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              <text>Watkins, Charles A.</text>
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              <text>Southern Folklore Quarterly 30 (1966): 202-13,</text>
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              <text>Southern Folklore Quarterly 30 (1966)</text>
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              <text>Merchant and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; 10/23/2018</text>
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                <text>Modern Irish Versions of the Enchanted Pear Tree Episode.</text>
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                <text>Tabulates the plots and motifs of twenty-one modern Irish tales purported to be analogues of the pear tree episode in MerT, suggesting that those accounts which include the motif of optical illusion (rather than blindness) should not be considered analogues.</text>
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              <text>Shugrue, Michael.</text>
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              <text>Journal of English and Germanic Philology 65 (1966): 229-37.</text>
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              <text>Journal of English and Germanic Philology 65 (1966)</text>
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              <text>Chaucer's Life&#13;
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              <text>mea; 10/23/2018</text>
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                <text>The Urry "Chaucer" (1721) and the London Uprising of 1384: A Phase in Chaucerian Biography.</text>
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                <text>Explains errors in the biography of Chaucer that is included in John Urry's edition of 1721, particularly those associated with the poet's spurious flight to the Continent in 1384 in the face of an accusation of treason. Attributes these errors to the belief that Chaucer wrote Thomas Usk's "Testament of Love" and to the 1717-18 political imbroglios of Thomas Hearne and members of his Oxford circle that produced or influenced the biography, originally composed by John Dart and "corrected" by William Thomas.</text>
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              <text>Schmidt, Philip.</text>
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              <text>Southern Folklore Quarterly 30 (1966): 249-55.</text>
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              <text>Pardoner and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; 10/23/2018</text>
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                <text>Reexamination of Chaucer's Old Man of the "Pardoner's Tale."</text>
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                <text>Considers theories of the nature of the Old Man in PardT, suggesting that he might be thought to combine feature of the Good Angel and the Bad Angel of medieval mystery and morality plays insofar as he seems to be "extra-human," advising and endangering the rioters simultaneously.</text>
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              <text>Russell, Nicholas.</text>
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              <text>Notes and Queries 211 (1966): 50-52.</text>
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              <text>Notes and Queries 211 (1966)</text>
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              <text>Troilus and Criseyde</text>
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              <text>mea; 10/23/2018</text>
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              <text>1966</text>
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              <elementText elementTextId="2820506">
                <text>Characters and Crowds in Chaucer's "Troilus."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2820507">
                <text>Argues that Chaucer's characterization of the lovers in TC is marked by their relationships with public opinion, especially with that of "the impersonal mass of Trojans and Greeks" who are the "anti-characters" of the poem. As fortune turns against the lovers, the narrator tries to evoke a new public sympathy for the lovers, that of the poem's audience.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Rowland, Beryl.</text>
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              <text>American Notes and Queries 4.7 (1966): 99-100.</text>
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            <elementText elementTextId="2820502">
              <text>American Notes and Queries 04 (1966)&#13;
ANQ: American Notes and Queries 04 (1966)</text>
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              <text>Book of the Duchess&#13;
Chaucer's Life</text>
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              <text>mea; 10/23/2018</text>
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                <text>Chaucer's "Mistake": "The Book of the Duchess," Line 455.</text>
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          <element elementId="41">
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                <text>Suggests that in making the Black Knight 24 years old in BD (rather than 29, the age of John of Gaunt), Chaucer "assigned his own age to his patron."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Oruch, Jack B. </text>
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              <text>Criticism 8.3 (1966): 280-88.</text>
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              <text>Criticism 08 (1966)</text>
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            <elementText elementTextId="2820495">
              <text>Monk and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; 10/23/2018</text>
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                <text>Chaucer's Worldly Monk.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2820491">
                <text>Distinguishes between the "clerical" and "non-clerical" traditions of "de casibus" tragedy in medieval tradition, observing the emphasis on the goddess Fortuna in the latter, and claiming that MkT "belongs to the non-clerical tradition." In ignoring or rejecting Boethian consolation and not regarding Fortune as God's agent, MkT "advocates a dignified hedonism" (rather than "contemptus mundi"), a view consistent with the "worldly, unbookish Monk" of GP.</text>
