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              <text>Sharma, Manish.</text>
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              <text>Chaucer Review 52.3 (2017): 253-73.</text>
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              <text>Chaucer Review 52 (2017)</text>
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              <text>Canterbury Tales--General</text>
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              <text>SAC 41:171</text>
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            <description>An account of the resource</description>
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                <text>Argues that Chaucer is indecisive in CT when it comes to his relation to nominalism and realism, maintaining a grey area between the two through love.</text>
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                <text>Hylomorphic Recursion and Non-Decisional Poetics in the "Canterbury Tales."</text>
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              <text>Picard, Liza.</text>
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              <text>London: Weidenfeld &amp; Nicolson, 2017.</text>
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            <elementText elementTextId="2828749">
              <text>xx, 341 pp.</text>
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              <text>Canterbury Tales--General</text>
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              <text>SAC 41:169</text>
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              <text>2019</text>
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                <text>Chaucer's People: Everyday Lives in Medieval England.</text>
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                <text>Frames and analyzes the pilgrims of CT in terms of the social contexts surrounding their professions in Chaucer's lifetime and the antecedent few decades, interestingly moving directly against perceived social ordering to do so. Begins with the rural pilgrims before moving to the more urban, then the religious, then the military. Pilgrims' encapsulations of aspects of later medieval English life, both observed and contemporaneously figured, are used to reaffirm Chaucer's understanding of the breadth of the societies in which he lived.</text>
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              <text>Lawton, David.</text>
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              <text>Oxford: Oxford University Press, 2017.</text>
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              <text>xi, 243 pp.</text>
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              <text>Canterbury Tales--General&#13;
Parson and His Tale</text>
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              <text>SAC 41:167</text>
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            <elementText elementTextId="2828744">
              <text>2017</text>
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            <name>Title</name>
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                <text>Voice in Later Medieval English Literature: Public Interiorities.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2830653">
                <text>Approaches late medieval vernacular culture in terms of "voice," and suggests that "voice" is the subject of CT. Argues that Chaucer "frames" his work "between the praise of voice and the censure of it prevalent in pastoral rhetoric and represented by the Parson."</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Khoshbakht, Maryam, Moussa Ahmadian, and Shahrukh Hekmat.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2828731">
              <text>International Journal of Applied Linguistics and English Literature 2.1 (2013): 90-97.</text>
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        <element elementId="100">
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            <elementText elementTextId="2828732">
              <text>International Journal of Applied Linguistics and English Literature 02 (2013)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2828733">
              <text>Canterbury Tales--General&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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            <elementText elementTextId="2828734">
              <text>SAC 41:165</text>
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            <elementText elementTextId="2828735">
              <text>2013</text>
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          <name>Contributor</name>
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            <elementText elementTextId="2828736">
              <text>Ahmadian, Moussa.&#13;
Hekmat, Shahrukh.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2830168">
                <text>Compares CT with Farid al- Din Attar's "The Conference of the Birds," observing similarities in the shared motif of spiritual journey and techniques of narration and characterization. Differences between the religious backgrounds of the two poets, however, are evident in their thematic emphases.</text>
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            <name>Title</name>
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              <elementText elementTextId="2830352">
                <text>A Comparative Study of Chaucer's "The Canterbury Tales" &amp; Attar's "The Conference of the Birds."</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2828721">
              <text>Canton, James, ed.</text>
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              <text>New York: DK, 2016.</text>
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        <element elementId="99">
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            <elementText elementTextId="2828723">
              <text>352 pp.</text>
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        <element elementId="108">
          <name>Alternative Title</name>
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            <elementText elementTextId="2828724">
              <text>Turn over the Leef and Chese Another Tale: "The Canterbury Tales" (c. 1387–1400), Geoffrey Chaucer.</text>
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            <elementText elementTextId="2828725">
              <text>Canterbury Tales--General</text>
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              <text>SAC 41:162</text>
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            <elementText elementTextId="2828727">
