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              <text>Jackson, Kate.</text>
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              <text>Leeds Studies in English 43 (2012): 93-115.</text>
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              <text>Leeds Studies in English 43 (2012)</text>
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              <text>Tale of Melibee&#13;
Manuscripts and Textual Studies&#13;
Parson and His Tale</text>
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              <text>SAC 40:266</text>
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        <element elementId="114">
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                <text>Chaucer's "Melibee": What Can We Learn from Some Late-Medieval Manuscripts?</text>
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                <text>Discusses the "framing elements" of Mel, its glosses in the Hengwrt and Ellesmere manuscripts (comparing them with those in ParsT), and the codicological contexts of the five fifteenth-century manuscripts of the Tale that exist "outside the story collection" of CT and indicate that "advice on self-governance" is "central to understanding" the Tale.</text>
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              <text>Snyder, Matthew J.</text>
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              <text>Christine Devine and Marie Hendry, eds. Turning Points and Transformations: Essays on Language, Literature and Culture (Newcastle upon Tyne: Cambridge Scholars, 2011), pp. 3-15.</text>
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              <text>Christine Devine, ed..&#13;
Marie Hendry, ed.</text>
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              <text>Turning Points and Transformations: Essays on Language, Literature and Culture.</text>
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              <text>Prioress and Her Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>SAC 40:265</text>
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        <element elementId="114">
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            <elementText elementTextId="2823192">
              <text>201</text>
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                <text>Historical Trauma, the Critic, and the Work of Mourning in Chaucer's "Prioress's Tale."</text>
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                <text>Contrasts the ending of PrT with Latin analogues to argue that the Tale is less concerned with miracles than with martyrdom--Jewish martyrdom as well as Christian--whereby Chaucer suggests the need for mourning human death.</text>
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              <text>Nakao, Yoshiyuki.</text>
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              <text>Studies in Higher Education (Bulletin of University Education Center, Fukuyama University) 3 (2016): 3-15.</text>
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              <text>Studies in Higher Education (Bulletin of University Education Center, Fukuyama University) 03 (2016)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2823181">
              <text>Prioress and Her Tale&#13;
Language and Word Studies</text>
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              <text>SAC 40:264</text>
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              <elementText elementTextId="2823176">
                <text>The Context and Meaning of "Swete": The Case of Chaucer's "Prioress's Tale."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2823177">
                <text>Argues that the meaning of "swete" in PrT develops according to the protagonist's maturing process. In Japanese, with English abstract.</text>
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              <text>Lavezzo, Kathy.</text>
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        <element elementId="98">
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            <elementText elementTextId="2823171">
              <text>PMLA 126 (2011): 363-82.</text>
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        <element elementId="100">
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            <elementText elementTextId="2823172">
              <text>PMLA 126 (2011)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2823173">
              <text>Prioress and Her Tale&#13;
Chaucer's Life&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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              <text>SAC 40:263</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2823175">
              <text>2011</text>
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            <name>Title</name>
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              <elementText elementTextId="2823168">
                <text>The Minster and the Privy: Rereading the Prioress's Tale.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2823169">
                <text>Reads PrT and its concern with usury in light of medieval architectural construction and its dependence upon financing through lending, arguing that although the Tale demonizes Jewish lenders and exalts Christians through associations with, respectively, the latrine and the minster, it undermines these associations by presenting contaminating continuities between the two locales, obliquely critiquing notions of pure Christian identity. Reads the "greyn" as Mary's "loan" to the clergeon, describes Chaucer's familiarity with lending practices and architecture, comments on his alterations of his sources for PrT, and includes five b&amp;w figures.</text>
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              <text>Heng, Geraldine.</text>
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        <element elementId="98">
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              <text>Modern Language Notes 127, supplement (2012): S54-85.</text>
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              <text>Modern Language Notes 127 (2012)</text>
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              <text>Prioress and Her Tale</text>
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              <text>SAC 40:262</text>
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        <element elementId="114">
          <name>Date</name>
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            <name>Title</name>
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              <elementText elementTextId="2823160">
                <text>England's Dead Boys: Telling Tales of Christian-Jewish Relations before and After the First European Expulsion of the Jews.</text>
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                <text>Compares several late-medieval boy-murder narratives to assess attitudes toward Jews before and after their 1290 expulsion from England. Chaucer's PrT is the "finest aesthetic treatment" of the story in the Middle Ages and, in comparison with other versions, it has relatively little emphasis on filth and desecration. Importantly, the tale makes a "remarkable contribution" to the "racialization of England," representing genealogical, spatial, and pedagogical aspects of defining Christians by contrast with Jews.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2823154">
