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              <text>Westerson, Jeri.</text>
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              <text>New York: Minotaur, 2012.</text>
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              <text>322 pp.</text>
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              <text>Chaucer's Influence and Later Allusion</text>
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              <text>mea SAC 36:65</text>
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                <text>Blood Lance</text>
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                <text>Murder mystery in which Chaucer aids medieval detective Crispin Guest to solve the murder of a man who apparently was seeking the Spear of Longinus.</text>
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              <text>Dauby, Hélène.</text>
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              <text>Le sang au Moyen Âge. Cahiers du CRISIMA, vol. 3, no. 8. (Montpellier: Universit de Montpellier, 1999), pp. 227-35</text>
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              <text>Language and Word Studies.</text>
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              <text>jules SAC 23 (59)</text>
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                <text>Blood, bloody, bleed et leurs collocations dans l'oeuvre de Chaucer</text>
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                <text>Although the terms in the title are not the most frequently used in Chaucer's vocabulary, their collocations enable us to explore associations and meanings of colors, the gushing of blood from wounds, the physiology of emotions, devotion to Christ's body, and Chaucer's versification.</text>
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              <text>Sauer, Michelle M.</text>
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              <text>New York: Bloom's Literary Criticism, 2010.</text>
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              <text>viii, 232 pp.</text>
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              <text>Bloom, Harold, intro.</text>
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              <text>Sterling, Laurie A.</text>
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              <text>Richards, Timothy.</text>
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              <text>Canterbury Tales--General</text>
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                <text>Bloom's How to Write About Geoffrey Chaucer</text>
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            <description>An account of the resource</description>
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                <text>Pedagogical introduction to Chaucer's works, presented as advice for writing college-level essays (written by Sauer with Laurie A. Sterling, with a sample essay on male physiognomy in GP by Timothy Richards) and writing about Chaucer more particularly. Individual chapters summarize selected Chaucerian narratives and lyrics and identify themes, characters, historical contexts, genres, imagery, etc., accompanied by suggested topics for writing. The volume provides a bibliography for each chapter and includes a cumulative index. Works considered are GP, KnT, MilT, RvT, WBPT, ClT, FranT, PardPT, PrT, NPT, TC, and five complaints (Pity, Lady, Mars, Venus, and Purse).</text>
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              <text>Nyffenegger, Nicole.</text>
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              <text>In Nicole Nyffenegger and Katrin Rupp, eds. Writing on Skin in the Age of Chaucer (Berlin: De Gruyter, 2918), pp. 145-65.</text>
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              <text>Writing on Skin in the Age of Chaucer.</text>
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              <text>Troilus and Criseyde</text>
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              <text>mea; SAC 42:223</text>
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                <text>Blushing, Paling, Turning Green: Hue and Its Metapoetic Function in "Troilus and Criseyde."</text>
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                <text>Argues that hue or skin tone "makes skin visible in texts that do not explicitly mention it" and serves to act as an indicator of narrative structure, emotional interactions, and generic conventions of romance in TC.</text>
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              <text>Knapp, Peggy Ann.</text>
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              <text>Philological Quarterly 56 (1977): 413-17.</text>
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              <text>1977</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Philological Quarterly 56 (1977)</text>
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              <text>jules SAC 02 (233)</text>
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                <text>Boccaccio and Chaucer on Cassandra</text>
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                <text>Chaucer's treatment of Cassandra in TC illustrates his changes in the tone and import of Boccaccio's "Filostrato."  Whereas Boccaccio's portrayal provides interesting psychological study, Chaucer's Cassandra introduces a philosophical context by trying to teach Troilus the consolation of philosophy.</text>
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              <text>Candido, Igor.</text>
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              <text>DAI A73.01 (2012): n.p.</text>
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              <text>Dissertation Abstracts International 73 (2012).</text>
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              <text>mea sac 35:117.</text>
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                <text>Boccaccio and Myth: Eros, Psyche, and Classical Myth in the Fourteenth Century</text>
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                <text>Argues for the influence of the Eros and Psyche myth on Boccaccio's Griselda tale, and thereby on ClT.</text>
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              <text>London: University of London, Athlone, 1957.</text>
