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              <text>Coats, Kaitlin.</text>
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              <text>Sigma Tau Delta Review 11 (2014): 90-99.</text>
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              <text>Sigma Tau Delta Review 11 (2014)</text>
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              <text>Franklin and His Tale</text>
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              <text>SAC 41:225</text>
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              <text>2014</text>
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                <text>"Artes that been curious": Questions of Magic and Morality in Chaucer's "The Franklin's Tale."</text>
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            <description>An account of the resource</description>
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                <text>Considers the ambivalent role of magic in FranT, arguing that vacillation "between belief and skepticism, truth and illusion, nature and sorcery" help Chaucer to create "a divide between perception and reality" and undermine the "purported moral system" of the Tale.</text>
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              <text>Christopher, Joe R.</text>
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              <text>Salwa Khoddam, Mark R. Hall, and Jason Fisher, eds. C. S. Lewis and the Inklings: Reflections on Faith, Imagination, and Modern Technology (Newcastle upon Tyne: Cambridge Scholars, 2015), pp. 121-32.</text>
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              <text>Khoddam, Salwa, ed.&#13;
Hall, Mark R., ed.&#13;
Fisher, Jason, ed.</text>
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              <text>C. S. Lewis and the Inklings: Reflections on Faith, Imagination, and Modern Technology</text>
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              <text>Franklin and His Tale</text>
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              <text>SAC 41:224</text>
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              <text>2015</text>
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                <text>C. S. Lewis's Problem with "The Franklin's Tale": An Essay Written in the Seventieth Anniversary Year of "The Allegory of Love."</text>
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            <description>An account of the resource</description>
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                <text>Explores why C. S. Lewis chose not to discuss FranT in his "Allegory of Love," arguing that Lewis made the decision because he wanted to attribute the "final defeat of courtly love by the romantic conception of marriage" to Edmund Spenser in his "Faerie Queene." However, FranT was a "transmutation" of courtly love into marriage 200 years before Spenser wrote.</text>
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              <text>Bonazzi, Nicola.</text>
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              <text>Heliotropia: Forum for Boccaccio Research and Interpretation 11 (2014): 181-97.</text>
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            <elementText elementTextId="2829150">
              <text>Heliotropia: Forum for Boccaccio Research and Interpretation 11 (2014)</text>
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            <elementText elementTextId="2829151">
              <text>Franklin and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>SAC 41:223</text>
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        <element elementId="114">
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            <elementText elementTextId="2829153">
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              <elementText elementTextId="2830005">
                <text>Da Dianora a Marietta: Metamorfosi di un'illusione cortese.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Traces the development of the relations between illusion and courtliness from Boccaccio to James Lasdun's story in the "The Siege," including a discussion of FranT that focuses on the "demande d'amour" that concludes the Tale.</text>
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              <text>Crane, Susan.</text>
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            <elementText elementTextId="2829141">
              <text>Shakespeare Survey 41 (2014): 29-39.</text>
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              <text>Shakespeare Survey 41 (2014): 29-39.</text>
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            <elementText elementTextId="2829143">
              <text>Squire and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>SAC 41:222</text>
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        <element elementId="114">
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            <elementText elementTextId="2829145">
              <text>2014</text>
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            <name>Title</name>
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              <elementText elementTextId="2829138">
                <text>A Cautionary Elephant.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2830625">
                <text>Argues that two of Chaucer's emphases in SqT modify source material from Boethius's "Consolation of Philosophy" and thereby undo the "binary divide between humankind and animal kinds." The "falcon's species vacillation" and Canace's "cross-species kindness" show "that medieval thought about animals is neither uniform nor stable."</text>
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        <element elementId="110">
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            <elementText elementTextId="2829132">
              <text>Wicher, Andrzej.</text>
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        <element elementId="98">
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              <text>Text Matters: A Journal of Literature, Theory and Culture 3 (2013): 42-57.</text>
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            <elementText elementTextId="2829134">
              <text>Text Matters: A Journal of Literature, Theory and Culture 03 (2013)</text>
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        <element elementId="102">
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              <text>Merchant and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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              <text>SAC 41:221</text>
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        <element elementId="114">
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            <elementText elementTextId="2829137">
