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              <text>Stanbury, Sarah.</text>
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              <text>Chaucer on Screen: Absence, Presence, and Adapting the "Canterbury Tales" (Columbus: Ohio State University Press, 2016), pp. 196-207.</text>
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              <text>Chaucer on Screen.</text>
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              <text>Recordings and Films&#13;
Wife of Bath and Her Tale&#13;
Chaucer's Influence and Later Allusion</text>
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              <text>SAC 40:24</text>
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                <text>Midlife Sex and the BBC "Wife of Bath." </text>
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            <description>An account of the resource</description>
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                <text>Examines ageism and Chaucerian echoes in the BBC television adaptation of WBPT, commenting on the lack of concern with age in feminist studies, attitudes towards "cougardom" in the TV episode, and affiliations between middle age and the Middle Ages in a distinctly Chaucerian scene from the episode.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Shuffelton, George.</text>
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              <text>Kathleen Coyne Kelly and Tison Pugh, eds. Chaucer on Screen: Absence, Presence, and Adapting the "Canterbury Tales" (Columbus: Ohio State University Press, 2016), pp. 149-66.</text>
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Canterbury Tales--General</text>
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              <text>SAC 40:23</text>
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        <element elementId="114">
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              <text>Chaucer on Screen.</text>
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                <text>"Sorry, Chaucer": Mixed Feelings and Hyapatia Lee's "Ribald Tales of Canterbury."</text>
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                <text>Assesses Hyapatia Lee's "Ribald Tales of Canterbury" as "quasi-medieval erotica" and a conventional example of pornography from the "golden age" of porn films (1970s and early 1980s). Then discusses evidence from the film and from an autobiography that Lee, as screenwriter and star, sought to assert "feminine displacement of Chaucer's male authority."</text>
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              <text>Scanlon, Larry.</text>
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              <text>Kathleen Coyne Kelly and Tison Pugh, eds. Chaucer on Screen: Absence, Presence, and Adapting the "Canterbury Tales" (Columbus: Ohio State University Press, 2016), pp. 45-55.</text>
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            <elementText elementTextId="2821044">
              <text>Chaucer on Screen.</text>
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          <name>Chaucer Subject</name>
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              <text>Recordings and Films&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2821047">
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            <name>Title</name>
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                <text>Chaucer, Film, and the Desert of the Real; or, Why Geoffrey Chaucer Will Never Be Jane Austen.</text>
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            <description>An account of the resource</description>
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                <text>Suggests that modernity's insistence on a repressive break with the past helps to explain the paucity of screen adaptations of Chaucer's works, commenting on similarities between Chaucer's desert in HF and the "desert of the [R]eal" of Jean Baudrillard and Slavoj Žižek, and comparing Chaucer's narrative techniques (particularly in the Monk's description in GP, I.183–88) with Jean Austen's free indirect discourse and the cinematic technique of "shot/reverse shot."</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Scala, Elizabeth.</text>
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              <text>Chaucer on Screen: Absence, Presence, and Adapting the "Canterbury Tales" (Columbus: Ohio State University Press, 2016), pp. 19-32.</text>
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        <element elementId="108">
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            <elementText elementTextId="2821036">
              <text>Chaucer on Screen.</text>
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          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2821037">
              <text>Recordings and Films&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>SAC 40:21</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2821039">
              <text>2016</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2821032">
                <text>Naked yet Invisible: Filming Chaucer's Narrator.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2821033">
                <text>Assesses how Brian Helgeland's "A Knight's Tale" and John Madden's "Shakespeare in Love" "tell us more than they realize": that Chaucer always stands separate from his fiction and, conversely, that Shakespeare's "theatrical life" enables us to "easily draw connections between him and his characters." This difference helps to explain why there are so few screen adaptations of Chaucer's works.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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              <text>Pugh, Tison.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2821027">
              <text>Kathleen Coyne Kelly and Tison Pugh, eds. Chaucer on Screen: Absence, Presence, and Adapting the "Canterbury Tales" (Columbus: Ohio State University Press, 2016), pp. 111-29.</text>
