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              <text>jules SAC 09 (130)</text>
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                <text>In the GP portrait Chaucer uses the metaphor of food that "snewed" to make an ironic comparison between the Franklin's epicureanism and the spiritual life represented by scriptural manna.</text>
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Anelida and Arcite&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Focuses on quire xix of Cambridge, Trinity College, MS R.3.20, showing how John Shirley connects Chaucer's Anel with the female-voiced French lyric tradition of skepticism about male courtly rhetoric.</text>
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                <text>'Jewes Werk' in Sir Thopas</text>
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                <text>The high reputation for fine Jewish artistry in Chaucer's lifetime contributes to the humor of Th.</text>
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              <text>Haas, Renate.</text>
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              <text>Anglistentag 1989 Wurzburg.</text>
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                <text>Attempts a revaluation of LGW by viewing it as a stage--both a creative result and an important influence--in the tradition of female tragedy.  Highlights the contribution of the new classicizing to a new presentation of women.</text>
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              <text>Schless, Howard.</text>
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              <text>Chaucer Review 25 (1990): 80-84.</text>
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              <text>jules SAC 14 (160)</text>
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                <text>'Knight's Tale' 956-67, 1462-75; Theseus's Banner, Palemon's Mickey</text>
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              <text>Hersh, Cara.</text>
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                <text>As knight, sheriff, and "contour" (I.359), the Franklin is the quintessential late medieval county "bureaucrat," whose duties provided incentives both to disclose and to hide the financial information to which he was privy. From its "dramatic irony" to its frequent use of the "highly equivocal" adjective "certein," FranT dramatizes an administrator's skill--perhaps Chaucer's own--with finding a strategic balance between textual transparency and ambiguity.</text>
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              <text>Gerd Wolfgang Weber, ed.  Idee, Gestalt, Geschichte: Festschrift Klaus von See.  Studien zur Europaischen Kulturtradition (Odense, Denmark: Odense University Press, 1988.), pp. 117-35.</text>
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              <text>Mittelalter und Renaissance in England: Von der Altenglischen Elegien bis Shakespeares Tragögien.</text>
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        <element elementId="112">
          <name>Contributor</name>
          <description/>
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            <elementText elementTextId="2704341">
              <text>Weber, Gerd Wolfgang, ed.</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2704344">
              <text>Background and General Criticism.</text>
            </elementText>
            <elementText elementTextId="2704345">
              <text>Language and Word Studies.</text>
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          </elementTextContainer>
        </element>
        <element elementId="104">
          <name>Series</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2704346">
              <text>Studien zur Europaischen Kulturtradition.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2704347">
              <text>jules SAC 13 (54)</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2704336">
                <text>'Kynde' und 'Nature' bei Chaucer: Zur Bedeutung und Funktion des Naturbegriffes in der Dichtung des ausgehenden Mittelalters</text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2704342">
                <text>Discusses Chaucer's use of the concepts "kynde" and "nature."  Although Chaucer uses the two interchangeably at times, "kynde" represents absolute moral standards, indicating power and reason.  The "lex naturalis" of antiquity also includes these concepts, and these meanings are evident in PF and BD.  In TC, Chaucer measures the character of Troilus according to "lawe of kynde."</text>
              </elementText>
              <elementText elementTextId="2704343">
                <text>Reprinted in Erzgräber's Mittelalter und Renaissance in England: Von der Altenglischen Elegien bis Shakespeares Tragögien (Freiburg im Breisgau: Rombach, 1997), pp. 253-76.</text>
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  <item itemId="264621" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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    </collection>
    <itemType itemTypeId="24">
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2726029">
              <text>Dulick, Michael George.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2726030">
              <text>Dissertation Abstracts International 40 (1980): 5852A.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2726031">
              <text>1980</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2726034">
              <text>Troilus and Criseyde.</text>
            </elementText>
            <elementText elementTextId="2726035">
              <text>Sources, Analogues, and Literary Relations.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2726036">
              <text>Dissertation Abstracts International 40 (1980)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2726037">
              <text>jules SAC 04 (118)</text>
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          </elementTextContainer>
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      <elementSet elementSetId="1">
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2726028">
                <text>'La Celestina' and Chaucer's 'Troilus': A Comparative Study</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2726032">
                <text>Chaucer and Rojas shared common sources and concerns, and their works are most alike in their use of sophisticated dialogue, but Rojas' vision is more destructive.  Troilus and Calistro are both "courtly" lovers, but Calistro is a debased version of Chaucer's hero.  Whereas the ambiguities in Criseyde's character create a "chiaroscuro," in Melibea's they become antitheses; and while Chaucer forgives Criseyde's infidelity, Rojas allows us to suspect the worst of Melibea.</text>
              </elementText>
              <elementText elementTextId="2726033">
                <text>The go-between in each succumbs to the fate he or she arranges, but unlike Pandarus, who incarnates a valid pragmatism, Celestina demonstrates the very negation of meaning.  The authorial voices, Parmeno and Plebario, pay more dearly for the lovers' passion than their counterpart in TC, who merely feels a "double sorwe."</text>
