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                  <text>Chaucer Bibliography Online</text>
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              <text>Wadiak, Walter.</text>
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        <element elementId="98">
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              <text>Notre Dame: University of Notre Dame Press, 2016.</text>
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              <text>xiv, 196 pp.</text>
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          <name>Chaucer Subject</name>
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              <text>Knight and His Tale&#13;
Background and General Criticism</text>
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              <text>SAC 41:186</text>
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          <name>Date</name>
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              <text>2016</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Savage Economy: The Returns of Middle English Romance.</text>
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            <description>An account of the resource</description>
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                <text>Traces the evolution of the romance to the start of the sixteenth century, and its repositioning from an aristocratic genre to one that was embraced by the common audience. Claims this move marks a shift from violence in its early stages to one of "gift-giving" as the romance evolved to its form by the year 1500. Although well-known contemporary examples of romance are considered, the study focuses on KnT and Sir Gawain. References CYT, FranT, MilT, ShT, SqT, Th, and WBT.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Tasioulas, Jacqueline.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>Medium Aevum 82.2 (2013): 213-35.</text>
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          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2828856">
              <text>Medium Aevum 82 (2013)</text>
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          <name>Chaucer Subject</name>
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              <text>Knight and His Tale&#13;
Miller and His Tale&#13;
Reeve and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>SAC 41:185</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2828859">
              <text>2013</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>"Dying of Imagination" in the First Fragment of the "Canterbury Tales."</text>
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            <description>An account of the resource</description>
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                <text>Explores "the role of the imagination" in KnT, with attention also to MilT and RvT, focusing on the "cerebral process" in the "amorous desire" of the characters, especially Arcite, whose lovers' malady results from his "lack of imaginative control." Summarizes medieval notions of psychology and imagination, discusses adaptations of Boccaccio and Boethius in KnT, and analyzes the recurrent concern with seeing, imagining, desiring, and willing in the first three narratives of CT.</text>
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              <text>Rogerson, Margaret.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>Jan Shaw, Philippa Kelly, and L. E. Semler, eds. Storytelling: Critical and Creative Approaches (New York: Palgrave Macmillan, 2013), pp. 167–80.</text>
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        <element elementId="112">
          <name>Contributor</name>
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              <text>Shaw, Jan, ed.&#13;
Kelly, Philippa, ed.&#13;
Semler, L. E., ed.</text>
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        <element elementId="108">
          <name>Alternative Title</name>
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            <elementText elementTextId="2828848">
              <text>Storytelling: Critical and Creative Approaches</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2828849">
              <text>Knight and His Tale&#13;
Chaucer's Influence and Later Allusion</text>
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        <element elementId="109">
          <name>Source</name>
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              <text>SAC 41:183</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2828851">
              <text>2013</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2830347">
                <text>Reading Chaucer "in Parts": "The Knight's Tale" and "The Two Noble Kinsmen."</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2830459">
                <text>Observes how KnT signals transitions, scene changes, gestures, and even costuming, perhaps inspiring Shakespeare and Fletcher to create "The Two Noble Kinsmen" by dividing the Chaucer poem into written "parts" for actors before assembling their entire play.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
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          <elementTextContainer>
            <elementText elementTextId="2828837">
              <text>Lee, Dong Choon.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2828838">
              <text>Medieval and Early Modern English Studies 25.1 (2017): 49-66.</text>
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          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2828839">
              <text>Medieval and Early Modern English Studies 25 (2017)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2828840">
              <text>Knight and His Tale&#13;
Troilus and Criseyde</text>
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        <element elementId="109">
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              <text>SAC 41:182</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2828842">
              <text>2017</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2829981">
                <text>Double-Sidedness of Architecture and Space in Chaucer's "Knight's Tale" and "Troilus and Criseyde."</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2830645">
                <text>Analyzes the architectural constructions (especially walls) in KnT and TC. Claims that the "effect of a wall in Chaucerian narratives is the double-sidedness," because walls can invite and discourage connections between inside and outside spaces.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2828828">
              <text>Johnston, Andrew James.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828829">
              <text>Gabriele Rippl, ed. Handbook of Intermediality: Literature--Image--Sound--Music (Berlin: De Gruyter, 2015), pp. 50–64.</text>
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              <text>Rippel, Gabriele, ed. </text>
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        <element elementId="108">
          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2828831">
              <text>Handbook of Intermediality: Literature--Image--Sound--Music </text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2828832">
              <text>Knight and His Tale&#13;
