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              <text>Médiévales 62 (2016): 498-512.</text>
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Squire and His Tale&#13;
Troilus and Criseyde</text>
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                <text>La figure du cheval dans la littérature médiévale anglaise: réalité et motif.</text>
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                <text>Studies how horse figures function in telling, traveling, and space definition in "Les quatre fils Aymon," "Sir Gawain and the Green Knight, GP, SqT, and TC.</text>
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                <text>Chaucer, the Chaucer Tradition, and Female Monastic Readers.</text>
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                <text>Considers ways that female monastic readers in Amesbury and Syon may have read and used works by Chaucer, Thomas Hoccleve, and John Lydgate. Claims that these "Chaucerian tradition" writings helped influence the devotional culture of female monastic communities.</text>
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              <text>Turner, Marion.</text>
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              <text>Journal of Medieval and Early Modern Studies 46.1 (2016): 61-87.</text>
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                <text>Illness Narratives in the Later Middle Ages: Arderne, Chaucer, and Hoccleve.</text>
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                <text>Explores how John Arderne, Chaucer, and Thomas Hoccleve use the language of illness and healing in a wide range of texts, noting that the narrators present themselves as "flawed and sick" and that their narratives, like their bodies, are "not wholly under their control."</text>
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              <text>Tombs, Robert.</text>
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              <text>New York: Knopf, 2014.</text>
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              <text> x, 1024 pp.</text>
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Language and Word Studies</text>
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                <text>The English and Their History.</text>
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                <text>Presents a comprehensive history of England and argues that shared language is a key component of an English national identity that was developed by the end of the Middle Ages. Credits Chaucer, Langland, and Wyclif with the revival of English in the fourteenth century.</text>
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              <text>Thompson, John J.</text>
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              <text>Graham Allen, Carrie Griffen, and Mary O'Connell, eds. Readings on Audience and Textual Materiality (London: Pickering &amp; Chatto, 2011), pp. 9–21.</text>
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              <text>Graham Allen, ed.&#13;
Carrie Griffen, ed. &#13;
Mary O'Connell, ed.</text>
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Miller and His Tale</text>
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                <text>The Memory and Impact of Oral Performance: Shaping the Understanding of Late Medieval Readers.</text>
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                <text>Considers the shifts from orality to literacy and from manuscripts to printed books in late medieval English book culture, examining the range of implications about audiences evident in various versions of the lyric "Erthe upon erthe." Opens with "Preliminary" observations about Chaucer as an "experimental" writer "fully aware of the fictional potential of documenting these changing times for contemporary writers and audiences," commenting on MilP and on the short verses embedded in his longer narratives.</text>
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              <text>Sidhu, Nicole Nolan.</text>
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              <text>Philadelphia: University of Pennsylvania Press, 2016.</text>
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              <text>vii, 303 pp; illus.</text>
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              <text>Chaucer's Poetics of the Obscene: Classical Narrative and Fabliau Politics in Fragment One of the "Canterbury Tales" and the "Legend of Good Women."</text>
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              <text>Reeve and His Tale&#13;
Knight and His Tale&#13;
Miller and His Tale&#13;
Legend of Good Women</text>
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                <text>Indecent Exposure: Gender, Politics, and Obscene Comedy in Middle English Literature.</text>
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                <text>Argues in Chapter 2, "Chaucer's Poetics of the Obscene: Classical Narrative and Fabliau Politics in Fragment One of the "Canterbury Tales" and the "Legend of Good Women" (pp. 76-110), that RvT taps the subversive potential of the fabliau to critique masculine rivalry and sexual coercion. RvT challenges both KnT and MilT, particularly their entrenchment of the status quo by echoing the classical legend of Ariadne, understood in part through LGW. </text>
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Troilus and Criseyde&#13;
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Knight and His Tale</text>
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                <text>Dearest Ladies: The Idea of Writing for Women in Late Medieval Literature.</text>
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                <text>In the course of examining changing ideas of female readers, considers Chaucer's self-definition as a "writer of feminine genres" (e.g., devotions, saints' lives, and conduct literature).</text>
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Tale of Melibee&#13;
Man of Law and His Tale&#13;
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                <text>Chaucer's Feminine Pretexts: Gendered Genres in Three Frame Moments.</text>
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            <description>An account of the resource</description>
