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              <text>Burke, Linda.</text>
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              <text>In R. Barton Palmer and Burt Kimmelman, eds. Machaut's Legacy: The Judgment Poetry Tradition in the Later Middle Ages and Beyond (Gainesville: University Press of Florida, 2017), pp. 192-216. </text>
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              <text>Machaut's Legacy.</text>
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              <text>Legend of Good Women&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; SAC 42:23</text>
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        <element elementId="114">
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              <text>2017</text>
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                <text>Bohemian Gower: "Confessio Amantis," Queen Anne, and Machaut's Judgment Poems.</text>
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                <text>Reiterates traditional discussions of similarities between LGW and John Gower's "Confessio Amantis," develops recent arguments of the importance of Anne of Bohemia to both poems (emphasizing Gower's), and uses these connections and others to argue that the "Confessio"--like LGW--was powerfully influenced by Guillaume de Machaut's "Jugement dou roi de Navarre."</text>
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              <text>Douglas, Blaise.</text>
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              <text>A noble tale / Among us shall awake.</text>
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              <text>Franklin and His Tale</text>
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              <text>SAC 39:167&#13;
mea; 2/27/2018</text>
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              <text>Claire Vial, ed. "A noble tale / Among us shall awake": Approches croisees des "Middle English Breton Lays" et  du "Franklin's Tale" (Paris: Presses Universitaires de Paris Ouest, 2015), pp. 17-25.</text>
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                <text>Bonds in a Selection of Middle English Breton Lays.</text>
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                <text>Explores the notion of commitment in connection with the contradictory and untenable verbal pledges in FranT.</text>
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              <text>Yvernault, Martine.</text>
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              <text>Danielle Buschinger, ed. Médiévales, 48 (Amiens: Presses du Centre d'Études Médiévales, Université de Picardie-Jules Verne, 2010), pp. 179-87.</text>
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              <text>2010</text>
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              <text>Médiévales, no. 48.</text>
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              <text>Buschinger, Danielle, ed.</text>
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              <text>Canterbury Tales--General.</text>
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              <text>vxl sac 34:184</text>
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                <text>Bonnes manières et dessous de table: 'The Boke of Nurture' de John Russell</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Comments on the relationship between narration and food in CT.</text>
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              <text>Niebrzydowski, Sue.</text>
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        <element elementId="98">
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              <text>New York: Peter Lang, 2006.</text>
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              <text>239 pp.</text>
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              <text>Wife of Bath and Her Tale</text>
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              <text>Clerk and His Tale</text>
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              <text>Merchant and His Tale</text>
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              <text>Man of Law and His Tale</text>
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              <text>vxl SAC 32:130.</text>
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                <text>Bonoure and Buxum: A Study of Wives in Late Medieval English Literature</text>
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                <text>Niebrzydowski documents "significant attention," positive and negative, paid to wives and wifehood in the literature and architecture of fourteenth- and fifteenth-century England. The volume is structured to "follow the life cycle of a wife," from the canon law of eligibility to topics such as marital contracts, sex education, childbirth and motherhood, and depictions of life with a husband--drawing on art, literature, and history for examples of the freedoms and constraints of female marital life. The wide variety of texts (conduct literature, homilies, historical records, cycle plays, the Book of Margery Kempe, and more) indicates how wifehood was "constructed by patriarchal textual discourses." Includes sustained discussions of ClT, MerT, MLT, and especially WBPT.</text>
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          <elementTextContainer>
            <elementText elementTextId="2754740">
              <text>Morey, James H.</text>
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        <element elementId="98">
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              <text>Urbana and Chicago : University of Illinois Press, 2000.</text>
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        <element elementId="114">
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            <elementText elementTextId="2754742">
              <text>2000</text>
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              <text>xxii, 428 pp.</text>
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              <text>Bibliographies, Reports, and Reference.</text>
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              <text>jules SAC 24 (175)</text>
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                <text>Book and Verse : A Guide to Middle English Biblical Literature. Illinois Medieval Studies</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2754744">
