text>Silvia, D. S.</text>
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        <element elementId="98">
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            <elementText elementTextId="2819253">
              <text>Revue des Langues Vivantes 33 (1967): 228-36.</text>
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          <elementTextContainer>
            <elementText elementTextId="2819254">
              <text>Revue des Langues Vivantes 33 (1967)</text>
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            <elementText elementTextId="2819255">
              <text>Language and Word Studies&#13;
Tale of Melibee&#13;
Nun's Priest and His Tale&#13;
Wife of Bath and Her Tale&#13;
Clerk and His Tale&#13;
Merchant and His Tale&#13;
Franklin and His Tale&#13;
&#13;
</text>
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          </elementTextContainer>
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              <text>mea; 4/12/2028</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2819257">
              <text>1967</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2819250">
                <text>Geoffrey Chaucer on the Subject of Men, Women, Marriage, and "Gentilesse."</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2819251">
                <text>Considers "gentilesse" (the "quality that makes human relationships most proper and ennobling") to be the main theme of the "Marriage Group" in CT, commenting on the virtue as it is presented in Mel, NPT, WBPT, ClT, MerT, and FranT, and exploring its relations with sovereignty in marriage.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819244">
              <text>Schweitzer, Edward C., Jr.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2819245">
              <text>English Language Notes 4.4 (1967): 247-50.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2819246">
              <text>English Language Notes 04 (1967)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2819247">
              <text>Pardoner and His Tale</text>
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          </elementTextContainer>
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        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2819248">
              <text>mea; 4/12/2018</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2819249">
              <text>1967</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2819242">
                <text>Chaucer's Pardoner and the Hare.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2819243">
                <text>Describes the commonplace "medieval notion of the hare's sexual peculiarities," locating it in several sources, and explicating its implications when applied to the Pardoner and his staring eyes in GP 1.684.</text>
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  <item itemId="273716" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              </elementTextContainer>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819236">
              <text>Sarno, Ronald A.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2819237">
              <text>.Classical Folia 21 (1967): 41-61.</text>
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          </elementTextContainer>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819238">
              <text>Classical Folia 21 (1967)</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819239">
              <text>Sources, Analogues, and Literary Relations&#13;
Style and Versification</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
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              <text>mea; 4/12/2018</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819241">
              <text>1967</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2819234">
                <text>Chaucer and the Satirical Tradition.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2819235">
                <text>Argues that Chaucer's "main contribution to English satire" is the "reunification" of "Horace's gentleness, Juvenal's verve, and St. Jerome's moral vision," augmented by his "facile use of the double-entendre" and "his own special combination of clever wit and humane understanding." Surveys classical satire, the complaint tradition, and satire in Gower and Langland.</text>
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    </elementSetContainer>
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  <item itemId="273715" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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          </elementContainer>
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      </elementSetContainer>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2819228">
              <text>Robbins, Rossell Hope.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2819229">
              <text>Trivium 2 (1967): 1-15.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819230">
              <text>Trivium 02 (1967)</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819231">
              <text>Monk and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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          </elementTextContainer>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2819232">
              <text>mea; 4/12/2018</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819233">
              <text>1967</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2819226">
                <text>A New Chaucer Analogue: The Legend of Ugolino.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2819227">
                <text>Presents a late-fifteenth-century analogue to Chaucer's account of Ugolino, titling it "The Legend of Ugolino," found in MS. 6 of the Corning Museum of Glass, Corning, New York. Comments on the relation of the "Legend" to Chaucer's version, particularly is techniques of expansion (from Chaucer's 56 lines to 266) and describes the language, style, and manuscript context of the poem, printed here for the first time.</text>
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  <item itemId="273714" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819220">
              <text>Pittock, Malcolm.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819221">
              <text>Essays in Criticism 17 (1967): 26-40.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819222">
              <text>Essays in Criticism 17 (1967)</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2819223">
              <text>Merchant and His Tale</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819224">
              <text>mea; 4/12/2018</text>
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        <element elementId="114">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819225">
              <text>1967</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2819218">
                <text>The Merchant's Tale.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2819219">