              <text>2013</text>
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                <text>Geoffrey Chaucer's "The Merchant's Tale," Giovanni Boccaccio's "The Tale of the Enchanted Pear-Tree," and "Sir Orfeo" Viewed as Eroticized Versions of the Folktales about Supernatural Wives.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2830626">
                <text>Discusses MerT; Boccaccio's "Decameron," 7.9; and "Sir Orfeo" as "slightly different" varieties of the enchanted-tree motif, emphasizing their structural similarities, their uses of enchantment, and the relative happiness of their endings.</text>
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              <text>Turner, Joseph.</text>
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              <text>Rhetorica 34 (2016): 427-54.</text>
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            <elementText elementTextId="2829126">
              <text>Rhetorica 34 (2016)</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2829127">
              <text>Merchant and His Tale&#13;
Wife of Bath and Her Tale&#13;
Language and Word Studies&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>SAC 41:220</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2829129">
              <text>2016</text>
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                <text>Rhetoric and Performing Anger: Proserpina's Gift and Chaucer's "Merchant's Tale."</text>
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                <text>Argues that Proserpina's angry response to Pluto in MerT (4.2264–70) "highlights the historical relationship between Chaucer's depiction of women's speech, medieval grammatical [classroom] instruction, and theories of delivery" that derive from Geoffrey of Vinsauf 's "Poetria nova." Considers the role of angry speech in "leveling the playing field between men and women" in MerT and in WBP, and calls for revived interest in studying literature in relation to rhetoric.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Kendrick, Laura.</text>
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              <text>S. Douglas Olson, ed. Ancient Comedy and Reception: Essays in Honor of Jeffrey Henderson (Berlin: De Gruyter, 2014), pp. 377-96.</text>
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              <text>Merchant and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>SAC 41:219</text>
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                <text>Medieval Vernacular Versions of Ancient Comedy: Geoffrey Chaucer, Eustache Deschamps, Vitalis of Blois and Plautus' "Amphitryon."</text>
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                <text>Investigates the performative nature of Deschamps's "relatively faithful French translation," "Geta et Amphitrion," and proposes an occasion when it might have been performed. Contrasts Deschamps's treatment of Plautus's Latin original with those of other writers, including Chaucer, who "assimilated and mixed motifs from Latin comedies without acknowledgment" in CT. Exemplifies Chaucer's practice of combining motifs by discussing the pear-tree scene of MerT.</text>
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              <text>Hanna, Natalie.</text>
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Clerk and His Tale&#13;
Language and Word Studies</text>
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Reflexions historiques 42.1 (2016)</text>
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                <text>"To take a wyf": Marriage, Status, and Moral Conduct in "The Merchant's Tale."</text>
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                <text>Tabulates and analyzes the "gender-based" nouns used of the marital couple in MerT, compared with uses elsewhere in CT, focusing on uses of "wyf" and "housbonde" (61 versus 4 uses in MerT), and on the locution of "taking" a wife. Such usages connect January of MerT with Walter of ClT, and while neither tale challenges stereotypical roles overtly, MerT raises "profound social concerns" through its "terming" of marital status.</text>
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              <text>Normandin, Shawn.</text>
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              <text>Texas Studies in Literature and Language 58 (2016): 235-55.</text>
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            <elementText elementTextId="2829100">
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              <text>Clerk and His Tale&#13;
Sources, Analogues, and Literary Relations&#13;
Wife of Bath and Her Tale</text>
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        <element elementId="114">
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            <elementText elementTextId="2829103">
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Reads ClT closely as a "fundamentally enigmatic parable" that, as part of the "glossing group" of the CT, focuses on interpretation and hermeneutic resistance. Chaucer alternately abbreviates and amplifies his Petrarchan source "so that interpretive authority . . . will lie dormant and enigma will thrive." Simultaneously, the Clerk seeks subtly to mandate clerkly glossing in a "passive-aggressive" response to the Wife of Bath, emphasizing Griselda's inability and/or unwillingness to interpret words and events.</text>
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              <elementText elementTextId="2830334">
                <text>"Non Intellegant": The Enigmas of the "Clerk's Tale."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <text>Narinsky, Anna.</text>
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              <text>Partial Answers: Journal of Literature and the History of Ideas 14.2 (2016): 187-216.</text>
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            <elementText elementTextId="2829092">
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              <text>Clerk and His Tale</text>
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              <text>SAC 41:216</text>
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          <name>Date</name>
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            <elementText elementTextId="2829095">
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2829999">
                <text>Anti-Dualism and Social Mind in Chaucer's "Clerk's Tale."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830628">
                <text>Treats "the operations and qualities of fictional minds" in ClT, "as well as the narrative means through which they are conveyed," examining Griselda, Walter, and the "group consciousness" of the Saluzzan people in light of "modern cognitive sciences," and arguing that Chaucer rejects the mind–body dualism of the "internalist" view of cognition in favor of one that emphasizes the "intermental" interdependence of mind and social environment.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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          <elementTextContainer>