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  <item itemId="265312" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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    <itemType itemTypeId="24">
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2732793">
              <text>Pearcy, Roy J.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2732794">
              <text>Leeds Studies in English 20 (1989): 119-41.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2732795">
              <text>1989</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2732797">
              <text>Man of Law and His Tale.</text>
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            <elementText elementTextId="2732798">
              <text>Sources, Analogues, and Literary Relations.</text>
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          </elementTextContainer>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2732799">
              <text>Leeds Studies in English 20 (1989)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2732800">
              <text>jules SAC 17 (169)</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2732792">
                <text>'La Priere du Plus Grand Peril' in Medieval English Literature</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2732796">
                <text>Surveys the tradition of the "prayer of the greatest peril" from Old French "chansons de geste" to Middle English adaptations of "romans d'aventure," arguing that the tradition underlies one of the prayers of Custance in MLT and several of the narrator's elaborate rhetorical questions.  These passages in MLT are not found in Trevet and are better traced to the "priere" tradition than to hagiography.</text>
              </elementText>
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  </item>
  <item itemId="265194" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2731566">
              <text>Rumble, Patrick Allen.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2731567">
              <text>Dissertation Abstracts International 53 (1993): 2581A.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2731568">
              <text>1993</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2731570">
              <text>Chaucer's Influence and Later Allusion.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2731571">
              <text>Dissertation Abstracts International 53 (1993)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2731572">
              <text>jules SAC 17 (55)</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2731565">
                <text>'La trilogia della vita': Pier Paolo Pasolini's 'schermo eloquio'</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2731569">
                <text>Discusses Pasolini's trilogy of films adapted from Boccaccio's "Decameron," Chaucer's CT, and "The Arabian Nights."  Looking at the trilogy in the contexts of film and of literature, Rumble investigates the cultural and ideological implications of the films and the "mechanisms of narrative structuration" in "Trilogia."</text>
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          </element>
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  </item>
  <item itemId="265625" public="1" featured="0">
    <collection collectionId="8">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
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    <itemType itemTypeId="24">
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2735985">
              <text>Strohm, Paul.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2735986">
              <text>Robert R. Edwards, ed. Art and Context in Late Medieval English Narrative: Essays in Honor of Robert Worth Frank, Jr. (Cambridge: D. S. Brewer, 1994), pp. 163-76.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2735987">
              <text>1994</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2735988">
              <text>Art and Context in Late Medieval English Narrative:  Essays in Honor of Robert Worth Frank, Jr.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2735991">
              <text>Cook and His Tale.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2735992">
              <text>jules SAC 18 (1996) - 172.</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2735984">
                <text>'Lad with Revel to Newegate': Chaucerian Narrative and Historical Meta-Narrative</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2735989">
                <text>The language and imagery with which the Cook denounces Perkyn's revelry in CkT evoke the rhetoric with which contemporary writers denounced the so-called Peasants' Revolt of 1381.  Perkyn's revelry may seem "innocuous" to readers today, but "the imagery of revelry carried a heavy symbolic freight in the later fourteenth century."  Through narrative containment, Chaucer and contemporary chroniclers imposed closure on events that threatened the dominant social order.</text>
              </elementText>
              <elementText elementTextId="2735990">
                <text>Reprinted in Theory and the Premodern Text (Minneapolis and London: University of Minnesota Press, 2000).</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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  </item>
  <item itemId="261714" public="1" featured="0">
    <collection collectionId="8">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
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    <itemType itemTypeId="24">
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2697755">
              <text>Kellogg, Judith L.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2697756">
              <text>Allegorica 9 (1987-88): 221-48.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2697757">
              <text>1987</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2697759">
              <text>Franklin and His Tale.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2697760">
              <text>Allegorica 09 (1987-88).</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2697761">
              <text>mea</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2697754">
                <text>'Large and Fre': The Influence of Middle English Romance on Chaucer's Chivalric Language</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2697758">
                <text>We do not understand how the Franklin views the concept of "gentilesse" that informs his moral vision.  Kellogg compares the Franklin's use of key chivalric terminology to its uses in Middle English romance, thereby illuminating the Franklin, FranT, and Chaucer's manipulation of conventional language.</text>
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          </element>
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  <item itemId="268596" public="1" featured="0">
    <collection collectionId="8">
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2766838">
