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                  <text>Chaucer Bibliography Online</text>
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              <text>Wynne-Davies, Marion.</text>
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              <text>Critical Survey 4:2 (1992): 107-13.</text>
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              <text>1992</text>
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              <text>Background and General Criticism. </text>
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              <text>Knight and His Tale.</text>
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              <text>Miller and His Tale.</text>
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              <text>Critical Survey 04 (1992)</text>
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              <text>jules SAC 18 (1996) - 131</text>
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                <text>'He Conquered Al the Regne of Femenye': Feminist Criticism of Chaucer</text>
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            <description>An account of the resource</description>
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                <text>Surveys feminist criticism of Chaucer from 1977 forward, focusing on representative works rather than aiming to be exhaustive.  Briefly contrasts Emelye of KnT with Alisoun of MilT.</text>
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              <text>Broughton, Laurel.</text>
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              <text>Jean E. Godsall-Myers, ed. Speaking in the Medieval World (Boston: Brill, 2003), 43-63.</text>
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        <element elementId="114">
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              <text>2003</text>
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            <elementText elementTextId="2763562">
              <text>Speaking in the Medieval World.</text>
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              <text>Knight and His Tale.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>vxl SAC 27: 180</text>
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                <text>'He Conquered Al the Regne of Femenye': What Chaucer's Knight Doesn't Tell About Theseus</text>
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                <text>By adjusting his source, Chaucer allows the Knight to construct a Theseus who appears noble and positively inclined toward women. Chaucer also reminds us, however, that Theseus is not always the champion of women and the exemplar of chivalry. A number of possible, conflicting readings shape the larger conversation of CT on the nature of truly noble behavior.</text>
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              <text>Friedman, John B.</text>
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              <text>Francis X. Newman, ed. Social Unrest in the Middle Ages (Binghamton, N.Y.: Center for Medieval and Early Renaissance Studies, 1986), pp. 75-112.</text>
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              <text>1986</text>
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            <elementText elementTextId="2710526">
              <text>Social Unrest in the Middle Ages.</text>
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              <text>Pardoner and His Tale.</text>
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              <text>Background and General Criticism.</text>
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              <text>jules SAC 11 (198)</text>
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                <text>'He Hath a Thousand Slayn This Pestilence': Iconography of the Plague in the Late Middle Ages</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2710527">
                <text>Treats iconography, history of medicine, and history of science.</text>
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            <elementText elementTextId="2807343">
              <text>Salter, David.</text>
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        <element elementId="98">
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            <elementText elementTextId="2807344">
              <text>Scottish Literary Review 5.2 (2013): 23-40.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2807345">
              <text>2013</text>
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              <text>Summoner and His Tale</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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              <text>Scottish Literary Review 05 (2013)</text>
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              <text>mea sac 37:117</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>'He is ane Haly Freir': 'The Freiris of Berwik,' 'The Summoner's Tale,' and the Tradition of Anti-Fraternal Satire</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Compares the fifteenth-century Scottish fabliau, "The Freiris of Berwik," to SumT and finds that the treatment of friars in the Scottish tale is more ironic than satirical, and is more concerned with eliciting laughter than with advancing an anti-fraternal agenda.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Mann, Jill.</text>
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            <elementText elementTextId="2772261">
              <text>Jill Mann and Maura Nolan, eds. The Text in the Community: Essays on Medieval Works, Manuscripts, Authors, and Readers (Notre Dame, Ind.: University of Notre Dame Press, 2006), pp. 41-74.</text>
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              <text>2006</text>
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              <text>Text in the Community: Essays on Medieval Works, Manuscripts, Authors, and Readers.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>Canterbury Tales - General.</text>
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              <text>vxl sac 30:49</text>
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            <description>A name given to the resource</description>
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                <text>'He Knew Nat Catoun': Medieval School-Texts and Middle English Literature</text>
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                <text>Mann describes the composition and influence of the "Liber Catonis," a composite of six Latin texts that served as a school-text in medieval education, and considers it in light of other medieval school-texts. Identifies places where works that constitute the "Liber Catonis" are echoed in CT and in Langland's Piers Plowman.</text>
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              <text>Pugh, Tison.</text>
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              <text>Sexuality and Its Queer Discontents in Middle English Literature (New York: Palgrave Macmillan, 2008), pp. 75-99.</text>
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              <text>2008</text>
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              <text>Clerk and His Tale</text>
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              <text>vxl SAC 32:224.</text>