              <text>Fenn, Jessica.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2823155">
              <text>Studies in Philology 110.3 (2013): 432-58.</text>
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            <elementText elementTextId="2823156">
              <text>Studies in Philology 110 (2013)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2823157">
              <text>Prioress and Her Tale</text>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2823158">
              <text>SAC 40:261</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2823159">
              <text>2013</text>
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              <elementText elementTextId="2823152">
                <text>Apostrophe, Devotion, and Anti-Semitism: Rhetorical Community in the "Prioress's Prologue and Tale."</text>
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                <text>Considers "shared speech" to be a theme and a device in PrPT, focusing on apostrophe, prayer, Christian devotion, and anti-Semitic sentiment as means to and expressions of rhetorical community. Describes the place of apostrophe in medieval rhetorical theory, and argues that PrT "illustrates the potential dangers" posed by excited, pathos-ridden recitation of shared communal values, whether expressed orally or in writing.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Colley, Dawn F.</text>
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              <text>CEA Critic 78.3 (2016): 292-300.</text>
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          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2823148">
              <text>CEA Critic 78 (2016)</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2823149">
              <text>Prioress and Her Tale</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823150">
              <text>SAC 40:260</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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              <text>2016</text>
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            <name>Title</name>
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              <elementText elementTextId="2823144">
                <text>Creating a Martyr: Rhetoric, Chaucer's "The Prioress' Tale," and the Death of the "Litel Clergeon."</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2823145">
                <text>Maintains that the silence of the pilgrims at the end of PrT signifies the Prioress's effectiveness in delivering a story of pathos that stuns the audience into silence. Explores how Chaucer uses PrT "to promote cautious, critical analysis" as a counter to simply accepting information as given.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823138">
              <text>Treanor, Sister Lucia, F.S.E.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2823139">
              <text>Michigan Academician 41 (2012): 53-67.</text>
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          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2823140">
              <text>Michigan Academician 41 (2012)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2823141">
              <text>Pardoner and His Tale&#13;
Style and Versification</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823142">
              <text>SAC 40:257</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823143">
              <text>2012</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2823136">
                <text>Palindromic Structure in the "Pardoner's Tale."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2823137">
                <text>Explains palindromes and palindromic structures, rooted in classical and exegetical traditions, here exemplified by means of Augustine of Dacia's couplet. Then argues that PardT "features palinodromically arranged characters, settings, and words that progress toward a central space," evident in multilingual anagogical auditory puns. Also suggests that John Dryden imitated Chaucer's palindromes, and that the medieval poet knew Greek.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2823130">
              <text>Pettibon, Robin.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823131">
              <text>Sigma Tau Delta Review 8 (2011): 121-28.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823132">
              <text>Sigma Tau Delta Review 08 (2011)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2823133">
              <text>Pardoner and His Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823134">
              <text>SAC 40:255</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823135">
              <text>2011</text>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2823128">
                <text>The Pardoner, a Castrato: A Critical Essay of Geoffrey Chaucer's "The Canterbury Tales."</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2823129">
                <text>Uses details of the Pardoner's description in the GP and his interactions with other pilgrims to support the hypothesis that Chaucer depicts him as a castrato and satirize an aspect of corruption in the medieval Church.</text>
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            </elementTextContainer>
          </element>
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  <item itemId="274192" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823122">
              <text>Stigall, Joshua J.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823123">
              <text>Christian Scholar's Review 42.3 (2013): 245-60.</text>
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          </elementTextContainer>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823124">
              <text>Christian Scholar's Review 42 (2013)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
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            <elementText elementTextId="2823125">
              <text>Physician and His Tale&#13;
Sources, Analogues, and Literary Relations&#13;
Second Nun and Her Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823126">
              <text>SAC 40:252</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823127">
              <text>2013</text>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2823120">
                <text>"His studie was but litel on the Bible": Materialism and Misreading in Chaucer's "Physician's Tale."</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2823121">
                <text>Considers the Physician's misreading and misapplication of his source material (the Sermon on the Mount and Jean de Meun) to be key to proper understanding that he is "untrustworthy" and that PhyT reveals his lack of "spiritual sensitivity." Reads SNT for the ways that it "highlights" the "worldliness" of PhyT.</text>