              <text>2016</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2828719">
                <text>The Literature Book.</text>
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          <element elementId="41">
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                <text>In a chapter called "Renaissance to Enlightenment, 1300- 1800," includes a section (pp. 68–71) entitled "Turn over the Leef and Chese Another Tale: The Canterbury Tales (c. 1387–1400), Geoffrey Chaucer" that describes CT, its innovations, and social variety, with several side-bar topics and illustrations in color and b&amp;amp;w.</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2828713">
              <text>Breckenridge, Sarah Dee.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2828714">
              <text>Dissertation Abstracts International A75.04 (2014): n.p.</text>
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          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2828715">
              <text>Dissertation Abstracts International 75 (2014)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828716">
              <text>Canterbury Tales--General</text>
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            <elementText elementTextId="2828717">
              <text>SAC 41:161</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828718">
              <text>2014</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2829970">
                <text>Space, Economics, and the Poetic Imagination in England's Literary Landscapes, 1125-1590.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Examines a series of English literary texts in which "the portrayal of landscape does both elegiac and political work." Includes CT, which "represents a new sphere of civic and economic movement within established space."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2828705">
              <text>Baker, Alison A.</text>
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        <element elementId="98">
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            <elementText elementTextId="2828706">
              <text>Studies in Medieval and Renaissance Teaching 23.1 (2016): 351-61.</text>
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            <elementText elementTextId="2828707">
              <text>Studies in Medieval and Renaissance Teaching 23 (2016)</text>
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                <text>Opposing Forces: Understanding Gods in Medieval and Early Modern Literature.</text>
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                <text>Proposes a "mnemonic device" for six of the Roman classical gods (Apollo, Diana, Venus, Mars, Minerva, and Bacchus) "that can be used to teach and understand" them in CT and in Spenser's "Faerie Queene."</text>
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                <text>On Reading Jerry Ellis Travel Diaries: A Comparison of "Walking the Trail" and "Walking to Canterbury."</text>
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                <text>Compares two travel diaries by Jerry Ellis (1974-). Includes a detailed description of "Walking to Canterbury--A Modern Journey through Chaucer's Medieval England," which contains references to NPT, SumT, WBT, and ParsT.</text>
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              <text>ix, 172 pp.</text>
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Chaucer's Influence and Later Allusion</text>
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                <text>Geoffrey Chaucer: A New Introduction.</text>
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                <text>Focuses on Chaucer's "global renaissance" and the importance of Chaucer's range of writing, which combines poetry, science, tragedy, and astrology to influence writers from Shakespeare to Sylvia Plath.</text>
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              <text>Turner, Marion.</text>
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House of Fame</text>
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                <text>Chaucer.</text>
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                <text>Surveys "current critical trends" in Chaucer studies, focusing on "twenty-first-century interest in interconnectedness, intersubjectivity, and cultural networks." Then discusses "Chaucer's own understanding of the construction of the self in relation to others and to the spaces in which he lived and worked," concluding with an "analysis of the mental structures depicted" in BD and HF as they reflect Chaucer's "understanding that private spaces can be problematic for imaginative and personal development."</text>
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              <text>Tucker, Shawn.</text>
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              <text>Oakville: David Brown; Eugene, Ore.: Cascade; Cambridge: Lutterworth, 2015.</text>
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              <text>ix, 288 pp.; b&amp;w illus.</text>
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              <text>Parson and His Tale&#13;
Facsimiles, Editions, and Translations</text>
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                <text>Virtues and Vices in the Arts: A Sourcebook.</text>
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                <text>Surveys representations of the virtues and vices in western art and literature from Plato and Aristotle to C. S. Lewis and Paul Cadmus, offering excerpts and brief discussions of individual works. The section on medieval representations, "The Medieval Apex," includes a selection from ParsT (10.846-955, "Luxuria") in J. U. Nicolson's 1934 modern translation, and characterizes ParsT as an "excellent example" of a "pastoral sermon," a genre that is "meant to train people in the principles of penance, contrition, confession, and satisfaction or absolution."</text>
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              <text>Background and General Criticism&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Chaucerovy Cechy. [Chaucer's Bohemia.].</text>
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                <text>Describes the erudition of Anne of Bohemia, reads CT "alongside contemporaneous works in Czech, German, and Latin" (languages familiar to Anne), and maintains that Anne was Chaucer's "imagined reader" who "shaped the way he wrote and what he chose to write." In Czech, with an abstract in English.</text>
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                <text>A Little History of Literature.</text>
