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              <text>Huber, Joan Raphael.</text>
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              <text>Canterbury Tales--General&#13;
ABC&#13;
Complaint of Chaucer to His Purse&#13;
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                <text>Chaucer's Concept of Death in "The Canterbury Tales."</text>
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                <text>Explores the attitudes toward death depicted in ABC, Purse, HF, and Bo, and studies CT for evidence of what Chaucer's own opinion of death may have been.</text>
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              <text>Dissertation Abstracts International 28 (1967)</text>
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Sources, Analogues, and Literary Relations</text>
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                <text>The "Canterbury Tales" and "Il Decamerone."</text>
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                <text>Adduces evidence of the influence of Boccaccio's "Decameron" on CT by collecting all available indications of similarity--instances of borrowing and less specific parallel details.</text>
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              <text>Dissertation Abstracts International 27.10 (1967): 3426-27A.</text>
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              <text>Dissertation Abstracts International 27.10 (1967): 3426-27A.</text>
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              <text>Chaucer's Influence and Later Allusion</text>
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                <text>The Minor Poems of Stephen Hawes.</text>
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                <text>Edits the minor poem of Stephen Hawes, with notes that include recurrent comments on the influence of Chaucer and Lydgate.</text>
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              <text>Crampton, Georgia Ronan.</text>
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              <text>Dissertation Abstracts International 28.06 (1967): 2205A.</text>
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          <name>Journal by Volume Number</name>
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              <text>Dissertation Abstracts International 28.06 (1967): 2205A.</text>
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              <text>Knight and His Tale&#13;
Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>The Protagonist as Sufferer: A Critical Inquiry into a Topos in Chaucer and Spenser.</text>
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                <text>Traces the topos of the sufferer as protagonist in classical, Christian, and late Latin sources and explores it "as an element" in KnT, TC, and Edmund Spenser's "Faerie Queene," arguing that Chaucer tends to emphasize "the value of acceptant suffering" while Spenser is more concerned with the "value of action." Considers the imagery of suffering as well as suffering as  psychological state.</text>
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              <text>Chamberlain, David Stanley.</text>
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              <text>Dissertation Abstracts International 27.11 (1967): 3834A.</text>
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              <text>Dissertation Abstracts International 27 (1967)</text>
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              <text>Background and General Criticism</text>
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              <text>mea; 7/3/2018</text>
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                <text>Music in Chaucer: His Knowledge and Use of Medieval Ideas About Music (Volumes I and II).</text>
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                <text>Explores the impact and significance of music in Chaucer's works in light of three traditions: philosophic, Scriptural, and poetic, concluding that "Chaucer's music is far more meaningful and amusing than critics have thought," and the "major imagery" of his work, consistently identifying or vivifying "the moral nature and humor of persons, settings, and themes."</text>
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              <text>Dissertation Abstracts International 28.02 (1967): 619A.</text>
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              <text>Dissertation Abstracts International 28 (1967)</text>
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              <text>Book of the Duchess&#13;
Parliament of Fowls</text>
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                <text>Chaucer's Narrative Pose: The Formative Phase.</text>
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                <text>Studies Chaucer's narrative personae in BD and PF, identifying several traits that become "regular marks" of his later self-characterizations: a bookish reteller who interjects personal comments, "comic self-depreciation," and ambiguous "fascination" with love but without personal involvement.</text>
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              <text>Bettridge, William Edwin.</text>
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              <text>Ph.D. Dissertation. Ohio State University, 1967.Dissertation Abstracts International 27.09 (1967): 3005A. Fully accessible via https://etd.ohiolink.edu/acprod/odb_etd/etd/r/1501/10?clear=10&amp;p10_accession_num=osu1486725362005711 (accessed April 21, 2026).</text>
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              <text>Dissertation Abstracts International 27 (1967)</text>
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              <text>Clerk and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>Wood, H. Harvey.</text>
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              <text>Writers and Their Work, no. 201.</text>
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              <text>Chaucer's Influence and :Later Allusion</text>
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                <text>Two Scots Chaucerians: Robert Henryson, William Dunbar.</text>
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                <text>Describes the lives and works of Robert Henryson and William Dunbar, with recurrent attention to their borrowings from Chaucer and their similarities to and differences from the earlier poet. Includes a select bibliography (pp. 45-48).</text>
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              <text>Edition Peters.</text>
