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              <text>Minnis, Alastair.</text>
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              <text>Medieval Translator/Traduire au Moyen Age 16 (2017): 357-76.</text>
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Traduire au Moyen Age 16 (2016)</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
House of Fame&#13;
Tale of Sir Thopas&#13;
Language and Word Studies</text>
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                <text>Aggressive Chaucer: Of Dolls, Drink and Dante.</text>
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                <text>Maintains that, despite the critical tradition of Chaucer's self-effacing persona, there are significant assertions of his own poetic authority in ThP and HF, and perhaps even challenges to Dante. Explores details of diction and imagery ("popet," "elvyssh," drinking one's own drink, etc.) to argue that, at times, "Chaucer's claims to poetic authority are aggressive" or "passive-aggressive."</text>
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              <text>Matthews, David.</text>
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              <text>Adam Smyth, ed. A History of English Autobiography (Cambridge: Cambridge University Press, 2016), pp. 27-40.</text>
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              <text>A History of English Autobiography </text>
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Chaucer's Retraction</text>
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                <text>Autobiographical Selves in the Poetry of Chaucer, Gower, Hoccleve, and Lydgate.</text>
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                <text>Surveys the "presentation of self" in late medieval English literature, gauging the relative degree of "truth value" and describing how authors "entwine life-writing into their larger projects." Uses Ret and Chaucer's ironic "playful portrayal of himself" elsewhere as touchstones for discussion of self-portrayals by writers such as the Harley lyricist and Adam Davy, as well as Gower, Hoccleve, and Lydgate.</text>
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              <text>Machulak, Erica R.</text>
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              <text>Dissertation Abstracts International 80 (2017)</text>
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                <text>Suggests that authors including Chaucer, Langland, Hoccleve, and Johannes de Caritate employed Aristotelian and pseudo-Aristotelian sources (many derived from Arabic sources) in the course of exploring types of literary and cultural authority.</text>
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                <text>"Is he a clerk, or noon?" Arabic Sources, Vernacular Aristotelianism, and Authorial Responses to the Evolving Social and Intellectual Context of Later Middle English Literature.</text>
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              <text>Lawler, Traugott, and Ralph Hanna III, eds., using materials collected by Karl Young and Robert A. Pratt.</text>
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              <text>Athens: University of Georgia Press, 2014. </text>
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              <text>xii, 605 pp.</text>
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              <text>Hanna, Ralph, III, ed.&#13;
Young, Karl.&#13;
Pratt. Robert A.</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
Wife of Bath and Her Tale&#13;
Friar and His Tale</text>
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              <text>Seven Commentaries on Walter Map's "Dissuasio Valerii."</text>
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                <text>Edits the seven known commentaries on Walter Map's "Letter of Valerius to His Friend Ruffinus, Dissuading Him from Marrying," with Latin-English facing pages and scholarly apparatus. The Introduction (pp. 1–14) clarifies the importance of the material as a source for WBT and for Chaucer's Friar, placing it in the tradition of fraternal and procelibacy commentaries. Volume 1 was published in 1997.</text>
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                <text>Jankyn's Book of Wikked Wyves, Vol. 2, Seven Commentaries on Walter Map's "Dissuasio Valerii."</text>
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              <text>Havely, Nick.</text>
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              <text>xviii, 355 pp.; b&amp;w illus.</text>
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Chaucer's Influence and Later Allusion</text>
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                <text>Dante's British Public: Readers and Texts from the Fourteenth Century to the Present.</text>
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                <text>Assesses the general or "public" familiarity with Dante and his works in British culture, acknowledging his impact on poets such as Chaucer, Milton, and T. S. Eliot, but exploring instead a more pervasive presence. Includes references to Chaucer's familiarity with Dante's works, to the knowledge of Dante among clerics in "the time of Chaucer," and to how Dante's and Chaucer's canonicity developed in Tudor England. Also comments on possible connections between Chaucer and Adam Easton, an English Benedictine who "possibly anticipated Chaucer as the first English writer to refer to Dante by name."</text>
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                <text>Ovid's Wand: The Brush of History and the Mirror of Ekphrasis.</text>
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                <text>Addresses Chaucer's works as part of a larger examination of the influence of Ovid's "Metamorphoses," particularly his employment of ekphrasis--the use of poetry to&#13;
portray other types of art.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Gruenler, Curtis A.</text>
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              <text>Notre Dame: University of Notre Dame Press, 2017. </text>
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              <text>xii, 586 pp.</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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              <text>SAC 41:41</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827660">
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2830378">
                <text>Piers Plowman" and the Poetics of Enigma: Riddles, Rhetoric, and Theology.</text>
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            <description>An account of the resource</description>