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                <text>'He nedes moot unto the pley assente': Queer Fidelities and Contractual Hermaphroditism in Chaucer's Clerk's Tale</text>
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                <text>The Clerk's submission to the Host's tale-telling game parallels Griselda's submission to Walter: the two are queerly faithful in ways that bring into focus their "contractual hermaphroditism" and deconstruct traditional gender categories. Griselda's fidelity reconstructs Walter's masculinity; the Clerk compels from his audience a "dissolution of gender" for the remainder of CT. Readers find queer pleasure despite the cruelty of the Tale.</text>
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              <text>Glasser, Marc.</text>
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              <text>Neuphilologische Mitteilungen 85:2 (1984): 239-41.</text>
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              <text>1984</text>
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              <text>Wife of Bath and Her Tale.</text>
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              <text>Neuphilologische Mitteilungen 85 (1984)</text>
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                <text>'He Nedes Moste Hire Wedde': The Forced Marriage in the 'Wife of Bath's Tale' and Its Middle English Analogues</text>
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                <text>Compares the theme of forced marriage in WBT, "The Marriage of Sir Gawaine," "The Wedding of Sir Gawain and Dame Ragnell," and Gower's "Tale of Florent."  While all the works concern forced marriages, Chaucer's knight undergoes "greater coercion," and he is the only victim to complain.</text>
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              <text>King, Pamela M.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>Leeds Studies in English 32 (2001): 212-28. Reprinted in Pamela M. King and Alexandra F. Johnston, eds. Reading Texts for Performance and Performances as Texts (London: Routledge, 2020), pp. 102-18.</text>
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              <text>Leeds Studies in English 32 (2001)</text>
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              <text>vxl sac 26:194</text>
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            <elementText elementTextId="2839434">
              <text>Reading Texts for Performance and Performances as Texts.</text>
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                <text>'He Pleyeth Herodes upon a Scaffold Hye'?</text>
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            <description>An account of the resource</description>
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                <text>Explores the possible "theatrical context" of MilT, clarifying the cultural value of Absolon's status as a parish clerk and arguing that Chaucer's plot and treatment of gender in his characterization of Absolon were inspired by "amateur theatricals of the parish clerks at Clerkenwell," which Chaucer observed when he worked on the scaffolds at Smithfield in 1390.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2745792">
              <text>Doyle, Charles Clay.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>Chaucer Review 32 (1997): 108-10.</text>
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          <name>Date</name>
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              <text>1997</text>
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              <text>Canon's Yeoman and His Tale.</text>
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              <text>Chaucer's Influence and later Allusion.</text>
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        <element elementId="109">
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              <text>jules SAC 21 - 255</text>
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              <elementText elementTextId="2745791">
                <text>'He That Will Swear Will Lie': A Further Note</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2745795">
                <text>Peter Beidler asserted that a "shadow allusion" to CYT in "Rip Van Winkle" had gone unnoticed; in fact, scholars of seventeenth-century literature have recognized the allusion. Further, Chaucer's statement that one cannot trust someone who swears to be true until death is proverbial.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
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              <text>Healey, Antonette diPaolo.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
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              <text>Osamu Imahayashi, Yoshiyuki Nakao, and Michiko Ogura, eds. Aspects of the History of the English Language and Literature: Selected Papers Read at SHELL 2009, Hiroshima (New York; Peter Lang, 2010), pp. 3-18.</text>
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        <element elementId="114">
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            <elementText elementTextId="2788636">
              <text>2010</text>
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            <elementText elementTextId="2788637">
              <text>Aspects of the History of the English Language and Literature: Selected Papers Read at SHELL 2009, Hiroshima.</text>
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          <elementTextContainer>
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              <text>Language and Word Studies</text>
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              <text>Troilus and Criseyde</text>
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        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2788641">
              <text>vxl sac 34:97</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2788633">
                <text>'Heat' in Old English and in Chaucer's Creation of Metaphors of Love</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2788638">
                <text>The semantic field of "heat" includes emotional connotations in Old English, but Chaucer evokes new oxymoronic nuances when he uses it in Troilus's song, TC 1.400-420.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2725840">
              <text>Wentersdorf, Karl P.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2725841">
              <text>Studia Neophilologica 52 (1980): 31-34.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2725842">
              <text>1980</text>
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              <text>Nun's Priest and His Tale.</text>
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          <elementTextContainer>
            <elementText elementTextId="2725845">
              <text>Studia Neophilologica 52 (1980)</text>
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        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2725846">
              <text>jules SAC 04 (106)</text>
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          <element elementId="50">
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                <text>'Heigh Ymaginacioun' in Chaucer's Nun's Priest's Tale</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2725843">