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                <text>Four Fragments from the "Canterbury Tales" by Geoffrey Chaucer (c. 1340-1400): High Voice and Flute, Clarinet, Harpsichord (Piano).</text>
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                <text>Four-part musical score for selections (in Middle English) from GP, 1-42, the GP descriptions of the Knight and the Squire, and WBP 3.1-34. The introductory materials include comments on expression, tone, and pronunciation, with Trimble's remark that "utter accuracy in pronunciation" need not be achieved. WorldCat records indicate that the score was first printed in 1958 (in facsimile), and that sound recordings were published in 2001 and 2017.</text>
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              <text>Pei, Mario.</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>The Story of English.</text>
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          <element elementId="41">
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                <text>A revised version of the 1952 publication, with largely revamped discussions of the "Geography of English" and "The American Language," with the latter standing alone in a new section. This revised edition expands the list of works consulted, the index, and the list of words and expressions discussed, but essentially follows the format and details of the original, with its divisions into The Past, The Present, and The Future. "The Chaucerian Era" (pp. 44-51; 52-59 in the original) emphasixes Chaucer's "modernistic tendencies," i.e., his innovations in a period of rapid change.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2819434">
              <text>Haselwood, Dave, trans.</text>
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            <elementText elementTextId="2819435">
              <text>San Francisco: Grabborn-Hoyem, 1967.</text>
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              <text>[48 pp]; illus. initials.</text>
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              <text>ABC&#13;
Facsimiles, Editions, and Translations</text>
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              <text>mea; 6/24/2018</text>
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                <text>Geoffrey Chaucer's "A. B. C.": Called "La "Priere de Nostre Dame."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2819433">
                <text>An art-book version of ABC, limited to 1000 copies, with facing-page Middle English text taken from the Kelmscott Chaucer and verse translation into Modern English by Dave Haselwood. The font of the Middle English text derives from "lettre batarde" and the illustrated initials from fifteenth-century publications from Ulm, Germany, "probably the work" of woodcutter and printer, Johan Zainer.</text>
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            <elementText elementTextId="2819425">
              <text>Russell, John, and Ashley Brown, eds.</text>
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            <elementText elementTextId="2819426">
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            <elementText elementTextId="2819427">
              <text>xxxiv, 420 pp.</text>
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              <text>Brown, Ashley, ed.&#13;
Coghill, Nevill, trans.</text>
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            <elementText elementTextId="2819429">
              <text>Friar and His Tale&#13;
Summoner and His Tale&#13;
Facsimiles, Editions, and Translations</text>
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            <elementText elementTextId="2819431">
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          <element elementId="50">
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                <text>Satire: A Critical Anthology.</text>
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              <elementText elementTextId="2819424">
                <text>Anthologizes samples of satire from classical to modern literature, arranged by genre (Prose and Drama, Verse, Epigrams), including modernizations (by Nevill Coghill) of FrPT and SumP under Verse. The Foreward (pp. xv-xxxiv) describes the "ingredients," development, and "moods" of satire, and the Introduction to Verse (pp. 271-79) clarifies Chaucer's place in the tradition.</text>
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            <elementText elementTextId="2819417">
              <text>Nichols, Stephen G., Jr., ed.</text>
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            <elementText elementTextId="2819418">
              <text>New York: Appleton-Century-Croft, 1967.</text>
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Sources, Analogues, and Literary Relations</text>
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              <elementText elementTextId="2819415">
                <text>Le Roman de la Rose: Guillaume de Lorris.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2819416">
                <text>An edition of Guillaume de Lorris's portion of "Le Roman de la Rose," with glosses and an Introduction (pp.1-12) in modern French. Includes as an Appendix fragment A (lines 1-1705) of Rom, with glosses and an Introduction (pp.149-51) in modern English, commenting on Chaucer's translation and its importance.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2819408">
              <text>Miner, Earl.</text>
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            <elementText elementTextId="2819409">
              <text>Howard Anderson, ed. Studies in Criticism and Aesthetics: Essays in Honor of Samuel Holt Monk (Minneapolis: University of Minnesota Press, 1967), pp. 58-72.</text>
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              <text>Anderson, Howard, ed.</text>
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            <elementText elementTextId="2819411">
              <text>Studies in Criticism and Aesthetics: Essays in Honor of Samuel Holt Monk.</text>
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            <elementText elementTextId="2819412">
              <text>Chaucer's Influence and Later Allusion&#13;
Facsimiles, Editions, and Translations&#13;
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              <text>mea; 5/152018</text>
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          <elementTextContainer>
            <elementText elementTextId="2819414">
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                <text>Chaucer in Dryden's "Fables."</text>
