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              <text>Dor, Juliette.</text>
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              <text>Thea Summerfield and Keith Busby, eds. People and Texts: Relationships in Medieval Literature. Studies Presented to Erik Kooper (Amsterdam and New York: Rodopi, 2007), pp. 87-98.</text>
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              <text>vxl SAC 31:96</text>
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                <text>Caroline Spurgeon and Her Relationship to Chaucer. The Text of Her Viva Presentation at the Sorbonne</text>
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                <text>Comments on archival records of Chaucer scholar Caroline Spurgeon, seeking information about Spurgeon's reasons for studying the reception of Chaucer in France and England. Dor transcribes and translates into English the French text of Spurgeon's viva (defense) for her doctorate at the University of Paris.</text>
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              <text>Haas, Renate.</text>
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              <text>Studia Anglica Posnaniensia 38: 215-28,   2002.</text>
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                <text>Considers Spurgeon's work on the history of Chaucer criticism in the context of Spurgeon's career as a teacher and her role as a leader in seeking full standing for women in the academy.</text>
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              <text>Andreea D. Boboc, ed. Theorizing Legal Personhood in Late Medieval England (Leiden: Koninklijke Brill, 2015), pp. 50-70.</text>
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Nun's Priest and His Tale&#13;
House of Fame&#13;
Parliament of Fowls</text>
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                <text>Discusses Chaucer's familiarity with the law evidenced in Chaucer's "Life Records" and his poetry. Suggests that Chaucer "exploits the confusion of legal terms defining abduction and rape" because of his "unprecedented legal personhood" with regard to his personal legal issues. Focuses on Chaucer's understanding of the law in NPT, HF, and PF.</text>
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              <text>Pireddu, Nicoletta.</text>
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              <text>Comparatist 21: 117-48,   1997.</text>
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              <text>jules SAC 24 (82)</text>
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                <text>Compares Chaucer's manipulation of romance conventions with Carter's postmodern use of romance to challenge rationalist discourse. In its portrayal of mercantile challenge to feudal aristocracy, CT is a medieval modernist text.</text>
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              <text>Paul Strohm and Thomas J. Heffernan, eds.  Studies in the Age of Chaucer, Proceedings, No. 1, 1984 (Knoxville, Tenn.: New Chaucer Society, 1985), pp. 149-61.</text>
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                <text>Carthusian Monks and Lollard Knights: Religious Attitude at the of Richard II</text>
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                <text>The court of Richard II was influenced not only by Wycliffe and Lollard preachers but also by the Carthusians, who emphasized private devotion, mysticism, and eremiticism.</text>
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              <text>Hebrew University Studies in Literature and the Arts 13:1 (1985): 1-17.</text>
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                <text>Cassandra's "olde stories" of the Calydonian boar and of the siege of Thebes are not digressions but analogies that draw prophetic parallels between Troilus's situation and the circumstances of both the Trojan and the Theban wars.  Past disputes led to the destruction of great ruling families, as will happen in Troy.</text>
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              <text>Andrew C. Rouse, Gertrud Szamosi, and Gabriella Voo, eds. CrosSections, no. 2, Selected Papers in Literature and Culture from the 9th HUSSE Conference Pécs (Pécs: Institute of English Studies, University of Pécs, 2010), pp. 17-24.</text>
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              <text>mea sac 35:153.</text>
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              <text>Summoner and His Tale</text>
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                <text>References to animals presented as "sentient beings" in SumT convey the friar's "spiritual weakness," perhaps reflecting oral traditions of Franciscan ideals.</text>
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                <text>Chaucer builds his descriptions of the pilgrims according to the traditional catalogue plan of the accumulation of details.  But he breaks with tradition in drawing details of a portrait from differing angles, thereby surprising his reader and expanding the reader's customary expectations.  The pilgrims are in a 'middle state' between the typical and the mimetic.</text>
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                <text>Catalogue of the Exhibition "Sixty Bokes Olde and Newe": Manuscripts and Early Printed Books from Libraries in and near Philadelphia Illustrating Chaucer's Sources, His Works, and Their Influence</text>
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              <text>Kang, Minsoo.</text>
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Canon's Yeoman and His Tale&#13;
Squire and His Tale&#13;
Canterbury Tales--General&#13;
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              <text>Carl Kears and James Paz, eds. Medieval Science Fiction (London: King's College London Centre for Late Antique and Medieval Studies, 2016.), pp. 245-61.</text>
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                <text>Catapunk: Toward a Medieval Aesthetic of Science Fiction.</text>
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                <text>Explores the different attitudes toward the Middle Ages presented in science fiction and fantasy literature, while also arguing for a new subgenre called "catapunk" that depicts the Middle Ages in fuller ways. Mentions the false alchemy in CYT, compares Ray Bradbury's short story "The Dragon" (1955) to SqT, and refers to Raymond F. Jones's story "Canterbury April" (1952).</text>
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              <text>Shippey, T. A.</text>
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              <text>jules SAC 04 (14)</text>
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                <text>Catching Up: English Literature 1: From Alcuin to Chaucer</text>
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                <text>Medieval scholarship and criticism suffers from reading texts without contexts, allowing modern perspectives to influence the interpretation of medieval writers, and careless translation.</text>
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              <text>Arbuckle, Nan.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>Troilus and Criseyde.</text>
