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              <text>Rogers, Cynthia A.</text>
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              <text>Chaucer Review 51.2 (2016): 187-208.</text>
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              <text>Complaint unto Pity&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>"Buried in an herte": French Poetics and the Ends of Genre in Chaucer's "Complaint unto Pity." </text>
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                <text>Argues that Pity is both a "clever critique" of the French lyric genre of complaint and "loving homage" to it, assessing aspects of exaggeration, repetition, structure, conventional theme and diction, wordplay, etc. as evidence that the poem evokes delight in the genre by means of appreciative parody.</text>
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              <text>Murton, Megan.</text>
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              <text>Studies in the Age of Chaucer 38 (2016): 75-107.</text>
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              <text>Studies in the Age of Chaucer 38 (2016)</text>
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              <text>Complaint of Mars&#13;
Sources, Analogues, and Literary Relations&#13;
Book of the Duchess&#13;
Troilus and Criseyde</text>
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                <text>Secular Consolation in Chaucer's "Complaint of Mars." </text>
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                <text>Describes Chaucer's self-conscious exploration of time in Mars, arguing that in form and content the poem presents an ambivalent, "permeable, and even unstable" view of secularity but also implies the "palpably absent" other of transcendence. More like BD than TC, Mars conveys Boethian consolation that can be characterized as "secular" only if it is realized how secularity entails temporality in medieval understanding.</text>
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              <text>Wang, Denise Ming-yueh.</text>
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              <text>Wenshan Review of Literature and Culture 5.1 (2011): 99-119.</text>
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              <text>Troilus and Criseyde&#13;
Miller and His Tale&#13;
Language and Word Studies</text>
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                <text>Loci of Solitude: The Idea of "Pryvetee" in Chaucer.</text>
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            <description>An account of the resource</description>
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                <text>Discusses the "the practice of privacy in reclusive spaces" in TC and MilT, focusing on the physical surroundings, behaviors, and interactions with other characters of Criseyde and Nicholas, and identifying aspects of "personal privacy" within the dominant "collective privacy" of the household in the late medieval world. Includes an abstract in English and in Chinese.</text>
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              <text>Stone, Charles Russell.</text>
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        <element elementId="98">
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              <text>Review of English Studies 64, no. 266 (2013): 564-73.</text>
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              <text>Review of English Studies 64 (2013)</text>
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              <text>Troilus and Criseyde</text>
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              <text>2013</text>
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                <text>"And sodeynly he wax therwith astoned": Virgilian Emotion and Images of Troy in Chaucer's "Troilus."</text>
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          <element elementId="41">
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                <text>Considers Chaucer's attention to the city of Troy in TC, focusing on the Palladium festival in Book 1 and Troilus's ride through the city in Book 5, arguing that the scenes reflect the influence of Virgil's "Aeneid" and associate the fall of Troy with Troilus's initial viewing of Criseyde and the inevitable demise of their relationship.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Quinn, William A.</text>
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              <text>Chaucer Review 51.3 (2016): 338-81.</text>
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            <elementText elementTextId="2823573">
              <text>Chaucer Review 51 (2016)</text>
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              <text>Troilus and Criseyde&#13;
Manuscripts and Textual Studies&#13;
Chaucer's Influence and Later Allusion</text>
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                <text>Odd Bits of "Troilus and Criseyde" and the Rights of Chaucer's Early Readers.</text>
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            <description>An account of the resource</description>
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                <text>Investigates TC fragments as a window into how Chaucer's first readers experienced and interpreted his works.</text>
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              <text>Petrosillo, Sara McKay.</text>
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              <text>Dissertation Abstracts International A78.03 (2016): n.p.</text>
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              <text>Dissertation Abstracts International 78 (2016)</text>
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              <text>Troilus and Criseyde</text>
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              <text>SAC 40: 324</text>
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            <name>Title</name>
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              <elementText elementTextId="2823561">
                <text>Pluck Off Her Bells and Let Her Fly: Falconry as Medieval Reading Practice.</text>
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            <description>An account of the resource</description>
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                <text>Links the rise of falconry in the Middle Ages to the use of falconers' discourses as lenses for understanding texts. Discusses falconry metaphors in TC.</text>
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              <text>Nishimura, Satoshi.</text>
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              <text>Journal of the Faculty of General Education, Chubu University 2 (2016): 1-7.</text>
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              <text>Journal of the Faculty of General Education, Chubu University 02 (2016)</text>
