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                  <text>Chaucer Bibliography Online</text>
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              <text>Brewer, D. S., ed.</text>
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              <text>University: University of Alabama Press; London: Nelson, 1966.</text>
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              <text>278 pp.</text>
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              <text>Background and General Criticism</text>
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              <text>mea/ 9/17/2018</text>
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              <text>1966</text>
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                <text>Chaucer and Chaucerians: Critical Studies in Middle English Literature.</text>
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                <text>Nine essays by various authors accompanied by a cultural timeline and a comprehensive index. For the individual essays, search for Chaucer and Chaucerians under Alternative Title.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Connolly, Margaret.</text>
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        <element elementId="98">
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              <text>Chaucer Review 29 (1994): 40-44.</text>
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              <text>1994</text>
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              <text>Book of the Duchess.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>jules SAC 18 (1996) - 254)</text>
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                <text>Chaucer and Chess</text>
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                <text>The references to chess in BD are confused because Chaucer seems not to have had any firsthand knowledge of the game, his source being not a proper handbook but the "Roman de la Rose."  Applying the chess metaphor from Jean de Meun to a dissimilar situation in BD, Chaucer adds to the ambiguity in the character of the Dreamer.</text>
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              <text>Keen, Maurice.</text>
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        <element elementId="98">
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              <text>Matthew Strickland, ed. Armies, Chivalry and Warfare in Medieval Britain and France: Proceedings of the 1995 Harlaxton Symposium. Harlaxton Medieval Studies, no. 7 (tamford, Lincolnshire: Watkins, 1998), pp. 1-12.</text>
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          <name>Date</name>
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            <elementText elementTextId="2770730">
              <text>1998</text>
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            <elementText elementTextId="2770731">
              <text>Armies, Chivalry and Warfare in Medieval Britain and France: Proceedings of the 1995 Harlaxton Symposium.</text>
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          <name>Contributor</name>
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            <elementText elementTextId="2770732">
              <text>Strickland, Matthew, ed.</text>
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        <element elementId="102">
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            <elementText elementTextId="2770734">
              <text>Knight and His Tale.</text>
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              <text>Parson and His Tale.</text>
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        <element elementId="104">
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            <elementText elementTextId="2770736">
              <text>Harlaxton Medieval Studies, no. 7.</text>
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        <element elementId="109">
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              <text>vxl</text>
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              <elementText elementTextId="2770727">
                <text>Chaucer and Chivalry Re-Visited</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2770733">
                <text>Keen surveys a range of late medieval attitudes toward chivalry, knighthood, and warfare, especially a "streak of puritanism" that criticized the vainglory of chivalry. He considers a range of texts, including Chaucer's ParsT and the GP description of the Knight.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2798342">
              <text>Brewer, D[erek] S.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2798343">
              <text>Beryl Rowland, ed. Chaucer and Middle English Studies in honour of Rossell Hope Robbins (London: George Allen &amp; Unwin, 1974), pp. 255-59.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2798344">
              <text>1974</text>
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        <element elementId="108">
          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2798345">
              <text>Chaucer and Middle English Studies in honour of Rossell Hope Robbins.</text>
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        <element elementId="102">
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            <elementText elementTextId="2798347">
              <text>Franklin and His Tale</text>
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            <elementText elementTextId="2798348">
              <text>Sources, Analogues, and Literary Relations</text>
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            <elementText elementTextId="2798349">
              <text>Language and Word Studies</text>
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        <element elementId="109">
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            <elementText elementTextId="2798350">
              <text>mea; 3/21/2014 No SAC</text>
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            <name>Title</name>
