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                  <text>Chaucer Bibliography Online</text>
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              <text>Spearman, Alan.</text>
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              <text>Chaucer Review 29 (1994): 149-62.</text>
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              <text>Wife of Bath and Her Tale.</text>
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              <text>Nun's Priest and His Tale.</text>
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              <text>Chaucer Review 29 (1994)</text>
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              <text>jules SAC 18 (1996) - 190</text>
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                <text>'How He Symplicius Gallus ...': Alison of Bath's Name-Calling, or 'The Taming of the Shrewed'</text>
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                <text>The Wife's changing of the name Sulipucious Gallus to Symplicius Gallus (3.643) allows her to poke fun at one of her antifeminist "authorities" as well as to link this man to another antifeminist "gallus," the cock in NPT.  She indicates that a man who holds such antifeminist attitudes is a fool and--like other male authorities challenged by WBP--not worthy of respect.</text>
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              <text>Rayner, Samantha J.</text>
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              <text>Amanda Hopkins, Robert Allen Rouse, and Cory James Rushton, eds. Sexual Culture in the Literature of Medieval Britain (Rochester, N.Y.: D. S. Brewer, 2014), pp. 69-83.</text>
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              <text>2014</text>
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              <text>Sexual Culture in the Literature of Medieval Britain.</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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              <text>mea; 2/16/2017 SAC 38:32</text>
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                <text>'How love and I togedre met': Gower, Amans and the Lessons of Venus in the 'Confessio Amantis'</text>
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                <text>Focuses primarily on John Gower's "Confessio Amantis," but does compare Gower's use of spiritual love with Chaucer's subversive lust.</text>
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              <text>Dor, Juliette.</text>
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        <element elementId="98">
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              <text>Leo Carruthers, ed. Heroes and Heroines in Medieval English Literature: A Festschrift Presented to Andre Crepin on the Occasion of His Sixty-Fifth Birthday (Woodbridge, Suffolk; and Rochester, N.Y.: D. S. Brewer,  1994), pp. 71-80.</text>
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              <text>1994</text>
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              <text>Heroes and Heroines in Medieval English Literature: A Festschrift Presented to Andre Crepin on the Occasion of His Sixty-Fifth Birthday.</text>
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              <text>Man of Law and His Tale.</text>
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              <text>jules SAC 18 (1996) - 174</text>
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              <elementText elementTextId="2736183">
                <text>'Humilis exaltetur: Constance, or Humility Rewarded</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2736188">
                <text>The suffering of Custance in MLT echoes Innocent III's description of human life in his "De miseria condicionis humane"; the tale's end, which indicates that Custance's humility will ultimately be rewarded, draws from the pseudosource of the uncompleted companion volume to the pessimistic "De miseria."</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2773791">
              <text>Baumgardner, Rachel Ann.</text>
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        <element elementId="98">
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            <elementText elementTextId="2773792">
              <text>Medieval Forum 5 (2006): n.p.</text>
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        <element elementId="114">
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              <text>2006</text>
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              <text>Wife of Bath and Her Tale.</text>
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            <elementText elementTextId="2773796">
              <text>Medieval Forum 05 (2006) [Electronic journal]</text>
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        <element elementId="109">
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              <text>vxl sac 30 (2006)</text>
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              <elementText elementTextId="2773790">
                <text>'I Alisoun, I Wife': Foucault's Three Egos and the Wife of Bath's Prologue</text>
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          <element elementId="41">
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                <text>Read against Foucault's "What Is an Author?" the Wife of Bath of WBP fits the criteria for representation of a "third ego." Thereby, she can be seen as a character who "establishes her own personality." Chaucer serves as a "medium for her determined and unique personality."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Machan, Tim William.</text>
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              <text>Text 13 (2000): 9-25.</text>
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              <text>2000</text>
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              <text>Facsimiles, Editions, and Translations.</text>
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              <text>Text: Transactions of the Society for Textual Scholarship 13 (2000)</text>
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              <text>jules SAC 24 (32)</text>
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                <text>'I Endowed Thy Purposes' : Shakespeare, Editing, and Middle English Literature</text>