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                <text>Approaches Chaucer's works briefly through contrast with :"Piers Plowman," which is treated here as the key text in a tradition of literature defined by "a distinctive poetics of enigma." Observes that Chaucer explores horizontally across the earthly world of humanity and society, as opposed to the "vertical," spiritual trajectory of :Piers Plowman." Considers Chaucer's emophasis to be exemplary of what would happen to enigma if the sacred and the secular were increasingly separated.</text>
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              <text>Gilbert, Dorothy, ed.</text>
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              <text>New York: Norton, 2015.</text>
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              <text>xv, 407 pp.</text>
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          <name>Series</name>
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            <elementText elementTextId="2827649">
              <text>Norton Critical Editions.</text>
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          <elementTextContainer>
            <elementText elementTextId="2827650">
              <text>Sources, Analogues, and Literary Relations&#13;
Tale of Sir Thopas&#13;
Merchant and His Tale&#13;
Facsimiles, Editions, and Translations</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
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              <text>SAC 41:40</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827652">
              <text>2015</text>
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          </elementTextContainer>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2827644">
                <text>Marie de France: Poetry, New Translations, Backgrounds and Contexts, Criticism.</text>
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          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2830726">
                <text>Includes Th and a selection from MerT in the section called "Backgrounds and Context."</text>
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            </elementTextContainer>
          </element>
        </elementContainer>
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  <item itemId="274621" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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            </element>
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            <elementText elementTextId="2827638">
              <text>Franke, William.</text>
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          </elementTextContainer>
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        <element elementId="98">
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              <text>William Franke. Secular Scriptures: Modern Theological Poetics in the Wake of Dante (Columbus: Ohio State University Press, 2016), pp. 43–69.</text>
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              <text>Secular Scriptures: Modern Theological Poetics in the Wake of Dante.</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
House of Fame&#13;
Troilus and Criseyde&#13;
Legend of Good Women&#13;
Canterbury Tales--General</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
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            <elementText elementTextId="2827642">
              <text>SAC 41:39</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827643">
              <text>2016</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2827636">
                <text>"Enditynges of worldly vanitees": Truth and Poetry in Chaucer as Compared with Dante.</text>
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          </element>
          <element elementId="41">
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              <elementText elementTextId="2830727">
                <text>Addresses the "bifurcation of philosophy and theology intervening between Dante and Chaucer," arguing that Chaucer "never demonstrated any confidence that poetry could in any way represent the reality of the divine." Assesses the "empiricism" of LGW, HF, TC, and CT and maintains that, for Chaucer, "the one and only positive, yet critical purpose" of poetry is "the disillusioning function."</text>
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            </elementTextContainer>
          </element>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2827630">
              <text>Federico, Sylvia.</text>
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          </elementTextContainer>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2827631">
              <text>Woodbridge: York Medieval Press, 2016.</text>
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        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827632">
              <text>viii, 207 pp.; 7 b&amp;w illus.</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2827633">
              <text>Sources, Analogues, and Literary Relations&#13;
Monk and His Tale&#13;
Man of Law and His Tale&#13;
Troilus and Criseyde</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827634">
              <text>SAC 41:38</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827635">
              <text>2016</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2827628">
                <text>The Classicist Writings of Thomas Walsingham: "Worldly Cares" at St. Albans Abbey in the Fourteenth Century.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830083">
                <text>Studies the works of Thomas Walsingham for their importance in the field of late fourteenth-century English "public classical literature," helping to define this field by focusing on nuances in Walsingham's treatments of political events in classicized terms, imagery, and allusions, compared with treatments by contemporaneous writers, especially Chaucer. Includes discussion of Chaucer's Monk and his tale as an ironic commentary on Walsingham, revisions of previously published discussions of MLT and TC in relation to Walsingham's writing, explorations of the political vocabularies of Anglo-Latin and vernacular writings of the time, and a description of differences between "classisizing" literature and humanism.</text>
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            </elementTextContainer>
          </element>
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  </item>
  <item itemId="274619" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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          <elementTextContainer>