                <text>Line 7.3217--"By heigh ymaginacioun forncast"--means not that the fox's attack was predestined, or foretold in the cock's dream, but that the fox had carefully planned his act of high treason against the royal Chauntecleer.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2775186">
              <text>Stubbs, Estelle.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2775187">
              <text>Review of English Studies 58 (2007): 133-53.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2775188">
              <text>2007</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2775190">
              <text>Manuscripts and Textual Studies.</text>
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            <elementText elementTextId="2775191">
              <text>Canterbury Tales--General.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2775192">
              <text>Review of English Studies 58 (2007)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2775193">
              <text>vxl SAC 31:35</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2775185">
                <text>'Here's One I Prepared Earlier': The Work of Scribe D on Oxford, Corpus Christi College, MS 198</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2775189">
                <text>Codicological analyses of the structure and details of Corpus Christi 198 support early suggestions by Carleton Brown, Charles Owen, and John Fisher about Chaucer's ongoing revision of CT, especially when considered in light of other early manuscripts. Includes tabular analysis of the construction of Corpus Christi 198.</text>
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              <description>A name given to the resource</description>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2701511">
              <text>Delahoyde, Michael.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
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              <text>Dissertation Abstracts International 50 (1990): 3223A.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2701513">
              <text>1990</text>
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            <elementText elementTextId="2701516">
              <text>Troilus and Criseyde.</text>
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            <elementText elementTextId="2701517">
              <text>Style and Versification.</text>
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        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2701518">
              <text>Dissertation Abstracts International 50 (1990)</text>
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          </elementTextContainer>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2701519">
              <text>jules - 30/10/94 SAC 14 (258)</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2701510">
                <text>'Heryng th'Effect' : Poetic Technique in Chaucer's 'Troilus and Criseyde'</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2701514">
                <text>Chaucer's prosody has been underrated.  With its unity, completeness, and carefully developed stanzas, TC demonstrates Chaucer's mastery of sound and sense.</text>
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                <text>Correction of DAI 50 (1990): 2483A-2484A.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2752905">
              <text>Delahoyde, Michael.</text>
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        <element elementId="98">
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            <elementText elementTextId="2752906">
              <text>Chaucer Review 34: 351-71,   2000.</text>
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        <element elementId="114">
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              <text>Troilus and Criseyde.</text>
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              <text>Style and Versification.</text>
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              <text>jules SAC 24 (377)</text>
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                <text>'Heryng th'effect' of the Names in Troilus and Criseyde</text>
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                <text>Chaucer manipulates names in the TC to add nuance to the individual characters and to make clear their subtle relationships. Although "Pandare" is used first, for example, the name "Pandarus" relates to "Troilus" and implies the insinuation of the former into the latter's business. The trochaic rhythm of "Ector" serves to reinforce the character's firmness and directness.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Takada, Yasunari.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2708627">
              <text>Kinshiro Oshitari et al, eds.  Philologia Anglica (Tokyo: Kenkyusha, 1988), pp. 299-305.</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2708628">
              <text>1988</text>
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            <elementText elementTextId="2708629">
              <text>Philologia Anglica</text>
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          <elementTextContainer>
            <elementText elementTextId="2708631">
              <text>Troilus and Criseyde.</text>
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              <text>Language and Word Studies.</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
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              <text>jules SAC 12 (249)</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2708625">
                <text>'Hevene' in Criseyde: Dante's 'Feste'</text>
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              <elementText elementTextId="2708630">
                <text>Treats TC and Dante's "Paradiso" with reference to the nature and structure of "feste"/"festa."  The Chaucerian contiguity of "feste" with "hevene" is a vestige of Dantean affiliation, while the circumscription of "feste" as "vide" is a Chaucerian outgrowth.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Fuller, David.</text>
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        <element elementId="98">
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            <elementText elementTextId="2704958">
              <text>Journal of the Rocky Mountain Medieval and Renaissance Association 9 (1988): 17-28.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2704959">
              <text>1988</text>
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            <elementText elementTextId="2704961">
              <text>Miller and His Tale.</text>
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          <elementTextContainer>
            <elementText elementTextId="2704962">
              <text>Journal of the Rocky Mountain Medieval and Renaissance Association 09 (1988).</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>jules SAC 13 (117)</text>
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              <elementText elementTextId="2704956">
                <text>'Hevest Up the Door': Overcoming Obstacles to Meaning in Chaucer's 'Miller's Tale'</text>
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          <element elementId="41">
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              <elementText elementTextId="2704960">
