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              <text>Adams, Jenny.</text>
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              <text>Jenny Adams and Nancy Mason Bradbury, eds. Medieval Women and Their Objects (Ann Arbor: University of Michigan Press, 2017), pp. 248-66.</text>
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              <text>Book of the Duchess</text>
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              <text>SAC 41:271</text>
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              <text>Medieval Women and Their Objects</text>
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                <text>Transgender and the Chess Queen in Chaucer's "Book of the Duchess."</text>
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                <text>Considers BD and the metaphor of chess, particularly the way in which the rules of the game are remediated in the action of the poem. Looks at gender-crossing in relation to BD, but transcends previous arguments focusing on the chess allegory. Considers the game's "polychronic meanings" as a model for other medieval chess scenes. Claims that the queen's return as the male pawn links reanimation with gender fluidity, as does her alternate title as "fers."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Benson, C. David.</text>
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              <text>Jenny Adams and Nancy Mason Bradbury, eds. Medieval Women and Their Objects (Ann Arbor: University of Michigan Press, 2017), pp. 267-87.</text>
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        <element elementId="108">
          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2828325">
              <text>Medieval Women and Their Objects</text>
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              <text>Second Nun and Her Tale</text>
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              <text>SAC 41:259</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>2017</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Statues, Bodies, and Souls: St. Cecilia and Some Medieval Attitudes toward Ancient Rome.</text>
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            <description>An account of the resource</description>
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                <text>Discusses SNT as Chaucer's only hagiographical work to evaluate the medieval perception of art. Contrasts the medieval devotion to earthly relics in relation to St. Cecilia's desire to shed the physical and enter the spiritual, while paralleling her life with artistic representations of her cult.</text>
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              <text>Bradbury, Nancy Mason.</text>
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              <text>Jenny Adams and Nancy Mason Bradbury, eds. Medieval Women and Their Objects (Ann Arbor: University of Michigan Press, 2017), pp. 39-55.</text>
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        <element elementId="108">
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          <elementTextContainer>
            <elementText elementTextId="2828317">
              <text>Medieval Women and Their Objects</text>
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        <element elementId="102">
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              <text>Monk and His Tale</text>
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        <element elementId="109">
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              <text>SAC 41:250</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2828320">
              <text>2017</text>
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                <text>Zenobia's Objects.</text>
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            <description>An account of the resource</description>
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                <text>Considers the exchange of objects in the Zenobia/Cenobia story in MkT not as a punitive measure for pushing back on gender constructs or a validation of the Monk's blatant misogyny, but rather as a moment of empowerment.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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              <text>Chickering, Howell.</text>
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        <element elementId="98">
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              <text>Jenny Adams and Nancy Mason Bradbury, eds. Medieval Women and Their Objects (Ann Arbor: University of Michigan Press, 2017), pp. 56-68.</text>
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        <element elementId="108">
          <name>Alternative Title</name>
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            <elementText elementTextId="2828309">
              <text>Medieval Women and Their Objects</text>
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        <element elementId="102">
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              <text>Prioress and Her Tale</text>
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        <element elementId="109">
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              <text>SAC 41:243</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2828312">
              <text>2017</text>
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            <name>Title</name>
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              <elementText elementTextId="2829959">
                <text>The Object of Miraculous Song in "The Prioress's Tale."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2830684">
                <text>Focuses on materiality and objects in PrT, specifically the corpse, the antiphon, and the "greyn," and their "transcendence of the miraculous object." Claims that these objects illustrate Carolyn Bynum's notion of material objects involved in miraculous change. Concludes with a look at the "greyn" and the Tale itself, both of which are purposefully inserted into a mouth (the clergeon's/the Prioress's), and considers connections between the object and the oral.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Johnson, Eleanor.</text>
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              <text>Jenny Adams and Nancy Mason Bradbury, eds. Medieval Women and Their Objects (Ann Arbor: University of Michigan Press, 2017), pp. 201-28.</text>
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        <element elementId="108">
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            <elementText elementTextId="2828301">
              <text>Medieval Women and Their Objects</text>
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        <element elementId="102">
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              <text>Franklin and His Tale&#13;
Physician and His Tale</text>
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              <text>SAC 41:226</text>
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        <element elementId="114">
          <name>Date</name>
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            <name>Title</name>
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                <text>Objects of the Law: The Cases of Dorigen and Virginia.</text>