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            </elementTextContainer>
          </element>
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  <item itemId="274191" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823114">
              <text>Yvernault, Martine.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823115">
              <text>Médiévales 60 (2016): 229-37.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823116">
              <text>Medievales 60 (2016)</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823117">
              <text>Franklin and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823118">
              <text>SAC 40:251</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823119">
              <text>2016</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2823112">
                <text>La musique de l'absence dans le lai breton moyen-anglais "Sir Orfeo."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2823113">
                <text>Explores issues of absence, death, exile, silence, orality, and musical performance in "Sir Orfeo" to find connections with FranT. Approaches "Sir Orfeo" as a reflection on how Chaucer depicts the professional art and artists and lay-makers in FranT.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823106">
              <text>Thormann, Janet.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823107">
              <text>postmedieval 3 (2012): 212-26.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823108">
              <text>postmedieval 03 (2012)</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823109">
              <text>Franklin and His Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823110">
              <text>SAC 40:250</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823111">
              <text>2012</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2823104">
                <text>Networks of Exchange in "The Franklin's Tale." </text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2823105">
                <text>Argues that the narrator and the characters of FranT pursue an ideal of social harmony based on "trouthe," but they produce a "collective fiction" in which "competing forms of exchange"--marriage, promises, and money--disclose tensions that must remain hidden in order to function.</text>
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  <item itemId="274189" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823098">
              <text>Godlove, Shannon.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823099">
              <text>Chaucer Review 51.3 (2016): 269-94.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823100">
              <text>Chaucer Review 51 (2016):</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823101">
              <text>Franklin and His Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823102">
              <text>SAC 40:248</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823103">
              <text>2016</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2823096">
                <text>"Engelond" and "Armorik Briteyne": Reading Brittany in Chaucer's "Franklin's Tale." </text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2823097">
                <text>Connects the complicated relationship among FranT's three main characters and the political relationship of England, France, and Brittany. Asserts that each character symbolizes one of these places and shows how the dynamics of love and sex merge with those of politics and place.</text>
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          </element>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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              <text>Collins, Timothy.</text>
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              <text>This Rough Magic (December 2012): n.p. </text>
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              <text>Franklin and His Tale</text>
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              <text>SAC 40:247</text>
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          <name>Date</name>
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            <elementText elementTextId="2823095">
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                <text>"Rokkes Blake": Metonymy, Metaphor and Metaphysics in "The Franklin's Tale."</text>
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            <description>An account of the resource</description>
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                <text>Explores the functions and implications of the black rocks in FranT both as a symbol of universal evil and as a narrative device, arguing that the rocks have particularly rich and pervasive significations, anticipating the postmodern device of a "free floating signifier."</text>
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              <text>Carney, Clíodhna.</text>
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              <text>Hodder O'Connell and Brendan O'Connell, eds. Transmission and Generation in Medieval and Renaissance Literature: Essays in Honour of John Scattergood (Dublin: Four Courts, 2012), pp. 89-101.</text>
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Brendan O'Connell, ed.</text>
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              <text>Franklin and His Tale&#13;
Squire and His Tale</text>
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              <text>SAC 40:246</text>
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        <element elementId="114">
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                <text>"The Franklin's Tale": The Generous Father and the Spendthrift Son.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2823080">
                <text>Regards the Squire as the "son-substitute" of the Franklin, and reads FranT, with a nod to Freud, as a projection of the narrator's idealized and decontextualized attitudes toward money, generosity, gentility, and virtue that reveals a subtle thematic concern with interactions between self-interest and group-interest.</text>
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              <text>Spenser Studies 26 (2011): 75-109.</text>
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              <text>Squire and His Tale&#13;
Chaucer's Influence and Later Allusion</text>
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        <element elementId="114">
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              <elementText elementTextId="2823071">
                <text>Friends, Rivals, and Revisions: Chaucer's "Squire's Tale" and "Amis and Amiloun" in "The Faerie Queene," Book IV.</text>
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              <elementText elementTextId="2823072">
                <text>Argues that Edmund Spenser's adaptations of SqT and "Amis and Amiloun" in Book IV of "The Faerie Queene" "[embody] his theory of friendship," both in the relations and interactions among the characters and in the ways that he asserts his own place in English literary tradition while paying competitive homage to his predecessors, thereby "showing how friendly reading should be conducted."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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              <text>Crane, Susan.</text>
