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              <text>Galloway, Andrew.</text>
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              <text>Europe: A Literary History, 1348-1418 (Oxford, Oxford University Press, 2016), 1:322-53.</text>
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              <text>Europe: A Literary History, 1348-1418.</text>
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              <text>Language and Word Studies&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>London, Southwark, Westminster.</text>
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                <text>Treats London, Southwark, and Westminster as a single "conurbation," summarizing its cultural interweaving of mercantile, courtly, political, and linguistic threads, and describing its literary production and legacy. Includes discussion of Chaucer, Gower, Langland, Hoccleve, and Usk, among others, emphasizing the ways that each negotiated and represented their increasingly literate and bureaucratic world, the responsibilities of political and public poetry, and the pressures of the nascent "canonization" of English-language literature.</text>
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              <text>Wallace, David.</text>
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              <text>David Wallace, ed. Europe: A Literary History, 1348-1418 (Oxford: Oxford University Press, 2016), 1:180-90.</text>
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              <text>Chaucer's Life&#13;
Squire and His Tale</text>
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                <text>Calais.</text>
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                <text>Describes the late-medieval literary affiliations of the city of Calais, emphasizing its role in the Hundred Years War and commenting on allusions to the city, noting that Chaucer knew the city personally but "mapped its spaces" (in the GP description of the Squire) without direct reference or allusion.</text>
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              <text>Wallace, David, ed.</text>
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              <text>Oxford: Oxford University Press, 2016. </text>
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              <text>2 vols. xlii, 747 pp.; xlii, 844 pp; maps and b&amp;w illus. </text>
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                <text>Europe: A Literary History, 1348-1418.</text>
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            <description>An account of the resource</description>
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                <text>Surveys the literatures of late medieval Europe (eastern, western, and peripheral) from the onset of the Black Death to the end of the Great Schism at the Council of Constance, describing historical events, cultural conditions, ideological developments, languages, and methods of literary production, all with emphasis on cross-fertilizations. Includes eighty-two essays by various authors, titled and arranged as a series of geographical locales and pathways. The volumes include an index of manuscripts, and (all by Wallace) a general introduction (1:xxii-xlii; rpt. in 2), nine subsidiary introductions to essay clusters, and a culminating essay. Chaucer is cited more than 100 times in the general index (2:691-844). For five essays that pertain to Chaucer, search for Europe: A Literary History, 1348-1418 under Alternative Title.</text>
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              <text>Shepherd, Robert.</text>
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              <text>London: Bloomsbury, 2012. </text>
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              <text>xxiii, 415 pp.; maps and architectural plans.</text>
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              <text>Chaucer's Life</text>
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              <text>SAC 40:29</text>
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              <text>2012</text>
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                <text>Westminster: A Biography: From the Earliest Times to the Present. </text>
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            <description>An account of the resource</description>
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                <text>Includes a chapter entitled "Chaucer's Westminster" (pp. 83-89) that comments on the effects of the plague in Westminster, Chaucer's knowledge of architect Henry Yevele and carpenter Hugh Herland, and the buildings in Westminster that survive from Chaucer's time. Also includes (pp. 100-101) a summary of the theory that Chaucer was murdered and buried in the south transept of Westminster Abbey.</text>
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              <name>Title</name>
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              <text>Salisbury, Eve.</text>
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        <element elementId="98">
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            <elementText elementTextId="2821116">
              <text>Andreea D. Boboc, ed. Theorizing Legal Personhood in Late Medieval England (Leiden: Koninklijke Brill, 2015), pp. 50-70.</text>
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        <element elementId="108">
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          <elementTextContainer>
            <elementText elementTextId="2821117">
              <text>Theorizing Legal Personhood in Late Medieval England.</text>
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              <text>Chaucer's Life&#13;
Nun's Priest and His Tale&#13;
House of Fame&#13;
Parliament of Fowls</text>
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              <text>SAC 40:28</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2821120">
              <text>2015</text>
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            <name>Title</name>
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            <elementTextContainer>
              <elementText elementTextId="2821113">
                <text>Carried Away by the Law: Chaucer and the Poetry of Abduction.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2821114">
                <text>Discusses Chaucer's familiarity with the law evidenced in Chaucer's "Life Records" and his poetry. Suggests that Chaucer "exploits the confusion of legal terms defining abduction and rape" because of his "unprecedented legal personhood" with regard to his personal legal issues. Focuses on Chaucer's understanding of the law in NPT, HF, and PF.</text>
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              <text>Boboc, Andreea D., ed. </text>
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              <text>Leiden: Koninklijke Brill, 2015. </text>