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            <description>An account of the resource</description>
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                <text>Discusses Chaucer's thematic thread of accessibility of legal rights to women in FranT and PhyT. Dorigen, in FranT, and Virginia, in PhyT, are women trapped as objects of medieval law, or as properties whose control or outright ownership is the subject of dispute between men. Focuses on the contractual restrictions placed on women and the patriarchal lens through which women are objectified.</text>
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              <text>Fein, Susanna.</text>
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              <text>Jenny Adams and Nancy Mason Bradbury, eds. Medieval Women and Their Objects (Ann Arbor: University of Michigan Press, 2017), pp. 15-38.</text>
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              <text>Medieval Women and Their Objects</text>
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          <name>Chaucer Subject</name>
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              <text>Wife of Bath and Her Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>SAC 41:203</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2828296">
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              <elementText elementTextId="2829958">
                <text>The "Thyng Wommen Loven Moost": The Wife of Bath's Fabliau Answer.</text>
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                <text>Argues that the power of WBT, though it is commonly regarded as a lai," comes from an underlying subversion by the use of fabliau, which makes the tale a "hybrid story." The "question of what women most want" has surprising affinities with the extravagantly obscene fabliaux "Les quatre souhaiz de saint Martin" and "Les trois dames qui troverent un vit"--not only in Alisoun's fabliau-like asides about friars and Midas's wife, but even in its narrative core.</text>
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              <text>Ann Arbor: University of Michigan Press, 2017.</text>
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              <text>x, 294 pp.</text>
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        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828285">
              <text>Bradbury, Nancy Mason, ed.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
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              <text>Background and General Criticism</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>SAC 41:118</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
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            <name>Title</name>
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                <text>Medieval Women and Their Objects.</text>
              </elementText>
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2828281">
                <text>Collection of essays that represents multifaceted views of gender and material culture in late medieval France and England. For seven essays that pertain to Chaucer search for Medieval Women and Their Objects under Alternative Title.</text>
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          <elementTextContainer>
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              <text>Werthmuller, Gyongyi.</text>
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              <text>Juan Camilo Conde Silvestre and Javier Calle Martı ´n, eds. Approaches to Middle English: Variation, Contact and Change (New York: Peter Land, 2015), pp. 179-97</text>
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          <elementTextContainer>
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              <text>Approaches to Middle English: Variation, Contact and Change</text>
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              <text>Style and Versification&#13;
Language and Word Studies</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Final "-e" in Gower's and Chaucer's Monosyllabic Premodifying Adjectives: A Grammatical/Metrical Analysis.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Considers several factors (apocope, compounding, etymology, and metrical environment) in the presence or absence of final "-e" in Gower's and Chaucer's monosyllabic adjectives, clarifying Gower's relative regularity by identifying the paucity of exceptions to his usual practice.</text>
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              <text>Nakayasu, Minako.</text>
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              <text>Approaches to Middle English: Variation, Contact and Change</text>
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              <text>Language and Word Studies&#13;
Treatise on the Astrolabe</text>
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            <elementText elementTextId="2828271">
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                <text>Spatial-Temporal Systems in "A Treatise on the Astrolabe."</text>
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830686">
                <text>Conducts a "systematic analysis of the synchronic spatio-temporal systems" in Astr, taking "deixis into consideration," defining terms, and analyzing the interactions of "pronouns, demonstratives, adverbs, tense forms, and modals," along with temporal markers such as "now" and "forseide," and describing the dynamics of variation between "proximal and distal perspectives."</text>
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              <text>New York: Peter Lang, 2015.</text>
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              <text>259 pp.</text>
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          <elementTextContainer>
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              <text>Studies in Medieval English Language and Literature, no. 47.</text>
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              <text>Background and General Criticism</text>
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        <element elementId="109">
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              <text>SAC 41:124</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828263">
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              <elementText elementTextId="2828254">
                <text>Approaches to Middle English: Variation, Contact and Change.</text>
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            </elementTextContainer>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2828255">
                <text>Includes papers from the eighth International Conference on Middle English, University of Murcia, Spain, 2013. For two essays that pertain to Chaucer, search for Approaches to Middle English: Variation, Contact and Change under Alternative Title.</text>
              </elementText>
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            <elementText elementTextId="2828247">
              <text>Melentyeva, Olga A.</text>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828248">
              <text>O. M. Karpova and F. I. Kartashkova, eds. Life beyond Dictionaries (Newcastle upon Tyne: Cambridge Scholars, 2015), pp. 76-90.</text>