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        <element elementId="98">
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              <text>postmedieval 2 (2011): 69-87.</text>
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            <elementText elementTextId="2823067">
              <text>postmedieval 02 (2011)</text>
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            <elementText elementTextId="2823068">
              <text>Squire and His Tale</text>
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          </elementTextContainer>
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        <element elementId="109">
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              <text>SAC 40:243</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2823070">
              <text>2011</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2823063">
                <text>Chivalry and the Pre/Postmodern.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2823064">
                <text>Explores the medieval concept of "mounted knighthood" in "conception and practice," considering how it resonates with "postmodern models of the cyborg, distributed consciousness and the inherently prosthetic self." Assesses "chivalry's intersections with technologies and creatures," and includes discussion of the steed of brass in SqT as a "limit case for the relevance of living horses to knighthood," technologized but still glimmering with life.</text>
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  <item itemId="274184" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2823057">
              <text>Bennett, Kristen Abbott.</text>
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        <element elementId="98">
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            <elementText elementTextId="2823058">
              <text>This Rough Magic 2.2 (2011): 1-24.</text>
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              <text>This Rough Magic 02 (2011)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2823060">
              <text>Squire and His Tale&#13;
Knight and His Tale&#13;
Anelida and Arcite&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>SAC 40:242</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2823062">
              <text>2011</text>
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              <elementText elementTextId="2823055">
                <text>"I moot speke as I kan": The Squire's Optimistic Attempt to Circumvent Rhetorical "Following" in "The Canterbury Tales." </text>
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          <element elementId="41">
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              <elementText elementTextId="2823056">
                <text>Contends that the SqT explores "rhetorical imitation" as a means to confront the postlapsarian "fallen" nature of language, "multiplying the rhetorical conventions 'imitatio,' inexpressibility, and 'translatio'" in order to "probe the idea of poetic origin in the context of vernacular poetry." Engaging KnT, Anel, and "Sir Gawain and the Green Knight," and deploying translatory objects (especially the ring), SqT considers relations among art, nature, and literary tradition.</text>
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  <item itemId="274183" public="1" featured="0">
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
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            <elementText elementTextId="2823049">
              <text>Schrock, Chad.</text>
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        <element elementId="98">
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              <text>Philological Quarterly 91 (2012): 591-609.</text>
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            <elementText elementTextId="2823051">
              <text>Philological Quarterly 91 (2012)</text>
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        <element elementId="102">
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            <elementText elementTextId="2823052">
              <text>Merchant and His Tale&#13;
Style and Versification</text>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2823053">
              <text>SAC 40:241</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2823054">
              <text>2012</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2823047">
                <text>The Ends of Reading in the "Merchant's Tale."</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2823048">
                <text>Interprets the biblical allusions and references in MerT as Chaucer's invitation to his audience to "consider the ethics of appropriating morally authoritative texts." The narrator, January, and May manipulate textual authority in various ways, highlighting the tenuousness of interpretation in a fallen world.</text>
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  <item itemId="274182" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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              <text>Richmond, E. B., trans.</text>
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        <element elementId="98">
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            <elementText elementTextId="2823042">
              <text>London: Hesperus, 2011.</text>
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        <element elementId="99">
          <name>Physical Description</name>
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            <elementText elementTextId="2823043">
              <text>xvi, 84 pp.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2823044">
              <text>Merchant and His Tale&#13;
Facsimiles, Editions, and Translations</text>
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        <element elementId="114">
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            <elementText elementTextId="2823046">
              <text>2011</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2823039">
                <text>The Merchant's Tale.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2823040">
                <text>Modernizes MerPT in iambic pentameter couplets, with brief notes and facing-page text in Middle English. The introduction (pp. vii-xv) emphasizes the bitter tone of the tale and its satire</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
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            <elementText elementTextId="2823033">
              <text>Reis, Huriye.</text>
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          <name>Published</name>
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            <elementText elementTextId="2823034">
              <text>Edebiyat fakültesi dergisi (Hacettepe University) 29.2 (2012): 123-35.</text>
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            <elementText elementTextId="2823035">