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                <text>Questions why Shakespeare--rather than Chaucer or others--is the "favorite son" of Anglo-American textual theory, arguing that the "unilinear transmission" of Shakespeare's plays makes it easier to pursue the illusion of authorial intent. Based on multiple witnesses, Middle English texts do not--or should not--fall victim to the cult of the author.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Yvernault, Martine.</text>
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        <element elementId="98">
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              <text>Bulletin des Anglicistes Médiévistes 72 (2007): 31-45.</text>
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              <text>2007</text>
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              <text>Book of the Duchess</text>
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              <text>Bulletin des Anglicistes Médiévistes 72 (2007)</text>
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              <text>vxl SAC 31:283</text>
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                <text>'I have lost more than thow wenest': Past, Present and (Re)presentation in Chaucer's Book of the Duchess</text>
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                <text>Examines the interweaving of tenses and time sequences in the boxed-in structure of the narrative in BD.</text>
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              <text>Bentley, G. E.</text>
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              <text>N&amp;Q 256 (2011): 66-73.</text>
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                <text>'I kan nat geeste': Chaucer's Artful Alliteration</text>
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              <text>Strauss, Jennifer.</text>
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                <text>'I kan nat seye': The Rhetoric of Narratorial Self-Consciousness in Chaucer, Especially in 'The Canterbury Tales'</text>
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                <text>Outlines the expression of narratorial self-consciousness through various phrases such as "I kan nat seye" and through rhetorical usages such as "occupatio" and then analyzes its purposes in Chaucer's poems.</text>
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              <text>Rossiter, William.</text>
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              <text>Ovid's 'Metamorphoses' in English Poetry.</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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              <text>mea; 9/30/2013 No SAC</text>
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                <text>'I know where is an hynde': Sir Thomas Wyatt and the Transformation of Acteon</text>
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              <elementText elementTextId="2793833">
                <text>Opens with a consideration of Wyatt's relation to the "Chaucerian tradition" of Ovid in English.</text>
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              <text>Fuog, Karin Edie Capri.</text>
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        <element elementId="98">
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              <text>Dissertation Abstracts International 55 (1994): 959A.</text>
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            <elementText elementTextId="2735135">
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              <text>jules SAC 18 (1996) - 88</text>
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              <elementText elementTextId="2735130">
                <text>'I Mene This by Myself': Defining the Self of 'The Kingis Quair'</text>
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            <description>An account of the resource</description>
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                <text>Although Renaissance Scholars have tended to deny subjectivity in medieval literature, medievalists have shown that Chaucer develops it.  So does the author of "The Kingis Quair," an important but generally neglected work.</text>
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              <text>Lipson, Carol [S.]</text>
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              <text>Neuphilologische Mitteilungen 84 (1983): 192-200.</text>
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              <text>1983</text>
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              <text>Treatise on the Astrolabe.</text>
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            <elementText elementTextId="2720376">
              <text>Neuphilologische Mitteilungen 84 (1983)</text>
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              <text>jules SAC 07 (210)</text>
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                <text>'I n'am but a lewd compilator': Chaucer's 'Treatise on the Astrolabe' as Translation</text>
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                <text>No more than a fraction of Astr is translated; the largest part is Chaucer's own "practical prose."  In the "translated" sections Chaucer expanded his source by a factor of eight; thus his version is hardly a "translation."</text>
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              <text>Rack, Melissa J.</text>
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              <text>Medieval Perspectives 25 (2010): 89-102.</text>
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              <text>2010</text>
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              <text>Medieval Perspectives 25 (2010).</text>
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              <text>mea; 10/26/2013 SAC 36:135</text>
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                <text>'I nam no divinistre': Heterodoxy and Disjunction in Chaucer's 'Knight's Tale'</text>
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                <text>Argues that, in KnT, Chaucer does not resolve the disjunction between Aristotelian natural philosophy and Christian theology that is found in medieval university discourse; instead, he amplifies the tension to allow the "freeplay of interpretation."  Focuses on Arcite's death and Theseus' final speech.</text>