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                <text>Surveys the history of literature "from the Epic of Gilgamesh to Harry Potter," including a chapter called "English Tales: Chaucer" (pp. 26-32) that summarizes Chaucer's life, TC, and CT, characterizing both poems as "supremely great" and "momentously innovative," and emphasizing Chaucer's use of English and his social variety.</text>
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              <text>Smith, Sheri.</text>
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              <text>Dissertation Abstracts International C75.01 (2016): n.p.</text>
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              <text>Dissertation Abstracts International 75 (2016)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2828651">
              <text>Book of the Duchess&#13;
House of Fame&#13;
Troilus and Criseyde&#13;
Knight and His Tale&#13;
Man of Law and His Tale&#13;
Clerk and His Tale&#13;
Franklin and His Tale&#13;
Prioress and Her Tale&#13;
Second Nun and Her Tale</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2828653">
              <text>2016</text>
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                <text>Answers to Prayer in Chaucer.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2830662">
                <text>Examines answers to prayer in BD, HF, KnT, FranT, "hagiographic tales" (SNT, PrT, MLT, and ClT), and TC, arguing that Chaucer engages significant "theological and philosophical issues."</text>
              </elementText>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2828639">
              <text>Sisk, Jennifer.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2828640">
              <text>Eva von Contzen and Anke Bernau, eds. Sanctity as Literature in Late Medieval Britain (Manchester: Manchester University Press, 2015), pp. 116-33.</text>
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        <element elementId="112">
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            <elementText elementTextId="2828641">
              <text>von Contzen, Eva, ed. &#13;
Bernau, Anke, ed.</text>
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          <elementTextContainer>
            <elementText elementTextId="2828642">
              <text>Sanctity as Literature in Late Medieval Britain</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828643">
              <text>Legend of Good Women&#13;
Man of Law and His Tale&#13;
Clerk and His Tale&#13;
Physician and His Tale</text>
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        <element elementId="109">
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          <elementTextContainer>
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              <text>SAC 41:152</text>
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        <element elementId="114">
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              <text>2015</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2828637">
                <text>Chaucer and Hagiographic Authority.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830663">
                <text>Explores how Chaucer addresses the sacred authority of hagiography, posing it in tension with the poet's own authority in LGWP, and examining authority and authorization in the "pseudo-hagiographies" of CT (MLT, ClT, and PhyT) where Chaucer recontextualizes the conventions of saints' lives in secular settings and experiments with several "alternative methods of textual authorisation." Observes that "confessional performances follow immediately upon tales that strive for hagiographic authority."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2828631">
              <text>Robertson, Kellie.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2828632">
              <text>Philadelphia: University of Pennsylvania Press, 2017.</text>
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          <name>Physical Description</name>
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          <elementTextContainer>
            <elementText elementTextId="2828633">
              <text>x, 443 pp.; illus.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2828634">
              <text>Background and General Criticism</text>
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        <element elementId="109">
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            <elementText elementTextId="2828635">
              <text>SAC 41:151</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828636">
              <text>2017</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2828629">
                <text>Nature Speaks: Medieval Literature and Aristotelian Philosophy.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830664">
                <text>Discusses how Aristotelian natural philosophy--physics--was debated in the Middle Ages, and its influence on the aesthetic practice of Latin and vernacular writers, including Chaucer, Jean de Meun, Guillaume de Deguileville, and John Lydgate. Argues that these debates focus on the authority of nature in the context of a Christian world, and that "the controversial reception of this science fundamentally changed the kinds of poetic accounts of the world."</text>
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  <item itemId="274740" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2828622">
              <text>Ramirez-Arlandi, Juan.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2828623">
              <text>Salvador Pena and Juan Jesus Zaro, eds. De Homero a Pavese: Hacia un canon iberoamericano de clasicos universales (Kassel: Reichenberger, 2017), pp. 39-64.</text>
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        <element elementId="112">
          <name>Contributor</name>
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            <elementText elementTextId="2828624">
              <text>Salvador Pena, ed.&#13;
Zaro, Juan Jesus, ed.</text>
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        <element elementId="108">
          <name>Alternative Title</name>
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            <elementText elementTextId="2828625">
              <text>De Homero a Pavese: Hacia un Canon Iberoamericano de Clasicos Universales</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828626">
              <text>Facsimiles, Editions, and Translations&#13;
Canterbury Tales --General&#13;
Miller and His Tale&#13;
Reeve and His Tale</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2828627">
              <text>SAC 41:150</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828628">