              <text>Edebiyat fakültesi dergisi (Hacettepe University) 29 (2012)</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2823036">
              <text>Merchant and His Tale&#13;
Miller and His Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823037">
              <text>SAC 40: 239</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823038">
              <text>2012</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2823031">
                <text>Chaucer's Fabliau Women: Paradigms of Resistance and Pleasure.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2823032">
                <text>Comments on the role and status of women in the fabliau genre, and argues that May of MerT and Alisoun of MilT are "women of resistance . . . concerned with regaining partial control over their own bodies through adultery." The two characters produce "oppositional pleasures" in order to "play their subjection to their own advantage." Includes a summary in Turkish.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
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            <elementText elementTextId="2823025">
              <text>O'Byrne, Theresa.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823026">
              <text>English Studies 93 (2012): 150-68.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2823027">
              <text>English Studies 93 (2012)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823028">
              <text>Merchant and His Tale&#13;
Style and Versification</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823029">
              <text>SAC 40:238</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823030">
              <text>2012</text>
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          </elementTextContainer>
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      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2823023">
                <text>"To take a wyf it is a glorious thing": Januarie's Thesis on Marriage in the "Merchant's Tale" (IV.1263–1392).</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2823024">
                <text>Assesses January's praise-of-marriage speech (encomium) as a "classical' thesis' as it appeared in the later Middle Ages." The speech engages the WBP through common source material and follows the topic and structuring of the thesis genre found in Aphthonius of Antioch's "Progymnasmata," an oratorical primer. May's successful duping of January shows that "erudite rhetoric crumbles in the face of life's realities," but also makes it possible that they "can find a new model for their life together."</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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  </item>
  <item itemId="274179" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823017">
              <text>Yoo, Inchol.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823018">
              <text>Journal of English Language and Literature (Korea) 57 (2011): 1173-98.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2823019">
              <text>Journal of English Language and Literature (Korea) 57 (2011)</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2823020">
              <text>Clerk and His Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823021">
              <text>SAC 40:237</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823022">
              <text>2011</text>
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        <name>Dublin Core</name>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2823015">
                <text>Translation, Creation, and Empowerment in Chaucer's "Clerk's Tale." </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2823016">
                <text>Considers the "politics of translation" in ClT, arguing that the tale is primarily concerned with how Walter "draws out the willing submission of his subjects," manifest in the "analogical relation between Walter and Griselda as the translator and his translation." Through his testing, Walter creates a new Griselda whose identity helps him to strengthen his power over his land and people.</text>
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  <item itemId="274178" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823009">
              <text>Ward, Renée.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823010">
              <text>Studies in Medievalism 26 (2017): 87-116..</text>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2823011">
              <text>Studies in Medievalism 26 (2017)</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2823012">
              <text>Clerk and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823013">
              <text>SAC 40:236</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823014">
              <text>2017</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2823007">
                <text>Giving Voice to Griselda: Radical Reimaginings of a Medieval Tale.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2823008">
                <text>Examines two poems on the figure of Griselda by Eleanora Louisa Hervey (1811–1903). The first, published in 1850, and apparently intended for children as well as adults, emphasizes the cruelty of the system that enables husbands to exercise total control over their wives and children, "pitting wifehood against motherhood with disastrous results." The second, published in 1869, omits the reunion of Griselda with her children, but ends with the suggestion that she has gained a spiritual perspective on her life and anticipates being "wafted" to heaven. An appendix includes both poems.</text>
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  </item>
  <item itemId="274177" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823001">
              <text>Stadnik, Katarzyna.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823002">
              <text>Studia Anglica Posnaniensia 51 (2016): 45-76.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823003">
              <text>Studia Anglica Posnaniensia 51 (2016)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823004">
              <text>Clerk and His Tale&#13;
Language and Word Studies</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823005">
              <text>SAC 40:235</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823006">
              <text>2016</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2822999">
                <text>Linguistic Modality and Female Identity in Chaucer's "Clerk's Tale."</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2823000">
                <text>Traces the role of the verbs "mot-," "shul," "oughte," and "willen" in defining the relations and motivations of Walter and Griselda, to demonstrate how "the contextualization of the linguistic construction of identity relative to the individual's sociocultural situatedness may inform the study of linguistic cues for identity."</text>
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          </element>
        </elementContainer>
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