                <text>Reads MerT as a "striking example" of the "tension between the tale and its teller" insofar as the Merchant fails to understand the "true significance" of the Tale. His "moral perception has been disturbed by anger and by a ludicrous self-identification with January," evident in several ironic disjunctions in his account.</text>
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  <item itemId="273713" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819212">
              <text>Peck, Russell A.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819213">
              <text>English Studies 48 (1967): 205-15.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819214">
              <text>English Studies 48 (1967)</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2819215">
              <text>Parson and His Tale&#13;
Chaucer's Retraction</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2819216">
              <text>mea; 4/12/2018</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819217">
              <text>1967</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2819210">
                <text>Number Symbolism in the Prologue to Chaucer's "Parson's Tale."</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2819211">
                <text>Analyzes the symbolic import of the numbers used in lines 1-12 of ParsP (29, 4, 11, and 6), considering them in light of medieval number theory, time-telling, and the astrological sign of Libra. Together, the numbers "suggest the approaching spiritual climax of the pilgrimage" and anticipate the Ret, "fusing the identities of narrator and author."</text>
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              <text>Language and Word Studies&#13;
Troilus and Criseyde</text>
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                <text>A Mode of Word-Meaning in Chaucer's Language of Love.</text>
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                <text>Explores the semantic operation of words drawn from the language of courtly love, following J. R. Frith's theory of linguistic context and collocation, and discussing examples from TC.</text>
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              <text>Mediaeval Studies 29 (1967)</text>
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              <text>Nun's Priest and His Tale</text>
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              <text>mea; 4/12/2018</text>
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                <text>Chauntecleer's Paradise Lost and Regained.</text>
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                <text>Identifies patterns, details, images, and wording in NPT that direct the "reader's attention not only to basic biblical narrative of Adam and Eve, but also to the theological commentary on the Fall." The overall moral of the Tale is the universality of the fall and the "possibility for salvation also inherent in that fall."</text>
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              <text>Literature in Perspective.</text>
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              <text>Background and General Criticism</text>
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                <text>Chaucer.</text>
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                <text>Introduces to a non-scholarly audience Chaucer's life and works, cast against a background of social, scientific, and intellectual history, with frequent comparisons and contrasts with the modern world. Includes sections on Chaucer's Life, his Language and Verse, various contexts, and his reputation, as well ones dedicated to "Early Poems," TC, and CT.</text>
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              <text>Hartung, Albert E.</text>
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              <text>Mediaeval Studies 29 (1967): 1-25.</text>
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                <text>The Non-Comic "Merchant's Tale," Maximianus, and the Sources.</text>
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                <text>Evaluates MerT in light of its sources and analogues, including the "Miroir de Mariage," Boccaccio's "Ameto," and the "Elegies of Maximianus," the latter identified here as an analogue for the first time, with its presentation of "amorous senility that Chaucer would have known longest and most intimately." Focuses on the characterization of January and the pear tree episode, arguing that, although not bitterly satiric, MerT is "non-comic," a serious critique of human folly.</text>
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              <text>Delany, Sheila</text>
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              <text>Mediaeval Studies 29 (1967): 351-56.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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              <text>Mediaeval Studies 29 (1967)</text>
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              <text>Reeve and His Tale&#13;
Miller and Hi Tale&#13;
Language and Word Studies</text>
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            <elementText elementTextId="2819159">
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                <text>Clerks and Quiting in the "Reeve's Tale."</text>
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            <description>An account of the resource</description>
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                <text>Explores the "ambivalent status" of clerks in the Middle Ages and the significance of clerkly success in "quiting" (defeating, taking vengeance on) carpenters and millers in MilT and RvT. In the latter, Chaucer avoids "quiting" the Reeve and thereby "disassociates himself from a too-narrow definition of morality as mathematical retribution."</text>
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              <text>Lanham, Richard A.</text>
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        <element elementId="98">
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              <text>English Studies 48 (1967): 1-24.</text>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
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              <text>English Studies 48 (1967)</text>
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              <text>Background and General Criticism&#13;
Canterbury Tales--General&#13;
Troilus and Criseyde</text>
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              <text>mea; 4/10/2018</text>
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            <elementText elementTextId="2819151">
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                <text>Game, Play, and High Seriousness in Chaucer's Poetry.</text>