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            <elementText elementTextId="2821109">
              <text>vii, 298 pp.</text>
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          <name>Chaucer Subject</name>
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              <text>Background and General Criticism</text>
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        <element elementId="109">
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              <text>SAC 40:131</text>
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          <name>Date</name>
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            <elementText elementTextId="2821112">
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                <text>Theorizing Legal Personhood in Late Medieval England. </text>
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            <description>An account of the resource</description>
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                <text>Collection of essays exploring "legal personhood vis-à-vis the jurisdictional conflicts" of late medieval England. For an essay pertaining to Chaucer, search for Theorizing Legal Personhood in Late Medieval England under Alternative Title.</text>
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              <text>Prendergast, Thomas A.</text>
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              <text>Philadelphia: University of Pennsylvania Press, 2015.</text>
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            <elementText elementTextId="2821101">
              <text>xii, 235 pp. </text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2821102">
              <text>Chaucer's Life&#13;
Chaucer's Influence and Later Allusion</text>
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          <name>Source</name>
          <description/>
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            <elementText elementTextId="2821103">
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
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              <text>2015</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2821097">
                <text>Poetical Dust: Poets' Corner and the Making of Britain.</text>
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2821098">
                <text>Studies the significance of "Poets' Corner" in Westminster Abbey as both a physical and a metaphorical literary space. Presents the history of Chaucer's importance as the "founding corpse of Poets' Corner" in discussion of how "political, moral, and gendered concerns" determined who would be buried in the Corner. </text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <text>Green, Richard Firth.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2821091">
              <text>Robert S. Sturges, ed. Law and Sovereignty in the Middle Ages and Renaissance (Turnhout: Brepols, 2011), pp. 261-85.</text>
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            <elementText elementTextId="2821092">
              <text>Sturges, Robert S. Sturges, ed.</text>
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        <element elementId="108">
          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2821093">
              <text>Law and Sovereignty in the Middle Ages and Renaissance.</text>
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        <element elementId="102">
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            <elementText elementTextId="2821094">
              <text>Chaucer's Life</text>
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          </elementTextContainer>
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        <element elementId="109">
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          <description/>
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            <elementText elementTextId="2821095">
              <text>SAC 40:26</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821096">
              <text>2011</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2821088">
                <text>Cecily Champain v. Geoffrey Chaucer: A New Look at an Old Dispute</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2821089">
                <text>Reassesses the implications of the two copies of the quitclaim pertaining to Cecily Champain and Chaucer, clarifying the meaning of "quitclaim," describing the process of issuing claims in the medieval period, and arguing that Champain issued two different quitclaims, one specific and one general, in accord with medieval practice. Corollary evidence pertaining to Richard Goodchild and John Grove helps elucidate actions of the case but does not change the likelihood that sexual assault was involved. </text>
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  </item>
  <item itemId="273942" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821082">
              <text>Beights, Greyson.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821083">
              <text>San Francisco: No Starch Press, 2015.</text>
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        <element elementId="99">
          <name>Physical Description</name>
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          <elementTextContainer>
            <elementText elementTextId="2821084">
              <text>123 pp.</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
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            <elementText elementTextId="2821085">
              <text>Chaucer's Life&#13;
Book of the Duchess</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821086">
              <text>SAC 40:25</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821087">
              <text>2015</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2821080">
                <text>Medieval Lego.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2821081">
                <text>Explores the historical events of the Middle Ages, illustrated by LEGO scenes. Includes brief chapter on Chaucer's life, with mention of BD.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="273941" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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              </elementTextContainer>
            </element>
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      <elementContainer>
        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2821074">
              <text>Forni, Kathleen.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2821075">
              <text>Kathleen Coyne Kelly and Tison Pugh, eds. Chaucer on Screen: Absence, Presence, and Adapting the Canterbury Tales (Columbus: Ohio State University Press, 2016), pp. 56-66.</text>
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          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821076">