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          <description/>
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Troilus and Criseyde&#13;
Knight and His Tale&#13;
Clerk and His Tale</text>
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              <text>mea; 7/4/2024</text>
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        <element elementId="114">
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          <description/>
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                <text>Boccaccio in England: From Chaucer to Tennyson.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2846354">
                <text>Surveys the influence of Boccaccio's Italian and Latin works on English writers and literary tradition through the nineteenth century, with extensive analyses of Chaucer's uses of the "Teseida" in KnT, "Filostrato" in TC, and "Decameron" in ClT. Asserts that there is "no convincing internal evidence" for influence of the "Decameron" on CT more generally.</text>
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            <elementText elementTextId="2785260">
              <text>Boccaccio in Europe: Proceedings of the Boccaccio Conference, Louvain, December 1975.</text>
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          <elementTextContainer>
            <elementText elementTextId="2785263">
              <text>Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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          <description/>
          <elementTextContainer>
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              <text>mea 1/24/2013 No SAC</text>
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              <elementText elementTextId="2785256">
                <text>Boccaccio in Inghilterra Tra Medioevo e Rinascimento</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2785262">
                <text>Surveys the nature and directness of Boccaccio's influence on English literature from Chaucer to the 1611 Authorized Version of the Bible, with emphasis on style.</text>
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              <text>Henríquez Ureña, Camila.</text>
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              <text>Camila Henríquez Ureña, Obras y apuntes, tomo VIII (Santa Domingo, Dominican Republic: BanReservas, 2006), pp. 150-60.</text>
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          <elementTextContainer>
            <elementText elementTextId="2822717">
              <text>Canterbury Tales--General</text>
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        <element elementId="109">
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          <description/>
          <elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2822719">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2822713">
                <text>Boccaccio y Chaucer: Paisaje de Otoño en el medievo Europeo.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2822714">
                <text>Part of a nine-volume compilation of Henriquez Ureña's writings, describing CT and Boccaccio's Decameron; reissued as an e-book in 2011.</text>
              </elementText>
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          </element>
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  </item>
  <item itemId="270932" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2791086">
              <text>Mitchell, John D., in collaboration with Donald Berwick and George Drew.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
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              <text>John D. Mitchell and others. Men Stand on Shoulders (Key West, Fla.: Published by Institute for Advanced Studies in the Theatre Arts Press in association with Florida Keys Community College, 1996), pp. 1-71.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2791088">
              <text>1995</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2791089">
              <text>Men Stand on Shoulders</text>
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        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2791090">
              <text>Berwick, Donald.</text>
            </elementText>
            <elementText elementTextId="2791091">
              <text>Drew, George.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2791093">
              <text>Troilus and Criseyde</text>
            </elementText>
            <elementText elementTextId="2791094">
              <text>Chaucer's Influence and Later Allusion</text>
            </elementText>
            <elementText elementTextId="2791095">
              <text>Sources, Analogues, and Literary Relations</text>
            </elementText>
            <elementText elementTextId="2791096">
              <text>Recordings and Films</text>
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          </elementTextContainer>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2791097">
              <text>mea 5/9/2013 No SAC</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2791085">
                <text>Boccaccio-Chaucer-Shakespeare: Men of Renaissance: A Film Scenario</text>
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2791092">
                <text>A film script which combines "key lines and phrases" from Boccaccio's "Filostrato," TC, and Shakespeare's "Troilus and Cressida," interspersed with appearances of the three writers in moments of fictional biography. Re-tells the broad outlines of the traditional plot, and adds concern with literary tradition.  The Boccaccio and Chaucer quotations are given in their original language and in translation. A brief introduction (pp. v-xiii) describes the project, including "Notes to the Filming."</text>
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  <item itemId="262098" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2701478">
              <text>Hanly, Michael G.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2701479">
              <text>Norman, Okla. : Pilgrim Books, 1990.</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2701480">
              <text>1990</text>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2701481">
              <text>172 pp.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2701485">
              <text>Troilus and Criseyde.</text>
            </elementText>
            <elementText elementTextId="2701486">