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                <text>Challenges Matthew Arnold's assertion that Chaucer's poetry lacks "high seriousness," considering the issue in light of game theory and Chaucer's attitude toward characterization. Because Chaucer's viewed character as performative role-playing (especially in CT and TC), he casts human life as a "series of overlapping games," blurring the "boundary" between literature and life, and complicating the static view of humanity that underlies Arnold's notions of tragedy and epic.</text>
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              <text>Howard, Ronnalie Roper.</text>
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            <elementText elementTextId="2819139">
              <text>Ball State University Forum 8.3 (1967): 40-44.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2819140">
              <text>Ball State University Forum 08 (1967)</text>
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            <elementText elementTextId="2819141">
              <text>Franklin and His Tale</text>
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              <text>mea; 4/10/2018</text>
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              <text>1967</text>
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                <text>Appearance, Reality, and the Ideal in Chaucer's "Franklin's Tale."</text>
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                <text>Argues that each of the major characters in FranT falls "short of an ideal standard," and that, although the Franklin "recognizes excellence," his Tale expresses an "amused recognition of human inability to live up to ideal standards."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Hoffman, Richard L.</text>
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              <text>English Language Notes 4.3 (1967): 172-75.</text>
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              <text>English Language Notes 04 (1967)</text>
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              <text>Knight and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Two Notes on Chaucer's Arcite.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2819129">
                <text>Explicates the allusion to Joshua 9.21 in KnT 1.1422, and hypothesizes that KnT 1.2415-17 may allude to Samson.</text>
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              <text>Hartung, Albert E.</text>
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              <text>English Language Notes 4.3 (1967): 175-80.</text>
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              <text>English Language Notes 04 (1967)</text>
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              <text>Summoner and His Tale&#13;
Language and Word Studies&#13;
Manuscripts and Textual Studies</text>
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              <text>mea; 4/10/2018</text>
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              <text>1967</text>
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              <elementText elementTextId="2819120">
                <text>Two Notes on the Summoner's Tale: Hosts and Swans.</text>
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            <description>An account of the resource</description>
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                <text>Reads "hostes man" in SumT 3.1755 as referring to the "servant of the innkeeper at whose inn the two friars are staying," and adduces paleographical evidence for retaining unemended "swan" as a suggestive detail in SumT 3.1930.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Garbaty, Thomas Jay</text>
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        <element elementId="98">
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              <text>English Language Notes 5.2 (1967): 81-87.</text>
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              <text>English Language Notes 05 (1967)</text>
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              <text>Chaucer's Life&#13;
Monk and His Tale</text>
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              <text>mea; 4/8/2018</text>
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          <name>Date</name>
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            <elementText elementTextId="2819119">
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2819112">
                <text>Chaucer in Spain, 1366: Soldier of Fortune or Agent of the Crown?</text>
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            <description>An account of the resource</description>
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                <text>Argues that Chaucer's role in Spain in 1366 was as a "confidential messenger" of the Black Prince, adducing historical and biographical evidence as well as the attitude expressed about Pedro of Spain in MkT 7.2375ff.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2819106">
              <text>Davis, Norman.</text>
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              <text>Leeds Studies in English 1 (1967): 7-17.</text>
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          <name>Journal by Volume Number</name>
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              <text>Leeds Studies in English 01 (1967)</text>
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              <text>Language and Word Studies&#13;
Chaucer's Influence and Later Allusion</text>
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            <name>Title</name>
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              <elementText elementTextId="2819104">
                <text>Style and Stereotype in Early English Letters.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2819105">
                <text>Demonstrates the "conventional and unspontaneous elements in the language" of early English letter-writing, citing examples from the Paston letters, Cely letters, Stonor letters, etc., and discussing how phrasing reflects earlier literary usage, particularly Chaucer's.</text>
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              <text>Clogan, Paul M.</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
Complaint unto Pity&#13;
Book of the Duchess&#13;
Complaint of Mars&#13;
House of Fame&#13;
Anellida and Arcite&#13;
Troilus and Crriseyde&#13;
Knight and His Tale</text>
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              <elementText elementTextId="2819096">
                <text>Chaucer's Use of the "Thebaid."</text>
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            <description>An account of the resource</description>
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                <text>Explores the "artistic impact" of Statius's "Thebaid" on Chaucer, particularly the influence of Statius's style and his "portrayal of the ideals of Theban antiquity," tracing Chaucer's allusions to and uses of the epic in Pity, BD, Mars, HF, Anel, TC, and KnT. Comments on the date of composition of HF.</text>
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