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              <text>Phillips, Helen.</text>
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              <text>Clíodhna Carney and Frances McCormack, eds. Chaucer's Poetry: Words, Authority and Ethics (Dublin: Four Courts Press, 2013), pp. 75-91.</text>
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              <text>2013</text>
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              <text>Chaucer's Poetry: Words, Authority and Ethics.</text>
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              <text>Style and Versification</text>
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              <text>mea SAC 37:76</text>
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                <text>Chaucer and the Sun-God: King and Poet</text>
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                <text>Examines Chaucer's use of sun-king imagery and references to Apollo in a variety of works. Compiles historical connections among Chaucer's allusions and Richard II and other political figures' iconography, suggesting a multivalent portrayal of kingship involving both "fear" and "splendour."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Boyd, Beverly.</text>
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              <text>Lewiston, N.Y.: Edwin Mellen  Press, 2014.</text>
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            <elementText elementTextId="2813963">
              <text>2014</text>
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            <elementText elementTextId="2813964">
              <text>ii, 214 pp.</text>
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              <text>Chaucer's Life</text>
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              <text>General Prologue to the Canterbury Tales</text>
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              <text>mea; 2/25/2017 SAC 38:101</text>
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                <text>Chaucer and the Taverners of Ipswich: The Influence of His Paternal Ancestors upon some Portraits and upon His Descendants</text>
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                <text>Argues that as he grew older, Chaucer became disenchanted with the affectations of court life and with the mercantile life of his own father  and developed an interest in his paternal ancestors who had been provincial taverners in Ipswich in the county of Suffolk. This development  is reflected in the portrait gallery of the GP where Chaucer displays his aversion to affectation and his interest in provincial people.</text>
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              <text>Dinshaw, Carolyn.</text>
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              <text>New York and London: Garland, 1988.</text>
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            <elementText elementTextId="2706876">
              <text>1988</text>
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            <elementText elementTextId="2706877">
              <text>252 pp.</text>
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              <text>Background and General Criticism.</text>
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              <text>House of Fame.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Legend of Good Women.</text>
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              <text>Garland Publications in American and English Literature.</text>
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              <text>jules SAC 12 (75)</text>
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                <text>Chaucer and the Text: Two Views of the Author</text>
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                <text>Dinshaw argues that we must read the text of Chaucer dialectically, "both (as) the expression of an individual, historical writer and as having significance that is dependent upon preexisting structures of language."  Investigates how texts "create" their authors and "how the author is delimited by the text itself" and examines the "figures of the poet" in HF, TC, and LGWP.</text>
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                <text>Originally Ph.D. diss., Princeton University, 1982.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Dinshaw, Carolyn Louise.</text>
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        <element elementId="98">
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            <elementText elementTextId="2719244">
              <text>Dissertation Abstracts International 43 (1983): 2442-2443A.</text>
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        <element elementId="114">
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              <text>1983</text>
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              <text>Background and General Criticism.</text>
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              <text>Dissertation Abstracts International 43 (1983)</text>
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              <text>jules SAC 07 (82)</text>
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                <text>Chaucer and the Text: Two Views of the Author</text>
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                <text>Produced at a time when authors as individuals and literary structures were emerging, Chaucer's texts should be read both as an individual author's work and as the work of a "construct."  The relationship appears in HF and develops through TC to the LGWP.</text>
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                <text>Published by Garland Press in 1988.</text>
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              <text>Desmond, Marilyn.</text>
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              <text>Suzanne Conklin Akbari and James Simpson, eds. The Oxford Handbook of Chaucer (Oxford: Oxford Handbook of Chaucer), pp. 238-51.</text>
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              <text> Oxford Handbook of Chaucer</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
Book of the Duchess&#13;
Troilus and Criseyde</text>
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              <text>mea; SAC 44:43</text>
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                <text>Chaucer and the Textualities of Troy.</text>
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                <text>Surveys some of the sources of and connections among the various texts that predate Chaucer and that describe Troy and its fall. Discusses a range of Chaucerian engagements with Troy, including BD and TC.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Mogan, Joseph J., Jr.</text>
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              <text>The Hague: Mouton, 1969.</text>
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              <text>1969</text>
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              <text>190 pp.</text>