            <elementText elementTextId="2827622">
              <text>Driscoll, William D.</text>
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          </elementTextContainer>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2827623">
              <text>Dissertation Abstracts International A78.09 (2017): n.p.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2827624">
              <text>Dissertation Abstracts International 78 (2017)</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2827625">
              <text>Canterbury Tales--General&#13;
Sources, Analogues, and Literary Relations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827626">
              <text>SAC 41:37</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827627">
              <text>2017</text>
            </elementText>
          </elementTextContainer>
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      </elementContainer>
    </itemType>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2827620">
                <text>By the Will of the King: Majestic and Political Rhetoric in Ricardian Poetry.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830728">
                <text>Examines CT and Gower's "Confessio Amantis" as part of an imaginative reaction to the political circumstances following the Second Barons' War, arriving at a new role in "speaking to and for" the Henrician community.</text>
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          </element>
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  </item>
  <item itemId="274618" public="1" featured="0">
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          <name>Dublin Core</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827614">
              <text>Taylor, Karla.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827615">
              <text>Russell A. Peck and R. F. Yeager, eds. John Gower: Others and the Self (Cambridge: D. S. Brewer, 2017), pp. 73-90.</text>
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          </elementTextContainer>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827616">
              <text>John Gower: Others and the Self</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827617">
              <text>Clerk and His Tale&#13;
Sources, Analogues, and Literary Relations&#13;
Language and Word Studies</text>
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          </elementTextContainer>
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            <elementText elementTextId="2827618">
              <text>SAC 41:56</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827619">
              <text>2017</text>
            </elementText>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2827612">
                <text>Reading Faces in Gower and Chaucer.</text>
              </elementText>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830729">
                <text>Argues that ClT, using "distinctively Gowerian terms" such as "corage" and "visage," is Chaucer's response to Gower's perceived challenge at the conclusion of the "Confessio Amantis" for Chaucer "to drop his well-known political reticence and take a personal stand on the sorry state of English political affairs in the last decade of the fourteenth century." Perceives ClT as turning the table on Gower by pointing to Genius's advice in Book 7 of the "Confessio" for a king to "shape his face so as to control what it expresses to others" as "inconsistent with Gower's commitment to plainness and transparency, both ethical and referential" in the education of a king.</text>
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          </element>
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  </item>
  <item itemId="274617" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827606">
              <text>Scanlon, Larry.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827607">
              <text>Russell A. Peck and R. F. Yeager, eds. John Gower: Others and the Self (Cambridge: D. S. Brewer, 2017), pp. 156-82.</text>
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          </elementTextContainer>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827608">
              <text>John Gower: Others and the Self</text>
            </elementText>
          </elementTextContainer>
        </element>
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          <name>Chaucer Subject</name>
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Man of Law and His Tale&#13;
Clerk and His Tale&#13;
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                <text>Gower, Lydgate, and Incest.</text>
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                <text>Argues that "alone of the three 'fathers of English poesy [Chaucer, Gower, and Lydgate],' Gower openly grapples with an acute awareness of the cultural centrality of a concept that extends from a betrayal of love's intimacy to social, political, and even poetic, dysfunction." Concludes that "Gower's exploration of incest posed a problem that Chaucer felt impelled to address, and that Lydgate felt impelled to try to solve." In exploring the divergences between Gower and Chaucer, regards Gower's examination of incest as "fuller and more searching," and Chaucer's treatment--as addressed in MLH, MLT, and ClT--as falling on the side of "dominant repression."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Cooper, Helen.</text>
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              <text>Russell A. Peck and R. F. Yeager, eds. John Gower: Others and The Self (Cambridge: D. S. Brewer, 2017), pp. 91-107.</text>
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              <text>John Gower: Others and The Self</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
Canterbury Tales--General</text>
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        <element elementId="114">
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          <element elementId="50">
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                <text>The Ends of Storytelling.</text>
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            <description>An account of the resource</description>
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                <text>Finds "ideas of mortality, the end of life, and the end of storytelling . . . closely linked" in Gower's "Confessio Amantis." Argues that the work leads the narrator, the poet, and the audience to a conclusion in which all "can share in his hope of joy on the other side of the apocalypse, the end of the world, the end of story." Reflects how this shared understanding and vision are presented in CT, especially in GP, KnT, ParsT, and Ret.</text>