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              <text>Norton-Smith, John, ed.</text>
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              <text>Oxford: Clarendon, 1966.</text>
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              <text>xvi, 202 pp.</text>
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          <name>Chaucer Subject</name>
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              <text>Chaucer's Influence and Later Allusion</text>
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              <text>mea; 10/23/2018</text>
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              <text>1966</text>
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            <name>Title</name>
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                <text>John Lydgate: Poems.</text>
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            <description>An account of the resource</description>
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                <text>Edits twelve of Lydgate's poems, with end-of-text notes, glossary, and other apparatus. Includes "On the Departing of Thomas Chaucer," a selection from the "Troy Book," and "The Temple of Glas," among others. The Introduction (pp. ix-xii) and the Notes (pp. 114-92) include frequent references to Chaucer and his influence on Lydgate.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>McCall, John P.</text>
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              <text>Modern Language Quarterly 27 (1966): 260-69.</text>
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            <elementText elementTextId="2820478">
              <text>Modern Language Quarterly 27 (1966)</text>
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              <text>Clerk and His Tale</text>
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              <text>mea; 10/22/2018</text>
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        <element elementId="114">
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            <elementText elementTextId="2820481">
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2820474">
                <text>The "Clerk's Tale" and the Theme of Obedience.</text>
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              <elementText elementTextId="2820475">
                <text>Judges ClT to be "more successful than it has been thought" because it is a tale of  "idealized obedience" in which Griselda's submissiveness is an "imitation" of Christ's Passion and Resurrection and a demonstration that the human will can achieve sovereignty through submission and defeat of death through acceptance. Chaucer's "humanizes" Walter's tests and discloses that the "unfathomable reality of death is conquered only by the supernatural death of the will."</text>
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              <text>Maxwell, J. C.</text>
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          <elementTextContainer>
            <elementText elementTextId="2820469">
              <text>Notes and Queries 211 (1966): 224.</text>
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            <elementText elementTextId="2820470">
              <text>Notes and Queries 211 (1966)</text>
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            <elementText elementTextId="2820471">
              <text>Squire and His Tale&#13;
Chaucer's Influence and Later Allusion</text>
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              <text>mea; 10/22/2018</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2820473">
              <text>1966</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2820466">
                <text>"The Ancient Mariner" and "The Squire's Tale,"</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Suggests that SqT 5.393-94 (description of the sun) may have inspired a detail in Coleridge's "Ancient Mariner," line 180.</text>
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          </element>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2820460">
              <text>Koonce, B. G.</text>
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        <element elementId="98">
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            <elementText elementTextId="2820461">
              <text>Princeton, N.J.: Princeton University Press, 1966.&#13;
See also Dissertation Abstracts International 20.09 (1960): 3729-30.</text>
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        <element elementId="99">
          <name>Physical Description</name>
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          <elementTextContainer>
            <elementText elementTextId="2820462">
              <text>293 pp.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
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            <elementText elementTextId="2820463">
              <text>House of Fame&#13;
Sources, Analogues, and Literary Relations</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>mea; 10/22/2018</text>
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        <element elementId="114">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820465">
              <text>1966</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2838142">
              <text>Dissertation Abstracts International 20 (1960)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2820458">
                <text>Chaucer and the Tradition of Fame: Symbolism in "the House of Fame."</text>
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            </elementTextContainer>
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          <element elementId="41">
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              <elementText elementTextId="2820459">
                <text>Confronts the "deliberate obscurity" of HF, seeking to resolve its apparent disjunctions and disunities by reading it as a "poetic allegory" on the "subject of fame," influenced by scriptural tradition, by the dual aspects of Venus (secular and sacred love), and by Dante's "Divine Comedy." The dream frame and the "symbolic date" of the poem invite attention to the "outer and inner modes" of allegory, the Dido and Aeneas account signals a dual concern with love and fame, and the eagle indicates a kind of rational pursuit of the dual ideals. Fame's hall is deeply symbolic and the narrator's quest is a pursuit for tidings of love both spiritual and earthly. Based on the author's 1959 Princeton University dissertation: "Chaucer and the Tradition of Fame: A Study of the Symbolism in the 'House of Fame'." </text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820452">