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        <element elementId="108">
          <name>Alternative Title</name>
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            <elementText elementTextId="2821028">
              <text>Chaucer on Screen.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
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              <text>Recordings and Films&#13;
Chaucer's Influence and Later Allusion&#13;
Canterbury Tales--General</text>
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              <text>SAC 40:20</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2821031">
              <text>2016</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2821024">
                <text>Chaucerian History and Cinematic Perversions in Michael Powell and Emeric Pressburger's "A Canterbury Tale."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2821025">
                <text>Analyzes the "experiential vision of the past" depicted in Powell and Pressburger's movie "A Canterbury Tale," exploring the "spectral inspiration" of Chaucer, the film's propaganda value, its "metacinematic" ironies, and its "perversions" of the film medium alongside the perversions of the Glue Man who assaults women in the plot. Ultimately, the movie exposes the "false binary of perversion and sanctity," particularly as linked to attitudes toward the past.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2821019">
              <text>New York: Films Media Group, 2011. Originally produced by the BBC; available through Films on Demand.</text>
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        <element elementId="99">
          <name>Physical Description</name>
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              <text>Videorecording; streaming video. Color; 30 min. </text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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              <text>Recordings and Films&#13;
Background and General Criticism&#13;
Facsimiles, Editions, and Translations</text>
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            <elementText elementTextId="2821022">
              <text>SAC 40:19</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2821023">
              <text>2011</text>
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                <text>Medieval Masterpieces.</text>
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            <description>An account of the resource</description>
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                <text>Features the beauty and importance of the Luttrell Psalter and Caxton's second edition of CT, with commentary on book production and the sociohistorical importance of the featured texts. Four sections pertain to Chaucer: "Commercial Printing" (2:30), "Caxton's 2nd Edition" (3:42), "Chaucer's Approach" (3:04), and "Chaucer's Satire" (2:59), each with scholarly commentary. </text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Lynch, Kathryn L.</text>
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              <text>Chaucer on Screen.</text>
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              <text>Recordings and Films&#13;
Canterbury Tales--General&#13;
Reeve and His Tale&#13;
Summoner and His Tale&#13;
Merchant and His Tale</text>
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                <text>Idols of the Marketplace: Chaucer/Pasolini.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2821010">
                <text>Interprets Pier Paolo Pasolini's "I racconti di Canterbury" as a "profound" engagement with CT, analyzing four instances of adaptation that reflect subtle appreciation and understanding of Chaucer's themes and techniques: a latrine scene at the beginning of Pasolini's version of RvT, the gesture used to drive away the cat in his SumT, the "self-reflexiveness" of his casting himself as Chaucer, and his "use of voice" in MerT and placement of it as the first of his tales.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Kelly, Kathleen Coyne.</text>
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              <text>Kathleen Coyne Kelly and Tison Pugh, eds. Chaucer on Screen: Absence, Presence, and Adapting the "Canterbury Tales" (Columbus: Ohio State University Press, 2016), pp. 218-29</text>
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            <elementText elementTextId="2821006">
              <text>Recordings and Films&#13;
Shipman and His Tale</text>
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            <name>Title</name>
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                <text>The Color of Money: The BBC "Sea Captain's Tale."</text>
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            <description>An account of the resource</description>
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                <text>Coins the term "updaptation" to describe adaptations that shift temporalities from past to present, using the term to explore relations between ShT and the BBC television version, the "Sea Captain's Tale." Focuses on the episode's use of film noir techniques, the color blue, its setting in India, Sanskrit analogues, and "cultural mimicry."</text>
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              <name>Title</name>
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              <text>Ellis, Steve.</text>
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              <text>Kathleen Coyne Kelly and Tison Pugh, eds. Chaucer on Screen: Absence, Presence, and Adapting the "Canterbury Tales" (Columbus: Ohio State University Press, 2016), pp. 1879-5.</text>
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              <text>Chaucer on Screen.</text>
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Miller and His Tale</text>
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            <name>Title</name>
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              <elementText elementTextId="2820993">