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              <elementText elementTextId="2798341">
                <text>Chaucer and Chrétien and Arthurian Romance</text>
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                <text>Gauges Chaucer's familiarity with the Arthurian romances of Chrétien de Troyes, commenting on the English poet's use of "vavasour" to describe the Franklin and on his allusions to Lancelot, Arthur, and Gawain. Suggests the possibility that Chaucer's lost "Book of the Leoun" may have been a version of Chrétien's "Yvain."</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2717063">
              <text>Robertson, D. W.,Jr.</text>
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        <element elementId="98">
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              <text>David Lyle Jeffrey, ed. Chaucer and Scriptural Tradition (Ottawa: University of Ottawa Press, 1984), pp. 3-32.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2717065">
              <text>1984</text>
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          <elementTextContainer>
            <elementText elementTextId="2717066">
              <text>Chaucer and Scriptural Tradition.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2717068">
              <text>Background and General Criticism.</text>
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        <element elementId="109">
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              <text>jules SAC 08 (91)</text>
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                <text>Chaucer and Christian Tradition</text>
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              <elementText elementTextId="2717067">
                <text>Understanding medieval literary use of scriptural tradition requires knowledge of relevant social history, especially for Chaucer--not merely a "textual" man but a "moral, social, and political man."  The complex Christian tradition, functioning psychologically, economically, socially, and politically, changed as culture changed.</text>
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            <elementText elementTextId="2770608">
              <text>Hodges, Laura [F.]</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2770609">
              <text>Rochester, N.Y.; and Woodbridge, Suffolk : D. S.Brewer, 2005.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2770610">
              <text>2005</text>
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        <element elementId="99">
          <name>Physical Description</name>
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          <elementTextContainer>
            <elementText elementTextId="2770611">
              <text>xiv, 316 pp. : 16 b&amp;w illus.; 8 color illus.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
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              <text>General Prologue to the Canterbury Tales.</text>
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              <text>Prioress and Her Tale.</text>
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            <elementText elementTextId="2770616">
              <text>Monk and His Tale.</text>
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              <text>Friar and His Tale.</text>
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              <text>Clerk and His Tale.</text>
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              <text>Physician and His Tale.</text>
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              <text>Parson and His Tale.</text>
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              <text>Pardoner and His Tale.</text>
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              <text>Summoner and His Tale.</text>
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        <element elementId="104">
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            <elementText elementTextId="2770623">
              <text>Chaucer Studies, no. 34.</text>
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        <element elementId="109">
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              <text>vxl sac 29:170</text>
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                <text>Chaucer and Clothing : Clerical and Academic Costume in the General Prologue to "The Canterbury Tales"</text>
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                <text>Assesses the details and implications of the clothing and accoutrements of the clerical and academic pilgrims in GP, discussing the Prioress, Monk, Friar, Clerk, Physician, Parson, Pardoner, and Summoner. More richly symbolic than secular dress, clerical dress must be understood in terms of social and literary values developed over time and exploited by Chaucer.</text>
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                <text>Hodges introduces historical, linguistic, sartorial, and literary contexts as backgrounds to the descriptions. She examines each detail of the descriptions (and illustrations surviving in the manuscripts) to explain how "costume rhetoric" is fundamental to Chaucer's creation of character in GP.</text>
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              <text>Paul G, Ruggiers, ed.  Versions of Medieval Comedy (Norman: University of Oklahoma Press, 1977), pp. 173-90.  Reprinted in Jean E. Jost, ed. Chaucer's Humor (Garland, 1994), pp. 79-99.</text>
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                <text>There are those Chaucer readers who feel that he failed to take life seriously enough.  His view of the world was indeed serious; it was not, however, a tragic view.  His art is his love of the human comedy and thereby hang the tales of some of the most intricate and hilarious characters in literature.</text>
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                <text>Chaucer and Comparative Literary Theory</text>
