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                  <text>Chaucer Bibliography Online</text>
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              <text>Stretter, Robert.</text>
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              <text>English Literary Renaissance 47 (2017): 270-300.</text>
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              <text>English Literary Renaissance 47 (2017)</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Knight and His Tale&#13;
Style and Versification</text>
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              <text>mea; SAC 42:54</text>
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                <text>Flowers of Friendship: Amity and Tragic Desire in "The Two Noble Kinsmen." </text>
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                <text>Argues that Shakespeare and John Fletcher's adaptation of KnT in "The Two Noble Kinsmen" emphasizes the failure of same-sex friendship, darkens tone, and approaches tragic pessimism--in contrast with Chaucer's "cautiously optimistic philosophical romance." Compares aspects of the play with KnT--particularly details pertaining to flower imagery and same-sex friendship in tension with erotic, procreative love--and assesses the anxious depiction of Chaucer and literary paternity in the prologue to "The Two Noble Kinsmen."</text>
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              <text>Sirles, Michael Timothy.</text>
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        <element elementId="98">
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              <text>Dissertation Abstracts International A80.05 (2018): n.p.</text>
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              <text>Dissertation Abstracts International 80 (2018)</text>
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              <text>Chaucer's Influence and Later Allusion</text>
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              <text>mea; SAC: 42:53</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>2018</text>
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                <text>A "Myrrovre" for Magistrates: The Sociology of a Mid-Tudor Text.</text>
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            <description>An account of the resource</description>
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                <text>Contends that William Baldwin's "Mirror for Magistrates" (1559) was previously seen as linking the medieval literature of Chaucer and Boccaccio with the early moderns.</text>
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              <text>Scala, Elizabeth.</text>
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              <text>Texas Studies in Literature and Language 59 (2017): 137-61.</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Franklin and His Tale</text>
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              <text>mea; SAC 42:52</text>
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          <name>Date</name>
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            <elementText elementTextId="2832061">
              <text>2017</text>
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                <text>Dressing Up as a Franklin's Housewife: Native Sources for Shakespeare's "Cymbeline." </text>
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            <description>An account of the resource</description>
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                <text>Argues that FranT provided the "raw material and structures of dramatic feeling" for Shakespeare's "Cymbeline," encouraging critics to adopt a more expansive view of source relations, and observing how and where the tale and the play illuminate each other, especially on questions of love and marriage.</text>
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              <text>Raine, Melissa.</text>
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        <element elementId="98">
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              <text>Journal of English and Germanic Philology 117 (2018): 458-77. </text>
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              <text>Journal of English and Germanic Philology 117 (2018)</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Canterbury Tales--General&#13;
General Prologue to the Canterbury Tales&#13;
Monk and His Tale&#13;
Nun's Priest and His Tale</text>
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              <text>mea; SAC 42:51</text>
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              <text>2018</text>
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                <text>Humor and Humoralism: Representing Bodily Experience in the Prologue of the "Siege of Thebes." </text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Reinforces connections between the prologue to Lydgate's "Siege of Thebes" and CT. Claims Lydgate responds to Chaucer's caricature of the Monk in defense of monasticism; alludes to the Monk's portrait and the person of the Host in GP; borrows references to the Monk's manliness in Mel-MkL, rewriting them in terms of gluttony rather than sexuality; and makes his Host echo Pertelote's advice in NPT. Claims that the "body humor" in Lydgate's prologue bolsters monastic authority and flatters its audience while cautioning it against interference in monastic affairs.</text>
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              <text>Plunkett, Michael.</text>
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        <element elementId="98">
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              <text>Dissertation Abstracts International A80.03 (2018): n.p.</text>
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          <name>Journal by Volume Number</name>