                <text>Bibliographical guide to Middle English biblical literature, including manuscript and publication information, descriptions of the works, and identification of the biblical sources, covering some 110 individual works or sets of related works. Includes indexes of biblical citations and biblical names and topics, as well as a general index (eighteen Chaucer references). Four introductory chapters consider the medieval "idea" of the Bible, its official status and resistance to this status, the English vernacular, and literary concerns of genre, audience, and self-representation.</text>
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          <elementTextContainer>
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              <text>Griffiths, Jeremy, and Derek Pearsall, eds.</text>
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        <element elementId="98">
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              <text>Cambridge: Cambridge University Press, 1989.</text>
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              <text>1989</text>
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            <elementText elementTextId="2693793">
              <text>xix, 463 pp.</text>
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              <text>Pearsall, Derek.</text>
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              <text>Background and General Criticism.</text>
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              <text>Cambridge Studies in Publishing and Printing History.</text>
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                <text>Book Production and Publishing in Britain, 1375-1475</text>
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            <description>An account of the resource</description>
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                <text>Fifteen original essays on such topics as early book design, book purchasing and ownership, Caxton, and production of various kinds of books.  Includes C. Paul Christianson on "Evidence for the Study of London's Late Medieval Manuscript-Book Trade," (pp. 87-108), and "The Manuscripts of the Major English Poetic Texts," by A. S. G. Edwards and Pearsall, with a statistical appendix (pp. 257-78).</text>
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          <elementTextContainer>
            <elementText elementTextId="2757219">
              <text>Martin, Ellen E.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2757220">
              <text>Persuasions 21: 83-89,   1999.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2757221">
              <text>1999</text>
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            <elementText elementTextId="2757223">
              <text>Chaucer's Influence and Later Allusion.</text>
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            <elementText elementTextId="2757224">
              <text>Wife of Bath and Her Tale.</text>
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          <elementTextContainer>
            <elementText elementTextId="2757226">
              <text>jules SAC 25 (51)</text>
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          <element elementId="50">
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              <elementText elementTextId="2757218">
                <text>Bookburning in Chaucer and Austen</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2757222">
                <text>Identifies WBP as the inspiration for Harriet Byron's burning of a prayer book in the second act of Jane Austen's play, "Sir Charles Grandison," noting in both works the importance of hyperbole, the manipulation of language, and ironic commentary on masculine and literary authority.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2778166">
              <text>Gillespie, Alexandra.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2778167">
              <text>Paul Strohm, ed. Middle English (Oxford: Oxford University Press, 2007), pp. 86-103.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2778168">
              <text>2007</text>
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        <element elementId="108">
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            <elementText elementTextId="2778169">
              <text>Middle English (Strohm)</text>
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          <elementTextContainer>
            <elementText elementTextId="2778171">
              <text>Adam Scriveyn</text>
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        <element elementId="109">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2778172">
              <text>vxl SAC 31:323</text>
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                <text>Books</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2825786">
                <text>Focusing on perspectives evident in Chaucer's Adam (and the career of Adam Pinkhurst) and "Mum and the Sothsegger," Gillespie explores the importance of "the book" as a technology that spans the oral-print divide.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2772322">
              <text>Yeager, R. F.</text>
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          <elementTextContainer>
            <elementText elementTextId="2772323">
              <text>Corinne Saunders, ed. A Concise Companion to Chaucer (Malden, Mass.; Oxford; and Victoria: Blackwell, 2006), pp. 51-67.</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2772324">
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          <elementTextContainer>
            <elementText elementTextId="2772325">
              <text>A Concise Companion to Chaucer.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2772327">
              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>Chaucer's Life.</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2772329">
              <text>vxl sac 30:54</text>
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              <elementText elementTextId="2772321">
                <text>Books and Authority</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2772326">
                <text>Yeager summarizes Chaucer's education and career for the purpose of identifying the books, languages, and classical and vernacular literatures with which Chaucer was clearly acquainted. Discusses Chaucer's strategies for keeping literary authority at "stave's length" through a narrative persona and the dream vision, and his techniques for "asserting a claim upon it" in his most mature works.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2839644">
              <text>Gillespie, Alexandra.</text>
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            <elementText elementTextId="2839645">
              <text>Suzanne Conklin Akbari and James Simpson, eds. The Oxford Handbook of Chaucer (Oxford: Oxford University Press, 2020), pp. 81-97.</text>
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        <element elementId="108">