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              <text>Dissertation Abstracts International 45 (1984)</text>
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              <text>jules SAC 09 (242)</text>
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                <text>Categories of the Self-Conscious Narrator in Wolfram, Dante, and Chaucer</text>
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                <text>In "Parzifal," the "Commedia," and TC, the narrators' intrusions (as historian, teacher, guide, or poet) prefigure artistic practice in modern works.</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2839199">
              <text>Lutyens, Elisabeth, composer.</text>
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        <element elementId="98">
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            <elementText elementTextId="2839200">
              <text>[London]: Schott, 1960.</text>
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              <text>Musical Score in 3 parts; 46, 38, 43 pp.</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2839202">
              <text>Recordings and Films</text>
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              <text>mea; 5/10/22</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2839204">
              <text>1960</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2839197">
                <text>Catena: For Soprano, Tenor and Instrumental Ensemble.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Item not seen. WorldCat records indicate the score was "reproduced from composer's manuscript," with "texts taken from Chaucer, Joyce, Shakespeare, and Dylan Thomas among others." Variously numbered as opus 44, opus 45, and opus 47.</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2698600">
              <text>Jonassen, Frederick B.</text>
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            <elementText elementTextId="2698601">
              <text>Fifteenth-Century Studies 18 (1991): 109-32.</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2698602">
              <text>1991</text>
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              <text>Chaucerian Apocrypha.</text>
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              <text>Pardoner and His Tale.</text>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2698606">
              <text>Fifteenth-Century Studies 18 (1991).</text>
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        </element>
        <element elementId="109">
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              <text>mea</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2698599">
                <text>Cathedral, Inn, and Pardoner in the Prologue to the 'Tale of Beryn'</text>
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              <elementText elementTextId="2698603">
                <text>The "Beryn" poet defuses the moral menace of Chaucer's Pardoner.  The Pardoner in "Beryn" is more of a fool than a threat to either the Inn or the Cathedral, the symbolic "poles" of the pilgrimage.</text>
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          <elementTextContainer>
            <elementText elementTextId="2708157">
              <text>Thomas, Paul R.</text>
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        <element elementId="98">
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              <text>Neophilologus 72 (1988): 278-83.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>1988</text>
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              <text>Nun's Priest and His Tale.</text>
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        <element elementId="100">
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          <elementTextContainer>
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              <text>Neophilologus 72 (1988)</text>
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        <element elementId="109">
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              <text>jules SAC 12(201)</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2708156">
                <text>Cato on Chauntecleer: Chaucer's Sophisticated Audience</text>
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              <elementText elementTextId="2708160">
                <text>Pertelote's quotation from Cato ("Ne do no fors of dremes"--NPT 2941) is from distich 2.31, which specifically denies the significance of a type of dream that is different from Chauntecler's dream.  The cock's attack on the "auctorite" of Cato thus shows his ignorance of significant texts.  </text>
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              <elementText elementTextId="2708161">
                <text>  A sophisticated audience would have seen this, as well as that it was part of a whole series of distichs "dealing with what turn out to be the failings of the cock."</text>
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  <item itemId="262075" public="1" featured="0">
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            <elementText elementTextId="2701243">
              <text>Kaske, R. E.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>David G. Allen and Robert A. White, eds.  Traditions and Innovations:  Essays on British Literature of the Middle Ages and the Renaissance (Newark: University of Delaware Press, 1990) pp. 11-34.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2701245">
              <text>1990</text>
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              <text>Traditions and Innovations:  Essays on British Literature of the Middle Ages and the Renaissance.</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2701248">
              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>Knight and His Tale.</text>
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            <elementText elementTextId="2701250">
              <text>Man of Law and His Tale.</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2701251">
              <text>jules - 10/10/94 SAC 14 (24)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2701242">
                <text>Causality and Miracle : Philosophical Perspectives in the "Knight's Tale" and the '"an of Law's Tale."</text>
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              <elementText elementTextId="2701247">
                <text>KnT and MLT are complementary philosophical narratives.  In KnT, Chaucer turns "Boccaccio's narrative of event . . . into a narrative poem about wisdom."  The treatment of Fortune is pagan, with Palamon and Arcite representing contrasting patterns of "unphilosophic rebellion" and "Boethian acceptance."  Similarly, MLT turns Trevet's "Chronicle" into "thematic romance," but the philosophy is essentially Christian.</text>
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            <element elementId="50">
              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
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          <elementTextContainer>
            <elementText elementTextId="2763131">
              <text>Nakao, Yoshiyuki.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763132">