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              <elementText elementTextId="2819407">
                <text>Assesses "Dryden's conception of Chaucer," his poems, and the "purpose guiding" the changes he made while modernizing WBT, KnT, NPT, and the apocryphal "Flower and the Leaf." Also discusses Dryden's "Character of the Good Parson" and "Hind and the Panther" and gauges the "unexpected" degree of change he made to Chaucer's works in light of eighteenth-century attitudes and reception of Chaucer.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Hieatt, Constance B.</text>
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        <element elementId="98">
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              <text>The Hague: Mouton &amp; Co., 1967.</text>
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            <elementText elementTextId="2819401">
              <text>117 pp.</text>
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        <element elementId="104">
          <name>Series</name>
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          <elementTextContainer>
            <elementText elementTextId="2819402">
              <text>De Proprietatibus Literarum,</text>
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            <elementText elementTextId="2819403">
              <text>Book of the Duchess&#13;
House of Fame&#13;
Parliament of Fowls&#13;
Legend of Good Women&#13;
Troilus and Criseyde&#13;
Canterbury Tales--General</text>
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              <text>mea; 5/15/2018</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819405">
              <text>1967</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2819397">
                <text>The Realism of Dream Visions: The Poetic Exploitation of the Dream Experience in Chaucer and His Contemporaries.</text>
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          <element elementId="41">
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              <elementText elementTextId="2819398">
                <text>Explores the nature and function of dream vision in late-medieval English literature, focusing on BD, HF, PF, LGWP, "Pearl" and "Piers Plowman," and commenting on other works. Considers this poetry in light of post-Freudian psychology as well as medieval philosophy, symbolism, and allegory, and emphasizes the unifying function of "dream-work" through association and transformation. Compares BD and "Pearl" as "realistic" dream elegies and examines how Chaucer's other dream poems use the "universal human experience" of dream as a structural device. Also comments on dreams in TC and CT.</text>
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            <elementText elementTextId="2819390">
              <text>Elbow, Peter.</text>
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            <elementText elementTextId="2819391">
              <text>Damon, Phillip, foreward. Literary Criticism and Historical Understanding: Selected Papers from the English Institute (New York: Columbia University Press, 1967), pp. 85-107.</text>
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        <element elementId="112">
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            <elementText elementTextId="2819392">
              <text>Damon, Phillip, foreward.</text>
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        <element elementId="108">
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          <elementTextContainer>
            <elementText elementTextId="2819393">
              <text>Literary Criticism and Historical Understanding: Selected Papers from the English Institute.</text>
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        <element elementId="102">
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            <elementText elementTextId="2819394">
              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations</text>
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          </elementTextContainer>
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              <text>mea; 5/15/2018</text>
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          <elementTextContainer>
            <elementText elementTextId="2819396">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2819388">
                <text>Two Boethian Speeches in "Troilus and Criseyde" and Chaucerian Irony.</text>
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          <element elementId="41">
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            <elementTextContainer>
              <elementText elementTextId="2819389">
                <text>Examines Troilus's two speeches on the "problem of free will and determinism" in TC (4.958-1082 and 3.813-40), observing complex irony whereby readers are led to agree with a perspective, then disagree, and then agree again. Chaucer "affirms both positions and denies nothing."</text>
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  <item itemId="273734" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2819382">
              <text>Coghill, Nevill.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2819383">
              <text>Oxford: Oxford University Press, 1967.</text>
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        <element elementId="99">
          <name>Physical Description</name>
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            <elementText elementTextId="2819384">
              <text>xi, 145 pp.&#13;
</text>
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        <element elementId="102">
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            <elementText elementTextId="2819385">
              <text>Background and General Criticism</text>
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        <element elementId="109">
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            <elementText elementTextId="2819386">
              <text>mea; 5/15/2018</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819387">
              <text>1968</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2819380">
                <text>The Poet Chaucer. 2nd ed.</text>
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            </elementTextContainer>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2819381">
                <text>Reprints the 1949 edition, with few minor changes and an added "Selected Reading List" (pp. 137-39.)</text>
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          </element>
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  <item itemId="273733" public="1" featured="0">