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                <text>In response to Morton Bloomfield, "Contemporary Literary Theory and Chaucer," Minnis distinguishes between the "alterity" and the "modernity" of medieval literature, arguing that medieval theories of literature should be applied to Chaucer.</text>
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              <text>Giancarlo, Matthew.</text>
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Friar and His Tale&#13;
Second Nun and Her Tale</text>
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                <text>Chaucer and Contemporary Courts of Law and Politics: House, Law, Game.</text>
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              <elementText elementTextId="2851863">
                <text>Introduces the kinds of courts with which Chaucer would have been acquainted, organized into sections on house and law and one on game that end with readings of FrT and SNT. Discusses the range of courtly depictions, cataloguing "some of the Chaucerian moments of trial which . . . help us to understand how his writings often connected these interrelated ideas of court."</text>
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              <text>Hodges, Laura F.</text>
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              <text>Cambridge : D. S. Brewer, 2000.</text>
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              <text>xiv, 285 pp : 8 color, 17 b&amp;w illus.</text>
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              <text>Knight and His Tale.</text>
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              <text>Chaucer Studies, no. 26.</text>
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                <text>Chaucer and Costume : The Secular Pilgrims in the General Prologue</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Explores the variety, subtleties, and complexities of Chaucer's "costume rhetoric" in GP, examining how details of the secular pilgrims' dress and accoutrement capitalize on late-medieval English clothing practice and extend literary tradition. Clothing could "mean" in various ways in medieval culture, and Chaucer's "Gothic" variety of costume encourages us to read the details literally and figuratively, seeking to comprehend fully the material, social, and literary codes of medieval dress. Discusses all of the secular pilgrims, especially the Knight, Squire, Merchant, Wife of Bath, and Sergeant at Law. Considers fabrics, colors, styles of dress, hats, shoes, gloves, swords, knives, and so forth, explaining terminology and exploring cultural associations. Includes an extensive index.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Benson, Larry D.</text>
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              <text>Piero Boitani and Anna Torti, eds. Genres, Themes, and Images in English Literature from the Fourteenth to the Fifteenth Century  (Tubingen: Gunter Narr Verlag, 1988), pp. 11-30.</text>
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              <text>Genres, Themes, and Images in English Literature from the Fourteenth to the Fifteenth Century</text>
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          <name>Chaucer Subject</name>
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                <text>Argues that Chaucer was the "Father of English Prudery" because (fabliaux notwithstanding) he elevated and purified the English language by inventing a language of circumlocution and courtly indirection and by substituting Latinate terms for the Anglo-Saxon "shitwordes" in common use before refinements were developed.</text>
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                <text>Bawdry being "consequent to and dependent upon prudery," Chaucer is also the "Father of English Bawdry."</text>
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              <text>Elias, Marcel.</text>
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        <element elementId="98">
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              <text>Review of English Studies 70, no. 296 (2019): 618-39.</text>
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              <text>Review of English Studies 70 (2019)</text>
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              <text>Squire and His Tale&#13;
Knight and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; SAC 44:249</text>
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                <text>Chaucer and Crusader Ethics: Youth, Love, and the Material World.</text>
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                <text>Shows how late medieval "anxieties over the corruption of chivalry" and criticism of the morals, motives, and conduct of crusaders" are reflected in the pairing of the GP descriptions of the Squire and Knight, and in KnT and SqT. Argues that "Chaucer's critique of crusaders is not . . . effected through the Knight, but through the Squire," evident in comparisons with romances and treatises about the crusades, including that of Henry Despenser.</text>
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                <text>Evaluates Chaucer's indebtedness to Dante by examining ascriptions (indexed two ways).  Considers aspects of Chaucer-Dante relationship within European setting.  The younger Chaucer borrowed isolated lines and phrases from the "Comedy"; the mature Chaucer borrowed concepts as well as phrasing.</text>
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Monk and His Tale</text>
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                <text>Comments on Chaucer's possible access to Dante's works before traveling to Italy in 1372, and explores the "literary relationship of the two writers," arguing that "Chaucer drew on Dante not heavily but over many years," principally for the Ugolino episode of MkT, along with "striking images" and the "lyric expression of religious adoration" found in the "Commedia," but also for the "discussion of nobleness" in "Convivio" 4.</text>
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Book of the Duchess&#13;
Parliament of Fowls&#13;
Legend of Good Women&#13;
Gentilesse</text>