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              <text>Dissertation Abstracts International 80 (2018)</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Book of the Duchess&#13;
House of Fame</text>
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              <text>mea; SAC 42:50</text>
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            <name>Title</name>
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                <text>Shakespeare and Chaucer: Dream Visions and Dramatic Designs.</text>
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            <description>An account of the resource</description>
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                <text>Suggests that in "Cymbeline," "The Tempest," and "The Taming of the Shrew," Shakespeare sets his work in conversation with the dream visions BD and HF, thereby allowing Shakespeare to claim a place in the Chaucerian line of English canon and to challenge Ben Jonson's arguably greater claim.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Miele, Benjamin.</text>
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        <element elementId="98">
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            <elementText elementTextId="2832033">
              <text>Shakespeare Studies 45 (2017): 144-50.</text>
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              <text>Shakespeare Studies 45 (2017)</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
House of Fame&#13;
Facsimiles, Editions, and Translations</text>
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              <text>mea; SAC 42:49</text>
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          <name>Date</name>
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              <text>2017</text>
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                <text>The Political Unconscious of the Allusion: Shakespeare's Habits of Mind and the Cultural Politics of Reading Chaucer in Early Modern England.</text>
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                <text>Identifies an allusion to HF (lines 703-4) in "King Lear" (5.3.17), arguing that, although Chaucer's poem was "marginalized" in sixteenth-century editions because of its stance on literary fame, Shakespeare read it and echoed it "unconsciously," displaying "three things: an independent habit of mind, skepticism toward the literary canon, and a preference for subversive artistic practice."</text>
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              <text>Maffuccio, Christine.</text>
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              <text>Dissertation Abstracts International A77.09 (2018): n.p. </text>
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Canterbury Tales--General</text>
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                <text>Making English Low: A History of Laureate Politics, 1399-1616.</text>
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                <text>While examining Thomas Hoccleve, John Skelton, and Ben Jonson, suggests that Hoccleve "channels" Harry Bailly from CT as a demotic voice, drawing upon the routines of London life in the establishment of an "English writerly voice worthy of laureate status."</text>
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Troilus and Criseyde&#13;
Facsimiles, Editions, and Translations</text>
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              <text>mea; SAC 42:47</text>
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                <text>Shakespeare Rewords Chaucer: "Troilus and Cressida." </text>
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                <text>Argues that the glossary and other "editorial apparatus" of Speght's 1598 edition of Chaucer's "Workes" "yokes" Chaucer's language and lexicon "with his position as an English author," and that in his use of Speght's TC as source for "Troilus and Cressida" Shakespeare emulates this "linguistic emphasis" to raise "questions of signification" and evoke skepticism about words and values.</text>
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              <text>King, Joyce.</text>
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              <text>Notes and Queries 263 (2018): 533-35.</text>
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Nun's Priest and His Tale</text>
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              <text>mea; SAC 42:46</text>
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                <text>Falstaff and Fox Fables: A New Source.</text>
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              <elementText elementTextId="2832007">
                <text>Argues that Chaucer's "daun Russel the fox" in NPT 7. 3334 belongs to a centuries-long cohort of foxes whose tastes and tendencies Shakespeare applies to his wily Falstaff.</text>
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              <text>Kempf, Elisabeth.</text>
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        <element elementId="98">
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              <text>x, 208 pp.; illus. </text>
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        <element elementId="102">
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            <elementText elementTextId="2832003">
              <text>Chaucer's Influence and Later Allusion</text>
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              <text>mea; SAC 42:45</text>
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            <name>Title</name>
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              <elementText elementTextId="2831998">
                <text>Performing Manuscript Culture: Poetry, Materiality, and Authorship in Thomas Hoccleve's "Regement of Princes." </text>
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              <elementText elementTextId="2831999">