              <text>Sources, Analogues, and Literary Relations.</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2701487">
              <text>jules - 30-oct-94 SAC 14 (261)</text>
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          <element elementId="50">
            <name>Title</name>
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            <elementTextContainer>
              <elementText elementTextId="2701477">
                <text>Boccaccio, Beauvau, Chaucer : "Troilus and Criseyde": Four Perspectives on Influence</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2701482">
                <text>Investigates "topics relevant to the central question:  Did Chaucer use the 'Roman de Troyle' of Beauvau, Seneschal of Anjou," in the composition of TC?  Hanly reviews a number of candidates for authorship of the "Roman" and concludes that Chaucer may well have used the French source along with the "Filostrato."</text>
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              <elementText elementTextId="2701483">
                <text>Chapter 1 explores "the intellectual and political milieu of the late fourteenth century" to show that texts such as Beauvau's "Roman" would not have been unusual in Chaucer's time.  Chapter 2 examines historical evidence to conclude that authorship of the "Roman" cannot conclusively be attributed to the fifteenth-century Louis de Beauvau. </text>
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              <elementText elementTextId="2701484">
                <text>Chapter 3 analyzes linguistic parallels to hypothesize from "circumstantial evidence that Chaucer made use of Beauvau's French translation."  And chapter 4 looks at "texts, translations, and the theme of courtly love" in Beauvau's "Roman."</text>
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  <item itemId="271751" public="1" featured="0">
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              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2799725">
              <text>Utley, Francis Lee.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2799726">
              <text>Western Folklore 33 (1974): 181-201.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2799727">
              <text>1974</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2799729">
              <text>Sources, Analogues, and LIterary Relations</text>
            </elementText>
            <elementText elementTextId="2799730">
              <text>Friar and His Tale</text>
            </elementText>
            <elementText elementTextId="2799731">
              <text>Reeve and His Tale</text>
            </elementText>
            <elementText elementTextId="2799732">
              <text>Clerk and His Tale</text>
            </elementText>
            <elementText elementTextId="2799733">
              <text>Merchant and His Tale</text>
            </elementText>
            <elementText elementTextId="2799734">
              <text>Franklin and His Tale</text>
            </elementText>
            <elementText elementTextId="2799735">
              <text>Shipman and His Tale</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2799736">
              <text>Western Folklore 33 (1974)</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2799737">
              <text>mea; 11/19/2014 No SAC</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2799724">
                <text>Boccaccio, Chaucer and the International Popular Tale</text>
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          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2799728">
                <text>Comments on the roles and methods of folklore study in literary criticism, arguing that international folktales are as important as elite narratives for understanding  and appreciating medieval literature. Discusses plots shared by Boccaccio and Chaucer (RvT, ClT, MerT, FranT, ShT) and assesses relations between FrT and an analogous Irish folktale. Also discusses the Proem to Book 4 of the "Decameron" and its analogues.</text>
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  <item itemId="277060" public="1" featured="0">
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              <name>Title</name>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2848829">
              <text>Hanning, Robert W.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2848830">
              <text>Oxford: Oxford University Press, 2021.</text>
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          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2848831">
              <text>xi, 359 pp.</text>
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        <element elementId="104">
          <name>Series</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2848832">
              <text>Oxford Studies in Medieval Literature and Culture.</text>
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        <element elementId="102">
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              <text>Canterbury Tales--General&#13;
Sources, Analogues, and Literary &#13;
Knight and His Tale&#13;
Miller and His Tale&#13;
Reeve and His Tale&#13;
Wife of Bath and Her Tale&#13;
Clerk and His Tale&#13;
Merchant and His Tale&#13;
Shipman and His Tale&#13;
Tale of Melibee&#13;
Manciple and His Tale</text>
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                <text>Boccaccio, Chaucer, and Stories for an Uncertain World: Agency in the "Decameron" and the "Canterbury Tales."</text>
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                <text>Close comparative analysis of CT and Boccaccio's "Decameron," arguing that they present "pragmatic prudence" or "expediential calculation" as essential forms of human agency in negotiating limited knowledge, faulty perception, and cultural turmoil. Assesses storytelling as a "constitutive" cultural force in the "Decameron" and as "competitive" social exchange in CT, concentrating on how characters in both collections " 'deal with a chronically uncertain world, and with the formidable forces that create or perpetuate its uncertainty . . . to gain, maintain, or reclaim personal agency'." (original emphasis). Particular attention to KnT, MilPT, RvPT, MLPT, WBPT, ClPT, MerPT, ShT, Mel, and ManT.</text>
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              <text>Troilus and Criseyde.</text>
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                <text>Boccaccio, Chaucer, and the Legendary Cressida</text>