              <text>Hoffman, Richard L.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2820453">
              <text>Notes and Queries 211 (1966): 48-50.</text>
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        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2820454">
              <text>Notes and Queries 211 (1966)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2820455">
              <text>Wife of Bath and Her Tale&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2820456">
              <text>mea; 10/22/2018</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820457">
              <text>1966</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2820450">
                <text>Ovid and the Wife of Bath's Tale of Midas.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2820451">
                <text>Compares the Wife of Bath's version of the Midas exemplum with Ovid's original in "Metamorphoses," suggesting that the divergences exemplify the Wife's penchant for misquoting and/or misunderstanding authorities and align with her deafness, a figurative version of "wearing the ass's ears of Midas."</text>
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            </elementTextContainer>
          </element>
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  </item>
  <item itemId="273864" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820444">
              <text>Grennen, Joseph E.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820445">
              <text>Journal of English and Germanic Philology 65 (1966): 466-81.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820446">
              <text>Journal of English and Germanic Philology 65 (1966)</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820447">
              <text>Second Nun and Her Tale&#13;
Sources, Analogues, and Literary Relations&#13;
Canon's Yeoman and His Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>mea; 10/22/2018</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820449">
              <text>1966</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2820442">
                <text>Saint Cecilia's "Chemical Wedding": The Unity of the "Canterbury Tales," Fragment VIII.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2820443">
                <text>Demonstrates the "relationship in theme and imagery" between SNPT and CYPT and the "controlling design that links them artistically." Posits that SNT may have been based on a Gnostic version of the Cecilia legend, an alchemical allegory of the "chemical wedding," helping to account for the parallels and inversions between the two Tales: concern with work and busyness, unity and multiplicity, the imagery of fire, stones, and blindness, and such "orthodox religious ideals such as zeal and perseverance."</text>
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  <item itemId="273863" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820436">
              <text>Greene, Richard Leighton.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820437">
              <text>Notes and Queries 211 (1966): 169-71.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820438">
              <text>Notes and Queries 211 (1966)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2820439">
              <text>Tale of Sir Thopas&#13;
Style and Versifiction</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820440">
              <text>mea; 10/21/2018</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820441">
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2820434">
                <text>The Hunt is Up, Sir Thopas: Irony, Pun and Ritual.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2820435">
                <text>Discourages pursuit of ironic and sexual implications in details in Tho (7.748-59), suggesting that the mention of "bukke and hare" is best understood as parodic conjoining of two categories of hunted beasts.</text>
              </elementText>
            </elementTextContainer>
          </element>
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  </item>
  <item itemId="273862" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
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              <text>Francon, Marcel. </text>
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              <text>Annali Istituto Universitario Orientale, Napoli, Sezione Germanica 9 (1966): 195-97.</text>
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              <text>Annali Istituto Universitario Orientale, Napoli, Sezione Germanica 09 (1966)</text>
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            <elementText elementTextId="2820431">
              <text>Style and Versification&#13;
Merciles Beaute&#13;
Parliament of Fowls</text>
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            <elementText elementTextId="2820432">
              <text>mea; 10/21/2018</text>
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            <elementText elementTextId="2820433">
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            <name>Title</name>
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                <text>Note on Chaucer's Roundels and His French Models.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2820427">
                <text>Maintains that "rondeaux tercet" is the precise name for the verse form of the three stanzas of MercB and of the song at the end of PF.</text>
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              <text>Fletcher, Harris.</text>
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              <text>Notes and Queries 211 (1966): 254.</text>
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            <elementText elementTextId="2820422">
              <text>Notes and Queries 211 (1966)</text>
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            <elementText elementTextId="2820423">
              <text>Chaucer's Influence and Later Allusion&#13;
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            <elementText elementTextId="2820424">
              <text>mea; 10/21/2018</text>
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            <elementText elementTextId="2820425">