              <text>Chaucer on Screen.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821077">
              <text>Recordings and Films&#13;
Chaucer's Influence and Later Allusion</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821078">
              <text>No SAC; mea 12/29/2018</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821079">
              <text>2016</text>
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      <elementSet elementSetId="1">
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2821072">
                <text>Profit, Politics, and Prurience; or, Why is Chaucer Bad Box Office.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2825111">
                <text>Posits that Chaucer's box-office appeal is limited in the U.S. by his "relatively low cultural profile," his association with "British linguistic and literary nationalism," and the "paradoxical stigma" of being both too high-brow and too bawdy. Comments on Pier Paolo Pasolini's "I Racconti di Canterbury," Jonathan Myerson's animated "Canterbury Tales," the BBC television "Canterbury Tales," and Brian Helgeland's "A Knight's Tale."</text>
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            </elementTextContainer>
          </element>
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  </item>
  <item itemId="273940" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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              </elementTextContainer>
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      <name>ChaucerItem2</name>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821066">
              <text>Finke, Laurie, and Martin Shichtman.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821067">
              <text>Kathleen Coyne Kelly and Tison Pugh, eds. Chaucer on Screen: Absence, Presence, and Adapting the "Canterbury Tales" (Columbus: Ohio State University Press, 2016), pp. 251-65.</text>
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          </elementTextContainer>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821068">
              <text>Chaucer on Screen.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821069">
              <text>Recordings and Films&#13;
Wife of Bath and Her Tale&#13;
Chaucer's Influence and Later Allusion</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821070">
              <text>SAC 40:90</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821071">
              <text>2016</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
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      <elementSet elementSetId="1">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2821064">
                <text>Marketing Chaucer: "Mad Men" and the Wife of Bath.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2821065">
                <text>Explores the "ghostly presence" of WBPT in the first three episodes of the television show "Mad Men," updating and remediating the "parody of Western misogynist tropes" in WBP, refashioning from WBT the question of what women want, and reframing Chaucer's fantasy of transformation.</text>
              </elementText>
            </elementTextContainer>
          </element>
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    </elementSetContainer>
  </item>
  <item itemId="273939" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821058">
              <text>Stanbury, Sarah.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821059">
              <text>Chaucer on Screen: Absence, Presence, and Adapting the "Canterbury Tales" (Columbus: Ohio State University Press, 2016), pp. 196-207.</text>
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          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821060">
              <text>Chaucer on Screen.</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821061">
              <text>Recordings and Films&#13;
Wife of Bath and Her Tale&#13;
Chaucer's Influence and Later Allusion</text>
            </elementText>
          </elementTextContainer>
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          <description/>
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            <elementText elementTextId="2821062">
              <text>SAC 40:24</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821063">
              <text>2016</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2821056">
                <text>Midlife Sex and the BBC "Wife of Bath." </text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2821057">
                <text>Examines ageism and Chaucerian echoes in the BBC television adaptation of WBPT, commenting on the lack of concern with age in feminist studies, attitudes towards "cougardom" in the TV episode, and affiliations between middle age and the Middle Ages in a distinctly Chaucerian scene from the episode.</text>
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            </elementTextContainer>
          </element>
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    </elementSetContainer>
  </item>
  <item itemId="273938" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
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    <itemType itemTypeId="24">
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      <elementContainer>
        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821050">
              <text>Shuffelton, George.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821051">
              <text>Kathleen Coyne Kelly and Tison Pugh, eds. Chaucer on Screen: Absence, Presence, and Adapting the "Canterbury Tales" (Columbus: Ohio State University Press, 2016), pp. 149-66.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821052">
              <text>Recordings and Films&#13;
Canterbury Tales--General</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821053">
              <text>SAC 40:23</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821054">
              <text>2016</text>
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          </elementTextContainer>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821055">
              <text>Chaucer on Screen.</text>
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      </elementContainer>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2821048">
                <text>"Sorry, Chaucer": Mixed Feelings and Hyapatia Lee's "Ribald Tales of Canterbury."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2821049">
                <text>Assesses Hyapatia Lee's "Ribald Tales of Canterbury" as "quasi-medieval erotica" and a conventional example of pornography from the "golden age" of porn films (1970s and early 1980s). Then discusses evidence from the film and from an autobiography that Lee, as screenwriter and star, sought to assert "feminine displacement of Chaucer's male authority."</text>
              </elementText>
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              <text>Scanlon, Larry.</text>