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              <text>Bullon-Fernandez, Marıa.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2829083">
              <text>Mediaevalia 35 (2014): 193-226.</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2829084">
              <text>Mediaevalia 35 (2014)</text>
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        <element elementId="102">
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            <elementText elementTextId="2829085">
              <text>Clerk and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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              <text>SAC 41:215</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2829087">
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2829998">
                <text>Poverty, Property, and the Self in the Late Middle Ages: The Case of Chaucer's Griselda.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830629">
                <text>Argues that Chaucer raises questions in ClT about relations between poverty and the nature of the self, gauging the extent to which Griselda's agency, selflessness, and lack of "things" are factors in Walter's "inhuman" treatment of her, and asking whether her "lack of property is a part of the reason she is so readily turned into an allegorical virtue" by Petrarch and others.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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            <elementText elementTextId="2829073">
              <text>Tambling, Jeremy.</text>
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        <element elementId="98">
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            <elementText elementTextId="2829074">
              <text>New York: Palgrave Macmillan, 2016.</text>
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        <element elementId="99">
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            <elementText elementTextId="2829075">
              <text>xvii, 308 pp.; 2 b&amp;w illus.</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829076">
              <text>Medieval and Early Modern Devils: Names and Images</text>
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            <elementText elementTextId="2829077">
              <text>Friar and His Tale&#13;
Wife of Bath and Her Tale&#13;
Pardoner and His Tale&#13;
Canon's Yeoman and His Tale</text>
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            <elementText elementTextId="2829078">
              <text>SAC 41:214</text>
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            <elementText elementTextId="2829079">
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                <text>Histories of the Devil: From Marlowe to Mann and the Manichees.</text>
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          <element elementId="41">
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              <elementText elementTextId="2830630">
                <text>In a chapter entitled "Medieval and Early Modern Devils: Names and Images" (pp. 45–74), assesses the devil-dressed-in-green of FrT and its associations with the fairies in WBT; also comments on the characters in PardT and CYT "who are already devils," whose souls have "gone before their bodies died."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <text>Nava, Gabriela.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2829066">
              <text>Mediaevalia 45 (2013): 62-73.</text>
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              <text>Mediaevalia 45 (2013)</text>
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        <element elementId="102">
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              <text>Summoner and His Tale&#13;
Miller and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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              <text>SAC 41:213</text>
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            <elementText elementTextId="2829070">
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2829063">
                <text>Ventosidades, culos y otros elementos del realismo grotesco en el relato breve (el "Decameron," los "Cuentos de Canterbury," las "Cent nouvelles Nouvelles").</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2830631">
                <text>Analyzes the grotesque Bahktinian realism of inversions and bodily functions in medieval narratives; includes comments on the "prayer-belch" and farting in SumT and on ass-kissing and farting in MilT, compared and contrasted with analogous materials.</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2829057">
              <text>Hardwick, Paul.</text>
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        <element elementId="98">
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            <elementText elementTextId="2829058">
              <text>Chaucer Review 52.2 (2017): 237-52.</text>
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              <text>Chaucer Review 52 (2017)</text>
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        <element elementId="102">
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              <text>Summoner and His Tale</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829061">
              <text>SAC 41:212</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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              <text>2017</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2829056">
                <text>Portrays the symbolic and naturalistic use of the cat and applies these concepts to SumT and its critique of the mendicant orders.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2829997">
                <text>Chaucer's Friar John and the Place of the Cat.</text>
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  <item itemId="274792" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2829049">
              <text>Saltzman, Benjamin A.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>Chaucer Review 52.4 (2017): 363-95.</text>
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          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2829051">
              <text>Chaucer Review 52 (2017)</text>
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            <elementText elementTextId="2829052">
              <text>Friar and His Tale&#13;
Summoner and His Tale</text>
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              <text>SAC 41:211</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2829054">
              <text>2017</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2829047">