              <text>Gray, Douglas.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2766839">
              <text>Richard Firth Green and Linne R. Mooney, eds.  Interstices: Studies in Middle English and Anglo-Latin Texts in Honour of A. G. Rigg (Toronto: University of Toronto Press, 2004), pp. 122-36.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2766840">
              <text>2004</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2766841">
              <text>Interstices:  Studies in Late Middle English and Anglo-Latin Texts in Honour of A. G. Rigg.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2766843">
              <text>Troilus and Criseyde.</text>
            </elementText>
            <elementText elementTextId="2766844">
              <text>Wife of Bath and her Tale.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
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                <text>'Lat be thyne olde ensaumples' : Chaucer and Proverbs</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Gray comments on the cultural value and functions of proverbs and their kin (adages, aphorisms, etc.), focusing on two "clusters" of proverbs: the "proverb war" of WBP and the complex and intricate uses of proverbs by Pandarus, Criseyde, and the narrator in TC.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Fein, Susanna Greer.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>Susanna Greer Fein, David Raybin, and Peter C. Braeger, eds.  Rebels and Rivals:  The Contestive Spirit in The Canterbury Tales.  Studies in Medieval Culture, no. 29 (Kalamazoo, Mich.: Medieval Institute Publications, 1991), pp. 73-104.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>1991</text>
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          <elementTextContainer>
            <elementText elementTextId="2693337">
              <text>Rebels and Rivals: The Contestive Spirit in the Canterbury Tales.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
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            <elementText elementTextId="2693339">
              <text>Reeve and His Tale.</text>
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        <element elementId="109">
          <name>Source</name>
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              <text>mea.</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2693333">
                <text>'Lat the Children Pleye': The Game Betwixt the Ages in The Reeve's Tale</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Chaucer utilizes the medieval icons of the wheel, the stream, and the vessel to represent the life cycle, the passing of time, and an individual's "fluid allocation of vital spirits that gradually dries from cradle to grave."  In RvP, the Reeve's "process of maturation has diverged from the natural course," while in RvT birth, aging, and death constitute a cycle of mutability of which the participants are unaware.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
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            <elementText elementTextId="2697617">
              <text>Tigges, Wim.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2697618">
              <text>English Studies 73 (1992): 97-103.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2697619">
              <text>1992</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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              <text>Wife of Bath and Her Tale.</text>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2697622">
              <text>English Studies 73 (1992).</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2697623">
              <text>mea</text>
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              <elementText elementTextId="2697616">
                <text>'Lat the Womman Telle Hire Tale': A Reading of the 'Wife of Bath's Tale'</text>
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                <text>By asking her question, the queen in WBT forces the knight to think about what he has done and to realize that what women definitely do not want is to be raped.  To educate the knight (and the audience?) is more important than simply to execute him.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2767249">
              <text>Ward Mather, Lisa Jeanette.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2767250">
              <text>Dissertation Abstracts International 64 (2004): 2503A.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2767251">
              <text>2004</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2767253">
              <text>Canterbury Tales--General.</text>
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            <elementText elementTextId="2767254">
              <text>Miller and His Tale.</text>
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            <elementText elementTextId="2767255">
              <text>Shipman and His Tale.</text>
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            <elementText elementTextId="2767256">
              <text>Wife of Bath and Her Tale.</text>
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              <text>Summoner and His Tale.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2767258">
              <text>Dissertation Abstracts International 64 (2004)</text>
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        <element elementId="109">
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              <text>vxl sac 28:107</text>
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          <element elementId="50">
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              <elementText elementTextId="2767248">
                <text>'Lat us werken thriftily' : Rethinking Identity and Social Organization in Chaucer's Fabliaux</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2767252">
                <text>Discussing MilPT, ShT, WBP, and SumT, Ward Mather argues that "Chaucer engages with the medieval genre of fabliau" to "develop a new theory of identity and social order."</text>
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  <item itemId="270096" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2782310">
              <text>Di Rocco, Emilia.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2782311">
              <text>Michelangelo Picone, ed. La letteratura cavalleresca dalle "Chansons de Geste" alla "Gerusalemme Liberata." Atti del II Convegno Internazionale di Studi, Certaldo Alto, Giugno 21-23, 2007  (Pisa: Pacini, 2008), pp. 191-205.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2782312">
              <text>2008</text>
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          </elementTextContainer>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2782313">
              <text>La letteratura cavalleresca dalle "Chansons de Geste" alla "Gerusalemme Liberata." Atti del II Convegno Internazionale di Studi, Certaldo Alto, Giugno 21-23, 2007.</text>
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        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2782314">