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              <text>Fahrenback, William</text>
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              <text>Essays in Medieval Studies 27 (2011): i-x.</text>
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              <text>Nun's Priest and His Tale</text>
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              <text>mea sac 35:135.</text>
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                <text>'I ne kan nat bulte it to the bren . . . '</text>
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            <description>An account of the resource</description>
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                <text>This introduction to a collection of essays on "Representing the Middle Ages" begins by providing an overview of representations of experience in the NPT.  After presenting an overview of key criticism, the article asserts that the tale seeks to provide "an appreciation of the intrinsically human desire to create meaning."</text>
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            <elementText elementTextId="2778186">
              <text>Cawsey, Kathy.</text>
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              <text>Kathy Cawsey and Jason Harris, eds. Transmission and Transformation in the Middle Ages: Texts and Contexts (Dublin: Four Courts Press, 2007), pp. 189-206.</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2778188">
              <text>2007</text>
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          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2778189">
              <text>Transmission and Transformation in the Middle Ages: Texts and Contexts.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2778191">
              <text>Chaucerian Apocrypha</text>
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              <text>Plowman and the Tale</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2778193">
              <text>vxl SAC 31:325</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2778185">
                <text>'I Playne Piers' and the Protestant Plowman Prints: The Transformation of a Medieval Figure</text>
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              <elementText elementTextId="2825784">
                <text>Cawsey surveys the legacy of the plowman figure in England from the late Middle Ages into the Renaissance, focusing on the composite work "I Playne Piers." The Plowman's Tale was used and reused in multiple ways, presented variously by editors and compilers.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2709557">
              <text>Hanning, Robert W.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2709558">
              <text>Laurie A. Finke and Martin B. Shichtman, eds.  Medieval Texts and Contemporary Readers (Ithaca, N.Y.: Cornell University Press, 1987), pp. 27-50.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2709559">
              <text>1987</text>
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        <element elementId="108">
          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2709560">
              <text>Medieval Texts and Contemporary Readers.</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2709562">
              <text>Background and General Criticism.</text>
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        </element>
        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2709563">
              <text>jules SAC 11 (93)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2709556">
                <text>'I Shal Finde It in a Maner Glose': Versions of Textual Harassment in Medieval Literature</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2709561">
                <text>Quintilian's definition of allegory suggests that "allegorical texts produce stable meanings and mirror unequivocal truths."  For Augustine, "Figural language exists so that 'by means of corporal and temporal things we may comprehend the eternal and spiritual.'"  Poststructuralist debates have called these understandings into question.  Hanning examines "interrelations between some medieval and postmodern concepts of allegory" and then analyzes the allegories of "Piers Plowman."</text>
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  <item itemId="261386" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2694507">
              <text>Edwards, A. S. G.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2694508">
              <text>Neuphilologische Mitteilungen 92 (1991): 469-70.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2694509">
              <text>1991</text>
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        <element elementId="102">
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          <elementTextContainer>
            <elementText elementTextId="2694511">
              <text>Man of Law and His Tale.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2694512">
              <text>Neuphilologische Mitteilungen 92 (1991)</text>
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          </elementTextContainer>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2694513">
              <text>mea</text>
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          <element elementId="50">
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              <elementText elementTextId="2694506">
                <text>'I Speke in Prose': Man of Law's Tale, 96</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2694510">
                <text>In one version of the versified Stacions of Rome, the word "prose" clearly designates a change of subject rather than nonmetrical writing.  In MLP, "prose" may signal a verse tale of historical and religious significance.</text>
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  </item>
  <item itemId="268907" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2770074">
              <text>Minnis, Alastair.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2770075">
              <text>Studies in the Age of Chaucer 27 (2005): 25-58.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2770076">
              <text>2005</text>
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        <element elementId="108">
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            <elementText elementTextId="2770077">