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              <text>Background and General Criticism</text>
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              <text>mea; 2/9/2017 No SAC</text>
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                <text>Chaucer and the Theme of Mutability</text>
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                <text>Describes considerations of mutability from "Antiquity Through the Middle Ages" and then focuses on Chaucer's works, with individual sections that assess aspects of the theme in Chaucer's translations, his lyric poems, his dream visions, TC, KnT, and the "Remainder" of the CT. Considers several sub-themes: "decay of the world, 'ubi sunt,' mutability, mortality, contempt of the world ['contemptus mundi'], putrefaction," and "the world in all its transitoriness," arguing that the theme is prevalent throughout Chaucer's career and that it helps to account for the "tension and universality of his poetry."</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
Lyrics and Short Poems&#13;
Book of the Duchess&#13;
Parliament of Fowls&#13;
Troilus and Criseyde&#13;
Knight and His Tale&#13;
Man of Law and His Tale&#13;
Monk and His Tale &#13;
Merchant and His Tale</text>
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                <text>Chaucer and the Theme of Mutability.</text>
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                <text>Traces the development of the notion of mutability from decay to progress, with related motifs, and assesses its place in Boethius' "Consolation of Philosophy" and the "De Contemptu Mundi" of Innocent III. Then examines Chaucer's "peculiar sensibility of impermanence" as evident in several of his short poems, BD, PF, TC, and CT, especially in KnT, MLPT, MkT, and MerT.</text>
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              <text>vxl SAC 32:139.</text>
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                <text>Chaucer and the Theory Wars: Attack of the Historicists? The Psychologists Strike Back? Or a New Hope?</text>
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                <text>Surveys recent historicist and psychoanalytic approaches to Chaucer's writing, positing an impending turn toward "an emerging norm of multi- and post-theoretical criticism."</text>
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              <text>Sowell, Madison U.</text>
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                <text>Chaucer and the Three Crowns of Florence (Dante, Petrarch, and Boccaccio): Recent Comparative Scholarship</text>
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              <text>Koonce, B. G.</text>
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              <text>Princeton, N.J.: Princeton University Press, 1966.&#13;
See also Dissertation Abstracts International 20.09 (1960): 3729-30.</text>
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              <text>293 pp.</text>
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              <text>House of Fame&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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              <text>mea; 10/22/2018</text>
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              <text>1966</text>
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            <elementText elementTextId="2838142">
              <text>Dissertation Abstracts International 20 (1960)</text>
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                <text>Chaucer and the Tradition of Fame: Symbolism in "the House of Fame."</text>
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                <text>Confronts the "deliberate obscurity" of HF, seeking to resolve its apparent disjunctions and disunities by reading it as a "poetic allegory" on the "subject of fame," influenced by scriptural tradition, by the dual aspects of Venus (secular and sacred love), and by Dante's "Divine Comedy." The dream frame and the "symbolic date" of the poem invite attention to the "outer and inner modes" of allegory, the Dido and Aeneas account signals a dual concern with love and fame, and the eagle indicates a kind of rational pursuit of the dual ideals. Fame's hall is deeply symbolic and the narrator's quest is a pursuit for tidings of love both spiritual and earthly. Based on the author's 1959 Princeton University dissertation: "Chaucer and the Tradition of Fame: A Study of the Symbolism in the 'House of Fame'." </text>
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              <text>Hosokawa, Satoshi.</text>
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              <text>Sources, Analogues, and Literrary Relations</text>
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              <text>Koichi Kano, ed. An Invitation to Chaucer's Cosmos (Tokyo: Yushokan, 2022), pp. 187-210.</text>
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                <text>Provides a list of French works written in the period up to Chaucer's lifetime in the order of the number of extant manuscripts, from more than 100 to four. Assuming this reflects the French texts that surrounded Chaucer, reviews Charles Muscatine's classical study, "Chaucer and the French Tradition "(1957). In Japanese.</text>
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              <text>Nolan, Barbara.</text>
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              <text>Cambridge and New York: Cambridge University Press, 1992.</text>
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              <text>xv, 391 pp.</text>
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              <text>Troilus and Criseyde.</text>
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                <text>Chaucer and the Tradition of the Roman Antique</text>
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                <text>Nolan analyzes continental verse narratives from which Chaucer borrowed for KnT and TC--namely, the Roman de Troie, Roman de Thebes, Roman d'Eneas, and Boccaccio's Filostrato and Teseida.  TC uses Ovidian fine amor as a "fulcrum," and history as a glass for examining love, but Chaucer adds that erotic love is mortal and subject to Fortune's whims.                                 </text>
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                <text>  Based solely on an ancient--and pagan--world view, KnT excludes Christian spirituality.  The Knight's stoicism and classical notion of justice  clash with the episodic irrationality of the medieval romance, where adventures and marvels pose moral questions in a chaotic world.</text>
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              <text>Battles, Paul.</text>
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              <text>Chaucer Review 31 (1997): 317-38.</text>
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              <text>Complaint of Mars.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>Chaucer Review 31 (1997)</text>
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              <text>jules SAC 21 - 82</text>
