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              <text>Bukowska, Joanna.</text>
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              <text>Jacek Fabiszak, Ewa Urbaniak-Rybicka, and Bartosz Wolskieds, eds. Crossroads in Literature and Culture, Second Language Learning and Teaching (New York: Springer, 2013), pp. 19–40.</text>
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Wolskieds, Bartosz, ed.</text>
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Canterbury Tales--General</text>
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                <text>Between Geoffrey Chaucer's "Canterbury Tales" and Peter Ackroyd's "Clerkenwell Tales": A Dialogue of the Contemporary Novel and Medieval Literary Conventions.</text>
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              <text>Gerald Gillespie and Haun Saussey, eds. Intersections, Interferences, Interdisciplines: Literature with Other Arts (Brussels: P. I. E. Peter Lang, 2014), pp. 35–46.</text>
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                <text>Describes the "Night Lesson" chapter of James Joyce's "Finnegans Wake" and argues that it shares a number of features with Astr.</text>
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                <text>"Among Schoolchildren": Joyce's "Night Lesson" and Chaucer's "Treatise on the Astrolabe."</text>
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                <text>Parodies Cole Porter's lyrics in "Brush Up Your Shakespeare," using Chaucerian topics and emphases; purportedly composed for a conference of the New Chaucer Society.</text>
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              <text>Bellamy, Dodie.</text>
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                <text>An erotic prose poem that combines a pastiche of Chaucerian quotations, faux Middle English, and a narrative of sexual activity that alludes recurrently to NPT.</text>
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              <text>Shakespeare Survey  65 (2012): 12-25.</text>
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Knight and His Tale</text>
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                <text>Argues that Shakespeare's "A Midsummer Night's Dream" alludes to KnT (particularly the figures of Emelye and Arcite) in ways that "perforate the boundaries" of the chronology of Shakespeare's borrowings the from the tale in "Dream" and in "The Two Noble Kinsmen." Though absent in "Dream," the characters and their plots are present in images and allusive details that raise vexing questions about temporality and source relations.</text>
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                <text>"Wrinkled Deep in Time": Emily and Arcite in "A&#13;
Midsummer Night's Dream."</text>
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              <text>xv, 464 pp.; 25 b&amp;w figs.</text>
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Sources, Analogues, and Literary Relations</text>
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                <text>Describes the translation and reception history of Boccaccio's work in English "from the fifteenth century to the twentieth," including discussion of the role of Chaucer and of Chaucer studies as impetus for nineteenth-century interest, popular and professional, in Boccaccio as a source for Chaucer.</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Sources, Analogues, and Literary Relations&#13;
Envoy to Bukton&#13;
Envoy to Scogan&#13;
Truth</text>
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                <text>"And gret wel Chaucer whan ye mete": Chaucer's Earliest Readers, Addressees and Audiences.</text>
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                <text>Explores what we know about Chaucer's earliest audiences, and how his work was used and discussed in his lifetime. Considers use of manuscripts by Hoccleve and Chaucer's named addressees, Bukton, Scogan, and de la Vache. Lists contemporary references to Chaucer in the poetry of Gower, Deschamps, Clanvowe, and Usk</text>
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              <text>Koff, Leonard Michael.</text>
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                <text>Dreaming the Dream of Scipio.</text>
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                <text>Explores how Chaucer's adaptations in PF of Macrobius's Neoplatonic commentary on Cicero's "Dream of Scipio" anticipate "the humanist recovery of Ciceronian ideals," particularly the "ideal of marriage and mating as civic duty" and the "possibility of a monarchical continuity that counsels adjudication between personal prerogatives and the social duties of love."</text>
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              <text>Shonk, Timothy A.</text>
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              <text>Cicero Refused to Die</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
Book of the Duchess&#13;
Parliament of Fowls&#13;
House of Fame</text>
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              <elementText elementTextId="2829928">
                <text>"For I hadde red of Affrycan byforn": Cicero's "Somnium Scipionis" and Chaucer's Early Dream Visions.</text>
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                <text>Argues that Cicero's "Somnium Scipionis" "had a much greater impact" on BD, PF, and especially HF than is usually acknowledged, showing that Cicero's themes and imagery permeate Chaucer's works and dominate his literary imagination for "some ten years." Also comments on the relative chronology of the three Chaucerian works.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Deusen, Nancy van, ed.</text>
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              <text>Boston, Mass.: Brill, 2013.</text>
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              <text>viii, 214 pp.</text>
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              <text>Background and General Criticism</text>
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              <text>SAC 41:129</text>