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              <text>Troilus and Criseyde</text>
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              <text>SAC 40:322</text>
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          <name>Date</name>
          <description/>
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              <text>2016</text>
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              <elementText elementTextId="2823553">
                <text>Desire and Narrative: The Case of Chaucer's "Troilus and Criseyde." </text>
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              <elementText elementTextId="2823554">
                <text>Points out Troilus's desire as an important element of TC, and argues that TC engages with the issue of Fortune in relation to human nature. In Japanese, with English abstract.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
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              <text>Murtaugh, Daniel M.</text>
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              <text>English 65 (2016): 191-210.</text>
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            <elementText elementTextId="2823550">
              <text>Troilus and Criseyde&#13;
Chaucer's Influence and Later Allusion</text>
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        </element>
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          <elementTextContainer>
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              <text>SAC 40:321</text>
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        <element elementId="114">
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              <text>2016</text>
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          <element elementId="50">
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              <elementText elementTextId="2823545">
                <text>Troilus and Cressida in the Light of Day: Shakespeare Reading Chaucer.</text>
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2823546">
                <text>Claims that in reworking TC, Shakespeare "turns it inside out": the work of creating Criseyde's double image shifts from the narrator to Troilus, who also embodies the narrator's "longing and dread of the erotic," and eye-witness testimony fills the role of Chaucer's "olde bokes."</text>
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  <item itemId="274243" public="1" featured="0">
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823539">
              <text>Little, Katherine C. </text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823540">
              <text>ELH 83.2 (2016): 431-55.</text>
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              <text>ELH 83 (2016)</text>
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          <elementTextContainer>
            <elementText elementTextId="2823542">
              <text>Troilus and Criseyde&#13;
Chaucer's Influence and Later Allusion</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
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          <description/>
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              <text>SAC 40:320</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2823544">
              <text>2016</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2823537">
                <text>What Spenser Took from Chaucer: Worldly Vanity in the "The Ruines of Time" and "Troilus and Criseyde."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2823538">
                <text>Analyzes Edmund Spenser's "The Ruines of Time" as a response to TC, arguing that Spenser emulates aspects of TC as a mediation of "the humanist imitation of classical texts" and concludes that the Renaissance "rediscovery of classical texts was inextricably intertwined with Chaucer's legacy."</text>
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  <item itemId="274242" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823531">
              <text>León Sendra, Antonio R.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823532">
              <text>Alfinge: Revista de filología 3 (1985): 241-52.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823533">
              <text>Alfinge: Revista de filología 03 (1985)</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2823534">
              <text>Troilus and Criseyde</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823535">
              <text>SAC 40:319</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823536">
              <text>1985</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2823529">
                <text>Humour in Chaucer.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2823530">
                <text>Focuses on Chaucer's humor and irony in the love consummation scene in TC, and how he frames terminology as courtly love, while undermining the concept.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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  </item>
  <item itemId="274241" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
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      <elementContainer>
        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823522">
              <text>Kaylor, Harold.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823523">
              <text>Wolfgang Viereck, ed. English Past and Present: Selected Papers from the IAUPE Malta Conference in 2010 (Frankfurt am Main: Peter Lang, 2012), pp. 257–64</text>
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        </element>
        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
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              <text>Wolfgang Viereck, ed.</text>
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          </elementTextContainer>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823525">
              <text>English Past and Present: Selected Papers from the IAUPE Malta Conference in 2010.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823526">
              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations&#13;
Boece</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823527">
              <text>SAC 40:318</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823528">
              <text>2012</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2823520">
                <text>Chaucer, His Boethius, and the Narrator of His Troilus.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2823521">
                <text>Assesses the narrator of TC as a "translator-commentator" of his story, analogous to Chaucer's relation to Boethius's material when producing his Bo. This dynamic enables the narrator to stand apart from the temporality of his plot while simultaneously participating in it--a dual perspective that is like that of Boethius's own narrator and aligned with his themes of the relationships between eternality and temporality and Providence and free will.</text>