                <text>Putting the Second First: The BBC "Miller's Tale."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2820994">
                <text>Observes the lack of "narratorial interactivity" (teller/tale relations) in the BBC adaptations of CT and explores several other "markedly un-Chaucerian" aspects of the television version of MilT, remarking that the series "does little to promote" understanding or appreciation of Chaucer's works.</text>
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          </element>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Echard, Siân.</text>
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              <text>Kathleen Coyne Kelly and Tison Pugh, eds. Chaucer on Screen: Absence, Presence, and Adapting the "Canterbury Tales" (Columbus: Ohio State University Press, 2016), pp. 167-83.</text>
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          </elementTextContainer>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820989">
              <text>Chaucer on Screen.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820990">
              <text>Recordings and Films&#13;
Knight and His Tale</text>
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          </elementTextContainer>
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          <description/>
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              <text>SAC 40:14</text>
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          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820992">
              <text>2016</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2820985">
                <text>The Naked Truth: Chaucerian Spectacle in Brian Helgeland's "A Knight's Tale."</text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2820986">
                <text>Explores the "unexpected points of contact between" Brian Helgeland's "A Knight's Tale" and Chaucer's poetry, discussing ways that the film and KnT focus on tilting arenas and order, their affinities with pastiche, their concern with the power of the poet, and their "enlisting" of audience "complicity."</text>
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            </elementTextContainer>
          </element>
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  <item itemId="273929" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <description>Items for the Chaucer Database</description>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820979">
              <text>Davis, Kathleen.&#13;
</text>
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          </elementTextContainer>
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        <element elementId="98">
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              <text>Kathleen Coyne Kelly and Tison Pugh, eds. Chaucer on Screen: Absence, Presence, and Adapting the "Canterbury Tales" (Columbus: Ohio State University Press, 2016), pp. 239-48.</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820981">
              <text>Chaucer on Screen.</text>
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          </elementTextContainer>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2820982">
              <text>Recordings and Films&#13;
Man of Law and His Tale</text>
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          </elementTextContainer>
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          <description/>
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              <text>SAC 40:13</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2820984">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2820977">
                <text>Time, Memory, and Desire in the BBC "The Man of Law's Tale."</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2820978">
                <text>Views the BBC television version of MLT as an exploration of the simultaneities of past, present, and future, interrelated with motifs of amnesia, immigration, political struggle, religious warfare, and the "correlation of spiritual and sexual desire"--many of which are, more or less, "latent" concerns of Chaucer's tale.</text>
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  <item itemId="273928" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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              <text>D'Arcens, Louise.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2820972">
              <text>Kathleen Coyne Kelly and Tison Pugh, eds. Chaucer on Screen: Absence, Presence, and Adapting the "Canterbury Tales" (Columbus: Ohio State University Press, 2016), pp. 208-17.</text>
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        <element elementId="108">
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          <description/>
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            <elementText elementTextId="2820973">
              <text>Chaucer on Screen.</text>
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          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2820974">
              <text>Recordings and Films&#13;
Knight and His Tale</text>
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          </elementTextContainer>
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              <text>SAC 40:12</text>
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          <name>Date</name>
          <description/>
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                <text>Serving Time: The BBC "Knight's Tale"in the Prison-House of Free Adaptation.</text>
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2820970">
                <text>Argues that the concern with reading and liberation in the BBC television version of KnT is "reflexive," mirroring the goals of the six-part series. The series' goal of "freeing" readers from "academic Chaucer" is paralleled by efforts to liberate the episode's male protagonists through education, but both are undercut by circular logic.</text>
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  <item itemId="273927" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Barrington, Candace.</text>