              <text>Masahiko Kanno, Gregory K. Jember, and Yoshiyuki Nakao, eds. A Love of Words: English Philological Studies in Honour of Akira Wada (Tokyo: Eihosha, 1998), pp. 79-102.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763133">
              <text>1998</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763134">
              <text>Love of Words: English Philological Studies in Honour of Akira Wada .</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2763136">
              <text>Troilus and Criseyde.</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763137">
              <text>vxl 27:290</text>
            </elementText>
          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2763130">
                <text>Causality in Chaucer's Troilus and Criseyde: Semantic Tension Between the Pragmatic and Narrative Domains</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2763135">
                <text>Explores the "ambiguity of causality as a measure of the moral status" of the narrator and characters of TC, particularly Criseyde. Nakao tabulates and examines causal phrases beginning with "because," "since," and "for" in light of their contexts and intentions.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2758248">
              <text>Chan, Amado.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2758249">
              <text>Journal of Evolutionary Psychology 21: 166-70,   2000.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2758250">
              <text>2000</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2758252">
              <text>Canterbury Tales--General.</text>
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            <elementText elementTextId="2758253">
              <text>General Prologue to the Canterbury Tales.</text>
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            <elementText elementTextId="2758254">
              <text>Wife of Bath and Her Tale.</text>
            </elementText>
            <elementText elementTextId="2758255">
              <text>Knight and His Tale.</text>
            </elementText>
            <elementText elementTextId="2758256">
              <text>Prioress and Her Tale.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2758257">
              <text>Journal of Evolutionary Psychology 21 (2000)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2758258">
              <text>jules SAC 25 (152)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2758247">
                <text>Causing Disorder : Chaucer's Prioress, Wife, and Amazon</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2758251">
                <text>Details of the Prioress's GP description, WBPT, and Emelye's desires in KnT indicate that "women by nature oppose man's endeavor to rule and establish order in the world."</text>
              </elementText>
            </elementTextContainer>
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  <item itemId="261290" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2693498">
              <text>Taylor, Paul Beekman.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2693499">
              <text>Piero Boitani and Anna Torti, eds.  Poetics:  Theory and Practice in Medieval English Literature (Bury St. Edmunds, Suffolk: D. S. Brewer, 1991), pp. 69-82.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2693500">
              <text>1991</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2693501">
              <text>Poetics: Theory and Practice in Medieval English Literature.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2693503">
              <text>Legend of Good Women.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2693504">
              <text>mea.</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2693497">
                <text>Cave and Web: Vision and Poetry in Chaucer's Legend of Good Women</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2693502">
                <text>The theory that "words can reveal to the inner eye of understanding the invisible forms behind visible shapes" is rejected through repeated examples of "the complicity of sight in the tragedy of love."</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="261824" public="1" featured="0">
    <collection collectionId="8">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
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    <itemType itemTypeId="24">
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      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2698824">
              <text>Huntsman, Jeffrey F.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2698825">
              <text>Modern Philology 73 (1976): 276-79.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2698826">
              <text>1976</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2698828">
              <text>Language and Word Studies.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2698829">
              <text>Modern Philology 73 (1976)</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2698830">
              <text>jules - 20/9/94 SAC 1 (23)</text>
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          </elementTextContainer>
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      </elementContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2698823">
                <text>Caveat Editor: Chaucer and Medieval English Dictionaries</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2698827">
                <text>Medieval English and Latin dictionaries such as the "Medulla gramatice" can often be of great value in textual criticism,offering solutions to several Chaucerian cruces: "stot" (CT III, 1630) "whore"; "nakers" (CT I, 2511) "horns"; "astromye" (CT I, 3451, 3457) "astronomy" (a deliberately old-fashioned form).</text>
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          </element>
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  </item>
  <item itemId="264721" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2726998">
              <text>Blake, N. F.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2726999">
              <text>N. F. Blake.  William Caxton and English Literary Culture. (London and Rio Grande: Hambledown Press, 1991), pp. 149-65.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2727000">
              <text>1991</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2727001">
              <text>William Caxton and English Literary Culture.</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2727003">
              <text>Facsimiles, Editions, and Translations.</text>
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            <elementText elementTextId="2727004">
              <text>Canterbury Tales--General.</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2727005">
              <text>jules SAC 17 (12)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2726997">
                <text>Caxton and Chaucer</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2727002">
                <text>Argues that Caxton's two editions of CT were prompted by patrons; that the revision of the text from the first to the second edition was a "haphazard affair"; and that Caxton's published remarks on Chaucer are conventional and economically motivated, not reflections of aesthetic appreciation.</text>
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          </element>
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