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                <text>Cicero Refused to Die: Ciceronian Influence through the Centuries.</text>
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              <elementText elementTextId="2827757">
                <text>Ten essays by various authors and an introduction by the editor that consider the influence of Cicero on western language and literature from late Antiquity to the early modern era. For two essays that pertain to Chaucer, search for Cicero Refused to Die under Alternative Title.</text>
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              <text>Ruether-Wu, Marybeth.</text>
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              <text>Dissertation Abstracts International A79.02 (2017): n.p.</text>
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              <text>Dissertation Abstracts International 79 (2017)</text>
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              <text>Background and General Criticism</text>
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                <text>Revel, Reiving, and Outlawry: Regulating the Body Politic in Late Medieval Popular Literature.</text>
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            <description>An account of the resource</description>
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                <text>Discusses Chaucer and Langland in this study of outlawry, suggesting that the sovereign ban may be interpreted as a Galenic purgation of imbalance in the body politic.</text>
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            <elementText elementTextId="2827741">
              <text>Rabil, Albert, Jr.</text>
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              <text>Karen Nelson, ed. Attending to Early Modern Women (Newark: University of Delaware Press, 2013), pp. 189-206.</text>
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              <text>Nelson, Karen, ed.</text>
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              <text>Wife of Bath and Her Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <elementText elementTextId="2827739">
                <text>Geoffrey Chaucer, the Wife of Bath (ca. 1395) and Christine de Pizan, from "Legend of the God of Love" (1399) to "City of Ladies" (1405): A New Kind of Encounter between Male and Female.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2830720">
                <text>Suggests that Chaucer and Pizan may have created "female voices to speak in opposition to male misogyny" at about the same time because they shared similar educations and the same "cultural and intellectual universe," most evident in their familiarity with Ovid, the "Roman de la Rose," and Boethius's "Consolation of Philosophy." Describes the antimisogynist elements of WBPT and Pizan's works.</text>
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              <text>Copeland, Rita, ed.</text>
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              <text>Oxford: Oxford University Press, 2016.</text>
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              <text>xi, 758 pp.</text>
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              <text>The Oxford History of Classical Reception in English Literature.</text>
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              <text>Background and General Criticism&#13;
Sources, Analogues, and Literary Relations&#13;
Chaucer's Influence and Later Allusion</text>
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              <elementText elementTextId="2827730">
                <text>The Oxford History of Classical Reception in English Literature, Vol. 1, 800–1558.</text>
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            <description>An account of the resource</description>
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                <text>Includes twenty-eight sections by various authors (four by Copeland) who address the impact of the classics on medieval and early modern English culture: education, mythology, historiography, moral philosophy, humanism, translations, individual authors, and more. References to Chaucer and most of his works recur throughout, with attention to his "engagement" with classical writers such as Boethius, Lucan, Ovid and "Ovidianism," Statius, and Virgil, as well as his depictions of Troy, Greece, and Rome, and discussion of his influence on later English classicism. The volume offers primary and secondary bibliographies as well as a comprehensive index. For an essay that pertains to Chaucer, search for The Oxford History of Classical Reception in English Literature under Alternative Title.</text>
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              <text>Minnis, Alastair.</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
Knight and His Tale&#13;
Squire and His Tale&#13;
Franklin and His Tale&#13;
Physician and His Tale&#13;
Canon's Yeoman and His Tale</text>
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                <text>Other Worlds: Chaucer's Classicism.</text>
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                <text>Aligns Chaucer's depictions of classical culture and his attitudes toward pagan belief, arguing that his "remarkable degree of cultural relativism" and his "reluctance to resort to simplistic forms of Christian triumphalism" are "delimited" only by his rejection of polytheism. His respect for ancient moral philosophy is evident in KnT and PhyT; for classical science, in SqT, FranT, and CYT. SqT also reflects Chaucer's interests in "Orientalism."</text>
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              <text>Minnis, Alastair.</text>
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              <text>Medieval Translator/Traduire au Moyen Age 16 (2017): 357-76.</text>
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Traduire au Moyen Age 16 (2016)</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
House of Fame&#13;
Tale of Sir Thopas&#13;
Language and Word Studies</text>