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                <text>Chaucer and the Traditions of Dawn-Song</text>
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                <text>Chaucer draws on a variety of sources--Boccaccio, Ovid, French dawn-songs, popular dawn-song traditions, courtly dawn-songs, and (perhaps) popular poetry--for the dawn-songs in RvT, MerT, Mars, and TC.  He uses these sources in a variety of idiosyncratic ways.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Wetherbee, Winthrop.</text>
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            <elementText elementTextId="2760887">
              <text>PoeticaT 55  : 39-53, 2001.</text>
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            <elementText elementTextId="2760890">
              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>Book of the Duchess</text>
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              <text>Legend of Good Women</text>
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              <text>Knight and His Tale</text>
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              <text>Troilus and Criseyde</text>
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            <elementText elementTextId="2760896">
              <text>Poetica: An International Journal of Linguistic Literary Studies 55 (2001)</text>
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              <text>vxl SAC 26:55</text>
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                <text>Chaucer and the Tragic Vision of Life</text>
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                <text>Assesses Chaucer's response to ancient poetry, especially as Chaucer (like Dante) fuses the ancient with more recent models while pursuing the ancient concern with the tragic sorrows of love. Wetherbee comments on aspects of BD and HF, examines the invocation of Tisiphone in TC, and discusses the end of KnT. In LGWP, as elsewhere, Chaucer is a love poet, subject to ancient tragedy.</text>
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              <text>Dove, Mary.</text>
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        <element elementId="98">
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              <text>Sheila Delany, ed. Chaucer and the Jews: Sources, Contexts, Meanings (New York and London: Routledge, 2002), pp. 89-107.</text>
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            <elementText elementTextId="2760042">
              <text>2002</text>
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            <elementText elementTextId="2760043">
              <text>Chaucer and the Jews: Sources, Contexts, Meanings.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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        <element elementId="109">
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              <text>vxl SAC 26:48</text>
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            <name>Title</name>
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              <elementText elementTextId="2760039">
                <text>Chaucer and the Translation of the Jewish Scriptures</text>
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                <text>Wycliffite translation of Jewish Scripture and the glosses and prologues that supplemented it often reflect curiosity about Jewish scholarship. Chaucer may have read the translation and may have admired the reading practices of the Jews.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2748968">
              <text>Russell, J. Stephen.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2748969">
              <text>Gainesville: University Press of Florida, 1998.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2748970">
              <text>1998</text>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2748971">
              <text>x, 265 pp.</text>
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        <element elementId="102">
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          <description/>
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            <elementText elementTextId="2748974">
              <text>Canterbury Tales--General.</text>
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              <text>General Prologue to the Canterbury Tales.</text>
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            <elementText elementTextId="2748976">
              <text>Knight and His Tale.</text>
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            <elementText elementTextId="2748977">
              <text>Man of Law and His Tale.</text>
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              <text>Clerk and His Tale.</text>
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              <text>jules SAC 22 - 184.</text>
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                <text>Chaucer and the Trivium: The Mindsong of the Canterbury Tales</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2748972">
                <text>Argues that medieval language theory and the arts of grammar, logic, and rhetoric inform CT. They provided Chaucer with his fundamental awareness of the slipperiness of language-its inability to represent truth and reality and its ability to distort as well as convince. </text>
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                <text>Also, as the source of Chaucer's understanding of human cognition, the trivium gave Chaucer the "mechanism for consciously evoking an image of the human individual" (203). Summarizes medieval education and its "implications" and discusses GP, KnT, MLT, and ClT as works in which the influence of the trivium on Chaucer's imagination and techniques is particularly clear. Includes brief discussion of WBP, MerT, FranT and Mel.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2714167">
              <text>Beidler, Peter G.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2714168">
              <text>Chaucer Review 19 (1985): 290-301.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2714169">
              <text>1985</text>
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        <element elementId="102">
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            <elementText elementTextId="2714171">
              <text>Background and General Criticism.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2714172">
              <text>Chaucer Review 19 (1985)</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2714173">
              <text>jules SAC 09 (52)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2714166">
                <text>Chaucer and the Trots: What to Do About Those Modern English Translations</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2714170">
                <text>Translations of Chaucer are inadequate and have no place in serious literary scholarship.  Reviews of translations are also misleading since they may suggest that modern English versions lift a veil from the opacity of Chaucer's poetry.</text>
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  <item itemId="266154" public="1" featured="0">