          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2839646">
              <text>Oxford Handbook of Chaucer</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2839647">
              <text>Background and General Criticism</text>
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        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2839648">
              <text>mea; SAC 44:133</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2839649">
              <text>2020</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2839642">
                <text>Books and Booklessness in Chaucer's England.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851106">
                <text>Reassesses D. S. Brewer's claim about the relative paucity of the book in the fourteenth century, suggesting instead that "in Chaucer's time, new technologies and new social circumstances were making it easier, faster, and cheaper to produce and transmit written text." The chapter examines some of those technologies and the books they produced.</text>
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  </item>
  <item itemId="275041" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2831951">
              <text>Crews, Michael Lynn.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2831952">
              <text>Austin: University of Texas Press, 2017.</text>
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          <name>Physical Description</name>
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            <elementText elementTextId="2831953">
              <text>xiv, 332 pp. </text>
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          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2831954">
              <text>Chaucer's Influence and Later Allusion&#13;
Pardoner and His Tale</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2831955">
              <text>mea; SAC 42:38</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2831956">
              <text>2017</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2831949">
                <text>Books Are Made Out of Books: A Guide to Cormac McCarthy's Literary Influences.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2831950">
                <text>Locates a quotation from PardT in Cormac McCarthy's notes for his novel "Blood Meridian"; links McCarthy's penchant for "the stories-within-stories motif" to Chaucer; and identifies echoes of PardT in the old Mennonite episode of "Blood Meridian" and in Llewellyn Moss's death scene in "No Country for Old Men."</text>
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  <item itemId="269199" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2773069">
              <text>Kerby-Fulton, Kathryn.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2773070">
              <text>Notre Dame, Ind.: University of Notre Dame Press, 2006.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2773071">
              <text>2006</text>
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          </elementTextContainer>
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        <element elementId="99">
          <name>Physical Description</name>
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          <elementTextContainer>
            <elementText elementTextId="2773072">
              <text>lii, 562 pp.; 21 b&amp;w illus.; 1 color illus.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2773074">
              <text>House of Fame</text>
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            <elementText elementTextId="2773075">
              <text>Romaunt of the Rose</text>
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            <elementText elementTextId="2773076">
              <text>Clerk and His Tale.</text>
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            <elementText elementTextId="2773077">
              <text>Nun's Priest and His Tale.</text>
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            <elementText elementTextId="2773078">
              <text>Chaucer's Retraction.</text>
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        <element elementId="109">
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            <elementText elementTextId="2773079">
              <text>vxl sac 30:125</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2773068">
                <text>Books Under Suspicion: Censorship and Tolerance of Revelatory Writing in Late Medieval England</text>
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              <elementText elementTextId="2773073">
                <text>Studies the cultural, literary, and codicological contexts for English late medieval works of revealed writing - apocalyptic, visionary, mystical, prophetic, etc. - considering the reception of Continental works in England and works composed in English. Clarifies how works by Joachim of Fiore, William de St. Amour, Peter Olivi, William of Ockham, the "Opus arduum," and others are related to and separate from Wyclifitte writings, concentrating on their status as heretical texts and their influences on Middle English literature: Margery Kempe, Julian of Norwich, "Piers Plowman," and several of Chaucer's works. Reads Rom (part C) in light of orthodoxy and the Roman de la Rose; HF as a "teasing satire of the revelatory" (especially Langland's Piers); ClT and NPT on free will and God's power; and Ret as a conservative withdrawal of humanist fiction. Contains a useful "Chronology" of non-Wycliffite cases of heresy and related events (xix-lii), plus three related appendices.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2849824">
              <text>Schirmer, Elizabeth.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2849825">
              <text>New Chaucer Studies: Pedagogy &amp; Profession 3, no. 1 (2022): 8-18.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2849826">
              <text>New Chaucer Studies: Pedagogy &amp; Profession 03 (2022)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2849827">
              <text>Background and General Criticism</text>
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        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2849828">
              <text>mea; 1/5/2025; missed in SAC 46</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2849829">
              <text>2022</text>
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              <elementText elementTextId="2849822">
                <text>Borderlands Chaucer.</text>
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                <text>Explores "imperfect analogies between Chaucerian poetics and border theory/pedagogy," reporting on classroom experiences and discussing what Chaucer can teach us about "inhabiting borderlands."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Otaño Gracia, Nahir I.</text>