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              <text>Kathleen Coyne Kelly and Tison Pugh, eds. Chaucer on Screen: Absence, Presence, and Adapting the "Canterbury Tales" (Columbus: Ohio State University Press, 2016), pp. 88-107.</text>
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        <element elementId="108">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820965">
              <text>Chaucer on Screen.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
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            <elementText elementTextId="2820966">
              <text>Recordings and Films&#13;
Wife of Bath and Her Tale&#13;
Chaucer's Influence and Later Allusion</text>
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          <description/>
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              <text>SAC 40:11</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>2016</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2820961">
                <text>Lost Chaucer: Natalie Wood's 'The Deadly Riddle' and the Golden Age of American Television.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2820962">
                <text>Recounts efforts to find "film elements" (recorded vestiges) of "The Deadly Riddle," a 1956 television version of WBT, produced by Roy Huggins for "Warner Brothers Presents," starring Natalie Wood and Jacques Sernas. Only paratextual material provides evidence of the lost recording, indicating loose adaptation of WBT, yet enabling a fantasy of reconstruction. Also, CT may be seen as the "originary origin" for framed serial storytelling, a recurrent technique of television and radio</text>
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            <elementText elementTextId="2820955">
              <text>Bahr, Arthur.</text>
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          <elementTextContainer>
            <elementText elementTextId="2820956">
              <text>Kathleen Coyne Kelly and Tison Pugh, eds. Chaucer on Screen: Absence, Presence, and Adapting the "Canterbury Tales" (Columbus: Ohio State University Press, 2016), pp. 230-38.</text>
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              <text>Chaucer on Screen.</text>
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            <elementText elementTextId="2820958">
              <text>Recordings and Films&#13;
Pardoner and His Tale</text>
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              <text>SAC 40:10</text>
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        <element elementId="114">
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            <elementText elementTextId="2820960">
              <text>2016</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2820953">
                <text>Sex, Plague, and Resonance: Reflections on the BBC "Pardoner's Tale."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2820954">
                <text>Shows that the BBC television adaptation of PardPT concentrates more on sexual predation than on death, and argues that this eliminates both the sexual and the contextual queerness of Chaucer's original, which requires of its audience "rigorously trained self-awareness that its contextual queerness makes difficult or impossible to feel secure in."</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2820947">
              <text>Aronstein, Susan, and Peter Parolin.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2820948">
              <text>Kathleen Coyne Kelly and Tison Pugh, eds. Chaucer on Screen: Absence, Presence, and Adapting the "Canterbury Tales" (Columbus: Ohio State University Press, 2016), pp. 33-44. </text>
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        <element elementId="108">
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            <elementText elementTextId="2820949">
              <text>Chaucer on Screen</text>
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              <text>Recordings and Films</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820951">
              <text>SAC 40:9</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820952">
              <text>2016</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2820945">
                <text>"The Play's the Thing": The Cinematic Fortunes of Chaucer and Shakespeare.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2820946">
                <text>Argues that Shakespeare's works have more often been adapted to the screen than Chaucer's works because the latter have widely been considered to be "guarded by experts." Comments on the Troilus frontispiece, Jonathan Myerson's animated adaptation of CT, and Brian Helgeland's "A Knight's Tale."</text>
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            </elementTextContainer>
          </element>
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  </item>
  <item itemId="273924" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820939">
              <text>Arner, Lynn.</text>
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          </elementTextContainer>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2820940">
              <text>Kathleen Coyne Kelly and Tison Pugh, eds. Chaucer on Screen: Absence, Presence, and Adapting the "Canterbury Tales" (Columbus: Ohio State University Press, 2016), pp. 69-87</text>
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          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2820941">
              <text>Chaucer on Screen.</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2820942">
              <text>Recordings and Films&#13;
Pardoner and His Tale</text>
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              <text>SAC 40:8</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820944">
              <text>2016</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2820937">
                <text>Chaucer and the Moving Image in Pre-World War II America.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2820938">