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                <text>Advocates a "contextual" approach to source study, arguing that several discussions of Dante's influence on Chaucer depend upon weak correspondences, better treated as shared tradition than direct influence. Discusses the lists of lovers in PF and BD, the treatment of Jason in LGW, and the "firste stok" and treatment of gentility in Gent.</text>
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              <text>Wallace, David.</text>
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                <text>Applies Deschamps' concept of natural music (i.e., words in verse, from L'Art de dictier) to Machaut's ballade "Tout ensement," to "The Fair Maid of Ribblesdale," and to Chaucer's Ros, demonstrating how the rhythms of Middle French and Middle English verse differ and how Chaucer emulates the French.</text>
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        <element elementId="114">
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                <text>Chaucer and Dialectology</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2706615">
                <text>After a survey of the reactions to Tolkien's article on the use of the northern dialect in RvT, Dor shows--on the basis of internal evidence--the geographical background of each pilgrim and the gradation in the process of Londonization.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Besserman, Lawrence [L.]</text>
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        <element elementId="98">
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            <elementText elementTextId="2772383">
              <text>Chaucer Review 41(2006): 99-104.</text>
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        <element elementId="114">
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            <elementText elementTextId="2772384">
              <text>2006</text>
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            <elementText elementTextId="2772386">
              <text>Chaucer's Influence and Later Allusion.</text>
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              <text>Troilus and Criseyde.</text>
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            <elementText elementTextId="2772388">
              <text>Chaucer Review 41 (2006)</text>
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              <text>vxl sac 30:60</text>
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                <text>Chaucer and Dickens Use Luke 23.34</text>
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                <text>Given his interest in Chaucer and his ownership of a copy of TC, Dickens's "comic literary use of the motif of 'Christ-forgives-his-killers'" may be an echo of Chaucer's use of the motif, which is based on Luke 23.34, in TC 3.1577.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2701447">
              <text>Hoy, James (F.)</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2701448">
              <text>Medium Aevum 59 (1990): 288-91.</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2701449">
              <text>1990</text>
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            <elementText elementTextId="2701451">
              <text>Troilus and Criseyde.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2701453">
              <text>Medium Aevum 59 (1990)</text>
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              <text>jules - 26/10/94 SAC 14 (264)</text>
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                <text>Chaucer and Dictys</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2701450">
                <text>Chaucer may have known the "Ephemeris Belli Troiani" of Dictys Cretensis.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2755281">
              <text>McGavin, John J.</text>
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        <element elementId="98">
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            <elementText elementTextId="2755282">
              <text>Madison and Teaneck, N.J. :</text>
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            <elementText elementTextId="2755283">
              <text>London : Fairleigh Dickinson University Press ;</text>
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            <elementText elementTextId="2755284">
              <text>Associated University Presses, 2000.</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2755285">
              <text>2000</text>
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        <element elementId="99">
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          <elementTextContainer>
            <elementText elementTextId="2755286">
              <text>240 pp.</text>
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            <elementText elementTextId="2755289">
              <text>Troilus and Criseyde.</text>
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              <text>House of Fame.</text>
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            <elementText elementTextId="2755291">
              <text>Manciple and His Tale.</text>
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            <elementText elementTextId="2755292">
              <text>Knight and His Tale.</text>
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              <text>Wife of Bath and Her Tale.</text>
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              <text>jules SAC 24 (174)</text>
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          <element elementId="50">
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              <elementText elementTextId="2755280">
                <text>Chaucer and Dissimilarity : Literary Comparisons in Chaucer and Other Late-Medieval Writing</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2755287">
                <text>A study of Chaucer's simultaneous employment of, and challenge to, comparative language and thinking. Chapter 1 explores dissimilarity and its "taxonomic force" in academic and religious traditions, while chapter 2 focuses on this subject in HF. Chapter 3 looks at the uses of similes in Chaucer and other medieval authors, arguing that Chaucer creates a "dialectical play of simile and context."</text>