              </elementText>
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          </element>
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  <item itemId="274240" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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            </element>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823514">
              <text>Hordis, Sandra M.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823515">
              <text>This Rough Magic 2.1 (2011): 1-23.</text>
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          <elementTextContainer>
            <elementText elementTextId="2823516">
              <text>This Rough Magic 02 (2011)</text>
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        <element elementId="102">
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          <elementTextContainer>
            <elementText elementTextId="2823517">
              <text>Troilus and Criseyde</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823518">
              <text>SAC 40:317</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823519">
              <text>2011</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2823512">
                <text>"His helm tohewen was in twenty places": Reconstructing Troilus."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2823513">
                <text>Considers the "gestalt of identity" that armor represents in TC, assessing the private and public aspects of references to arms and armor in the poem, focusing on Troilus and Diomedes.</text>
              </elementText>
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          </element>
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  </item>
  <item itemId="274239" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
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      <elementContainer>
        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823506">
              <text>Espie, Jeff, and Sarah Star.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823507">
              <text>Chaucer Review 51.3 (2016): 382-401.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823508">
              <text>Chaucer Review 51 (2016)</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823509">
              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2823510">
              <text>SAC 40:315</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823511">
              <text>2016</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2823504">
                <text>Reading Chaucer's Calkas: Prophecy and Authority in "Troilus and Criseyde."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2823505">
                <text>Examines Chaucer's original characterization of Calkas through the ways it diverges from the representation of this character in earlier versions. Chaucer presents him as a human individual whose words are not necessarily to be trusted, introducing skepticism into multiple levels of the poem.</text>
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          </element>
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  </item>
  <item itemId="274238" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
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      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823498">
              <text>D'Agata D'Ottavi, Stefania.</text>
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              <text>Textus: English Studies in Italy 24 (2012): 427-48.</text>
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              <text>Textus: English Studies in Italy 24 (2012)</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2823501">
              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>SAC 40:314</text>
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                <text>Guido Cavalcanti's Theory of Love and Chaucer's "Troilus and Criseyde."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2823497">
                <text>Suggests how Chaucer may have become familiar with the work of Guido Cavalcanti, and argues that TC records philosophical and poetical perspectives and several poetic devices that are similar to those found in Cavalcanti's "Donna me prega."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Costomiris, Robert.</text>
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        <element elementId="98">
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            <elementText elementTextId="2823491">
              <text>Renascence 65.4 (2013): 249-67.</text>
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            <elementText elementTextId="2823492">
              <text>Renascence 65 (2013)</text>
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            <elementText elementTextId="2823493">
              <text>Troilus and Criseyde</text>
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        <element elementId="109">
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              <text>SAC 40:313</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823495">
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              <elementText elementTextId="2823488">
                <text>Criseyde's Swoon and the Experience of Love in "Trolius [sic] and Criseyde."</text>
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          <element elementId="41">
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              <elementText elementTextId="2823489">
                <text>Argues that moral and psychological interpretations of TC--readings that judge the characters and those that empathize with their experiences--are "not as incompatible as their adherents would have us believe." Chaucer's rich depictions of his protagonists' complex agencies compel us to recognize that the two interpretive perspectives are interdependent.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823482">
              <text>Corrie, Marilyn.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2823483">
              <text>Studies in Philology 110.4 (2013): 690-713.</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2823484">
              <text>Studies in Philology 110 (2013)</text>
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        <element elementId="102">
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            <elementText elementTextId="2823485">
              <text>Troilus and Criseyde</text>
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        <element elementId="109">
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              <text>SAC 40:312</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823487">