                <text>Examines questions of autobiography, authorship, legacy, and the "Fürstenspiegel" genre in Thomas Hoccleve's "Regiment of Princes," with attention to its manuscript presentations and to its images of Chaucer and of Hoccleve himself, discussing the "minor differences" in the versions of the Chaucer portraits and their "major consequences for the text-image relation." Includes comments on the putative accuracy of Hoccleve's portrait of Chaucer, other portraits of him, and a "clear reference" to the Wife of Bath in Hoccleve's poem. Based on the author's 2014 dissertation, Freie Universität.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <text>Hughes, Jacob Alden.</text>
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        <element elementId="98">
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              <text>Dissertation Abstracts International A75.11 (2015): n.p. </text>
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              <text>Dissertation Abstracts International A75 (2015)</text>
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            <elementText elementTextId="2831995">
              <text>Chaucer's Influence and Later Allusion</text>
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          </elementTextContainer>
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              <text>mea; SAC 42:43</text>
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            <elementText elementTextId="2831997">
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            <name>Title</name>
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                <text>Shakespeare's Chaucerian Entertainers.</text>
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2831991">
                <text>Identifies characters throughout Shakespeare's canon who "process and engage Chaucer's ideas on theater, authorship and performance," and demonstrate "how Chaucer's poetry is relevant to drama and theatricality."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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            <elementText elementTextId="2831984">
              <text>Groves, Beatrice.</text>
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              <text>Beatrice Groves, Literary Allusion in "Harry Potter" (New York: Routledge, 2017), pp. 38-59. </text>
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            <elementText elementTextId="2831987">
              <text>Chaucer's Influence and Later Allusion&#13;
Pardoner and His Tale</text>
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            <elementText elementTextId="2831988">
              <text>mea; SAC 42: 42</text>
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            <elementText elementTextId="2831989">
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              <elementText elementTextId="2831982">
                <text>Harry Potter's Medieval Hallows: Chaucer and the "Gawain"-Poet.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2831983">
                <text>Argues that the most "tempting objects" in J. K. Rowling's "Deathly Hallows" derive in part from the girdle in "Sir Gawain and the Green Knight"; the "thirty pieces of silver that persuade" the biblical Judas to betray Jesus; and the "deadly pile of gold" in PardT, the latter being the "direct source" of the Rowling chapter titled "Tale of the Three Brothers," with variants derived from the "Buddhist folk tradition" and fairy tales.</text>
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  <item itemId="275044" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2831976">
              <text>Espie, Jeff.</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2831977">
              <text>Spenser Studies 31-32 (2017): 243-71. </text>
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            <elementText elementTextId="2831978">
              <text>Spenser Studies 31-32 (2017)</text>
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            <elementText elementTextId="2831979">
              <text>Chaucer's Influence and Later Allusion&#13;
Troilus and Criseyde</text>
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            <elementText elementTextId="2831980">
              <text>mea; SAC 42:41</text>
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            <elementText elementTextId="2831981">
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2831974">
                <text>"(Un)couth: Chaucer, The Shepheardes Calender, and the Forms of Mediation.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2831975">
                <text>Explores how Tudor editions of Chaucer and works by John Gower and John Lydgate "mediate" the presentation of Chaucer and his "authorial identity" in Edmund Spenser's "Shepheardes Calender," arguing that Spenser depicts Chaucer not only as the preeminent gifted English poet, but also as the translator, interpreter, and mediator of the traditions that went before him--a "go-between" who is a "partner of Pandarus."</text>
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              <text>Chaucer's Valentine, for Nia.</text>
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Parliament of Fowls</text>
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              <text>mea; SAC 42:40</text>
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                <text>Ritual Lighting: Laureate Poems.</text>
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                <text>Includes a lyric poem entitled "Chaucer's Valentine, for Nia," which opens by quoting lines 1–2 of PF.</text>
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              <text>Drimmer, Sonja.</text>
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              <text>Exemplaria 29.3 (2017): 175-94. 7 color illus.</text>
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              <text>mea; SAC 42:39</text>
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                <text>The Manuscript as an Ambigraphic Medium: Hoccleve's Scribes, Illuminators, and Their Problems.</text>