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              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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        <element elementId="110">
          <name>Author / Editor</name>
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            <elementText elementTextId="2819374">
              <text>Casieri, Sabino.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2819375">
              <text>Studi e Ricerche di Letteratura Inglese e Americana 1 (1967): 7-19.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2819376">
              <text>Studi e Ricerche di Letteratura Inglese e Americana 01 (1967)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2819377">
              <text>Parliament of Fowls&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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              <text>mea; 5/15/2018</text>
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          <elementTextContainer>
            <elementText elementTextId="2819379">
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          <element elementId="50">
            <name>Title</name>
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            <elementTextContainer>
              <elementText elementTextId="2819372">
                <text>Observazioni su "The Parlement of Foules."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2819373">
                <text>Considers the theme of common profit in PF and Chaucer's treatment of source material, drawing examples from his uses of Dante and Boccaccio to evince that Chaucer is never an "arido tradittore" (dry translator) but an original poet.</text>
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  <item itemId="273732" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819365">
              <text>Muscatine, Charles.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2819366">
              <text>Urban T. Holmes, ed. Romance Studies in Memory of Edward Billings Ham (Hayward: [California State College], 1967), pp. 109-14.</text>
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        <element elementId="112">
          <name>Contributor</name>
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            <elementText elementTextId="2819367">
              <text>Holmes, Urban T., ed.</text>
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          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2819368">
              <text>Romance Studies in Memory of Edward Billings Ham.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2819369">
              <text>Wife of Bath and Her Tale&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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              <text>mea; 5/13/2018</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2819371">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Wife of Bath and Gautier's "La Veuve."</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2819364">
                <text>Argues that Gautier Le Leu's "La Veuve" is a source--perhaps an oral source--of the WBP as a dramatic monologue; considers garrulousness, imagery, details of character and background, and marital violence </text>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2819356">
              <text>Hinton, Norman.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819357">
              <text>Donald E. Hayden, ed. His Firm Estate: Essays in Honor of Franklin James Eikenberry (Tulsa Okla.: University of Tulsa, 1967), pp. 72-78.</text>
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              <text>Hayden, Donald E., ed.</text>
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          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2819359">
              <text> His Firm Estate: Essays in Honor of Franklin James Eikenberry.</text>
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            <elementText elementTextId="2819360">
              <text>Book of the Duchess</text>
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        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2819361">
              <text>mea; 5/13/2018</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819362">
              <text>1967</text>
            </elementText>
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          <element elementId="50">
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              <elementText elementTextId="2819354">
                <text>The Black Death and the Book of the Duchess.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2819355">
                <text>Argues that the Plague, or Black Death, "stands behind" BD, helping to "give it a shape and a meaning," describing late-medieval attitudes toward death and fortune as described in commentaries on plague.</text>
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            <elementText elementTextId="2819348">
              <text>Lehnert, Martin.</text>
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          <elementTextContainer>
            <elementText elementTextId="2819349">
              <text>Shakespeare Jahrbuch 103 (1967): 7-39.</text>
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          <description/>
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            <elementText elementTextId="2819351">
              <text>Language and Word Studies&#13;
Style and Versification&#13;
Chaucer's Influence and Later Allusion</text>
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        </element>
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          <elementTextContainer>
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              <text>mea; 4/16/2018</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819353">
              <text>1967</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2819346">
                <text>Shakespeare und Chaucer.</text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2819347">
                <text>Records various early modern reactions to Chaucer, particularly his language and style, and explores similarities between Shakespeare and Chaucer, focusing on their stylistic range, and their attitudes toward social class, education, and human virtue. In German.</text>
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            </elementTextContainer>
          </element>
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  <item itemId="273729" public="1" featured="0">
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          <elementContainer>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819340">