Style and Versification</text>
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          </elementTextContainer>
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        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2828833">
              <text>SAC 41:181</text>
            </elementText>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828834">
              <text>2015</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2829980">
                <text>Medieval Ekphrasis: Chaucer's "Knight's Tale."</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830646">
                <text>Describes "medieval approaches to vision, to the relations between text and image and to ekphrasis" before assessing KnT as Chaucer's critique of "attempts to essentialise and keep separate different media and genres, especially the verbal and the visual." Focuses on the temples, Emily's ablutions, and the tournament battle.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2828819">
              <text>Johnston, Andrew James.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2828820">
              <text>R. Howard Bloch, Alison Calhoun, Jacqueline Cerquiglini-Toulet, Joachim Kupper, and Jeanette Patterson, eds. Rethinking the New Medievalism (Baltimore: Johns Hopkins University Press, 2014), pp. 181-97.</text>
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        <element elementId="112">
          <name>Contributor</name>
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          <elementTextContainer>
            <elementText elementTextId="2828821">
              <text>Bloch, R. Howard, ed.&#13;
Calhoun, Alison, ed.&#13;
Cerquiglini-Toulet, Jacqueline, ed.&#13;
Kupper, Joachim, ed.&#13;
Patterson, Jeanette, ed. </text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828822">
              <text>Rethinking the New Medievalism</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828823">
              <text>Knight and His Tale&#13;
Style and Versification</text>
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              <text>SAC 41:180</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828825">
              <text>2014</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2829979">
                <text>Ekphrasis in the "Knight's Tale."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2830647">
                <text>Explores how in KnT ekphrasis (here the "verbal depiction of fictional images rather than of real ones") serves "a specific politics of representation" in which "the verbal and the visual" and "the classical and the medieval" are locked in "ineluctable conflict." Comments on the temples in KnT (especially that of Mars), their relation to the theater, the descriptions of Emetreus and Lygurge, subjectivity, self-reflexivity, voyeurism, "poetic narcissism," the paradoxical aims of chivalry, and "Lollard iconophobia."</text>
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              <text>Cross, Cameron.</text>
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              <text>Iranian Studies: Journal of the International Society for Iranian Studies 48 (2015): 395-422.</text>
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              <text>Iranian Studies: Journal of the International Society for Iranian Studies 48 (2015)</text>
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        <element elementId="102">
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            <elementText elementTextId="2828814">
              <text>Knight and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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            <elementText elementTextId="2828816">
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2830348">
                <text>Uses KnT as a "comparand" in understanding the tension between "outrage and reason" in the tale of Rostam and Sohrab in Fardowsi's medieval Persian frame-tale narrative "Shahnameh" (Book of Kings). Like Fardowsi's, Chaucer's Tale struggles and ultimately fails to console rationally the human despair and rage that result from disorder in the cosmos. Includes discussion of narrative frames and Boethian concerns.</text>
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              <elementText elementTextId="2830349">
                <text>"If Death Is Just, What Is Injustice?" Illicit Rage in "Rostam and Sohrab" and "The Knight's Tale."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Cervone, Cristina Maria.</text>
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              <text>English Language Notes 53.2 (2015): 103-17.</text>
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            <elementText elementTextId="2828805">
              <text>English Language Notes 53 (2015)</text>
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            <elementText elementTextId="2828806">
              <text>Knight and His Tale&#13;
Style and Versification&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>SAC 41:178</text>
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        <element elementId="114">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2829977">
                <text>(Im)materiality and Chaucer's Temple of Mars.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2830648">
                <text>Explores "inversions of the material and the immaterial" in the description of the temple of Mars in KnT, describing how the narrator of the description is both "subjectless and immaterial," and investigating "how we think about what we imagine we know." Differing from its source in Boccaccio, Chaucer's version is rife with synaesthesia, nested ekphrases, "unanchored physical details," and near-allegorical devices that evoke questions about the nature of thought, interpretation, and human agency.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2828795">
              <text>Sobecki, Sebastian.</text>
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        <element elementId="98">
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            <elementText elementTextId="2828796">
              <text>Speculum 92.3 (2017): 630-60.</text>
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            <elementText elementTextId="2828797">
              <text>Speculum 92 (2017)</text>
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        <element elementId="102">
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            <elementText elementTextId="2828798">
              <text>General Prologue to the Canterbury Tales&#13;
Sources, Analogues, and Literary Relations&#13;
Chaucer's Life&#13;
</text>
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              <text>SAC 41:177</text>
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        <element elementId="114">
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            <elementText elementTextId="2828800">
              <text>2017</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2829976">
                <text>A Southwark Tale: Gower, the 1381 Poll Tax, and Chaucer's "The Canterbury Tales."</text>
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              <elementText elementTextId="2830649">