              <text>2013</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2823480">
                <text>"God may well fordo destiny": Dealing with Fate, Destiny, and Fortune in Sir Thomas Malory's "Le Morte Darthur" and Other Late Medieval Writing."</text>
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            </elementTextContainer>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2823481">
                <text>Discusses determinism in a variety of late medieval works, Malory's "Darthur" most extensively. Includes discussion of TC for its depiction of "God's ability to overpower anything that had been ordained by some predetermining force," part of the "late medieval engagement" with determinism and its associations with paganism. </text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823474">
              <text>Baechle, Sarah. </text>
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        <element elementId="98">
          <name>Published</name>
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              <text>Chaucer Review 51.2 (2016): 248-68.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2823476">
              <text>Chaucer Review 51.2 (2016)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2823477">
              <text>Troilus and Criseyde&#13;
Manuscripts and Textual Studies&#13;
Sources, Analogues, and Literary Relations</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
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              <text>SAC 40:310</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823479">
              <text>2016</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2823472">
                <text>Multi-Dimensional Reading in Two Manuscripts of "Troilus and Criseyde."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2823473">
                <text>Reads the manuscript glosses to TC in Cambridge, St. John's College, MS L.i and Cambridge, University Library, MS Gg.IV.27 as an "experimental early step toward the more elaborate marginal apparatus" in CT manuscripts. The TC glosses reflect a "complex hermeneutic of interpretation," rich in ambiguities, that result from "multi-dimensional intertextuality" with Joseph of Exeter's "Iliad," one of Chaucer's sources.</text>
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  </item>
  <item itemId="274234" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823466">
              <text>Allen, Elizabeth.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823467">
              <text>Speculum 88 (2013): 681-720.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823468">
              <text>Speculum 88 (2013</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823469">
              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823470">
              <text>SAC 40:309</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823471">
              <text>2013</text>
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      </elementContainer>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2823464">
                <text>Flowing Backward to the Source: Criseyde's Promises and the Ethics of Allusion.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2823465">
                <text>Focuses on Criseyde's two oaths of fidelity in TC (3.1493-1502 and 4.1549-54) for the way that they allusively engage Ovidian narratives; counter the linear temporality of epic; affirm Criseyde's sincerity and "bold idealism"; and compel readers to resist reductive, deterministic reading. Also explores other devices in the poem (especially references to Oenone) that suspend temporality and foreground "alternative narratives of past texts in order to examine the force of Criseyde's intent to be true."</text>
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            </elementTextContainer>
          </element>
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  </item>
  <item itemId="274233" public="1" featured="0">
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823458">
              <text>Adler, Gillian.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823459">
              <text>Dissertation Abstracts International A77.10 (2016): n.p.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823460">
              <text>Dissertation Abstracts International 77 (2016)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823461">
              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations&#13;
Book of the Duchess&#13;
House of Fame&#13;
Parliament of Fowls&#13;
Legend of Good Women</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823462">
              <text>SAC 40:307</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823463">
              <text>2016</text>
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      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2823456">
                <text>Seeing Time: Boethius and the Ethics of Perspective in Chaucer's Dream Visions and "Troilus and Criseyde."</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2823457">
                <text>Argues that Boethius's "Consolation of Philosophy" provides Chaucer with a means of understanding time as a unified and simultaneous whole, and that he deploys this understanding in the dream visions, and especially TC.</text>
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            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
  </item>
  <item itemId="274232" public="1" featured="0">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823449">
              <text>Caie, Graham D.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823450">
              <text>Päivi Pahta and Andreas H. Jucker, eds. Communicating Early English Manuscripts (Cambridge: Cambridge University Press, 2011), pp. 149-61.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823451">
              <text>Päivi Pahta, ed.&#13;
Andreas H. Jucker, ed. </text>
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          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823452">
              <text>Communicating Early English Manuscripts.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823453">
              <text>Romaunt of the Rose&#13;
Facsimiles, Editions, and Translations&#13;
Manuscripts and Textual Studies</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823454">
              <text>SAC 40:306</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823455">
              <text>2011</text>
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          </elementTextContainer>
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      </elementContainer>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Relationship between MS Hunter 409 and the 1532 Edition of Chaucer's Works by William Thynne.</text>
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            <description>An account of the resource</description>