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                <text>Argues that medieval "media consciousness," despite the lack of "verbal declarations of such awareness," is evident in the text-image relations of the Chaucer portrait in manuscripts of Thomas Hoccleve's "Regiment of Princes," coining the term "ambigraphic" to characterize the "ontological complexity" of Hoccleve's "self-referential" text and the features of its presentation that are simultaneously original and copied.</text>
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              <text>Crews, Michael Lynn.</text>
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              <text>Austin: University of Texas Press, 2017.</text>
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              <text>xiv, 332 pp. </text>
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Pardoner and His Tale</text>
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                <text>Books Are Made Out of Books: A Guide to Cormac McCarthy's Literary Influences.</text>
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                <text>Locates a quotation from PardT in Cormac McCarthy's notes for his novel "Blood Meridian"; links McCarthy's penchant for "the stories-within-stories motif" to Chaucer; and identifies echoes of PardT in the old Mennonite episode of "Blood Meridian" and in Llewellyn Moss's death scene in "No Country for Old Men."</text>
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              <text>In Andrew Escobedo, ed. Edmund Spenser in Context (Cambridge: Cambridge University Press, 2017), pp. 246-53. </text>
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                <text>Chaucer.</text>
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                <text>Describes the "audacity and intensity" of Spenser's debt to Chaucer, considering the later poet's archaisms, his allusions to and quotations of Chaucer (particularly in "The Faerie Queene"), and the importance of Chaucer to Spenser's English "identity."</text>
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              <text>Barton, Amanda C.</text>
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              <text>Dissertation Abstracts International A80.01 (2018): n.p. </text>
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              <text>Dissertation Abstracts International 80 (2018)</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Troilus and Criseyde&#13;
Knight and His Tale</text>
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              <elementText elementTextId="2831932">
                <text>I Write My Woe: Pain in Late Medieval and Early Modern English Literature.</text>
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                <text>Considers KnT and TC vis-à-vis Robert Henryson's "Testament of Cresseid" as part of a discussion of pain and love in chapter three.</text>
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              <text>Ascari, Maurizio. </text>
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        <element elementId="98">
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              <text>Chaucer Review 53.4 (2018): 402-27.</text>
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          <elementTextContainer>
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              <text>Chaucer Review 53.4 (2018)</text>
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          <name>Chaucer Subject</name>
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              <text>Chaucer's Influence and Later Allusion&#13;
Facsimiles, Editions, and Translations</text>
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              <text>mea; SAC 42:35</text>
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          <name>Date</name>
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              <text>2018</text>
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                <text>Monumental Chaucer: Print Culture, Conflict, and Canonical Resilience.</text>
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            <description>An account of the resource</description>
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                <text>Uncovers the complex relationship between monumentality and print culture as it contributed to Chaucer's early modern reception in post-Reformation England.</text>
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  <item itemId="275037" public="1" featured="0">
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              <text>In Miren Lacassagne, ed. Le rayonnement de la cour des premiers Valois à l'époque d'Eustache Deschamps (Paris: Presses de l'Université Paris-Sorbonne, 2017), pp. 69-79, 183-91. </text>
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              <text>Le rayonnement de la cour des premiers Valois à l'époque d'Eustache Deschamps.</text>
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              <text>Sources, Analogues, and LIterary Relations&#13;
Lyrics and Short Poems&#13;
Adam Scriveyn&#13;
Truth&#13;
Complaint of Chaucer to His Purse&#13;
Chaucerian Apocrypha</text>
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              <text>mea; SAC 42:34</text>
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              <text>2017</text>
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                <text>Influences de Deschamps sur ses contemporains anglais, Chaucer et Gower.</text>
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            <description>An account of the resource</description>
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                <text>Explores the influence of Eustache Deschamps on the development of non-musical fixed forms in the English lyric tradition, commenting on poems from Oxford, Bodleian Library, MS Rawlinson D. 913; the poems of "Ch"; and works by Chaucer and John Gower, including Adam, Truth, and Purse, provided in appendices.</text>