              <text>1966</text>
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          <element elementId="50">
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              <elementText elementTextId="2820418">
                <text>A Chaucer Allusion (Latin) 1619.</text>
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            <elementTextContainer>
              <elementText elementTextId="2820419">
                <text>Identifies a reference to the Wife of Bath's equation of friars and incubi (WBT 3.865-80) in Richard Crakanthorp(e)'s "Introductio in Metaphysicam" (1619).</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Fleming, John V.</text>
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        <element elementId="98">
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            <elementText elementTextId="2820413">
              <text>Journal of English and Germanic Philology 65 (1966): 688-700.</text>
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          <elementTextContainer>
            <elementText elementTextId="2820414">
              <text>Journal of English and Germanic Philology 65 (1966)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2820415">
              <text>Summoner and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2820416">
              <text>mea; 10/21/2018</text>
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        <element elementId="114">
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            <elementText elementTextId="2820417">
              <text>1966</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2820410">
                <text>The Antifraternalism of the "Summoner's Tale."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2820411">
                <text>Challenges arguments that seek to identify the friar of SumT with a specific fraternal order and adduces the Rules of various fraternal orders and commentaries on these Rules to show that "general antifraternal literature" underlies many details of Chaucer's ironic satire: the nature of glossing and the possession of books, church building, competition with the secular clergy, the equation of money or gold with flatulence, etc. Argues that the friar of SumT is "a kind of 'stage friar' who sums up everything that is wrong with the mendicant orders from a fourteenth-century English secular point of view."</text>
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              <text>Elliott, Ralph W. V.</text>
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          <elementTextContainer>
            <elementText elementTextId="2820405">
              <text>Review of English Literature 7.2 (1966): 63-71.</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2820406">
              <text>Review of English Literature 07 (1966)</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2820407">
              <text>Pardoner and His Tale</text>
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              <text>mea; 10/21/2018</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2820409">
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2820402">
                <text>Our Host's "Triacle": Some Observations on Chaucer's "Pardoner's Tale."</text>
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          <element elementId="41">
            <name>Description</name>
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            <elementTextContainer>
              <elementText elementTextId="2825112">
                <text>Questions some of critics' claims about the Pardoner (particularly rejecting the claim that he is drunk), and argues that the Pardoner's character and his performance cohere and exhibit his "craft and talent" as well as his efforts "to entertain and impress the pilgrims and to work towards the practical joke against the Host."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Dronke, Peter.</text>
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              <text>Notes and Queries 211 (1966): 92.</text>
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            <elementText elementTextId="2820398">
              <text>Notes and Queries 211 (1966)</text>
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            <elementText elementTextId="2820399">
              <text>Nun's Priest and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; 10/21/2018</text>
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        <element elementId="114">
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            <elementText elementTextId="2820401">
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            <name>Title</name>
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                <text>Chaucer and Boethius "De Musica."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2820395">
                <text>Describes a "flicker of humour" in Chaucer's allusion to Boethius in NPT (7.3294-95), indicating that the poet disagrees with his authority on the point of musical sensitivity.</text>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2820388">
              <text>Dean, Christopher.</text>
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        <element elementId="98">
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            <elementText elementTextId="2820389">
              <text>Notes and Queries 211 (1966): 90-92.</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2820390">
              <text>Notes and Queries 211 (1966)</text>
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        <element elementId="102">
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            <elementText elementTextId="2820391">
              <text>Knight and His Tale&#13;
Language and Word Studies</text>
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          <elementTextContainer>
            <elementText elementTextId="2820393">
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2820386">
                <text>The "Place" in "The Knight's Tale."</text>
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2820387">
                <text>Assesses the five uses of "place" as a locational noun in the description of the tournament in KnT, arguing that it has a "precise technical meaning," i.e., the "grassy ground of the arena within the lists." This meaning is also found in Middle English descriptions of theatrical performance.</text>
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          <elementTextContainer>