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              <text>English Language Notes 58.2 (2020): 35-49.</text>
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              <text>Canterbury Tales--General&#13;
Knight and His Tale&#13;
Man of Law and His Tale&#13;
Monk and His Tale</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>2020</text>
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                <text>Borders and the Global North Atlantic: Chaucer, Pilgrimage, and Crusade.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2844727">
                <text>Includes the Iberian Peninsula and North Africa in conceptualizing the global North Atlantic, and argues that in several places in CT (e.g., GP description of Knight, MLT, Pedro in MkT) Chaucer uses paradigms that are similar to those of "settler colonialism so that England is at the top of a racialized, Christian, European hierarchy in which Muslims are expelled." Encourages alternative views.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Watts, Cedric.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>Linda Cookson and Bryan Loughrey, ed. Critical Essays on The General Prologue to The Canterbury Tales (Harlow: Longman, 1989), pp. 94-103.</text>
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        <element elementId="114">
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            <elementText elementTextId="2786589">
              <text>1989</text>
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            <elementText elementTextId="2786590">
              <text>Critical Essays on The General Prologue to The Canterbury Tales.</text>
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            <elementText elementTextId="2786592">
              <text>General Prologue to the Canterbury Tales</text>
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        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2786593">
              <text>mea 3/8/2013 No SAC</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2786586">
                <text>Boring Virtue and Interesting Vice: The Literary Conflict Between Morality and Vitality</text>
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            <elementTextContainer>
              <elementText elementTextId="2786591">
                <text>Sketches a range of evaluative criteria (moral, social, hedonistic, materialistic, and artistic) to explore how in literature--and in the GP in particular--"moral judgements are largely subverted by artistic judgements," in part the result of the reader's "escape from real life."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Berry, Craig A.</text>
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          <elementTextContainer>
            <elementText elementTextId="2785981">
              <text>Studies in Philology 91 (1994): 136-66.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2785982">
              <text>1994</text>
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            <elementText elementTextId="2785984">
              <text>Chaucer's Influence and Later Allusion.</text>
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              <text>Tale of Sir Thopas</text>
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              <text>Tale of Melibee</text>
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              <text>Parliament of Fowls</text>
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              <text>Chaucer's Life</text>
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          <elementTextContainer>
            <elementText elementTextId="2785989">
              <text>Studies in Philology 91 (1994)</text>
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        <element elementId="109">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2785990">
              <text>mea 2/14/2013 No SAC</text>
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              <elementText elementTextId="2785979">
                <text>Borrowed Armor/Free Grace: The Quest for Authority in 'The Faerie Queene 1' and Chaucer's 'Tale of Sir Thopas'</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2785983">
                <text>Reads two sections of Edmund Spenser's "Faerie Queene" (the opening lines and Arthur's dream, 1.9) as examples of inscripted biographical details and the poetic anxiety of the work. Considers Spenser's adaptations of PF and, especially, Thop, reading Thop (and to an extent Mel) as a biographical and libidinal projection of Chaucer's own anxieties about social and poetic success.</text>
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  <item itemId="262426" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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              <text>Wasserman, Julian N.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
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              <text>Julian N. Wasserman and Lois Roney, eds.  Sign, Sentence, Discourse:  Language in Medieval Thought and Literature (Syracuse, N. Y.:  Syracuse University Press, 1989), pp. 194-222.</text>
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            <elementText elementTextId="2704920">
              <text>1989</text>
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            <elementText elementTextId="2704921">
              <text>Sign, Sentence, Discourse: Language in Medieval Thought and Literature.</text>
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        </element>
        <element elementId="102">
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            <elementText elementTextId="2704923">
              <text>Knight and His Tale.</text>
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              <text>Miller and His Tale.</text>
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            <elementText elementTextId="2704925">
              <text>Troilus and Criseyde.</text>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2704926">
              <text>jules SAC 13 (113)</text>
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              <elementText elementTextId="2704917">
                <text>Both Fixed and Free: Language and Destiny in Chaucer's 'Knight's Tale' and 'Troilus and Criseyde'</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2704922">
                <text>Treats the "ambiguous relationship between 'aventure' and 'tydynges'" mentioned in HF, or one of Chaucer's most frequent themes:  Fortune (or Providence) versus necessity, divine prescience, and free will, as seen in KnT and TC.  Discusses the "bodily ear" and the "circumscription of the Word" in TC, KnT, MilT; language and Fortune in TC, KnT; the failure of Palamon and Arcite to read signs and the literal answers to prayers in KnT; Troilus and the fate of fiction in TC.</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2822524">