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          </elementTextContainer>
        </element>
        <element elementId="112">
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Kartashkova, F. I., ed. </text>
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              <text>Life beyond Dictionaries</text>
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        <element elementId="109">
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          <description/>
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              <text>SAC 41:111</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828253">
              <text>2015</text>
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                <text>Old Words in Chaucer Dictionaries as the Linguistic Heritage of Great Britain.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830687">
                <text>Surveys the tradition of English "old word" and "hard word" dictionary- and glossary-making, locating Chaucerian compilations (e.g., Greaves, Speght, Urry, etc.) at the beginning of the tradition and tracing developments in practice into the twentieth century. Calls for a more comprehensive reference work that documents and exemplifies the history of linguistic and encyclopedic information pertaining to difficult words in Chaucer's lexicon.</text>
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            <elementText elementTextId="2828239">
              <text>Karpova, Olga M., and Olga M. Melentyeva.</text>
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              <text>Faina I. Kartashkova and Olga M. Karpova, eds. Multi-Disciplinary Lexicography: Traditions and Challenges of the XXIst Century (Newcastle upon Tyne: Cambridge Scholars, 2013), pp. 73–95.</text>
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        <element elementId="112">
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            <elementText elementTextId="2828241">
              <text>Melentyeva, Olga M.&#13;
 Kartashkova, Faina I., ed. &#13;
Karpova, Olga M., ed.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828242">
              <text>Language and Word Studies&#13;
Facsimiles, Editions, and Translations</text>
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          <name>Source</name>
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              <text>SAC 41:110</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828244">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2828237">
                <text>Chaucer &amp; Shakespeare Glossaries: Do Modern Users Still Need Them Today?</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2828238">
                <text>Surveys the hard-word tradition of lexicography in Chaucer and Shakespeare studies, particularly in editions of their works, and suggests that new works are still needed to serve twenty-first-century users.</text>
              </elementText>
            </elementTextContainer>
          </element>
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          <elementTextContainer>
            <elementText elementTextId="2828231">
              <text>Hanna, N[atalie].</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828232">
              <text>Dissertation Abstracts International C75.01 (2016): n.p.</text>
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          <elementTextContainer>
            <elementText elementTextId="2828233">
              <text>Dissertation Abstracts International 75 (2016)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2828234">
              <text>Language and Word Studies&#13;
ABC&#13;
Troilus and Criseyde&#13;
Merchant and His Tale&#13;
Franklin and His Tale&#13;
</text>
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        </element>
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          <description/>
          <elementTextContainer>
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              <text>SAC 41:109</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828236">
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Gender and Social Status in Chaucer's Language.</text>
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                <text>Examines "the semantics and pragmatics of nouns that denote gender and social status in Chaucer's literature, e.g., "knyght," "lady," "leche," "wyf '," focusing on MerT, FranT, ABC, and TC, but addressing most of Chaucer's works.</text>
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              <text>Green, Clarence.</text>
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            <elementText elementTextId="2828224">
              <text>Language and Literature 26.4 (2017): 282-99.</text>
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            <elementText elementTextId="2828225">
              <text>Language and Literature 26 (2017)</text>
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            <elementText elementTextId="2828226">
              <text>Language and Word Studies&#13;
Troilus and Criseyde&#13;
Canterbury Tales--General</text>
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        <element elementId="114">
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            <elementText elementTextId="2828228">
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              <elementText elementTextId="2828221">
                <text>Introducing the "Corpus of the Canon of Western Literature": A Corpus for Culturomics and Stylistics.</text>
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            <description>An account of the resource</description>
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                <text>Introduces a "Corpus of the Canon of Western Literature" (CCWL) based on Harold Bloom's "The Western Canon" and utilizes corpus stylistics to "operationalize" the argued coherence of the western canon. Using CT as an example, illustrates how tagging was less accurate with texts written before 1800. Also reveals that TC was found to have one of the shortest mean word lengths and narrowest vocabulary ranges in the poetry analyzed in the CCWL, while CT had one of the longest mean sentence lengths.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Cooper, Helen.</text>
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            <elementText elementTextId="2828216">
              <text>Critical Survey 29.3 (2017): 15-26.</text>
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            <elementText elementTextId="2828217">
              <text>Critical Survey 29 (2017)</text>
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              <text>Language and Word Studies</text>
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              <text>SAC 41:106</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2828220">
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              <elementText elementTextId="2829955">
                <text>Unhap, Misadventure, Infortune: Chaucer's Vocabulary of Mischance.</text>
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                <text>Considers Chaucer's extensive and subtle use of "the full vocabulary of 'chance' and 'mischance'." Shows how his use of privatives and negative prefixes with these words "inflect[s] his larger concerns with Fortune (usually personified as an agent) and the mutability of the world."</text>