              <text>Biennial Chaucer Lecture, The New Chaucer Society, Fourteenth International Congress, 15-19 July 2004, University of Glasgow.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2770079">
              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>Knight and His Tale.</text>
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            <elementText elementTextId="2770081">
              <text>Franklin and His Tale.</text>
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            <elementText elementTextId="2770082">
              <text>Troilus and Criseyde.</text>
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          </elementTextContainer>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2770083">
              <text>Studies in the Age of Chaucer  27 (2005)</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2770084">
              <text>vxl sac 29:49.</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2770073">
                <text>'I speke of folk in seculer estaat' : Vernacularity and Secularity in the Age of Chaucer</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2770078">
                <text>Traces late medieval "vernacular secularity," particularly the influences of Aristotle's "Ethics," "Politics," and "Economics" and Boethius's "Consolation" as transmitted to England by Giles of Rome, Nicole Oresme, Nicholas Trevet, Jean de Meun, Guillaume de Machaut, etc. Comments on issues of audience and patronage. Explores the secularity of Chaucer's "renegotiations of Boethian matter" in KnT, FranT, and TC, as well as his representation of the Aristotelian virtue of magnificence in Theseus of KnT.</text>
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  <item itemId="267172" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2752216">
              <text>Fairweather, Colin.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2752217">
              <text>Notes and Queries 244: 193-95,   1999.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2752218">
              <text>1999</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2752220">
              <text>Chaucer's Influence and Later Allusion.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2752221">
              <text>Notes and Queries 244 (1999)</text>
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        </element>
        <element elementId="109">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2752222">
              <text>jules SAC 23 (47)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2752215">
                <text>'I Suppose He Meane Chaucer' : The Comedy of Errors in Spenser's Shepheardes Calendar</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2752219">
                <text>Explores Spenser's naming Chaucer "Tityrus" and how it implies greater respect for Chaucer than for Virgil.</text>
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            </elementTextContainer>
          </element>
        </elementContainer>
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  <item itemId="269927" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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            </element>
          </elementContainer>
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        <element elementId="110">
          <name>Author / Editor</name>
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          <elementTextContainer>
            <elementText elementTextId="2780583">
              <text>Cocco, Gabriele.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2780584">
              <text>Neophilologus 92 (2008): 359-66.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2780585">
              <text>2008</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2780587">
              <text>Pardoner and His Tale</text>
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            <elementText elementTextId="2780588">
              <text>Sources, Analogues, and Literary Relations</text>
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        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2780589">
              <text>Neophilologus 92 (2008).</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
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          <description/>
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            <elementText elementTextId="2833578">
              <text>vxl SAC 32:241.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>'I Trowe He Were a Gelding or a Mare': A Veiled Description of a Bent Pardoner</text>
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                <text>Chaucer may have tapped into traditional knowledge of the Northern god Loki in creating the description of the Pardoner in GP. Links with Loki, who transformed himself into a mare in the Old Norse "Gylfaginning," encourage us to view the Pardoner as homosexual and a warped trickster.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2742560">
              <text>Marvin, Corey J.</text>
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        <element elementId="98">
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              <text>Exemplaria 8 (1996): 35-58.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2742562">
              <text>1996</text>
            </elementText>
          </elementTextContainer>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
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              <text>"Castration: Chaucer's 'Prioress's Tale' and John of Garland's 'Stella Maris'."</text>
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              <text>Word Outward: Medieval Perspectives on the Entry into Language.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2742567">
              <text>Prioress and Her Tale.</text>
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          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2742568">
              <text>Exemplaria 08 (1996)</text>
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          <name>Source</name>
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              <text>jules SAC 20 (1998), 222</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2742559">
                <text>'I Will Thee Not Forsake': The Kristevan Maternal Space in Chaucer's 'Prioress's Tale' and John of Garland's Stella Maris</text>