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                <text>Presents evidence that William Thynne used MS Hunter 409 as his source when preparing Rom for his 1532 edition of Chaucer's Workes," "resorting to the French original when in doubt," and recurrently archaizing the text by adding the y-prefix to indicate the past participles.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Watt, David.</text>
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              <text>Pedagogy 13.2 (2013): 337-55.</text>
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              <text>Pedagogy 13 (2013)</text>
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          <name>Chaucer Subject</name>
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              <text>Parliament of Fowls&#13;
Complaint of Chaucer to His Purse</text>
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              <text>SAC 40:305</text>
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                <text>Thomas Hoccleve's Particular Appeal.</text>
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            <description>An account of the resource</description>
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                <text>Offers a pedagogical plan for a lesson in the close reading of several late medieval English lyrics, including comparisons of poems by Thomas Hoccleve with Purse and Chaucer's roundel at the end of PF. Explores issues of "accessibility" to students, canonicity, and context.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Warren, Michael J.</text>
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              <text>Studies in the Age of Chaucer 38 (2016): 109-32.</text>
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            <elementText elementTextId="2823435">
              <text>Studies in the Age of Chaucer 38 (2016)</text>
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              <text>Parliament of Fowls&#13;
Squire and His Tale&#13;
House of Fame&#13;
Manciple and His Tale&#13;
Nun's Priest and His Tale</text>
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              <text>SAC 40:304</text>
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            <elementText elementTextId="2823438">
              <text>2016</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>"Kek, kek": Translating Birds in Chaucer's "Parliament of Fowls."</text>
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            <description>An account of the resource</description>
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                <text>Explores the bird-talk and "interspecies communication" in PF as they dramatize the potentials and limitations of allegory, translation, "biotranslation," the "writeability" of bird sounds, and the relations between human and nonhuman subjectivities. Includes comments on SqT and HF, with mention of ManT and NPT.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Powrie, Sarah.</text>
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        <element elementId="98">
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              <text>Modern Philology 114 (2016): 170-94.</text>
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              <text>Modern Philology 114 (2016)</text>
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          <name>Chaucer Subject</name>
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              <text>Parliament of Fowls&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>SAC 40:302</text>
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        <element elementId="114">
          <name>Date</name>
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          <element elementId="50">
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                <text>A Moral Garden "out of olde feldes": Deallegorized Virtue in Chaucer's "Parliament of Fowls."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2823424">
                <text>Argues that when read in the light of the moralized garden in Alan of Lille's "Plaint of Nature," the "locus amoenus" of PF is "an ethically charged terrain," in which the narrator successively exemplifies and then deviates from the virtues of prudence, temperance, fortitude, and justice. Thus, PF presents a "dynamic portrait of moral agency." </text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Fowler, Elizabeth.</text>
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        <element elementId="98">
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              <text>NLH 44 (2013): 595-616.</text>
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              <text>NLH 44 (2013)</text>
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          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2823420">
              <text>Parliament of Fowls&#13;
Style and Versification</text>
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              <text>SAC 40:301</text>
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            <elementText elementTextId="2823422">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Art and Orientation.</text>
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            <description>An account of the resource</description>
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                <text>Explores how poets "guide their readers through sequences of feelings, thoughts, and attitudes" by means of verbal depictions of built spaces that orient readers' attention to the use of spaces and spatial objects. Includes discussion of the gate in PF (lines 127-49) to demonstrate differences between "propositional" space and "ductile" space, presented by Chaucer with comic ambiguity.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Collins, Billy, ed., with illustrations by David Allen Sibley. </text>
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              <text>New York: Columbia University Press, 2010.</text>
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              <text>xiii, 268 pp.; color illus.</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2823412">
              <text>Parliament of Fowls&#13;
Facsimiles, Editions, and Translations</text>
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          <name>Source</name>
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          <name>Date</name>
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              <text>2010</text>
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                <text>Bright Wings: An Illustrated Anthology of Poems about Birds.</text>
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                <text>Comprises an anthology of English-language poetry about birds and bird species, with accompanying color plates. In the section concerning hawks, includes a stanza from PF (lines 330-36).</text>
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