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                <text>The following two chapters focus on TC and the contexts and persuasive capabilities of comparisons in it. Chapter 6 deals with Chaucer's strategies for preventing readers from categorizing his fictions easily or comfortably. The book argues, finally, that the "most characteristic features of language as Chaucer uses it in poetic fiction . . . are similaic not tropic"; importantly, though, Chaucer sees the "creative and subversive effect of dissimilarity." McGavin gives recurrent attention to KnT, WBP, and ManT.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2805401">
              <text>Capener, Norman.</text>
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          </elementTextContainer>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2805402">
              <text>Annual of the Royal College of Surgeons 50.5 (1972): 283-300.</text>
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        <element elementId="114">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2805403">
              <text>1972</text>
            </elementText>
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        <element elementId="102">
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            <elementText elementTextId="2805405">
              <text>Physician and His Tale</text>
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              <text>Tale of Melibee</text>
            </elementText>
            <elementText elementTextId="2805407">
              <text>Knight and His Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2805408">
              <text>Annual of the Royal College of Surgeons 50 (1972)</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2805409">
              <text>mea; 12/18/2015 No SAC</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2805400">
                <text>Chaucer and Doctor John of Gaddesden</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2805404">
                <text>Summarizes the life and medical expertise of John of Gaddesden, rejecting the notion that Chaucer caricatured Gaddesden in the GP description of the Physician, suggesting that it is instead an "impersonal description." Also comments on Chaucer's depictions of surgeons and physicians in Mel, the positive response by the Host to PhyT, and Arcite's medical condition in KnT--all evidence that Chaucer was "kindly disposed" to doctors in his time. Includes 10 b&amp;w illus.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835334">
              <text>Singer, Armand E.</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
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              <text>West Virginia University Philological Papers 13 (1961): 25-30.</text>
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        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835336">
              <text>West Virginia University Philological Papers 13 (1961)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2835337">
              <text>Chaucer's Influence and Later Allusion&#13;
Shipman and His Tale</text>
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          </elementTextContainer>
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        <element elementId="109">
          <name>Source</name>
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              <text>mea; 10/14/21</text>
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        <element elementId="114">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835339">
              <text>1961</text>
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              <elementText elementTextId="2835332">
                <text>Chaucer and Don Juan.</text>
              </elementText>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2835333">
                <text>Explores the "[p]ossible influence" of ShT "on the Don Juan theme" in England and in Spain, observing that the former "is likely enough but difficult to prove," while the latter is "very unlikely and virtually unprovable."</text>
              </elementText>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2723214">
              <text>Orme, Nicholas (I).</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2723215">
              <text>Chaucer Review 16 (1981): 38-59.</text>
            </elementText>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2723216">
              <text>1981</text>
            </elementText>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2723217">
              <text>Education and Society in Medieval and Renaissance England.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2723220">
              <text>Background and General Criticism.</text>
            </elementText>
            <elementText elementTextId="2723221">
              <text>Wife of Bath and Her Tale.</text>
            </elementText>
            <elementText elementTextId="2723222">
              <text>Squire and His Tale.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2723223">
              <text>Chaucer Review 16 (1981)</text>
            </elementText>
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        <element elementId="109">
          <name>Source</name>
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              <text>jules SAC 05 (92)</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2723213">
                <text>Chaucer and Education</text>
              </elementText>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2723218">
                <text>Chaucer's references to education are scattered, unpredictable, and peripheral except in the WBT and SqT, where the education theme is central.</text>
              </elementText>
              <elementText elementTextId="2723219">
                <text>Reprinted in Education and Society in Medieval and Renaissance England (London and Ronceverte: Hambledon, 1989), pp. 221-42.</text>
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