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                <text>Aggressive Chaucer: Of Dolls, Drink and Dante.</text>
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                <text>Maintains that, despite the critical tradition of Chaucer's self-effacing persona, there are significant assertions of his own poetic authority in ThP and HF, and perhaps even challenges to Dante. Explores details of diction and imagery ("popet," "elvyssh," drinking one's own drink, etc.) to argue that, at times, "Chaucer's claims to poetic authority are aggressive" or "passive-aggressive."</text>
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            <elementText elementTextId="2827701">
              <text>A History of English Autobiography </text>
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            <elementText elementTextId="2827702">
              <text>Sources, Analogues, and Literary Relations&#13;
Chaucer's Retraction</text>
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        <element elementId="114">
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                <text>Autobiographical Selves in the Poetry of Chaucer, Gower, Hoccleve, and Lydgate.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2830724">
                <text>Surveys the "presentation of self" in late medieval English literature, gauging the relative degree of "truth value" and describing how authors "entwine life-writing into their larger projects." Uses Ret and Chaucer's ironic "playful portrayal of himself" elsewhere as touchstones for discussion of self-portrayals by writers such as the Harley lyricist and Adam Davy, as well as Gower, Hoccleve, and Lydgate.</text>
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              <text>Machulak, Erica R.</text>
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              <text>Dissertation Abstracts International A80.06 (2017): n.p.</text>
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              <text>Dissertation Abstracts International 80 (2017)</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2827689">
                <text>Suggests that authors including Chaucer, Langland, Hoccleve, and Johannes de Caritate employed Aristotelian and pseudo-Aristotelian sources (many derived from Arabic sources) in the course of exploring types of literary and cultural authority.</text>
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              <elementText elementTextId="2830284">
                <text>"Is he a clerk, or noon?" Arabic Sources, Vernacular Aristotelianism, and Authorial Responses to the Evolving Social and Intellectual Context of Later Middle English Literature.</text>
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              <text>Athens: University of Georgia Press, 2014. </text>
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Young, Karl.&#13;
Pratt. Robert A.</text>
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          <elementTextContainer>
            <elementText elementTextId="2827685">
              <text>Sources, Analogues, and Literary Relations&#13;
Wife of Bath and Her Tale&#13;
Friar and His Tale</text>
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                <text>Edits the seven known commentaries on Walter Map's "Letter of Valerius to His Friend Ruffinus, Dissuading Him from Marrying," with Latin-English facing pages and scholarly apparatus. The Introduction (pp. 1–14) clarifies the importance of the material as a source for WBT and for Chaucer's Friar, placing it in the tradition of fraternal and procelibacy commentaries. Volume 1 was published in 1997.</text>
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              <text>xviii, 355 pp.; b&amp;w illus.</text>
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Chaucer's Influence and Later Allusion</text>
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                <text>Dante's British Public: Readers and Texts from the Fourteenth Century to the Present.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Assesses the general or "public" familiarity with Dante and his works in British culture, acknowledging his impact on poets such as Chaucer, Milton, and T. S. Eliot, but exploring instead a more pervasive presence. Includes references to Chaucer's familiarity with Dante's works, to the knowledge of Dante among clerics in "the time of Chaucer," and to how Dante's and Chaucer's canonicity developed in Tudor England. Also comments on possible connections between Chaucer and Adam Easton, an English Benedictine who "possibly anticipated Chaucer as the first English writer to refer to Dante by name."</text>
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              <text>Hardaway, Reid.</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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                <text>Ovid's Wand: The Brush of History and the Mirror of Ekphrasis.</text>
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                <text>Addresses Chaucer's works as part of a larger examination of the influence of Ovid's "Metamorphoses," particularly his employment of ekphrasis--the use of poetry to&#13;
portray other types of art.</text>
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              <text>Gruenler, Curtis A.</text>
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              <text>Notre Dame: University of Notre Dame Press, 2017. </text>
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              <text>xii, 586 pp.</text>
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        <element elementId="114">
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          <element elementId="50">
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                <text>Piers Plowman" and the Poetics of Enigma: Riddles, Rhetoric, and Theology.</text>
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          <element elementId="41">
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              <elementText elementTextId="2830547">