              <text>Nangle, Sarah.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2822525">
              <text>Dissertation Abstracts International A78.11 (2016): n.p.</text>
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            <elementText elementTextId="2822526">
              <text>Dissertation Abstracts International 78 (2016)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2822527">
              <text>Background and General Criticism&#13;
Book of the Duchess&#13;
House of Fame&#13;
Parliament of Fowls&#13;
Manciple and His Tale</text>
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              <text>SAC 40:162</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2822529">
              <text>2016</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2822522">
                <text>Both the Edge and the Centre: The Politics of Understanding Music in Middle English Poetry--An Interdisciplinary Study.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2822523">
                <text>Considers the philosophical ramifications of understanding music, particularly as evidenced in BD, HF, PF, and ManT.</text>
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  <item itemId="275640" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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              </elementTextContainer>
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          <elementTextContainer>
            <elementText elementTextId="2837244">
              <text>Friedman, John Block.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2837245">
              <text>Chaucer Review 54.2 (2019): 119-40.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2837246">
              <text>Chaucer Review 54 (2019)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2837247">
              <text>Miller and His Tale</text>
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            <elementText elementTextId="2837248">
              <text>SAC 43:152</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2837249">
              <text>2019</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2837242">
                <text>Bottom-Kissing and the Fragility of Status in Chaucer's "Miller's Tale."</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2837243">
                <text>Focuses on a study of status in MilT and traces the positioning of Nicholas and Alisoun and their displays of their buttocks in the window toward Absolon. Fleshing out the context and history of bottom-kissing as well as the averting of demons by open displays of the buttocks and/or genitals, maps out how Absolon and Nicholas highlight the fragility of status in the tale.</text>
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  <item itemId="263367" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
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            <elementText elementTextId="2714012">
              <text>Hale, David G.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
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              <text>Shakespeare Quarterly 36 (1985): 219-20.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2714014">
              <text>1985</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2714016">
              <text>Chaucer's Influence and Later Allusion.</text>
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              <text>Shakespeare Quarterly 36 (1985)</text>
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        <element elementId="109">
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          <description/>
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              <text>jules SAC 09 (35)</text>
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          <element elementId="50">
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                <text>Bottom's Dream and Chaucer</text>
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                <text>Documents an additional Chaucerian allusion in "A Midsummer Night's Dream."  Like the dreamer in BD, Shakespeare's Bottom says his dream cannot be interpreted; it can only be written down.</text>
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        <element elementId="110">
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            <elementText elementTextId="2697823">
              <text>Finnegan, Robert Emmett.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>Neuphilologische Mitteilungen 93 (1992): 303-12.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2697825">
              <text>1992</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
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            <elementText elementTextId="2697827">
              <text>Pardoner and His Tale.</text>
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            <elementText elementTextId="2697828">
              <text>Language and Word Studies.</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2697829">
              <text>Neuphilologische Mitteilungen 93 (1992).</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2697830">
              <text>mea</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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                <text>Bovine (E)Sc(h)atology: Papal 'Bulles Assoiling' in 'The Pardoner's Prologue and Tale'</text>
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                <text>The verb "assoillen" and the noun "bulle," two terms that cluster in the prologue and epilogue to PardT, engage in wordplay with "soilen" and "boles" respectively.  The Pardoner, who implicity claims to be God, attempts to "soilen" the pilgrims morally and spiritually.</text>
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  <item itemId="274823" public="1" featured="0">
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2829308">
              <text>Dahood, Roger.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2829309">
              <text>Susan Powell, ed. Saints and Cults in Medieval England: Proceedings of the 2015 Harlaxton Symposium, Harlaxton Medieval Studies, 27 (Donington: Shaun Tyas, 2017), pp. 140–55.</text>
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              <text>Susan Powell, ed.</text>
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            <elementText elementTextId="2829311">
              <text>Saints and Cults in Medieval England: Proceedings of the 2015 Harlaxton Symposium</text>
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          <name>Chaucer Subject</name>