              <text>Jordan, Robert M.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2819341">
              <text>Cambridge, Mass.: Harvard University Press, 1967.</text>
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        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819342">
              <text>xvi, 257 pp.; 3 b&amp;w figs.</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819343">
              <text>Background and General Criticism&#13;
Troilus and Criseyde&#13;
Canterbury Tales--General&#13;
Merchant and His Tale&#13;
Knight and His Tale&#13;
Miller and His Tale&#13;
Clerk and His Tale&#13;
Wife of Bath and Her Tale&#13;
Parson and His Tale</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819344">
              <text>mea; 4/16/2018</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819345">
              <text>1967</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2819338">
                <text>Chaucer and the Shape of Creation: The Aesthetic Possibilities of Inorganic Structure.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2819339">
                <text>Describes the "aesthetic implications" of the medieval world view, rooted in Plato's "Timaeus" and based on notions of quantity, ordered hierarchy, and analogy rather than "organic" unity. Developed by Boethius, Macrobius, and Augustine, this view and attendant principles of art and beauty found expression in Gothic cathedrals and works by Dante, Christian humanists, and Chaucer. Structured vertically like a cathedral, TC depends upon "rational gradation" that moves in leaps between "absolutely separated levels of illusion, reality, and suprareality." CT presents multiple forms, irregularities, and disruptions that are best understood in light of Gothic aesthetic principles, evident in the narrative frame (non-dramatic), MerT (multiple forms), KnT (hierarchy), MilT (juxtaposition), ClT (discontinuity), WBP (inconsistency), and ParsT ("additive collocation").</text>
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  </item>
  <item itemId="273728" public="1" featured="0">
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          <elementContainer>
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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            </element>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819332">
              <text>Silvia, D. S.</text>
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          </elementTextContainer>
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        <element elementId="98">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819333">
              <text>Notes and Queries 212 (1967): 8-10.</text>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2819334">
              <text>Notes and Queries 212 (1967)</text>
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        <element elementId="102">
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        <element elementId="109">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819336">
              <text>meal 4/13/2018</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819337">
              <text>1967</text>
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          <element elementId="50">
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                <text>The Wife of Bath's Marital State.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2819331">
                <text>Argues that details in WBP indicate that Jankyn, the Wife of Bath's fifth husband, is alive at the time of the Canterbury pilgrimage, even though the Wife is already "seeking for a replacement for him."</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2819324">
              <text>Sanders, Barry.</text>
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          <elementTextContainer>
            <elementText elementTextId="2819325">
              <text>Notes and Queries 212 (1967): 325.</text>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
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              <text>Notes and Queries 212 (1967)</text>
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            <elementText elementTextId="2819327">
              <text>Language and Word Studies&#13;
Canon's Yeoman and His Tale</text>
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        <element elementId="109">
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          <description/>
          <elementTextContainer>
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              <text>mea; 4/13/2018</text>
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        <element elementId="114">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819329">
              <text>1967</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2819322">
                <text>"Point": "Canon's Yeoman's Tale" 927.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2819323">
                <text>Corrects a line number in the citation of CYT in the "OED" definition of "point," and comments on Chaucer's punning use of the term.</text>
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          </element>
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  <item itemId="273726" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819316">
              <text>Pearcy, Roy J.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819317">
              <text>Notes and Queries 212 (1967): 322-25.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
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              <text>Notes and Queries 212 (1967)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2819319">
              <text>Language and Word Studies&#13;
Summoner and His Tale&#13;
Chaucer's Life</text>
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          </elementTextContainer>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819320">
              <text>mea; 4/13/2018</text>
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        <element elementId="114">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819321">
              <text>1967</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2819314">
                <text>Chaucer's "An Impossible" ("Summoner's Tale" III,2231).</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2819315">
                <text>Explains the use of "impossible" as a noun in SumT 3.2231, discussing the term as a label for classroom examples of logical sophistry and commenting on Chaucer's familiarity with such academic practice.</text>
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            </elementTextContainer>
          </element>
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