                <text>Approaches Chaucer's works briefly through contrast with :"Piers Plowman," which is treated here as the key text in a tradition of literature defined by "a distinctive poetics of enigma." Observes that Chaucer explores horizontally across the earthly world of humanity and society, as opposed to the "vertical," spiritual trajectory of :Piers Plowman." Considers Chaucer's emophasis to be exemplary of what would happen to enigma if the sacred and the secular were increasingly separated.</text>
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              <text>Gilbert, Dorothy, ed.</text>
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        <element elementId="98">
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              <text>xv, 407 pp.</text>
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              <text>Norton Critical Editions.</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
Tale of Sir Thopas&#13;
Merchant and His Tale&#13;
Facsimiles, Editions, and Translations</text>
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              <text>SAC 41:40</text>
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        <element elementId="114">
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            <elementText elementTextId="2827652">
              <text>2015</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2827644">
                <text>Marie de France: Poetry, New Translations, Backgrounds and Contexts, Criticism.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2830726">
                <text>Includes Th and a selection from MerT in the section called "Backgrounds and Context."</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2827638">
              <text>Franke, William.</text>
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        <element elementId="98">
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              <text>William Franke. Secular Scriptures: Modern Theological Poetics in the Wake of Dante (Columbus: Ohio State University Press, 2016), pp. 43–69.</text>
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              <text>Secular Scriptures: Modern Theological Poetics in the Wake of Dante.</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
House of Fame&#13;
Troilus and Criseyde&#13;
Legend of Good Women&#13;
Canterbury Tales--General</text>
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              <text>SAC 41:39</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2827643">
              <text>2016</text>
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          <element elementId="50">
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              <elementText elementTextId="2827636">
                <text>"Enditynges of worldly vanitees": Truth and Poetry in Chaucer as Compared with Dante.</text>
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              <elementText elementTextId="2830727">
                <text>Addresses the "bifurcation of philosophy and theology intervening between Dante and Chaucer," arguing that Chaucer "never demonstrated any confidence that poetry could in any way represent the reality of the divine." Assesses the "empiricism" of LGW, HF, TC, and CT and maintains that, for Chaucer, "the one and only positive, yet critical purpose" of poetry is "the disillusioning function."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <text>Federico, Sylvia.</text>
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              <text>Woodbridge: York Medieval Press, 2016.</text>
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              <text>viii, 207 pp.; 7 b&amp;w illus.</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
Monk and His Tale&#13;
Man of Law and His Tale&#13;
Troilus and Criseyde</text>
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              <text>SAC 41:38</text>
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        <element elementId="114">
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            <elementText elementTextId="2827635">
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            <name>Title</name>
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              <elementText elementTextId="2827628">
                <text>The Classicist Writings of Thomas Walsingham: "Worldly Cares" at St. Albans Abbey in the Fourteenth Century.</text>
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                <text>Studies the works of Thomas Walsingham for their importance in the field of late fourteenth-century English "public classical literature," helping to define this field by focusing on nuances in Walsingham's treatments of political events in classicized terms, imagery, and allusions, compared with treatments by contemporaneous writers, especially Chaucer. Includes discussion of Chaucer's Monk and his tale as an ironic commentary on Walsingham, revisions of previously published discussions of MLT and TC in relation to Walsingham's writing, explorations of the political vocabularies of Anglo-Latin and vernacular writings of the time, and a description of differences between "classisizing" literature and humanism.</text>
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              <text>Driscoll, William D.</text>
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              <text>Dissertation Abstracts International A78.09 (2017): n.p.</text>
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              <text>Dissertation Abstracts International 78 (2017)</text>
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              <text>Canterbury Tales--General&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>SAC 41:37</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2827627">
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              <elementText elementTextId="2827620">
                <text>By the Will of the King: Majestic and Political Rhetoric in Ricardian Poetry.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2830728">
                <text>Examines CT and Gower's "Confessio Amantis" as part of an imaginative reaction to the political circumstances following the Second Barons' War, arriving at a new role in "speaking to and for" the Henrician community.</text>
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