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                <text>A reading of PrT in the mode of Julia Kristeva reveals it to be the narrative of the "litel clergeon's" entry into self-hood and subjectivity by a traumatic passage from the maternal "chora," represented by the singing of "Alma redemptio mater," through abjection, into the symbolic order of language and the Father.</text>
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                <text>A revised version is printed as "Castration: Chaucer's 'Prioress's Tale' and John of Garland's 'Stella Maris'," in Corey Marvin, Word Outward: Medieval Perspectives on the Entry into Language (New York: Routledge, 2002), pp. 23-47.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2741037">
              <text>Charnley, Susan Christina De Long.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2741038">
              <text>Dissertation Abstracts International 57 (1996): 2030A.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2741039">
              <text>1996</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2741041">
              <text>Background and General Criticism.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2741042">
              <text>Dissertation Abstracts International 57 (1996)</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2741043">
              <text>jules SAC 20 (1998), 70</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2741036">
                <text>'I Wol Nat Serve...': Authority and Submission in Late Medieval English Literature</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2741040">
                <text>Examines right relations of individuals in the medieval Christian hierarchy as shown in the writings of Chaucer, Gower, Langland, the "Pearl" poet, Julian of Norwich, and Guillaume de Deguileville.</text>
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            </elementTextContainer>
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  <item itemId="261629" public="1" featured="0">
    <collection collectionId="8">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          </elementContainer>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2696921">
              <text>Beadle, Richard.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2696922">
              <text>Toshiyuki Takamiya and Richard Beadle, eds.  Chaucer to Shakespeare: Essays in Honour of Shinsuke Ando (Cambridge: D. S. Brewer, 1992), 55-66.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2696923">
              <text>1992</text>
            </elementText>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2696924">
              <text>Chaucer to Shakespeare: Essays in Honour of Shinsuke Ando.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2696926">
              <text>Manuscripts and Textual Studies.</text>
            </elementText>
            <elementText elementTextId="2696927">
              <text>Cook and His Tale.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2696928">
              <text>mea</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2696920">
                <text>'I wol nat telle it yit': John Selden and a Lost Version of the Cook's Tale</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2696925">
                <text>A seventeenth-century account makes it possible to reconstruct portions of a manuscript of CT, once owned by Selden and now lost, here designated *Se2.  Beadle hypothesizes that *Se2 presented a longer version of CkP than now available.</text>
              </elementText>
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          </element>
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  <item itemId="265062" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2730299">
              <text>Moore, Bruce.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2730300">
              <text>Parergon 14 (1976): 52-62.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2730301">
              <text>1976</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2730303">
              <text>Pardoner and His Tale.</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2730304">
              <text>Parergon 14 (1976)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2730305">
              <text>jules SAC 02 (179)</text>
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      </elementContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2730298">
                <text>'I Wol No Lenger Pleye with Thee': Chaucer's Rejection of the Pardoner</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2730302">
                <text>The Pardoner obsessively flaunts his unwholesome nature, manifesting hypnotic control and power.  His picture of the Old Man, and his subsequent affronting of the Host augment his disturbing self-characterization and lead the pilgrims and author to dismiss him abruptly.</text>
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  <item itemId="263127" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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          </elementContainer>
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    <itemType itemTypeId="24">
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2711724">
              <text>Desmond, Marilynn Robin.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2711725">
              <text>Dissertation Abstracts International 46 (1986): 2687A-2688A.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2711726">
              <text>1986</text>
            </elementText>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2711728">
              <text>Background and General Criticism.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2711729">
              <text>Dissertation Abstracts International 46 (1986)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2711730">
              <text>jules SAC 10 (57)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2711723">
                <text>'I Wol Now Singen, Yif I Kan': The 'Aeneid' in Medieval French and English Narrative</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2711727">
                <text>Studies medieval assumptions about and deformations of Virgil's "Aeneid."  Chapter 3 presents the "self-conscious ironic" version of the Dido story in LGW; chapter 4, Chaucer's assumptions about the "Aeneid" in HF.  Notes on Chretien, Caxton, Douglas.</text>
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            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
  </item>
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