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              <text>Kathleen Coyne Kelly and Tison Pugh, eds. Chaucer on Screen: Absence, Presence, and Adapting the "Canterbury Tales" (Columbus: Ohio State University Press, 2016), pp. 45-55.</text>
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            <elementText elementTextId="2821044">
              <text>Chaucer on Screen.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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              <text>Recordings and Films&#13;
Sources, Analogues, and Literary Relations</text>
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          <description/>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <name>Title</name>
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                <text>Chaucer, Film, and the Desert of the Real; or, Why Geoffrey Chaucer Will Never Be Jane Austen.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2821041">
                <text>Suggests that modernity's insistence on a repressive break with the past helps to explain the paucity of screen adaptations of Chaucer's works, commenting on similarities between Chaucer's desert in HF and the "desert of the [R]eal" of Jean Baudrillard and Slavoj Žižek, and comparing Chaucer's narrative techniques (particularly in the Monk's description in GP, I.183–88) with Jean Austen's free indirect discourse and the cinematic technique of "shot/reverse shot."</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2821034">
              <text>Scala, Elizabeth.</text>
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              <text>Chaucer on Screen: Absence, Presence, and Adapting the "Canterbury Tales" (Columbus: Ohio State University Press, 2016), pp. 19-32.</text>
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        <element elementId="108">
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            <elementText elementTextId="2821036">
              <text>Chaucer on Screen.</text>
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          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2821037">
              <text>Recordings and Films&#13;
Sources, Analogues, and Literary Relations</text>
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        </element>
        <element elementId="109">
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          <description/>
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              <text>SAC 40:21</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2821039">
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            <name>Title</name>
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              <elementText elementTextId="2821032">
                <text>Naked yet Invisible: Filming Chaucer's Narrator.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2821033">
                <text>Assesses how Brian Helgeland's "A Knight's Tale" and John Madden's "Shakespeare in Love" "tell us more than they realize": that Chaucer always stands separate from his fiction and, conversely, that Shakespeare's "theatrical life" enables us to "easily draw connections between him and his characters." This difference helps to explain why there are so few screen adaptations of Chaucer's works.</text>
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          </element>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2821026">
              <text>Pugh, Tison.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2821027">
              <text>Kathleen Coyne Kelly and Tison Pugh, eds. Chaucer on Screen: Absence, Presence, and Adapting the "Canterbury Tales" (Columbus: Ohio State University Press, 2016), pp. 111-29.</text>
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        <element elementId="108">
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          <elementTextContainer>
            <elementText elementTextId="2821028">
              <text>Chaucer on Screen.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821029">
              <text>Recordings and Films&#13;
Chaucer's Influence and Later Allusion&#13;
Canterbury Tales--General</text>
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          </elementTextContainer>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821030">
              <text>SAC 40:20</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821031">
              <text>2016</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2821024">
                <text>Chaucerian History and Cinematic Perversions in Michael Powell and Emeric Pressburger's "A Canterbury Tale."</text>
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          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2821025">
                <text>Analyzes the "experiential vision of the past" depicted in Powell and Pressburger's movie "A Canterbury Tale," exploring the "spectral inspiration" of Chaucer, the film's propaganda value, its "metacinematic" ironies, and its "perversions" of the film medium alongside the perversions of the Glue Man who assaults women in the plot. Ultimately, the movie exposes the "false binary of perversion and sanctity," particularly as linked to attitudes toward the past.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821019">
              <text>New York: Films Media Group, 2011. Originally produced by the BBC; available through Films on Demand.</text>
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        <element elementId="99">
          <name>Physical Description</name>
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            <elementText elementTextId="2821020">
              <text>Videorecording; streaming video. Color; 30 min. </text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2821021">
              <text>Recordings and Films&#13;
Background and General Criticism&#13;
Facsimiles, Editions, and Translations</text>
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              <text>SAC 40:19</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821023">
              <text>2011</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2821017">
                <text>Medieval Masterpieces.</text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2821018">
                <text>Features the beauty and importance of the Luttrell Psalter and Caxton's second edition of CT, with commentary on book production and the sociohistorical importance of the featured texts. Four sections pertain to Chaucer: "Commercial Printing" (2:30), "Caxton's 2nd Edition" (3:42), "Chaucer's Approach" (3:04), and "Chaucer's Satire" (2:59), each with scholarly commentary. </text>
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  <item itemId="273933" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821011">
              <text>Lynch, Kathryn L.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2821012">
              <text>Kathleen Coyne Kelly and Tison Pugh, eds. Chaucer on Screen: Absence, Presence, and Adapting the "Canterbury Tales" (Columbus: Ohio State University Press, 2016), pp. 130-48.</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821013">