              <text>2017</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2828621">
                <text>Analyzes the translation techniques used in the Spanish version of MilT and RvT made between 1949 and 1956 by Chilean scholar, theater director and translator Jorge Elliott Garcia. Claims that the purpose of this verse translation was to increase the readership of CT by offering a more poetic rendering, aiming at providing an effect equivalent to that of the original.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830353">
                <text>La literatura inglesa medieval en Sudamerica: Jorge Elliott y "The Canterbury Tales."</text>
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            </elementTextContainer>
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              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2828613">
              <text>Pugh, Tison.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828614">
              <text>Karina F. Attar and Lynn Shutters, eds. Teaching Medieval and Early Modern Cross-Cultural Encounters (New York: Palgrave Macmillan, 2014), pp. 215-28.</text>
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        <element elementId="112">
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            <elementText elementTextId="2828615">
              <text>Attar, Karina F., ed.&#13;
Shutters, Lynn, ed.</text>
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          </elementTextContainer>
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          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2828616">
              <text>Teaching Medieval and Early Modern Cross-Cultural Encounters</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2828617">
              <text>SAC 41:149</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828618">
              <text>Background and General Criticism&#13;
Recordings and Films&#13;
Legend of Good Women</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828619">
              <text>2014</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2828611">
                <text>Teaching Chaucer through Convergence Culture: The New Media Middle Ages as Cross-Cultural Encounter.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2830159">
                <text>Comments on the advantages of using new media to help students gain appreciation and expertise in studying Chaucer; includes descriptions of undergraduate classroom activities that use cinema, Chaucer blogs, YouTube videos of rap versions of Chaucer's poetry, and performance adaptations of selections from LGW.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2828604">
              <text>Novacich, Sarah Elliott.</text>
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          <elementTextContainer>
            <elementText elementTextId="2828605">
              <text>Cambridge: Cambridge University Press, 2017.</text>
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        <element elementId="99">
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          <elementTextContainer>
            <elementText elementTextId="2828606">
              <text>xi, 214 pp.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2828607">
              <text>Background and General Criticism&#13;
Romaunt of the Rose&#13;
House of Fame&#13;
Miller and His Tale&#13;
Man of Law and His Tale</text>
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        <element elementId="109">
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            <elementText elementTextId="2828608">
              <text>SAC 41:148</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828609">
              <text>2017</text>
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          </elementTextContainer>
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        <element elementId="104">
          <name>Series</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828610">
              <text>Cambridge Studies in Medieval Literature, no. 97.</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2828602">
                <text>Shaping the Archive in Late Medieval England: History, Poetry and Performance</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830665">
                <text>Explores how "poetic form, staging logistics, and the status of performance" contribute to our understanding of how medieval thinkers imagined the "ethics and pleasures of the archive." Includes discussion of HF, MLT, MilT, and Rom.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2828596">
              <text>Nakley, Susan.</text>
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        <element elementId="98">
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            <elementText elementTextId="2828597">
              <text>Ann Arbor: University of Michigan Press, 2017.</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828598">
              <text>ix, 270 pp.</text>
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          <name>Chaucer Subject</name>
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              <text>Canterbury Tales--General</text>
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              <text>SAC 41:147</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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              <text>2017</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2830354">
                <text>Examines the views that accept Chaucer's nationalism as a given and those that focus on his international or European identity and vision. Draws on concepts of sovereignty and domesticity appearing "primarily in romantic and household contexts," and finds the interdependence between nationalism and internationalism evident in CT, in which "England emerges as a community grounded in the ethical demands of inclusivity." Claims "that CT must be included in serious discussions concerning sovereignty and internationalism in both English literature and late medieval political thought."</text>
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                <text>Living in the Future: Sovereignty and Internationalism in the "Canterbury Tales."</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Moseley, C. W. R. D.</text>
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              <text>Critical Survey 29.3 (2017): 1-6.</text>
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              <text>Critical Survey 29 (2017)</text>
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              <text>Background and General Criticism</text>
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        <element elementId="114">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828593">