              <text>Picone, Michelangelo, ed.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2782316">
              <text>Background and General Criticism</text>
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            <elementText elementTextId="2782317">
              <text>Knight and His Tale</text>
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            <elementText elementTextId="2782318">
              <text>Troilus and Criseyde</text>
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            <elementText elementTextId="2782319">
              <text>Wife of bath and Her Tale</text>
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            <elementText elementTextId="2782320">
              <text>Franklin and His Tale</text>
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            <elementText elementTextId="2782321">
              <text>Sources, Analogues, and Literary Relations.</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2782322">
              <text>vxl sac 33:65</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2782309">
                <text>'Le bellissime avventure di re Artù' in Inghilterra: Da Chaucer a Malory</text>
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              <elementText elementTextId="2782315">
                <text>Di Rocco explores the role of Chaucer's works in the development of romance in England, commenting on the poet's fusion of classical material and romance in KnT and TC, the concern with gentilesse and trouthe in WBT and FranT, and the reference to Sir Gawain in SqT. Also discusses "Sir Gawain and the Green Knight," the alliterative "Morte Arthure," and Malory's "Morte Darthure."</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2698930">
              <text>Ginsberg, Warren Stuart.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2698931">
              <text>Dissertation Abstracts International 36 (1975): 2843A-44A.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2698932">
              <text>1975</text>
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          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2698934">
              <text>Sources, Analogues, and Literary Relations.</text>
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            <elementText elementTextId="2698935">
              <text>Canterbury Tales--General.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2698936">
              <text>Dissertation Abstracts International 36 (1975)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2698937">
              <text>jules - 20/9/94 SAC 1 (34)</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2698929">
                <text>'Le Grant translateur': Chaucer and His Sources</text>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2698933">
                <text>Study of KnT and ClT in light of their sources reveals the significance Chaucer was able to impart to his "translations".  Study of PardT, and rhyme-royal tales demonstrates the poet's combination of observation drawn from life with that draw from literature.</text>
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                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2768275">
              <text>Rust, Martha Dana.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2768276">
              <text>Cindy L. Vitto and Marcia Smith Marzec, eds. New Perspectives on Criseyde (Fairview, N.C.: Pegasus Press, 2004), pp. 111-38.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2768277">
              <text>2004</text>
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          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2768278">
              <text>New Perspectives on Criseyde.</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2768280">
              <text>Troilus and Criseyde.</text>
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            <elementText elementTextId="2768281">
              <text>Manuscripts and Textual Studies.</text>
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        <element elementId="109">
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              <text>vxl sac 28:210</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2768274">
                <text>'Le Vostre C.': Letters and Love in Bodleian Library Manuscript Arch. Selden. B.24</text>
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                <text>Rust describes medieval epistolary protocol and assesses three features of TC in Bodleian Library Manuscript Arch. Selden. B.24: an appended colophon, a female figure dressed in black drawn inside the first letter of the poem, and the scribal signature "Le vostre C."</text>
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              <text>Mann, Jill.</text>
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              <text>SAC 32 (2010): 345-55.</text>
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          <description/>
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              <text>2010</text>
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              <text>Facsimiles, Editions, and Translations.</text>
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              <text>Canterbury Tales--General</text>
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              <text>Studies in the Age of Chaucer 32 (2010).</text>
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              <text>vxl sac 34:20</text>
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          <element elementId="50">
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              <elementText elementTextId="2787816">
                <text>'Learning, Taste and Judgment' in the Editorial Process</text>
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                <text>Critiques Roy Vance Ramey's defense of the Manly-Rickert text of CT and castigates Ramsey's own methods and practices. The Manly-Rickert edition is valuable for its demonstration that "recension" cannot be used to construct a reliable text of CT, and it provides much useful information--but Ramsey's defense is misguided.</text>
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              <text>Gransden, K. W.</text>
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              <text>David West and Tony Woodman, eds.  Creative Imitation and Latin Literature (Cambridge: Cambridge University Press, 1979), pp. 157-71.</text>
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          <name>Date</name>
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              <text>1979</text>
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              <text>Creative Imitation and Latin Literature.</text>
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              <text>West, David,</text>
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              <text>Woodman, Tony,ed.</text>
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              <text>ed.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>jules SAC 03 (161)</text>