            <elementText elementTextId="2820380">
              <text>Copland, Murray.</text>
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        <element elementId="98">
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            <elementText elementTextId="2820381">
              <text>Medium Aevum 35.1 (1966): 11-28.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2820382">
              <text>Medium Aevum 35 (1966)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2820383">
              <text>Shipman and His Tale&#13;
Sources, Analogues, and Literary Relations&#13;
Miller and His Tale&#13;
Reeve and His Tale&#13;
Friar and His Tale&#13;
Summoner and His Tale</text>
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          <elementTextContainer>
            <elementText elementTextId="2820385">
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            <description>An account of the resource</description>
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                <text>Compares ShT with Boccaccio's "Decameron" 8.1 and 8.2 in order to "see the two writers more minutely for what they are," arguing for Chaucer's "clear, almost measurable superiority" in matters of atmosphere, vitality, characterization, and moral subtlety. Also comments at length on Chaucer's other fabliaux, particularly MilT, RvT, FrT, and SumT.</text>
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                <text>"The Shipman's Tale": Chaucer and Boccaccio.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Brown, W[illia]m J.</text>
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              <text>University of Colorado Studies. Series in Language and Literature 10 (1966)</text>
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              <text>Miller and His Tale&#13;
Reeve and His Tale</text>
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              <text>mea; 10/21/2018</text>
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                <text>Chaucer's Double Apology for the "Miller's Tale."</text>
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                <text>Argues that the dramatic interchange between the Miller and the Reeve in MilP "anticipates every important argument in Chaucer's formal defense" of including the ribald MilT in CT. Together the two "apologies" constitute a "richly comic but thematically significant double perspective of authorial ethics." </text>
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              <text>Brooks, Polly Schoyer, and Nancy Zinsser Walworth.</text>
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              <text>Philadelphia: Lippincott, 1966.</text>
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              <text>256 pp.; b&amp;w maps and illus.</text>
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              <text>Walworth, Nancy Zinsser.</text>
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              <text>Chaucer's Life&#13;
Canterbury Tales--General</text>
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                <text>The World of Walls: The Middle Ages in Western Europe.</text>
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                <text>Social history of western medieval Europe from the "Barbarian Invasions" to "The Last of the Middle Ages," presented for young adults. The final section of the book (pp. 221-46) focuses on Chaucer, imaginatively reconstructing his daily life and biography, with recurrent comments on his literary works, especially CT.</text>
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              <text>New York: Braziller, 1966. </text>
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              <text>384 pp.; b&amp;w illus.</text>
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              <text>General Prologue to the Canterbury Tales&#13;
Facsimiles, Editions, and Translations</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2820353">
                <text>Medieval Culture: The Image and the City.</text>
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                <text>Anthologizes selections and excerpts from medieval literature and history (most in modern English), offered for use as a textbook in social history. Includes GP, lines 1-274 (pp. 228-48), in normalized Middle English, with no notes or glosses, accompanied by b&amp;w details of four pages of the Ellesmere manuscript.</text>
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              <text>Braddy, Haldeen.</text>
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              <text>Southern Folklore Quarterly 30 (1966): 214-22.</text>
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              <text>Southern Folklore Quarterly 30 (1966)</text>
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              <text>Language and Word Studies</text>
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            <elementText elementTextId="2820352">
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                <text>Chaucer's Bawdy Tongue.</text>
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                <text>Assesses Chaucer's "vulgarisms" for the ways that they "reveal" his "expert insight into the uninhibited lives of the folk." Comments on Chaucer's depictions of incest, claims that Chaucer's uses 119 "bawdy terms," and focuses on his robust vocabulary of sexuality and scatology, particularly as expressed by his "lower characters."</text>
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              <text>Lock Haven Review 8 (1966): 8-15.</text>
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              <text>Merchant and His Tale&#13;
Style and Versification</text>
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            <description>An account of the resource</description>
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                <text>Demonstrates the presence of three kinds of irony in MerT: verbal irony in the Merchant's double entendres and introductory comments on marriage, rhetorical irony in the deflation of courtly ideals by means of distorted or exaggerated figures and devices, and dramatic irony in the audience's awareness of what January recurrently fails to perceive. </text>
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                <text>Irony in Chaucer's "Merchant's Tale."</text>
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