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              <text>Prioress and Her Tale</text>
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        <element elementId="109">
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          <description/>
          <elementTextContainer>
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              <text>SAC 41:244</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829314">
              <text>2017</text>
            </elementText>
          </elementTextContainer>
        </element>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2829306">
                <text>Boy Crucifixion, Sainthood, and the Puzzling Case of Harold of Gloucester.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830208">
                <text>Claims that the clergeon in PrT invokes Hugh of Lincoln, one of a number of Christian boys purportedly crucified by Jews in mockery of Christ's Passion. Addresses why the victims in such stories are boys, not adults as Jesus was when he was crucified, and argues that peculiarities in Harold of Gloucester's story suggest that the boy victim arises primarily from Christian interpretation of Exodus 12:3–9, the Passover narrative.</text>
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  <item itemId="267875" public="1" featured="0">
    <collection collectionId="8">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2759611">
              <text>Woods, Marjorie Curry.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2759612">
              <text>R. F. Yeager and Charlotte C. Morse, eds. Speaking Images: Essays in Honor of V. A. Kolve (Asheville, N.C.: Pegasus Press, 2001), pp. 143-66.</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2759613">
              <text>2001</text>
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          </elementTextContainer>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2759614">
              <text>Speaking Images: Essays in Honor of V. A. Kolve.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2759616">
              <text>Legend of Good Women.</text>
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            <elementText elementTextId="2759617">
              <text>Chaucer's Life.</text>
            </elementText>
            <elementText elementTextId="2759618">
              <text>Style and Versification.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2759619">
              <text>jules SAC 25 (271)</text>
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          </elementTextContainer>
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      <elementSet elementSetId="1">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2759610">
                <text>Boys Will Be Women : Musings on Classroom Nostalgia and the Chaucerian Audience(s)</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2759615">
                <text>Woods hypothesizes how Chaucer and the male members of his audience may have been affected by their experiences in an "all-male medieval classroom" and how, in turn, their encounters with female literary characters and the rhetorical exercises of abbreviation and amplification may be reflected in the writing and early reception of LGW.</text>
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  </item>
  <item itemId="264453" public="1" featured="0">
    <collection collectionId="8">
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          <name>Dublin Core</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2724426">
              <text>Neaman, Judith S.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2724427">
              <text>Res Publica Litterarum 3 (1980): 101-13.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2724428">
              <text>1980</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2724430">
              <text>Book of the Duchess.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2724431">
              <text>Res Publica Litterarum 03 (1980)</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2724432">
              <text>jules SAC 05 (211)</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2724425">
                <text>Brain Physiology and Poetics in 'The Book of the Duchess'</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2724429">
                <text>The narrator, Alcyone, and the Black Knight suffer from melancholy.  Brain functions and anatomy, progress, and treatment of the illness are linked chronologically, and the time shifts are analogous to the order and process of brain physiology as understood in the Middle Ages.</text>
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  <item itemId="269576" public="1" featured="0">
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          <name>Dublin Core</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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              </elementTextContainer>
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          </elementContainer>
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      </elementSetContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2776963">
              <text>Caldwell, Ellen M.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2776965">
              <text>2007</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2776966">
              <text>English Loathly Lady Tales: Boundaries, Traditions, Motifs.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2776968">
              <text>Wife of Bath and Her Tale.</text>
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            <elementText elementTextId="2776969">
              <text>Sources, Analogues, and Literary Relations.</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2776970">
              <text>vxl SAC 31:201</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826019">
              <text>S. Elizabeth Passmore and Susan Carter, eds. The English "Loathly Lady" Tales: Boundaries, Traditions, Motifs (Kalamazoo, Mich.: Medieval Institute Publications, 2007), pp. 235-56.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2776962">
                <text>Brains or Beauty. Limited Sovereignty in the Loathly Lady Tales: 'The Wife of Bath's Tale,' 'Thomas of Erceldoune,' and 'The Wedding of Sir Gawain and Dame Ragnelle'</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2825859">
                <text>Loathly lady tales "reveal the consequences" for women of "ungendered" transgressive behavior: the lady "enjoys more power" when she performs roles counter to her biological gender, and she loses the power when she subsides into feminine roles. When the lady in WBT abandons her ugliness, she gives up her challenges to male sovereignty in marriage and to "aristocratic women's superiority."</text>
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