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              <text>Peck, Russell A., and R. F. Yeager, eds.</text>
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        <element elementId="98">
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            <elementText elementTextId="2827589">
              <text>Cambridge: D. S. Brewer, 2017. viii, 381 pp.</text>
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              <text>viii, 381 pp.</text>
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              <text>Publications of the John Gower Society.</text>
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              <text>Yeager, R. F., ed.</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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              <text>SAC 41:50</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2827595">
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            <name>Title</name>
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              <elementText elementTextId="2827586">
                <text>John Gower: Others and the Self.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Collects sixteen essays from the Third International Congress of the John Gower Society and divides into three groups: Part 1, "Knowing the Self and Others"; Part 2, "The Essence of Strangers"; Part 3, "Social Ethics, Ethical Poetics." The collection contains numerous references to Chaucer and his works, some illustrating common threads between Gower and Chaucer, others pointing to differences between the two poets. For essays that pertain to Chaucer, search for John Gower: Others and the Self under Alternative Title.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2827580">
              <text>Cole, Andrew.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2827581">
              <text>Chaucer Review 52.1 (2017): 46-65.</text>
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            <elementText elementTextId="2827582">
              <text>Chaucer Review 52 (2017)</text>
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          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2827583">
              <text>Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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          <description/>
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              <text>SAC 41:35</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2827585">
              <text>2017</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2827578">
                <text>John Gower Copies Geoffrey Chaucer.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2827579">
                <text>Examines the ways in which Gower and Chaucer use their source material differently. Gower uses Ovid to emphasize morality while Chaucer uses Ovid to explore both the courtly and the romantic.</text>
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  <item itemId="274613" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2827572">
              <text>Biggs, Frederick M.</text>
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              <text>Cambridge: D. S. Brewer, 2017.</text>
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        <element elementId="99">
          <name>Physical Description</name>
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            <elementText elementTextId="2827574">
              <text>275 pp.</text>
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            <elementText elementTextId="2827575">
              <text>Sources, Analogues, and Literary Relations&#13;
Canterbury Tales--General&#13;
Miller and His Tale&#13;
Wife of Bath and Her Tale&#13;
Shipman and His Tale</text>
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        <element elementId="109">
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              <text>SAC 41:33</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2827577">
              <text>2017</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2829922">
                <text>Chaucer's "Decameron" and the Origin of the "Canterbury Tales."</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830078">
                <text>Addresses connections between Boccaccio's "Decameron" and CT, with particular focus on ShT, MilT, and WBT. Presents a "hermeneutic argument" that explores areas including "alchemy, domestic spaces, economic history, folklore, Irish/English politics, manuscripts, and misogyny" in works of Boccaccio and Chaucer.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2827564">
              <text>Barker, Justin.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2827565">
              <text>Dissertation Abstracts International A78.12 (2017): n.p.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2827566">
              <text>Dissertation Abstracts International 78 (2017)</text>
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          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2827567">
              <text>Sources, Analogues, and Literary Relations&#13;
Squire and His Tale&#13;
Manciple and His Tale</text>
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        <element elementId="109">
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          <description/>
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              <text>SAC 41:32</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827569">
              <text>2017</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2827562">
                <text>Matter and Form in Medieval English Literature.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2827563">
                <text>Argues that Aristotelian theories of matter, form, and substance interact with medieval poetics, particularly in such works as ManT, SqT, "Sir Gawain and the Green Knight," and those of Hoccleve and Metham.</text>
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  <item itemId="274611" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827556">
              <text>Williams, Tara.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827557">
              <text>Word &amp; Image 30 (2014): 444-54.</text>
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          </elementTextContainer>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827558">
              <text>Word &amp; Image 30 (2014): 444-54.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2827559">
              <text>Manuscripts and Textual Studies</text>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2827560">
              <text>SAC 41:31</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2827561">