                <text>Describes the limited presence of Chaucer in the early American films, commenting on a Motion Picture Academy educational promotion and a "distorted" version of PardT, "On Borrowed Time" (1939). Offers five reasons for this scarcity: "Americanization," Chaucer's lack of concern with "futurity" in heterosexual coupling (children), his association with the past, a lack of "massification" of his works, and Hollywood's disregard of key audiences--academic, women, and children--in favor of the appeal of Douglas Fairbanks's "vigor."</text>
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  <item itemId="273923" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2820930">
              <text>Kelly, Kathleen Coyne, and Tison Pugh, eds.</text>
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        <element elementId="98">
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              <text>Columbus: Ohio State University Press, 2016.</text>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820932">
              <text>xi, 286 pp.; 22 b&amp;w illus.</text>
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        </element>
        <element elementId="104">
          <name>Series</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820933">
              <text>Interventions: New Studies in Medieval Culture.</text>
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          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820934">
              <text>Recordings and Films</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820935">
              <text>SAC 40:17</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820936">
              <text>2016</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2820928">
                <text>Chaucer on Screen: Absence, Presence, and Adapting the "Canterbury Tales." </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2820929">
                <text>Seventeen essays that explore representation of Chaucer and CT on film and television, with recurrent attention to the limited number and scope of such adaptations. The introduction by the editors, "Chaucer on Screen," (pp. 1-16) comments on relations between source study and adaptation study, particularly page-to-screen remediations of Chaucer's works; it also summarizes each of the essays. The volume includes a foreword by Terry Jones, a bibliography, and an index. For individual essays search for Chaucer on Screen under Alternative Title.</text>
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          </element>
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  </item>
  <item itemId="273922" public="1" featured="0">
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2820922">
              <text>Williams, David.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2820923">
              <text>Robert L. Fastiggi, ed. New Catholic Encyclopedia Supplement 2011, Vol. 1 (Detroit: Gale/Cengage, 2011), pp. 171–75.</text>
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        <element elementId="108">
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            <elementText elementTextId="2820924">
              <text>New Catholic Encyclopedia Supplement 2011,</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2820925">
              <text>Bibliographies, Reports, and Reference&#13;
Wife of Bath and Her Tale&#13;
Pardoner and His Tale</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820926">
              <text>SAC 40:7</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820927">
              <text>2011</text>
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      </elementContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2820920">
                <text>Chaucer, Geoffrey.</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2820921">
                <text>Summarizes Chaucer's life and career, and comments on TC and CT (especially the Pardoner and Wife of Bath) as demonstrations of Chaucer's "commitment to the religious view of life," his "humanist sympathy" with living in a fallen world, and his commitment to "Christian optimism."</text>
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          </element>
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  </item>
  <item itemId="273921" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820914">
              <text>Karpova, Olga.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820915">
              <text>Newcastle upon Tyne: Cambridge Scholars, 2011.</text>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820916">
              <text>x, 256 pp.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2820917">
              <text>Bibliographies, Reports, and Reference</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820918">
              <text>SAC 40:6</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820919">
              <text>2011</text>
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          </elementTextContainer>
        </element>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2820912">
                <text>English Author Dictionaries (the XVIth–the XXIst cc.).</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2820913">
                <text>Identifies and describes reference works that pertain to individual English authors, published (in print or online) from the sixteenth century to the twenty-first century--concordances, glossaries, name-dictionaries, indices to quotations and proverbs, handbooks, etc. Gives particular attention to Chaucer as the earliest English author about whom such reference works were created.</text>
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          </element>
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  <item itemId="273920" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820906">
              <text>Jager, Katharine W., and Jessica Barr.</text>
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          </elementTextContainer>
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Facsimiles, Editions, and Translations</text>
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