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              <text>Chance, Jane.</text>
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        <element elementId="102">
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          <elementTextContainer>
            <elementText elementTextId="2828210">
              <text>Language and Word Studies&#13;
Facsimiles, Editions, and Translations&#13;
Chaucer's Influence and Later Allusion</text>
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            <elementText elementTextId="2828211">
              <text>SAC 41:105</text>
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        <element elementId="114">
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              <text>2016</text>
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            <elementText elementTextId="2830508">
              <text>Jane Chance. Tolkien, Self and Other: "This Queer Creature" (New York: Palgrave Macmillan, 2016), pp. 133-76.</text>
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            <elementText elementTextId="2830509">
              <text>Tolkien, Self and Other: "This Queer Creature"</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2830363">
                <text>"Apartheid" in Tolkien: Chaucer and "The Lord of the Rings," Books 1-3 (1925-1943)."</text>
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          <element elementId="41">
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              <elementText elementTextId="2830510">
                <text>Considers the roles of apartheid and linguistic queerness in the class-based characterizations of various hobbits in Tolkien's "The Lord of the Rings," suggesting that Tolkien's scholarly study of Chaucer's literary dialects and his glossary for the never-published "Clarendon Chaucer" reflect similar concerns with race- and class-based linguistic features.</text>
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              <description>A name given to the resource</description>
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              <text>Werthmuller, Gyongyi.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2828200">
              <text>South Atlantic Review 79.3-4 (2015): 6-19.</text>
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            <elementText elementTextId="2828201">
              <text>South Atlantic Review 79 (2015)</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2828202">
              <text>Style and Versification&#13;
Language and Word Studies</text>
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        <element elementId="109">
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          <description/>
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              <text>SAC 41:104</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2828204">
              <text>2015</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2829954">
                <text>Final -e in Gower's English Poetry, in Comparison with Chaucer's.</text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2830135">
                <text>Tabulates evidence of the greater regularity of stress in Gower's verse than in Chaucer's, particularly in nouns and adjectives that feature the apocope of final unstressed -e. Attributes this regularity to the influence of Gower having written French verse, and calls for more thorough exploration of this and related phenomena.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2828190">
              <text>Trigg, Stephanie.</text>
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              <text>Studies in the Age of Chaucer 39 (2017): 33-56.</text>
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              <text>The Biennial Chaucer Lecture. The New Chaucer Society Twentieth International Congress, July 11–14, 2016, Queen Mary University of London, Mile End.</text>
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          <elementTextContainer>
            <elementText elementTextId="2828193">
              <text>Studies in the Age of Chaucer 39 (2017)</text>
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              <text>Style and Versification&#13;
Book of the Duchess&#13;
Envoy to Bukton&#13;
Troilus and Criseyde&#13;
Canterbury Tales--General&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>SAC 41:103</text>
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        <element elementId="114">
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            <elementText elementTextId="2828196">
              <text>2017</text>
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              <elementText elementTextId="2829953">
                <text>Chaucer's Silent Discourse.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2830134">
                <text>Studies the :speaking face" depicted in Chaucer's works (TC, Buk, BD, and ClT), discussing the trope as a subset of facial expression in the history of emotions. The first writer in English to do so, Chaucer has his characters and narrators translate facial discourse into speech and thereby show us "how we can make emotional and cognitive connections with each other." Comments on the history of the trope in Boccaccio and Machaut, and explores the dialects and registers of silent speaking.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2828182">
              <text>Putter, Ad.</text>
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            <elementText elementTextId="2828183">
              <text>Critical Survey 29 (2017)</text>
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            <elementText elementTextId="2828184">
              <text>Style and Versification</text>
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              <text>SAC 41:102</text>
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            <elementText elementTextId="2828186">
              <text>2017</text>
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            <elementText elementTextId="2828187">
              <text>Critical Survey 29.3 (2017): 65-85.</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2828180">
                <text>In Appreciation of Metrical Abnormality: Headless Lines and Initial Inversion in Chaucer.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Observes that in Chaucer's short-line verse, headless lines are much more common than initial inversion, whereas in his iambic pentameter the exact opposite occurs. Argues that Chaucer and his predecessors used such metrical license "very deliberately, not only for emphasis and rhetorical effect but also to clarify narrative and syntactical organization." Notes in particular its appearance "in the context of non-indicative moods, lists and catalogues, direct speeches and changes of addressee, transition between narrative sections, and enjambement."</text>
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              <text>Nakayasu, Minako.</text>
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              <text>Liliana Sikorska and Marcin Krygier, eds. Evur Happie &amp; Glorious, Ffor I Hafe at Will Grete Riches (New York: Peter Lang, 2013), pp. 41-60.</text>