                <text>Argues that Chaucer spent much of the 1380s and 1390s in Southwark as a recipient of a sort of patronage from William Wykeham, chancellor of England, alongside others such as Gower and John Cobham. Asserts that GP is based on the format of the 1381 Southwark Poll Tax's "check-roll or counter roll" format, which contrasts other claims that GP is based on estates satire.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2828787">
              <text>Matsuda, Takami.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2828788">
              <text>Studies in Medieval English Language and Literature 32 (2017): 1-15.</text>
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            <elementText elementTextId="2828789">
              <text>Studies in Medieval English Language and Literature 32 (2017)</text>
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            <elementText elementTextId="2828790">
              <text>Canterbury Tales--General&#13;
General Prologue the Canterbury Tales&#13;
Summoner and His Tale&#13;
Pardoner and His Tale</text>
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              <text>SAC 41:176</text>
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        <element elementId="114">
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            <elementText elementTextId="2828792">
              <text>2017</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2828785">
                <text>Palmer and "corpus mysticum" in the "Canterbury Tales."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2830650">
                <text>Points out that a reference to a palmer in GP recalls both the pilgrimage for one's own penance and the vicarious pilgrimage. Argues that the system of pardon and vicarious pilgrimage are burlesqued in PardPT and SumT. Suggests that the idea of "corpus mysticum" also "provides a narrative and thematic framework" of CT.</text>
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  <item itemId="274759" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2828779">
              <text>Kowalik, Barbara.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2828780">
              <text>Text Matters: A Journal of Literature, Theory and Culture 3 (2013): 27-41.</text>
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            <elementText elementTextId="2828781">
              <text>Text Matters: A Journal of Literature, Theory and Culture 03 (2013)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2828782">
              <text>General Prologue to the Canterbury Tales&#13;
Style and Versification</text>
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        <element elementId="109">
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          <description/>
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              <text>SAC 41:174</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828784">
              <text>2013</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2829975">
                <text>"Eros" and Pilgrimage in Chaucer's and Shakespeare's Poetry.</text>
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            <description>An account of the resource</description>
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                <text>Discusses "erotic desire and the motif of going on pilgrimage" in the opening of GP and in Shakespeare's Sonnets, reading Chaucer's lines 1–18 closely as a kind of sonnet and observing numerological patterns that reinforce a transition from erotic desire to religious devotion. Shakespeare, in contrast, uses religious pilgrimage to evoke motion toward his beloved.</text>
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  <item itemId="274758" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2828771">
              <text>Dogan, Sadenur.</text>
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        <element elementId="98">
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          <description/>
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            <elementText elementTextId="2828772">
              <text>Tarih kultur ve sanat aras¸tırmaları dergisi/Journal of History, Culture, and Art Research 2.2 (2013): 49-56.</text>
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          <elementTextContainer>
            <elementText elementTextId="2828773">
              <text>Tarih kultur ve sanat aras¸tırmaları dergisi 02 (2013)&#13;
Journal of History, Culture, and Art Research 02 (2013)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2828774">
              <text>General Prologue to the Canterbury Tales</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2828775">
              <text>SAC 41:173</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828776">
              <text>2013</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2830171">
                <text>Describes how in GP the descriptions of the Knight, the Parson, and the Plowman reflect the ideals of their respective social estates, and how the descriptions of the Monk, the Reeve, and the Wife of Bath exemplify Chaucer's uses of estates satire for the rest of his pilgrims.</text>
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              <elementText elementTextId="2830350">
                <text>The Three Estates Model: Represented and Satirised in Chaucer's "General Prologue" to "The Canterbury Tales."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828763">
              <text>Wong, Hui-wai.</text>
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        <element elementId="98">
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          <description/>
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            <elementText elementTextId="2828764">
              <text>Sun Yat-Sen Journal of Humanities 36 (2014): 115-42.</text>
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          <elementTextContainer>
            <elementText elementTextId="2828765">
              <text>Sun Yat-Sen Journal of Humanities 36 (2014)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2828766">
              <text>Canterbury Tales--General&#13;
Sources, Analogues, and Literart Relations</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
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              <text>SAC 41:172</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828768">
              <text>2014</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2829973">
                <text>Nobody Listens to the Story in "The Time Machine"? Re-Examining Benjamin's Nostalgia for Storytelling from Lacan's Theory of Transference.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830652">
                <text>Discusses the narrative frame of H. G. Wells's "The Time Machine" as part of the "story-within-story narrative model" epitomized by CT, describing features of Chaucer's frame-narrative and arguing that Wells's presentation is unique in that the embedded audience disbelieves the narrator, who must recurrently insist on their attention and belief.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2828755">
              <text>Sharma, Manish.</text>
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            <elementText elementTextId="2828756">
              <text>Chaucer Review 52.3 (2017): 253-73.</text>
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            <elementText elementTextId="2828757">