              <text>Chaucer on Screen.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2821014">
              <text>Recordings and Films&#13;
Canterbury Tales--General&#13;
Reeve and His Tale&#13;
Summoner and His Tale&#13;
Merchant and His Tale</text>
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          </elementTextContainer>
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              <text>SAC 40:18</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2821016">
              <text>2016</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2821009">
                <text>Idols of the Marketplace: Chaucer/Pasolini.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2821010">
                <text>Interprets Pier Paolo Pasolini's "I racconti di Canterbury" as a "profound" engagement with CT, analyzing four instances of adaptation that reflect subtle appreciation and understanding of Chaucer's themes and techniques: a latrine scene at the beginning of Pasolini's version of RvT, the gesture used to drive away the cat in his SumT, the "self-reflexiveness" of his casting himself as Chaucer, and his "use of voice" in MerT and placement of it as the first of his tales.</text>
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  <item itemId="273932" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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              </elementTextContainer>
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    <itemType itemTypeId="24">
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821003">
              <text>Kelly, Kathleen Coyne.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821004">
              <text>Kathleen Coyne Kelly and Tison Pugh, eds. Chaucer on Screen: Absence, Presence, and Adapting the "Canterbury Tales" (Columbus: Ohio State University Press, 2016), pp. 218-29</text>
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          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821005">
              <text>Chaucer on Screen.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821006">
              <text>Recordings and Films&#13;
Shipman and His Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821007">
              <text>SAC 40:16</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821008">
              <text>2016</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2821001">
                <text>The Color of Money: The BBC "Sea Captain's Tale."</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2821002">
                <text>Coins the term "updaptation" to describe adaptations that shift temporalities from past to present, using the term to explore relations between ShT and the BBC television version, the "Sea Captain's Tale." Focuses on the episode's use of film noir techniques, the color blue, its setting in India, Sanskrit analogues, and "cultural mimicry."</text>
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  <item itemId="273931" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820995">
              <text>Ellis, Steve.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820996">
              <text>Kathleen Coyne Kelly and Tison Pugh, eds. Chaucer on Screen: Absence, Presence, and Adapting the "Canterbury Tales" (Columbus: Ohio State University Press, 2016), pp. 1879-5.</text>
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          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820997">
              <text>Chaucer on Screen.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
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              <text>Recordings and Films&#13;
Miller and His Tale</text>
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          </elementTextContainer>
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          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>SAC 40:15</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
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              <text>2016</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Putting the Second First: The BBC "Miller's Tale."</text>
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            </elementTextContainer>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2820994">
                <text>Observes the lack of "narratorial interactivity" (teller/tale relations) in the BBC adaptations of CT and explores several other "markedly un-Chaucerian" aspects of the television version of MilT, remarking that the series "does little to promote" understanding or appreciation of Chaucer's works.</text>
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          </element>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
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              <text>Echard, Siân.</text>
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        <element elementId="98">
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            <elementText elementTextId="2820988">
              <text>Kathleen Coyne Kelly and Tison Pugh, eds. Chaucer on Screen: Absence, Presence, and Adapting the "Canterbury Tales" (Columbus: Ohio State University Press, 2016), pp. 167-83.</text>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
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              <text>Chaucer on Screen.</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820990">
              <text>Recordings and Films&#13;
Knight and His Tale</text>
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          </elementTextContainer>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820991">
              <text>SAC 40:14</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820992">
              <text>2016</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2820985">
                <text>The Naked Truth: Chaucerian Spectacle in Brian Helgeland's "A Knight's Tale."</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2820986">
                <text>Explores the "unexpected points of contact between" Brian Helgeland's "A Knight's Tale" and Chaucer's poetry, discussing ways that the film and KnT focus on tilting arenas and order, their affinities with pastiche, their concern with the power of the poet, and their "enlisting" of audience "complicity."</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820979">
              <text>Davis, Kathleen.&#13;
</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820980">
              <text>Kathleen Coyne Kelly and Tison Pugh, eds. Chaucer on Screen: Absence, Presence, and Adapting the "Canterbury Tales" (Columbus: Ohio State University Press, 2016), pp. 239-48.</text>
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          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820981">
              <text>Chaucer on Screen.</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820982">