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                <text>'Lente Currite, Noctis Eqvi': Chaucer, 'Troilus and Criseyde' III, 1422-70; Donne, 'The Sun Rising'; and Ovid, 'Amores' I, 13</text>
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                <text>The "aubade" of Troilus shows its indebtedness to Ovid's "Amores" (I, 13) in both references and tone, but the effect is transformed by the poet's playing off of medieval complaint and Ovidian satire.  Donne makes a similar combination but transforms it into a triumph for lovers by use of a metaphysical conceit.</text>
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              <text>Knutson, Karla.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
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              <text>Studies in Medievalism 20 (2011): 79-97.&#13;
Defining Neomedievalism(s) II</text>
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              <text>2011</text>
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            <elementText elementTextId="2797299">
              <text>Studies in Medievalism 20 (2011).</text>
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        <element elementId="109">
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            <elementText elementTextId="2797300">
              <text>mea SAC 35:80.</text>
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                <text>'Lessons Fairer than Flowers': Mary Eliza Haweis's Chaucer for Children and Models of Friendship.</text>
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                <text>Haweis's book (1876) included edited versions of six of the CT and four shorter poems, in Middle English and translation.  Addressing mainly an audience of boys, Haweis placed special emphasis on the theme of friendship, both in the poetry and in Chaucer's life, as illustrated by his relationship with John of Gaunt and the gift for friendship implied by his pilgrim character in CT.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2743957">
              <text>Allen, Elizabeth Gage.</text>
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        <element elementId="98">
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          <elementTextContainer>
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              <text>Dissertation Abstracts International 58 (1997): 1699A.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>1997</text>
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              <text>Background and General Criticism.</text>
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              <text>Physician and His Tale.</text>
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              <text>Pardoner and His Tale.</text>
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            <elementText elementTextId="2743964">
              <text>Troilus and Criseyde.</text>
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          <elementTextContainer>
            <elementText elementTextId="2743965">
              <text>Dissertation Abstracts International 58 (1997)</text>
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          </elementTextContainer>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2743966">
              <text>jules SAC 21 - 80</text>
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              <elementText elementTextId="2743956">
                <text>'Let the Chaf be Still: Exemplary Fictions in Late Medieval England</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2743960">
                <text>Examines how late-medieval changes in audience and breadth of subject transformed responses to exemplary literature, exploring "Livre du Chevalier de la Tour Landry," Caxton's translation of it, and works of Gower, Chaucer (PhyT, PardT,and TC), and Henryson, plus Chaucerian apocrypha.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2796980">
              <text>Sayers, William.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2796981">
              <text>N&amp;Q 256 (2011): 495-96.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2796982">
              <text>2011</text>
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          <name>Chaucer Subject</name>
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          <elementTextContainer>
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              <text>Language and Word Studies</text>
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              <text>Notes and Queries 256 (2011)</text>
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              <text>mea SAC 35:44.</text>
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            <description>A name given to the resource</description>
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                <text>'Lewd': An Etymology</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2796983">
                <text>The varying senses of "lewed" in Chaucer's works point out the myopia of the received view of the word's history as an easy progression from "lay" to "lascivious."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Zholudeva, Liubov.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
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              <text>J. Martin Arista, et al., eds. Convergent Approaches to Medieval English Language and Literature (Newcastle upon Tyne: Cambridge Scholars, 2012), pp. 159-75.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2800940">
              <text>2012</text>
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          <elementTextContainer>
            <elementText elementTextId="2800941">
              <text>Convergent Approaches to Medieval English Language and Literature.</text>
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          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2800943">
              <text>Language and Word Studies</text>
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              <text>Boece</text>
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            <elementText elementTextId="2800945">
              <text>Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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              <text>mea SAC 36:80</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2800937">
                <text>'Li livres de confort de Philosophie' by Jean de Meun and 'Boece' by Geoffrey Chaucer: The Use of Prepositions (de/of, a/to) and the Problem of French Influence on Middle English</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2800942">
                <text>Comparative analysis of "Li livres de confort" and Bo, and study of French linguistic influence on English, with special focus on prepositions. The comparison shows a prevailing tendency to reproduce the structures and usages of French, though only in a measured way: Chaucer also substituted French words and structures with indigenous ones in an attempt to develop English as a literary language.</text>
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