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                <text>Explores what Chaucer's use of genres strongly associated with female readers--such as vernacular devotional writing, conduct literature, and hagiography--suggests about his attitudes toward women. Examines the significance of the catalogue of Chaucer's works, including a lost translation of Pseudo-Origen's "De Maria Magdalena," in LGW. Addresses Harry Bailly's response to Mel and its relationship to conduct literature, and the Man of Law's characterization of Chaucer as a writer of female saints' lives.</text>
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              <text>Corrigan, Nancy.</text>
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              <text>Serina Patterson, ed. Games and Gaming in Medieval Literature (New York: Palgrave Macmillan, 2015), pp. 147-68.</text>
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              <text>Games and Gaming in Medieval Literature.</text>
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Canterbury Tales--General</text>
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                <text>The Knight's Earnest Game in Chaucer's "The Canterbury Tales."</text>
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            <description>An account of the resource</description>
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                <text>Examines the "game–earnest topos" in KnT to understand better Chaucer's many uses of games in CT.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>xiii, 241 pp.</text>
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              <text>Background and General Criticism</text>
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          <name>Date</name>
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                <text>Games and Gaming in Medieval Literature.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Collects interdisciplinary essays focusing on the breadth and depth of games in medieval literature and culture. For an essay that pertains to Chaucer, search for Games and Gaming in Medieval Literature under Alternative Title.</text>
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              <text>Bolens, Guillemette.</text>
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              <text>Nicole Nyffenegger and Katrin Rupp, eds. Fleshly Things and Spiritual Matters: Studies on the Medieval Body in Honour of Margaret Bridges (Newcastle upon Tyne: Cambridge Scholars, 2011), pp. 51-77.</text>
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              <text>Fleshly Things and Spiritual Matters.</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2822593">
              <text>Chaucerian Apocrypha&#13;
Pardoner and His Tale&#13;
Miller and His Tale</text>
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                <text>Kit's Sneeze: Bodily Communication, Gender Roles, and the Performativity of Literature in the Prologue to the "Tale of Beryn."</text>
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            <description>An account of the resource</description>
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                <text>Explores the extent to which a "literary text may disturb the social drama of gender roles by staging characters deliberately enacting their normative gender roles 'as' enacted gender roles," focusing on Kit in the Prologue to the Tale of Beryn, but also investigating the narrator and the Pardoner in the poem as they perform their roles. Briefly contrasts Kit's agency with Alisoun's lack of it in MilT.</text>
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              <text>Nicole Nyffenegger and Katrin Rupp, eds. Fleshly Things and Spiritual Matters: Studies on the Medieval Body in Honour of Margaret Bridges (Newcastle upon Tyne: Cambridge Scholars, 2011), pp. 193-208.</text>
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              <text>Troilus and Criseyde&#13;
Chaucer's Influence and Later Allusion</text>
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                <text>"A Pregnant Argument": Bodies and Literacies in Dante's "Comedy," Chaucer's "Troilus," and Henryson's "Testament." </text>
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                <text>Explores verbal play with walls and words in Dante's allusion to Pyramus and Thisbe in his "Commedia"; Chaucer's uses of enclosure and openness in TC in light of his own allusion to the love pair (TC 5.1247-48); and Henryson's closing off of Cresseid's legacy in his "Testament," anagrammatized in the first letters of his reference to Chaucer ("FICTIO," at "Testament" 58-63). Includes concern with gender, literacy, and the need to consider a broader idea of gendered "literacies."</text>
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              <text>Keller, Angelina.</text>
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              <text>Nicole Nyffenegger and Katrin Rupp, eds. Fleshly Things and Spiritual Matters: Studies on the Medieval Body in Honour of Margaret Bridges (Newcastle upon Tyne: Cambridge Scholars, 2011), pp. 79-124.</text>
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              <text> Fleshly Things and Spiritual Matters.</text>
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Second Nun and Her Tale&#13;
Language and Word Studies</text>
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                <text>Grotesquely Articulate Bodies: Medicine, Hermeneutics and Writing in the "Canterbury Tales."</text>
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                <text>Identifies in medieval medicine a concern with organs and features of the human body that are "grotesquely" able to speak, and associates the concept with Cecilia's neck in SNT and the clergeon's throat in PrT. Through their depictions of human bodies speaking through wounds, these tales engage ideas of verbal propriety and authority, and subversively point toward the "materiality of language" and the "sheer impossibility of proper signification."</text>
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                <text>(Dis)embodying Men: The Visual Regimes of Homosociality in the Middle Ages.</text>
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                <text>Addresses the male gaze "at other men's bodies," focusing on visual art and on "Sir Gawain and the Green Knight." Includes comments on Chaucer's "lingering over the details of Nicholas's ass" in MilT.</text>
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              <text>Newcastle upon Tyne: Cambridge Scholars, 2011.</text>
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              <text>xii, 253 pp.</text>
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              <text>Background and General Criticism</text>