                <text>A wide variety of interpretations and levels of meaning make MilT both oblique and clear.  Chaucer yokes contradictory elements and obscures an underlying morality "to catch off guard his sophisticated readers--the 'clerical and courtly elite'--who were familiar with medieval exegesis."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2720211">
              <text>Ferris, Sumner.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2720212">
              <text>Names 31 (1983): 207-10.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2720213">
              <text>1983</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2720215">
              <text>Shipman and His Tale.</text>
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          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2720216">
              <text>Names 31 (1983)</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2720217">
              <text>jules SAC 07 (191)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2720210">
                <text>'His barge ycleped was the Maudelayne': 'Canterbury Tales' A 410</text>
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          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2720214">
                <text>The Shipman and other mariners named ships after Mary Magdalene as protectress from shipwreck and death and, probably, because of her scarlet past.</text>
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  <item itemId="262359" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2704217">
              <text>Boitani, Piero.</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2704218">
              <text>Joerg O. Fichte, ed.  Chaucer's Frame Tales (Cambridge: Cambridge University Press, 1987), pp. 83-128.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2704219">
              <text>1989</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2704220">
              <text>Chaucer's Frame Tales.</text>
            </elementText>
            <elementText elementTextId="2704221">
              <text>The Tragic and the Sublime in Medieval Literature.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2704225">
              <text>Sources, Analogues and Literary Relations.</text>
            </elementText>
            <elementText elementTextId="2704226">
              <text>ABC</text>
            </elementText>
            <elementText elementTextId="2704227">
              <text>Prioress and Her Tale.</text>
            </elementText>
            <elementText elementTextId="2704228">
              <text>Second Nun and Her Tale.</text>
            </elementText>
            <elementText elementTextId="2704229">
              <text>Troilus and Criseyde.</text>
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        </element>
        <element elementId="109">
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            <elementText elementTextId="2704230">
              <text>jules SAC 13 (44)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2704216">
                <text>'His Desir Wol Fle Withouten Wynges': Mary and Love in Fourteenth-Century Poetry</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2704222">
                <text>Examines Marian prayers and images in Dante, de Guilleville, Petrarch, and Chaucer, who use prayers to the Virgin at crucial moments in their works.  A comparative study illuminates religious ideals and narrative strategies in CT (PrT, SNT), TC, and ABC.</text>
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              <elementText elementTextId="2704223">
                <text>ABC represents the form in transition.  Starting with a French abecedarium, Chaucer explores several modes--"historical, figural, emotional, humble, and high"--but settles on none. He transforms the prayer to the Virgin into a private lyric, increasing the emotional quality.  SNT and PrT are an "ideal pair of hagiographic visions of central Christian truths."</text>
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                <text>Reprinted in Piero Boitani, The Tragic and the Sublime in Medieval Literature (Cambridge: Cambridge University Press (1989), pp. 177-222.</text>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2812624">
              <text>Farrell, Thomas J.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2812625">
              <text>John M. Hill, Bonnie Wheeler, and R. F. Yeager, eds. Essays on Aesthetics and Medieval Literature  in Honor of Howell Chickering (Toronto: Pontifical Institute of Medieval Studies, 2014), pp. 142-64.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2812626">
              <text>2014</text>
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          </elementTextContainer>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2812627">
              <text>Essays on Aesthetics and Medieval Literature  in Honor of Howell Chickering.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2812629">
              <text>Squire and His Tale</text>
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            <elementText elementTextId="2812630">
              <text>Language and Word Studies</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2812631">
              <text>mea; 2/10/2017 SAC 38:154</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2812623">
                <text>'His lady grace' and the Performance of the Squire</text>
              </elementText>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2812628">
                <text>Studies over 15,000 occurences of n-stem and r-stem nouns in the "Corpus of Middle English Verse and Prose," and uses  the information to assess "his lady grace" (GP 1.88) and the incoherences in the Squire's performance of "chivalry," "courtliness," and "feudal duty." Claims that the Squire's incoherence resides both in his behavior and in the performativity he pursues.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <name>Author / Editor</name>
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          <elementTextContainer>
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              <text>Hanks, Tom.</text>
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                <text>'His studie was but litel on the Bible': Today's Student and the Bible in 'The Canterbury Tales'</text>
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                <text>'His Table Dormant in His Halle': Was Chaucer's Franklin Old-Fashioned?</text>
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                <text>By Chaucer's time, it had become common for magnates to take their meals in privacy, not in the great hall.  Such practice is criticized in "Piers Plowman" B 10.99-102 (Kane ed.).  Hence, the Franklin may be being praised for retaining the ancient communal spirit.</text>
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        <element elementId="98">
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                <text>Explores the sources of Chaucer's allusions to Priapus and to Pyramus and Thisbe in MerT (4.2034-37 and 4.2125-31) and argues that the allusions deepen the bitter cynicism of the Tale by suggesting sexual fruitlessness and frustration in the pear tree episode.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Edwards, A. S. G.</text>
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              <text>Chaucer Review 25 (1990): 78-79.</text>
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              <text>1990</text>
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