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                <text>The narrators of Filostrato and TC, both selfishly motivated, create irony through their misconceptions of Cressida's traditional image.  Although Boccaccio's narrator distorts Boethius and Dante, Chaucer's narrator represents Criseyde's flaw as "lack of prudence" and revises the ending from condemnation of Criseyde to contemplation of mutability.</text>
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              <text>David Daiches and Anthony Thorlby, eds. Literature and Western Civilization, II: The Medieval World (London: Aldus, 1973), pp. 579-600.</text>
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              <text>Literature and Western Civilization, II: The Medieval World.</text>
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              <text>Chaucer's Life</text>
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                <text>Boccaccio, Chaucer, and the Mercantile Ethic</text>
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                <text>Sketches the rise of mercantilism in medieval Europe, and details the presence of the "bourgeois spirit" in Boccaccio's "Decameron" and Chaucer's CT, evident in realism, economic motivation, and challenges to aristocratic privilege. Similar in their mercantile ethic, the two authors differ in their willingness to accept (Boccaccio) or reject (Chaucer) the separation of moral and aesthetic judgments.</text>
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                <text>Reprinted in Aldo Scaglione. Essays on the Arts of Discourse: Linguistics, Rhetoric, Poetics, edited by Paolo Cherchi, Stephen Murphy, Allen Mandelbaum, and Giuseppe Velli (New York: Peter Lang, 1998), pp. 121-38.</text>
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              <text>Morgan, Gerald.</text>
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                <text>If we recall the Thomistic distinctions among vows, oaths, and promises and if we focus on action rather than on character, the long complaints in FranT can be seen as essential to the structure rather than as excrescences.</text>
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                <text>Assesses Boccaccio's and Chaucer's attitudes toward their sources by examining the relations of their narrators with Cressida in "Filostrato" and TC.  Cressida's legendary status as dishonest and inconstant had been established before Boccaccio and Chaucer were writing, but other antecedents are reflected in her character. Cressida's literary heritage owes much to female characterizations in Virgil and Ovid, as well as to Dante's readings of Virgil and Ovid, all of which provide compelling models for the Cressida of the High Middle Ages.</text>
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          <elementTextContainer>
            <elementText elementTextId="2715904">
              <text>Abshear-Seals, Lisa.</text>
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              <text>Heffernan, Carol Falvo.</text>
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              <text>vxl SAC 31:246</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2777406">
                <text>Boccaccio's Decameron 6.10 and Chaucer's Canterbury Tales VI.287-968: Thinking on Your Feet and the Set-Piece</text>
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              <elementText elementTextId="2825834">
                <text>Cipolla's tale concludes a set of stories focusing on wit, and PardT ends a fragment that precedes one centered on poetic language. The tales of both speakers coincide in "genre, character, theme, and placement," even though Cipolla improvises his story and the Pardoner relies on a set text.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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    <itemType itemTypeId="24">
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2839554">
              <text>Ginsberg, Warren.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2839555">
              <text>Suzanne Conklin Akbari and James Simpson, eds. The Oxford Handbook of Chaucer (Oxford: Oxford University Press, 2020), pp. 303-24.</text>
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        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2839556">
              <text>Oxford Handbook of Chaucer</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2839557">
              <text>Sources, Analogues, and Literary Relations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2839558">
              <text>mea; SAC 44:47</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2839559">
              <text>2020</text>
            </elementText>
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        <elementContainer>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2839553">
                <text>Treats Boccaccio's romances, concentrating on "Filostrato" and "Teseida," "as if they were intralingual translations,' by analyzing the collusion and contravention of the narratives' aims by their own prologues. These prologues, apparently unknown or ignored by Chaucer, "nevertheless produced poems that are [Walter] Benjamin-like translations of them."</text>
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          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851108">
                <text>Boccaccio's Early Romances.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
  </item>
  <item itemId="266990" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750271">
              <text>Beric, Boris.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750272">
              <text>REAL 23.2: 77-90,   1998.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750273">
              <text>1998</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750275">
              <text>Troilus and Criseyde.</text>
            </elementText>
            <elementText elementTextId="2750276">
              <text>Sources, Analogues, and Literary Relations.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750277">
              <text>RE Arts &amp; Letters: A Liberal Arts Forum 23 (1998)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750278">
              <text>jules SAC 23 (242)</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2750270">
                <text>Boccaccio's Il Filostrato and Chaucer's Troilus and Criseyde : The Game of Fiction and Actual Life</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2750274">