              <text>2014</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2827554">
                <text>The Ellesmere Dragon.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830732">
                <text>Discusses the two marginal dragons found in the Ellesmere manuscript of CT, arguing that, like dragons in bestiaries and iconography, they "symbolize the marvelous," but in addition they also "prompt readers to attend to the marvelous aspects of Chaucer's poem." Includes 4 color illus.</text>
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              <text>Wakelin, Daniel.</text>
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              <text>Exemplaria 29 (2017): 331-48.</text>
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              <text>SAC 41:30</text>
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                <text>Not Diane: The Risk of Error in Chaucerian Classicism.</text>
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                <text>Explores scribal errors in copying and comprehending details regarding classical characters and classical allusions in poetry, and how poets' phrasing implies awareness of those risks and seeks to mitigate them. These problems in transmission reveal how classicism, which later became a monumental tradition, was a risky interaction in some of its earliest phases. These problems also suggest the risks of writing for scribal transmission in general.</text>
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Canterbury Tales--General</text>
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                <text>Initial Position in the Middle English Verse Line.</text>
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            <description>An account of the resource</description>
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                <text>Establishes that scribes are less likely than otherwise to introduce their own spellings of words that occur in initial position in verse lines, exploring why in psycholinguistic terms, and suggesting several implications for manuscript study. The discussion is based on data derived from ten manuscripts of CT.</text>
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              <text>Stinson, Timothy L.</text>
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              <text>Manuscript Studies 1.1 (2017): 115-34. </text>
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              <text>Manuscripts and Textual Studies&#13;
Canterbury Tales--General&#13;
Cook and His Tale&#13;
Facsimiles, Editions, and Translations</text>
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                <text>(In)completeness in Middle English Literature: The Case of the "Cook's Tale" and the "Tale of Gamelyn."</text>
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                <text>Considers literary completeness, its relations to philosophies of perfection, and "the ways in which incompleteness is a special characteristic of Middle English literature," particularly in manuscript studies. Surveys kinds of incompleteness in CT, and focuses on scribal responses to the fragmentary CkT, suggesting that digital editions can "equip readers to explore the constant elaboration, the polyvalent properties and voices of manuscript texts."</text>
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              <text>Phillips, Noelle.</text>
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              <text>Yearbook of Langland Studies 28 (2014): 65-104.</text>
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              <text>Manuscripts and Textual Studies&#13;
Troilus and Criseyde</text>
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                <text>Compilational Reading: Richard Osbarn and Huntington Library MS HM 114.</text>
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            <description>An account of the resource</description>
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                <text>Explores the "compositional choices" made in the compilation of the texts included in San Marino, Huntington Library, MS HM 114, and maintains that TC (among others) was copied early and incorporated into this larger collection in response to a purchaser's request.</text>
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              <text>Ma, Ruen-Chuan.</text>
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              <text>Dissertation Abstracts International A79.01 (2017): n.p.</text>
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              <text>Dissertation Abstracts International 79 (2017)</text>
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              <text>Background and General Criticism</text>
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              <text>SAC 41:25</text>
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              <elementText elementTextId="2827514">
                <text>Codex Theory: Codicology and the Aesthetics of Reading in Late Medieval England.</text>
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            <description>An account of the resource</description>
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                <text>Examines the treatment of books as physical objects in the works of Chaucer, Gower, and Hoccleve, suggesting that this treatment may create a way of perceiving the text on the part of the reader.</text>
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              <text>Kraebel, A. B.</text>
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              <text>Journal of Medieval and Early Modern Studies 47.3 (2017): 437-60.</text>
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              <text>Journal of Medieval and Early Modern Studies 47 (2017)</text>
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              <text>Canterbury Tales--General&#13;
Manuscripts and Textual Studies&#13;
Sources, Analogues, nd Literary Relations</text>
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            <description>An account of the resource</description>
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                <text>Focuses on how manuscript compilations, especially biblical materials, are evoked in CT. Argues that a strictly historical arpproach to this material is inadequate and examines how an author can use the material form of books for specific literary purposes.</text>
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                <text>Chaucer's Bibles: Late Medieval Biblicism and Compilational Form.</text>
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