                <text>The Friar, the Summoner, and Their Techniques of Erasure.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2829048">
                <text>Looks at how both erasure and the anxiety that erasure produces in material culture are revealed in FrT and SumT.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2829042">
              <text>Matsuda, Takami.</text>
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        <element elementId="98">
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              <text>Spicilegium 1 (2017): n.p. Web publication.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2829044">
              <text>Spicilegium 01 (2017)</text>
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        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2829045">
              <text>SAC 41:210</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829046">
              <text>2017</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830336">
                <text>The Ravishment of Body and Soul in the "Friar's Tale" and the "Summoner's Tale."</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830442">
                <text>Examines FrT and SumT in the "context of the late medieval vision of the afterlife," and argues that the "two tales tell how one is constantly in the dangerous liminal situation between damnation and salvation, between being physically ravished to hell by the devil and being carried to heaven by angels in mystical ravishment."</text>
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  <item itemId="274790" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
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          <elementTextContainer>
            <elementText elementTextId="2829034">
              <text>Sylvester, Ruth.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2829035">
              <text>ETC: A Review of General Semantics 71.3 (2014): 248-57.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2829036">
              <text>ETC: A Review of General Semantics 71 (2014)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2829037">
              <text>Wife of Bath and Her Tale</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829038">
              <text>SAC 41:209</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829039">
              <text>2014</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2829995">
                <text>Shifting Traditions: Chaucer's Narrative Accomplishment in "The Wife of Bath's Tale" Considered in the Context of the Shift from Oral Tradition to Literate Print Tradition</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830632">
                <text>Summarizes differences between oral and literate communication, describes CT as a product of a transitional "manuscript culture," and discusses how WBP lends verisimilitude to the speaking voice of WBT, an example of Chaucer's virtuosity in a "time of cultural shift."</text>
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          </element>
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  <item itemId="274789" public="1" featured="0">
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829026">
              <text>Strouse, A. W.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829027">
              <text>Dissertation Abstracts International A78.09 (2017): n.p.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2829028">
              <text>Dissertation Abstracts International 78 (2017)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2829029">
              <text>Wife of Bath and Her Tale</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829030">
              <text>SAC 41:208</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829031">
              <text>2017</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2829024">
                <text>Literary Theories of Circumcision.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830193">
                <text>Uses WBT as a case study in the development of circumcision's use as a metaphor for situations ranging from shifting of intellectual ground to the process of reading itself.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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  <item itemId="274788" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829017">
              <text>Perfetti, Lisa.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829018">
              <text>Peter Dickinson, Anne Higgins, Paul St. Pierre, Diana Solomon, and Sean Zwagerman, eds. Women and Comedy: History, Theory, Practice (Lanham: Fairleigh Dickinson University Press, 2013), pp. 41-53.</text>
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        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829019">
              <text>Dickinson, Peter, ed.&#13;
Higgins, Anne, ed.&#13;
St. Pierre, Paul, ed.&#13;
Solomon, Diana, ed.&#13;
Zwagerman, Sean, ed.</text>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829020">
              <text>Women and Comedy: History, Theory, Practice</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829021">
              <text>Wife of Bath and Her Tale&#13;
Sources, Analogues, and Literary Relations</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829022">
              <text>SAC 41:206</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829023">
              <text>2013</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2829015">
                <text>Feminist Humor without Women: The Challenge of Reading (in) the Middle Ages.</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830633">
                <text>Asks to what extent CT and Boccaccio's "Decameron" advocate "women's equality," exploring female laughter in these works, and focusing on Boccaccio's Pampinea and on the Wife of Bath as a "comic performer who has an intent to play."</text>
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  <item itemId="274787" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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    <itemType itemTypeId="24">
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829009">
              <text>Noji, Kaoru.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829010">
              <text>Tokyo: Hon-no-Shiro, 2017.</text>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829011">
              <text>xiv, 230 pp.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829012">
              <text>Troilus and Criseyde&#13;
Wife of Bath and Her Tale&#13;
Tale of Melibee</text>
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                <text>Eloquence of Chaucer's Women: The Wife of Bath, Criseyde, and Prudence.</text>
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                <text>Examines eloquence of the Wife of Bath, Criseyde, and Prudence. Focuses on Chaucer's intention in creating these female characters.</text>