              <text>Chaucer Review 52 (2017)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828758">
              <text>Canterbury Tales--General</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="109">
          <name>Source</name>
          <description/>
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              <text>SAC 41:171</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828760">
              <text>2017</text>
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        <elementContainer>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2828754">
                <text>Argues that Chaucer is indecisive in CT when it comes to his relation to nominalism and realism, maintaining a grey area between the two through love.</text>
              </elementText>
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          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830351">
                <text>Hylomorphic Recursion and Non-Decisional Poetics in the "Canterbury Tales."</text>
              </elementText>
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          </element>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828747">
              <text>Picard, Liza.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
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            <elementText elementTextId="2828748">
              <text>London: Weidenfeld &amp; Nicolson, 2017.</text>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
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            <elementText elementTextId="2828749">
              <text>xx, 341 pp.</text>
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        <element elementId="102">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828750">
              <text>Canterbury Tales--General</text>
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        </element>
        <element elementId="109">
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              <text>SAC 41:169</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828752">
              <text>2019</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2829972">
                <text>Chaucer's People: Everyday Lives in Medieval England.</text>
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830169">
                <text>Frames and analyzes the pilgrims of CT in terms of the social contexts surrounding their professions in Chaucer's lifetime and the antecedent few decades, interestingly moving directly against perceived social ordering to do so. Begins with the rural pilgrims before moving to the more urban, then the religious, then the military. Pilgrims' encapsulations of aspects of later medieval English life, both observed and contemporaneously figured, are used to reaffirm Chaucer's understanding of the breadth of the societies in which he lived.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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          </elementContainer>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828739">
              <text>Lawton, David.</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2828740">
              <text>Oxford: Oxford University Press, 2017.</text>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828741">
              <text>xi, 243 pp.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828742">
              <text>Canterbury Tales--General&#13;
Parson and His Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828743">
              <text>SAC 41:167</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828744">
              <text>2017</text>
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          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2828737">
                <text>Voice in Later Medieval English Literature: Public Interiorities.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830653">
                <text>Approaches late medieval vernacular culture in terms of "voice," and suggests that "voice" is the subject of CT. Argues that Chaucer "frames" his work "between the praise of voice and the censure of it prevalent in pastoral rhetoric and represented by the Parson."</text>
              </elementText>
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          </element>
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  <item itemId="274753" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828730">
              <text>Khoshbakht, Maryam, Moussa Ahmadian, and Shahrukh Hekmat.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828731">
              <text>International Journal of Applied Linguistics and English Literature 2.1 (2013): 90-97.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2828732">
              <text>International Journal of Applied Linguistics and English Literature 02 (2013)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828733">
              <text>Canterbury Tales--General&#13;
Sources, Analogues, and Literary Relations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828734">
              <text>SAC 41:165</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828735">
              <text>2013</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828736">
              <text>Ahmadian, Moussa.&#13;
Hekmat, Shahrukh.</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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        <elementContainer>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830168">
                <text>Compares CT with Farid al- Din Attar's "The Conference of the Birds," observing similarities in the shared motif of spiritual journey and techniques of narration and characterization. Differences between the religious backgrounds of the two poets, however, are evident in their thematic emphases.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830352">
                <text>A Comparative Study of Chaucer's "The Canterbury Tales" &amp; Attar's "The Conference of the Birds."</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="274752" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
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    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828721">
              <text>Canton, James, ed.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828722">
              <text>New York: DK, 2016.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828723">
              <text>352 pp.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828724">
              <text>Turn over the Leef and Chese Another Tale: "The Canterbury Tales" (c. 1387–1400), Geoffrey Chaucer.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828725">
              <text>Canterbury Tales--General</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828726">
              <text>SAC 41:162</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828727">
              <text>2016</text>
            </elementText>
          </elementTextContainer>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2828719">
                <text>The Literature Book.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830654">