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              <name>Title</name>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2741512">
              <text>Astell, Ann W.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2741513">
              <text>Ithaca, N.Y.; and London:</text>
            </elementText>
            <elementText elementTextId="2741514">
              <text>Cornell University Press, 1996.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2741515">
              <text>1996</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2741516">
              <text>xvi, 254 pp.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2741519">
              <text>Canterbury Tales--General.</text>
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            <elementText elementTextId="2741520">
              <text>Sources, Analogues, and Literary Relations.</text>
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        <element elementId="109">
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            <elementText elementTextId="2741521">
              <text>jules SAC 20 (1998), 111</text>
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          <element elementId="50">
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              <elementText elementTextId="2741511">
                <text>Chaucer and the Universe of Learning</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2741517">
                <text>In the Ellesmere arrangement, CT forms a unified whole, modeled on the seven planets and on the traditional divisions of philosophy, offering a "planetary pilgrimage" and a philosophical "journey of the soul."  Like Gower's "Confessio Amantis," CT is an "ordered collection of exemplary stories," structurally tripartite.</text>
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              <elementText elementTextId="2741518">
                <text>  The two works are also similar in that each "involves its reader as an active participant in the construction of its meaning."  A planetary scheme connects CT and Dante's "Paradiso," even though their audiences differ and Chaucer has "[n]o unequivocally authoritative guide for his pilgrims."  Not a court poet, Chaucer belongs among the literate and bookish crowd of England, and his work is best viewed in the genre familiar to his audience.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2831375">
              <text>Rowland, Beryl.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2831376">
              <text>Mediaeval Studies 25 (1963): 367-72.</text>
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            <elementText elementTextId="2831377">
              <text>Mediaeval Studies 25 (1963)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2831378">
              <text>Style and Versification&#13;
Sources, Analogues, and Literary Relations</text>
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            <elementText elementTextId="2831379">
              <text>mea; 5/4/2020</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2831380">
              <text>1963</text>
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              <elementText elementTextId="2831373">
                <text>Chaucer and the Unnatural History of Animals.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2831374">
                <text>Clarifies the conventionality of Chaucer's references to allegorical and/or exemplary animals and their significances, offering numerous examples to show that Chaucer's allusions are "brief" and generally similar to and/or derived from "the most widely defused tales of antiquity," the Bestiary, ecclesiastical architecture and illuminated manuscripts, homilies, or folk tradition</text>
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                  <text>Chaucer Bibliography Online</text>
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          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2842172">
              <text>Gooden, Philip.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2842173">
              <text>[n.p.]: Albert Bridge Books, 2013.</text>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2842174">
              <text>95 pp.</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2842175">
              <text>Chaucer's Influence and Later Allusion</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2842176">
              <text>mea; 2/3/2023</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2842177">
              <text>2013</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2842170">
                <text>Chaucer and the Vintry Ward Death.</text>
              </elementText>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2842171">
                <text>Item not seen. The WorldCat record indicates that this murder mystery involves Chaucer as a young man investigating a case that involves his family and the wine trade in the Vintry Ward,</text>
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  <item itemId="270431" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2785850">
              <text>Kolve, V. A.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2785851">
              <text>Derek Brewer, ed. Geoffrey Chaucer. Writers and their Background (London: G. Bell, 1974), pp. 290-320.</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2785852">
              <text>1974</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2785853">
              <text>Geoffrey Chaucer. Writers and their Background.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2785855">
              <text>Background and General Criticism</text>
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            <elementText elementTextId="2785856">
              <text>House of Fame</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2785857">
              <text>mea 02/06/2013 No SAC</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2785849">
                <text>Chaucer and the Visual Arts</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2785854">
                <text>Describes the importance of mental images to medieval understanding of cognition and memory, and clarifies the importance of such images to understanding Chaucer's works as iconographical poems. Meaning inheres in such images and enables both recollection and interpretation throughout his narrative works.  Moreover, the depiction of the story of Aeneas in HF is a "medieval paradigm of how narrative poems are made, responded to, and remembered."</text>
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  <item itemId="264306" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2722984">
              <text>Fleming, John V.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2722985">
              <text>Donald M. Rose, ed.  New Perspectives in Chaucer Criticism (Norman Okla.: Pilgrim Books, 1981): pp. 121-36.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2722986">
              <text>1981</text>
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          </elementTextContainer>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2722987">