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2828586">
                <text>Introduction.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Emphasizes the way in which Chaucer's poems engage in dialogue with his audience, changing the way we can engage with "the fundamental questions of knowledge, understanding, beauty, and pleasure."</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Lavezzo, Kathy.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2828580">
              <text>Eileen A. Joy, ed. Still Thriving: On the Importance of Aranye Fradenburg (Brooklyn, N.Y.: Punctum, 2013), pp. 25-31.</text>
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              <text>Eileen A. Joy, ed.</text>
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              <text>Still Thriving: On the Importance of Aranye Fradenburg</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2828583">
              <text>Background and General Criticism&#13;
Nun's Priest and His Tale</text>
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        <element elementId="109">
          <name>Source</name>
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              <text>SAC 41:143</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828585">
              <text>2013</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2829967">
                <text>Critical Thriving: Chaucer, the "Nun's Priest's Tale," and the MLA.</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830667">
                <text>Considers the value of retaining the Chaucer Division of the Modern Language Association, maintaining its importance as long as "attention to [Chaucer's] corpus continues to unhinge, transform, and trouble received ideas about being in the world." Comments on the "slippery multiplicity" of NPT as a reason that Chaucer criticism can and should thrive.</text>
              </elementText>
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          </element>
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  <item itemId="274734" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828571">
              <text>Knudson, Karen R.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828572">
              <text>Dissertation Abstracts International A78.03 (2016): n.p.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2828573">
              <text>Dissertation Abstracts International 78 (2016)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828574">
              <text>Canterbury Tales--General&#13;
Wife of Bath and Her Tale&#13;
Merchant and His Tale&#13;
Tale of Melibee&#13;
Parson and His Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828575">
              <text>SAC 41:142</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828576">
              <text>2016</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2828569">
                <text>The Power of the Medieval Solomon- Magus and Solomon-Auctor Revealed through "The Canterbury Tales," "Sir Gawain and the Green Knight," and "The Tale of the Sankgreal."</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830668">
                <text>Includes discussion of Chaucer's "two brief glimpses" of Solomon as a figure of wisdom in CT, and more extended discussion of Solomon as author in Mel, WBP, MerT, and ParsT.</text>
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            </elementTextContainer>
          </element>
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  </item>
  <item itemId="274733" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828563">
              <text>Newhauser, Richard G.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828564">
              <text>Annette Kern-Stahler, Beatrix Busse, and Wietse de Boer, eds. The Five Senses in Medieval and Early Modern England (Boston: Brill, 2016), pp. 199-218.</text>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828565">
              <text>The Five Senses in Medieval and Early Modern England</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828566">
              <text>Boece&#13;
Parliament of Fowls&#13;
Tale of Melibee&#13;
Second Nun and Her Tale&#13;
Parson and His Tale</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828567">
              <text>SAC 41:305</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828568">
              <text>2016</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2828561">
                <text>The Multisensoriality of Place and the Chaucerian Multisensual.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830669">
                <text>Explores the "full sensory expression" in Chaucer's "construction of space," emphasizing the interconnectedness of the five senses in medieval understanding and their ethical dimensions that require proper training to engage volition correctly. Includes observations about these concerns in ParsT, Mel, Bo, SNT, and PF, where the interconnectedness of the senses is an ideal achievable in heavenly places, and dismantled in hellish ones.</text>
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          </element>
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  <item itemId="274732" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828554">
              <text>Kern-Stahler, Annette, Beatrix Busse, and Wietse de Boer, eds.</text>
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              <text>Boston, Mass.: Brill, 2016.</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828556">
              <text>xiii, 298 pp.</text>
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        <element elementId="112">
          <name>Contributor</name>
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            <elementText elementTextId="2828557">
              <text>Busse, Beatrix, ed. &#13;
de Boer, Wietse, ed.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828558">
              <text>Background and General Criticism</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828559">
              <text>SAC 41:141</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828560">
              <text>2016</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2828552">
                <text>The Five Senses in Medieval and Early Modern England.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2828553">
                <text>Collection of essays presenting perspectives on interrelations between sense perception and secular and Christian cultures in England from the Middle Ages to the Early Modern period. For essay on Chaucer, search for The Five Senses in Medieval and Early Modern England under Alternative Title.</text>
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