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              <text>Inskeep, Kathryn.</text>
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              <text>Dissertation Abstracts International A74.12 (2014): n.p.</text>
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              <text>Dissertation Abstracts International 74 (2014)</text>
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              <text>Wife of Bath and Her Tale&#13;
Sources, Analogues, and Literary Relations</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2828999">
                <text>Embodying Loathliness: The Loathly Lady in Medieval and Postfeminist (Con)texts.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2830634">
                <text>Studies the "role of stigma in determining the social value of a lone woman of loathly proportions or perceptions," discussing a range of texts, medieval to postmodern, including two chapters on WBPT that assess the loathly lady as the "alter ego" of the Wife of Bath.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <text>Edwards, Suzanne M.</text>
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        <element elementId="98">
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              <text>New York: Palgrave Macmillan, 2016.</text>
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              <text>xvii, 183 pp.</text>
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            <elementText elementTextId="2828995">
              <text>The New Middle Ages.</text>
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              <text>Wife of Bath and Her Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>SAC 41:202</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2828998">
              <text>2016</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2828990">
                <text>The Afterlives of Rape in Medieval English Literature.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2830635">
                <text>Investigates the "discourses of [rape] survival" in medieval literature and its historical contexts, addressing the aftereffects of rape as they are depicted in saints' lives, anchoritic literature, accounts of raped wives (particularly Lucretia in Gower and Heurodis in "Sir Orfeo"), and WBT. Argues that, in light of the 1382 Statute of Rape, WBT "diagnoses how masculine distinction and privilege underwrite their own impossibility" and how the presentation of desire in WBPT warns "against overvaluing gender difference as an interpretive scheme."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Staley, Lynn.</text>
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              <text>Postmedieval 7 (2016): 539-50.</text>
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              <text>Postmedieval 07 (2016)</text>
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          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2828987">
              <text>Man of Law and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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          <description/>
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              <text>SAC 41:200</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828989">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2828982">
                <text>Fictions of the Island: Girdling the Sea.</text>
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830636">
                <text>Contrasts Custance of MLT with her source in Trevet's "Cronicles," exploring the depictions of the sea in the two poems as well, arguing that women and water are tamed by "providential control" in Chaucer, especially when seen in light of Alatiel of Boccaccio's "Decameron" and of the "desire to domesticate the sea" in Lydgate's "Mumming for the Mercers of London."</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
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              <text>Quinn, William A.</text>
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          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828977">
              <text>Critical Survey 29.3 (2017): 48-64.</text>
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          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2828978">
              <text>Critical Survey 29 (2017)</text>
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              <text>Man of Law and His Tale&#13;
Canterbury Tales--General</text>
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              <text>SAC 41:199</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828981">
              <text>2017</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2830338">
                <text>String Theory and "The Man of Law's Tale": Where Is Constancy?"</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2830448">
                <text>The Ptolemaic universe of MLT should have a still center, but neither this Tale nor the CT as a whole seems to reflect "a single interpretive order." Thematic and tonal threads pull in different directions, as if the Tale harbored an anticipation of today's highly speculative "string theory," which "admits the possibility of a multiverse in which numerous concurrent realities (of reader-responses) can coexist."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
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              <text>Lim, Hyanyang K.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828969">
              <text>Medieval and Early Modern English Studies 25.1 (2017): 67-97.</text>
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            <elementText elementTextId="2828970">
              <text>Medieval and Early Modern English Studies 25 (2017)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2828971">
              <text>Man of Law and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
          <name>Source</name>
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              <text>SAC 41:198</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2828973">
              <text>2017</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2829992">
                <text>Counterfeit Correspondences: Documentary Manipulations and Textual Consciousness in Gloucester's "Confession" and "The Man of Law's Tale."</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830637">
                <text>Explores Chaucer's reservations about the reliability of written documents by examining Donegild's counterfeit letters in MLT and Thomas Woodstock, duke of Gloucester's "Confession", written in 1397. Examines problems of written documents implicated in both narratives, such as "documentary manipulations, fears of inception, and suspicions of forgery."</text>
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          </element>
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