                <text>In a chapter called "Renaissance to Enlightenment, 1300- 1800," includes a section (pp. 68–71) entitled "Turn over the Leef and Chese Another Tale: The Canterbury Tales (c. 1387–1400), Geoffrey Chaucer" that describes CT, its innovations, and social variety, with several side-bar topics and illustrations in color and b&amp;amp;w.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828713">
              <text>Breckenridge, Sarah Dee.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828714">
              <text>Dissertation Abstracts International A75.04 (2014): n.p.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828715">
              <text>Dissertation Abstracts International 75 (2014)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828716">
              <text>Canterbury Tales--General</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828717">
              <text>SAC 41:161</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828718">
              <text>2014</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2829970">
                <text>Space, Economics, and the Poetic Imagination in England's Literary Landscapes, 1125-1590.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830655">
                <text>Examines a series of English literary texts in which "the portrayal of landscape does both elegiac and political work." Includes CT, which "represents a new sphere of civic and economic movement within established space."</text>
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          </element>
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  </item>
  <item itemId="274750" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
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              <text>Baker, Alison A.</text>
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              <text>Studies in Medieval and Renaissance Teaching 23.1 (2016): 351-61.</text>
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              <text>Background and General Criticism</text>
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                <text>Opposing Forces: Understanding Gods in Medieval and Early Modern Literature.</text>
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                <text>Proposes a "mnemonic device" for six of the Roman classical gods (Apollo, Diana, Venus, Mars, Minerva, and Bacchus) "that can be used to teach and understand" them in CT and in Spenser's "Faerie Queene."</text>
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              <text>Yamanaka, Margaret.</text>
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              <text>Bulletin of Gifu Women's University 47 (2017): 11-18.</text>
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                <text>On Reading Jerry Ellis Travel Diaries: A Comparison of "Walking the Trail" and "Walking to Canterbury."</text>
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                <text>Compares two travel diaries by Jerry Ellis (1974-). Includes a detailed description of "Walking to Canterbury--A Modern Journey through Chaucer's Medieval England," which contains references to NPT, SumT, WBT, and ParsT.</text>
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              <text>Wallace, David.</text>
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              <text>Oxford: Oxford University Press, 2017.</text>
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              <text>ix, 172 pp.</text>
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              <text>Background and General Criticism&#13;
Chaucer's Influence and Later Allusion</text>
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                <text>Geoffrey Chaucer: A New Introduction.</text>
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                <text>Focuses on Chaucer's "global renaissance" and the importance of Chaucer's range of writing, which combines poetry, science, tragedy, and astrology to influence writers from Shakespeare to Sylvia Plath.</text>
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              <text>Turner, Marion.</text>
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              <text>Oxford Handbooks Online: Scholarly Research Reviews. Free access available at http://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780199935338.001.0001/oxfordhb-97 80199935338-e-58?skey=ycbEz7&amp;amp;result=1. 2015 (accessed February 23, 2019).</text>
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              <text>Oxford Handbooks Online: Scholarly Research Reviews.</text>
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              <text>Background and General Criticism&#13;
Book of the Duchess&#13;
House of Fame</text>
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              <text>SAC 41:157</text>
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                <text>Chaucer.</text>
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                <text>Surveys "current critical trends" in Chaucer studies, focusing on "twenty-first-century interest in interconnectedness, intersubjectivity, and cultural networks." Then discusses "Chaucer's own understanding of the construction of the self in relation to others and to the spaces in which he lived and worked," concluding with an "analysis of the mental structures depicted" in BD and HF as they reflect Chaucer's "understanding that private spaces can be problematic for imaginative and personal development."</text>
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              <text>Tucker, Shawn.</text>
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              <text>Oakville: David Brown; Eugene, Ore.: Cascade; Cambridge: Lutterworth, 2015.</text>
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              <text>ix, 288 pp.; b&amp;w illus.</text>
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              <text>Parson and His Tale&#13;
Facsimiles, Editions, and Translations</text>
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                <text>Surveys representations of the virtues and vices in western art and literature from Plato and Aristotle to C. S. Lewis and Paul Cadmus, offering excerpts and brief discussions of individual works. The section on medieval representations, "The Medieval Apex," includes a selection from ParsT (10.846-955, "Luxuria") in J. U. Nicolson's 1934 modern translation, and characterizes ParsT as an "excellent example" of a "pastoral sermon," a genre that is "meant to train people in the principles of penance, contrition, confession, and satisfaction or absolution."</text>
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              <text>Thomas, Alfred.</text>
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              <text>Bohemica Litteraria 19.1 (2016): 7-8.</text>
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              <text>Background and General Criticism&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Chaucerovy Cechy. [Chaucer's Bohemia.].</text>
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                <text>Describes the erudition of Anne of Bohemia, reads CT "alongside contemporaneous works in Czech, German, and Latin" (languages familiar to Anne), and maintains that Anne was Chaucer's "imagined reader" who "shaped the way he wrote and what he chose to write." In Czech, with an abstract in English.</text>
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