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            <elementText elementTextId="2822563">
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                <text>Fleshly Things and Spiritual Matters: Studies on the Medieval Body in Honour of Margaret Bridges.</text>
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                <text>Ten essays by various authors, with an introduction by the editors and an index. For four essays that pertain to Chaucer, search for Fleshly Things and Spiritual Matters under Alternative Title.</text>
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              <text>Nowlin, Steele.</text>
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              <text>Columbus: Ohio State University Press, 2016.</text>
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              <text>ix, 234 pp.</text>
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              <text>House of Fame&#13;
Parliament of Fowls&#13;
Legend of Good Women&#13;
Prioress and Her Tale&#13;
Monk and His Tale&#13;
Nun's Priest and His Tale&#13;
Sources, Analogues, and Literary Relations&#13;
Chaucer's Influence and Later Allusion</text>
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                <text>Chaucer, Gower, and the Affect of Invention.</text>
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                <text>Examines the process of medieval poetic invention expressed in the poetry of Chaucer and John Gower. Draws on contemporary affect theory to present ways that both poets present "invention as an affective force" in representations of emotional experiences. Studies PF, HF, and LGW. Also explores the affect of invention in PrT, MkT, and NPT. Conclusion reveals Chaucer's and Gower's influence on Shakespeare's conceptualization of affect and invention in his lyric poems.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Newman, Barbara.</text>
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              <text>Notre Dame: University of Notre Dame Press, 2013.</text>
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              <text>xvi, 399 pp.; illus.</text>
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              <text>Background and General Criticism&#13;
Troilus and Criseyde&#13;
Legend of Good Women&#13;
Knight and His Tale&#13;
Man of Law and His Tale&#13;
Wife of Bath and Her Tale&#13;
Franklin and His Tale&#13;
Prioress and Her Tale</text>
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              <text>SAC 40:164</text>
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        <element elementId="114">
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            <elementText elementTextId="2822546">
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                <text>Medieval Crossover: Reading the Secular against the Sacred.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2822540">
                <text>Explores how the "sacred and the secular interact" in Latin, French, and English texts and frames this "crossover concept" as key to understanding medieval literature. Includes discussion of PrT, FranT, KnT, MLT, WBPT, LGW, and TC.</text>
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              <text>Nelles, William, and Evelyn Newlyn.</text>
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              <text>Charles E. May, ed. Critical Survey of Short Fiction. 2nd rev. ed. Vol. 2, Italo Calvino--Louise Erdrich (Pasadena, Calif.: Salem, 2001), pp. 518-31.</text>
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              <text>Charles E. May, ed.</text>
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              <text>Critical Survey of Short Fiction.</text>
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              <text>Background and General Criticism&#13;
Chaucer's Life&#13;
Canterbury Tales--General&#13;
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              <text>SAC 40:163</text>
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            <elementText elementTextId="2822538">
              <text>2001</text>
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                <text>Geoffrey Chaucer.</text>
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                <text>Introduces Chaucer's life and works, emphasizing the "scope and diversity" of his poetry. Describes each of his major works, and anatomizes CT as "one of the earliest collections of short stories of almost every conceivable type," describing the genres of KnT, MilT, RvT, PrT, PrT and NPT, WBT, ClT, MerT, and FranT. Includes a brief bibliography.</text>
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              <text>Nangle, Sarah.</text>
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            <elementText elementTextId="2822525">
              <text>Dissertation Abstracts International A78.11 (2016): n.p.</text>
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            <elementText elementTextId="2822526">
              <text>Dissertation Abstracts International 78 (2016)</text>
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          <description/>
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              <text>Background and General Criticism&#13;
Book of the Duchess&#13;
House of Fame&#13;
Parliament of Fowls&#13;
Manciple and His Tale</text>
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              <text>SAC 40:162</text>
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              <elementText elementTextId="2822522">
                <text>Both the Edge and the Centre: The Politics of Understanding Music in Middle English Poetry--An Interdisciplinary Study.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2822523">
                <text>Considers the philosophical ramifications of understanding music, particularly as evidenced in BD, HF, PF, and ManT.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>McKinstry, Jamie.</text>
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        <element elementId="98">
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              <text>Cambridge: D. S. Brewer, 2015.</text>
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            <elementText elementTextId="2822518">
              <text>ix, 276 pp.</text>
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              <text>Background and General Criticism&#13;
Book of the Duchess&#13;
Troilus and Criseyde&#13;
Knight and His Tale</text>
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          <element elementId="50">