                <text>Assesses the Proem to Boccaccio's Il Filostrato as a source for TC: the artist's "dual-self of helpless lover and ingenious artist" is split between Troilus and Pandarus, and Boccaccio's two ladies, Filomena and Criseis, "are first merged and later separated in the character of Criseyde."</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="269292" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2774000">
              <text>Schöpflin, Karin.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2774001">
              <text>Romanistisches Jahrbuch 42 (1991): 136-49.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2774002">
              <text>1991</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2774004">
              <text>Clerk and His Tale.</text>
            </elementText>
            <elementText elementTextId="2774005">
              <text>Sources, Analogues, and Literary Relations.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2774006">
              <text>Romanistisches Jahrbuch 42 (1991)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2774007">
              <text>vxl sac 30:218</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2773999">
                <text>Boccaccios Griselda und Hiob</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2774003">
                <text>A detailed comparison of the Job story and Boccaccio's Decameron 10.10. Boccaccio's novella is seen as a variation of the biblical Job story that lacks the justification of God's divine attributes. Schöpflin argues that Boccaccio and subsequent authors such as Petrarch and Chaucer modeled their versions of the Griselda story on this interpretation of Job.</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2848872">
              <text>Johnson, Matthew.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2848873">
              <text>Medieval Archeology 64 (2020): 302-29.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2848874">
              <text>Medieval Archeology 64 (2020)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2848875">
              <text>Canterbury Tales--General&#13;
General Prologue to the Canterbury Tales&#13;
Knight and His Tale&#13;
Miller and His Tale&#13;
Reeve and His Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2848876">
              <text>SAC 46:196</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2848877">
              <text>2020</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2848870">
                <text>Bodiam Castle and "The Canterbury Tales": Some Intersections.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2848871">
                <text>Argues that CT (specifically GP, KnT, MilT, and RvT) and Bodiam Castle "converge as ideological constructions," comparing the lives of Chaucer and Sir Edward Dallingridge (builder of Bodiam)--both witnessed at the Scrope vs. Grosvenor trial--and connecting "the anxieties, tensions, gaps, silences and contradictions that lie below the surface of the formal, normative values" of their works. Posits that Dallingridge may underlie aspects of the characterization of Chaucer's Knight.</text>
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          </element>
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  </item>
  <item itemId="265908" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738976">
              <text>Lomperis, Linda.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738977">
              <text>Romanic Review 86 (1995): 243-64.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738978">
              <text>1995</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738982">
              <text>Miller and His Tale.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738983">
              <text>Romanic Review 86 (1995)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738984">
              <text>jules SAC 19 (1997) - 176</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2738975">
                <text>Bodies that Matter in the Court of Late Medieval England and in Chaucer's 'Miller's Tale'</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2738979">
                <text>In MilT, identity is a matter of theatrical impersonation, encouraging the audience to recognize that Alisoun is depicted as a man playing a woman.</text>
              </elementText>
              <elementText elementTextId="2738980">
                <text>  This cross-gendering capitalizes on contemporary fashion and homosexuality in the court of Richard II to suggest that Nicholas and Alisoun engage in homosexual relations and that Absolon recognizes Alisoun's true gender at the moment of the misdirected kiss.</text>
              </elementText>
              <elementText elementTextId="2738981">
                <text>  Through MilT, Chaucer critiques the self-fashioning nature of Richard's court.</text>
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  </item>
  <item itemId="266056" public="1" featured="0">
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2740490">
              <text>Edwards, A. S. G.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2740491">
              <text>Stephen G. Nichols and Siegfried Wenzel, eds.  The Whole Book:  Cultural Perspectives on the Medieval Miscellany (Ann Arbor: University of Michigan Press, 1996), pp. 53-67.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2740492">
              <text>1996</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2740493">
              <text>The Whole Book: Cultural Perspectives on the Medieval Miscellany.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2740495">
              <text>Manuscripts and Textual Studies.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2740496">
              <text>jules SAC 20 (1998), 19</text>
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        </element>
      </elementContainer>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2740489">
                <text>Bodleian Library MS Arch. Selden B.24: A 'Transitional' Collection</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2740494">
                <text>Examines various aspects of late-medieval manuscript compilation in light of Selden B.24, a "transitional collection" that extends the Chaucerian canon and connects with the emerging print culture.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
  </item>
</itemContainer>