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              <text>Sikorska, Liliana, ed.&#13;
Krygier, Marcin, ed.</text>
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              <text>Evur Happie &amp; Glorious, Ffor I Hafe at Will Grete Riches</text>
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              <elementText elementTextId="2829952">
                <text>Chaucer's Historical Present: A Discourse-Pragmatic Perspective.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2830691">
                <text>Clarifies the nature and functions of the historical present tense in English, and examines Chaucer's "discourse pragmatic" uses of it in KnT, particularly alternations of "present and past tenses in discourse" where the narrator "dynamically synchronises the story with the here and now of the hearers with the aid of the present tense, while employing the past tense to signify a segment of discourse."</text>
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              <text>Lockhart, Jessica Jane.</text>
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Parliament of Fowls&#13;
House of Fame&#13;
Sources, Analogues, and Literary Relations</text>
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            <name>Title</name>
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                <text>Everyday Wonders and Enigmatic Structures: Riddles from Symphosius to Chaucer.</text>
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                <text>Examines the use of riddling and the structure of riddles as a means of representing "the wondrous in the everyday." Specifically considers Chaucer's use of this in BD and PF. Additionally suggests that the "Secretum philosophorum" is an intertext in HF.</text>
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              <text>Li, Xingzhong.</text>
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              <text>Don Chapman, Colette Moore, and Miranda Wilcox, eds. Studies in the History of the English Language VII: Generalizing vs. Particularizing Methodologies in Historical Linguistic Analysis (Berlin: De Gruyter Mouton, 2016), pp. 107-30.</text>
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              <text>Chapman, Don, ed.&#13;
Moore, Colette, ed.&#13;
Wilcox, Miranda, ed.</text>
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              <text>Generalizing vs. Particularizing Methodologies in Historical Linguistic Analysis</text>
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        <element elementId="109">
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              <text>SAC 41:99</text>
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        <element elementId="114">
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          <element elementId="50">
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                <text>"Of harmes two, the lesse is for to chese": An Integrated OT-Maxent Approach to Syntactic Inversion in Chaucer's Verse.</text>
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              <elementText elementTextId="2830693">
                <text>Seeks to "account for constraints governing Chaucer's syntactic inversions with a purpose to uncover Chaucer's underlying metrical principles," employing a combination of "optimality theory" and "Maxent Grammars" and analyzing "every tenth line" of the pentameter verse in the Riverside edition of Chaucer's works.</text>
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              <text>Zarins, Kim.</text>
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          </elementTextContainer>
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        <element elementId="98">
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            <elementText elementTextId="2828148">
              <text>New York: Simon Pulse, 2016.</text>
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              <text>437 pp.</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2828150">
              <text>Chaucer's Influence and Later Allusion&#13;
Canterbury Tales--General&#13;
Facsimiles, Editions, and Translations</text>
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              <text>SAC 41:98</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2828152">
              <text>2016</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2828145">
                <text>Sometimes We Tell the Truth.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830129">
                <text>A young-adult novel, modeled on CT, in which senior high school students on a bus trip from Canterbury, Connecticut to Washington, D.C. share stories about their awakening sexuality. Characters' names (including the primary narrator, Jeff Chaucer) and their tales are modernized adaptations from CT.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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            <elementText elementTextId="2828139">
              <text>Warren, Nancy Bradley.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2828140">
              <text>Chaucer Review 52.1 (2017): 143-61.</text>
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        <element elementId="100">
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          <description/>
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            <elementText elementTextId="2828142">
              <text>Chaucer's Influence and Later Allusion&#13;
Book of the Duchess&#13;
Legend of Good Women&#13;
Wife of Bath and Her Tale</text>
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          </elementTextContainer>
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        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2828143">
              <text>SAC 41:97</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828144">
              <text>2017</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2830128">
                <text>Looks at how Bossewell's "Workes of Armorie" uses LGW, WBT, and BD in exploration of the construction of masculine identity.</text>
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                <text>Chivalric Men and Good(?) Women: Chaucer, Gender, and John Bossewell's "Workes of Armorie."</text>
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              <text>Walker, Lewis.</text>
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              <text>Renaissance Papers n.v. (2015): 51-68.</text>
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              <text>Renaissance Papers n.v. (2015)</text>
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Wife of Bath and Her Tale</text>
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              <text>SAC 41:96</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2828136">
              <text>2015</text>
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            <description>A name given to the resource</description>
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                <text>The Wife of Bath and "All's Well that Ends Well."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2830127">
                <text>Argues that details and attitudes depicted in WBPT and in the description of the Wife in GP influenced various aspects of Shakespeare's "All's Well that Ends Well."</text>
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