              <text>New Perspectives in Chaucer Criticism.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2722989">
              <text>Background and General Criticism.</text>
            </elementText>
            <elementText elementTextId="2722990">
              <text>Reeve and His Tale.</text>
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            <elementText elementTextId="2722991">
              <text>Friar and His Tale.</text>
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            <elementText elementTextId="2722992">
              <text>Summoner and His Tale.</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2722993">
              <text>jules SAC 05 (66)</text>
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          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2722983">
                <text>Chaucer and the Visual Arts of His Time</text>
              </elementText>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2722988">
                <text>Further enquiry can illuminate Chaucer's references and response to the visual arts, the artistic materials actually available to him,  the applicability of artistic principles to his literary style, and the extent to and manner in which he appropriates the techniques and iconography of contemporary visual arts.  Applications to RvT, GP portrait of the Summoner, and FrT.</text>
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  <item itemId="269470" public="1" featured="0">
    <collection collectionId="8">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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    <itemType itemTypeId="24">
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      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2775818">
              <text>Coote, Lesley.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2775819">
              <text>Gail Ashton and Louise Sylvester, eds. Teaching Chaucer (New York and Basingstoke: Palgrave Macmillan, 2007), pp. 139-52.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2775820">
              <text>2007</text>
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          </elementTextContainer>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2775821">
              <text>Teaching Chaucer.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2775823">
              <text>Background and General Criticism.</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2775824">
              <text>vxl SAC 31:94</text>
            </elementText>
          </elementTextContainer>
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      </elementContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2775817">
                <text>Chaucer and the Visual Image: Learning, Teaching, Assessing</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2775822">
                <text>Describes and promotes the use of image-rich material and virtual learning environments for teaching Chaucer.  Includes cautions and recommendations.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="269874" public="1" featured="0">
    <collection collectionId="8">
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        <elementSet elementSetId="1">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
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    <itemType itemTypeId="24">
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      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2780053">
              <text>Ganim, John M.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2780054">
              <text>Jeffrey Jerome Cohen, ed. Cultural Diversity in the British  Middle Ages: Archipelago, Island, England. The New Middle Ages (New York: Palgrave Macmillan, 2008), pp. 191-208.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2780055">
              <text>2008</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2780056">
              <text>Cultural Diversity in the British Middle Ages: Archipelago, Island, England.</text>
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          </elementTextContainer>
        </element>
        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2780057">
              <text>Cohen, Jeffrey Jerome, ed.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2780059">
              <text>Knight and His Tale</text>
            </elementText>
            <elementText elementTextId="2780060">
              <text>Sources, Analogues, and Literary Relations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="104">
          <name>Series</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2780061">
              <text>The New Middle Ages</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2833631">
              <text>vxl SAC 32:176.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2780052">
                <text>Chaucer and the War of the Maidens</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2780058">
                <text>The War of  the Maidens, a founding myth of Czech history, may have come to England via Anne of Bohemia and may be part of the "political  unconscious" of several of Chaucer's works, particularly his depiction of the Amazons in KnT.</text>
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  </item>
  <item itemId="261297" public="1" featured="0">
    <collection collectionId="8">
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          <name>Dublin Core</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
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      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2693577">
              <text>Boitani, Piero.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2693578">
              <text>Andre Crepin, ed.  L'imagination medievale: Chaucer et ses contemporains (Paris: Publications de l'Association des Medievistes Anglicistes de l'Enseignement Superieur, 1991), pp. 107-32.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2693579">
              <text>1991</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2693580">
              <text>L'imagination medievale: Chaucer et ses contemporains.</text>
            </elementText>
            <elementText elementTextId="2693581">
              <text>The Medieval Imagination.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2693583">
              <text>Nun's Priest and His Tale.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2693584">
              <text>mea.</text>
            </elementText>
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      </elementContainer>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2693576">
                <text>Chaucer and the World of Interpretation: The Priest's Letter</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2693582">
                <text>Discusses the conflict between the letter and the spirit in NPT, providing a short survey of the history of literal interpretation.  Chaucer freely accepts the letter as literature without excluding the morality.  The Priest makes us turn away from nonliteral exegesis while inviting us to pursue it.</text>
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          </element>
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