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              <elementText elementTextId="2822514">
                <text>Middle English Romance and the Craft of Memory.</text>
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2822515">
                <text>Studies how recollection is achieved through physical, cognitive, and interpretive challenges. Uses examples from Chaucer's romances to explore individual and collective memory processes, discussing memory in KnT, BD, and TC.</text>
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          </element>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>McDermott, Ryan. </text>
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        <element elementId="98">
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              <text>Notre Dame: University of Notre Dame Press, 2016. </text>
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            <elementText elementTextId="2822510">
              <text>ix, 431 pp.</text>
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          <elementTextContainer>
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              <text>Background and General Criticism&#13;
Book of the Duchess</text>
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              <text>SAC 40:160</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2822513">
              <text>2016</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2822506">
                <text>Tropologies: Ethics and Invention in England, c. 1350–1600.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2822507">
                <text>Studies the medieval and early modern theory of tropological, or moral, sense of Scripture. Argues that tropology can be "theory of literary and ethical invention" as a way to interpret the Bible. Includes brief discussions of Langland's and Chaucer's dream visions, including BD.</text>
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          </element>
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    </elementSetContainer>
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  <item itemId="274116" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2822500">
              <text>Matthews, Ricardo.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
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            <elementText elementTextId="2822501">
              <text>Dissertation Abstracts International A77.10 (2016): n.p. Open access at https://escholarship.org/uc/item/2cz1v5sv; accessed January 31, 2023.</text>
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              <text>Dissertation Abstracts International 77 (2016)</text>
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          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2822503">
              <text>Background and General Criticism&#13;
Knight and His Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
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              <text>SAC 40:159</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2822505">
              <text>2016</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2822498">
                <text>The Overheard Song: Medieval Lyric in the Mixed Genre.</text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2822499">
                <text>Uses KnT, among other works, in a study of medieval works combining prose and lyric poetry (common in France, but less studied in English.)</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2822492">
              <text>Matthews, David.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
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              <text>Style 50.3 (2016): 280-95.</text>
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          <name>Journal by Volume Number</name>
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              <text>Style 50 (2016)</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2822495">
              <text>Chaucer's Influence and Later Allusion&#13;
Style and Versification&#13;
House of Fame&#13;
Book of the Duchess&#13;
Parliament of Fowls&#13;
Legend of Good Women&#13;
General Prologue to the Canterbury Tales&#13;
Knight and His Tale</text>
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          </elementTextContainer>
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          <name>Source</name>
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            <elementText elementTextId="2822496">
              <text>SAC 40: 158</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2822497">
              <text>2016</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2822490">
                <text>Enlisting the Poet: The List and the Late Medieval Dream Vision.</text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2822491">
                <text>Focuses on ways Chaucer's successors employed lists in dream visions, and refers to HF, BD, PF, LGW, KnT, and GP. Argues that by employing different listing techniques, medieval authors used lists as a way of legitimizing themselves as authors.</text>
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            </elementTextContainer>
          </element>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2822484">
              <text>Mahameed, Mohammed, and Al-Quran Raji.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2822485">
              <text>Nebula 8.1 (2011): 199-208.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2822486">
              <text>Nebula 08 (2011)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2822487">
              <text>Background and General Criticism&#13;
Book of the Duchess&#13;
Troilus and Criseyde&#13;
Legend of Good Women&#13;
Canterbury Tales--General</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2822488">
              <text>SAC 40:157</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2822489">
              <text>2011</text>
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            <name>Title</name>
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              <elementText elementTextId="2822482">
                <text>Chaucer's Religious Skepticism.</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2822483">
                <text>Asserts that details of astrology, astronomy, and mythology in BD, TC, and CT evince Chaucer's confused and skeptical views of Christianity, commenting on passages from LGW and CT. Available at http://nobleworld.biz/images/Mohammed_Raji.pdf (last accessed October 1, 2018). </text>
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