              <text>Recordings and Films&#13;
Man of Law and His Tale</text>
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          </elementTextContainer>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820983">
              <text>SAC 40:13</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820984">
              <text>2016</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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      <elementSet elementSetId="1">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2820977">
                <text>Time, Memory, and Desire in the BBC "The Man of Law's Tale."</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2820978">
                <text>Views the BBC television version of MLT as an exploration of the simultaneities of past, present, and future, interrelated with motifs of amnesia, immigration, political struggle, religious warfare, and the "correlation of spiritual and sexual desire"--many of which are, more or less, "latent" concerns of Chaucer's tale.</text>
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            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="273928" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
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      <description>Items for the Chaucer Database</description>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820971">
              <text>D'Arcens, Louise.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820972">
              <text>Kathleen Coyne Kelly and Tison Pugh, eds. Chaucer on Screen: Absence, Presence, and Adapting the "Canterbury Tales" (Columbus: Ohio State University Press, 2016), pp. 208-17.</text>
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          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820973">
              <text>Chaucer on Screen.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820974">
              <text>Recordings and Films&#13;
Knight and His Tale</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820975">
              <text>SAC 40:12</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820976">
              <text>2016</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2820969">
                <text>Serving Time: The BBC "Knight's Tale"in the Prison-House of Free Adaptation.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2820970">
                <text>Argues that the concern with reading and liberation in the BBC television version of KnT is "reflexive," mirroring the goals of the six-part series. The series' goal of "freeing" readers from "academic Chaucer" is paralleled by efforts to liberate the episode's male protagonists through education, but both are undercut by circular logic.</text>
              </elementText>
            </elementTextContainer>
          </element>
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  </item>
  <item itemId="273927" public="1" featured="0">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820963">
              <text>Barrington, Candace.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820964">
              <text>Kathleen Coyne Kelly and Tison Pugh, eds. Chaucer on Screen: Absence, Presence, and Adapting the "Canterbury Tales" (Columbus: Ohio State University Press, 2016), pp. 88-107.</text>
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          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820965">
              <text>Chaucer on Screen.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820966">
              <text>Recordings and Films&#13;
Wife of Bath and Her Tale&#13;
Chaucer's Influence and Later Allusion</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820967">
              <text>SAC 40:11</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820968">
              <text>2016</text>
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          </elementTextContainer>
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      <elementSet elementSetId="1">
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2820961">
                <text>Lost Chaucer: Natalie Wood's 'The Deadly Riddle' and the Golden Age of American Television.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2820962">
                <text>Recounts efforts to find "film elements" (recorded vestiges) of "The Deadly Riddle," a 1956 television version of WBT, produced by Roy Huggins for "Warner Brothers Presents," starring Natalie Wood and Jacques Sernas. Only paratextual material provides evidence of the lost recording, indicating loose adaptation of WBT, yet enabling a fantasy of reconstruction. Also, CT may be seen as the "originary origin" for framed serial storytelling, a recurrent technique of television and radio</text>
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          </element>
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  <item itemId="273926" public="1" featured="0">
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        <elementSet elementSetId="1">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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            </element>
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          <description/>
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            <elementText elementTextId="2820955">
              <text>Bahr, Arthur.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820956">
              <text>Kathleen Coyne Kelly and Tison Pugh, eds. Chaucer on Screen: Absence, Presence, and Adapting the "Canterbury Tales" (Columbus: Ohio State University Press, 2016), pp. 230-38.</text>
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          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820957">
              <text>Chaucer on Screen.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820958">
              <text>Recordings and Films&#13;
Pardoner and His Tale</text>
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          </elementTextContainer>
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          <name>Source</name>
          <description/>
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            <elementText elementTextId="2820959">
              <text>SAC 40:10</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820960">
              <text>2016</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2820953">
                <text>Sex, Plague, and Resonance: Reflections on the BBC "Pardoner's Tale."</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2820954">
                <text>Shows that the BBC television adaptation of PardPT concentrates more on sexual predation than on death, and argues that this eliminates both the sexual and the contextual queerness of Chaucer's original, which requires of its audience "rigorously trained self-awareness that its contextual queerness makes difficult or impossible to feel secure in."</text>
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