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              <text>Star, Sarah.</text>
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              <text>Studies in the Age of Chaucer 40 (2018): 191-216. </text>
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              <text>Sources, Analogues, and Literary Relations&#13;
Treatise on the Astrolabe</text>
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              <text>mea; SAC 42:33</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2831907">
                <text>The Textual Worlds of Henry Daniel.</text>
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            <description>An account of the resource</description>
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                <text>Describes the career and works of late medieval English medical writer Henry Daniel, arguing that his views on "collaboration" between "learned and lay sources" are similar to Chaucer's, and that the two writers are also "connected through their philological acumen, vernacular aesthetics, and technical innovations." Includes comments on Chaucer's scientific lexicon, especially in Astr.</text>
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              <text>Perry, R. D.</text>
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              <text>Speculum 93.3 (2018): 669-98. </text>
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              <text>Speculum 93 (2018)</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Tale of Melibee&#13;
ABC&#13;
Complaint of Chaucer to His Purse&#13;
Complaint of Venus&#13;
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              <text>mea; SAC 42:32</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2831906">
              <text>2018</text>
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            <name>Title</name>
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              <elementText elementTextId="2831899">
                <text>Lydgate's Virtual Coteries: Chaucer's Family and Gower's Pacifism in the Fifteenth Century.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2831900">
                <text>Looks at Lydgate's Parisian poems with a focus on "Pilgrimage of the Life of Man." Aims to define and construct "virtual coteries" and identify connections between Lydgate's coteries and the poetry of Gower and Chaucer. Refers to Mel, ABC, Purse, and Ven.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Olson, Glending.</text>
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        <element elementId="98">
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              <text>Journal of English and Germanic Philology 117 (2018): 185–211. </text>
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              <text>Journal of English and Germanic Philology 117 (2018)</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
Reeve and His Tale&#13;
Clerk and His Tale&#13;
Troilus and Criseyde</text>
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              <text>mea; SAC 42:29</text>
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            <elementText elementTextId="2831898">
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            <name>Title</name>
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              <elementText elementTextId="2831891">
                <text>Snub and White: Chaucer, Logic, and Strode.</text>
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            <description>An account of the resource</description>
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                <text>Proposes using a more philosophical reading of RvT to enhance understanding of Chaucer's "academic knowledge and his relationship with Ralph Strode." An academic joke in RvT relies on snubness and whiteness as stock examples of inseparable and separable accidents. Symkyn's nose is inseparable from its snubness, but his wife misidentifies a "white thyng" (RvT, 4301) because whiteness is a separable accident. Argues that logician Ralph Strode may be Chaucer's source for this allusion; for the insult "swynes-heed" (4262); and for the logic-related terms "impertinent" (ClP, 54) and "at dulcarnoun" and "flemyng of wrecches" (TC, III.31, 33), which are academic nicknames for the Pythagorean theorem and the first difficult geometric proof.</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Hill, John M.</text>
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              <text>Lanham, MD: Lexington Books, 2018.</text>
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              <text>xiii, 201 pp. </text>
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              <text>Sources, Analogues, and Literary Relations&#13;
Troilus and Criseyde&#13;
Legend of Good Women&#13;
Canterbury Tales--General</text>
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              <text>mea; SAC 42:28</text>
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                <text>Chaucer's Neoplatonism: Varieties of Love, Friendship, and Community. </text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2831884">
                <text>Explores examples of "friendship, felicity or joy, love, fellowship, and 'compaignye' (company, companionship, community)" in Chaucer's works through a Neoplatonic lens. Focuses on "Chaucer's Boethianism" by offering perspectives on Chaucer's own philosophical search for truth in his works. Emphasizes how his reliance on Boethius's "Consolation of Philosophy" helped to shape Chaucer's philosophy and characters in CT, TC, and LGWP.</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Gastle, Brian.</text>
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              <text>In Ana Sáez-Hidalgo, Brian Gastle, and R. F. Yeager, eds. The Routledge Research Companion to John Gower (New York: Routledge, 2017), pp. 296-310. </text>
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              <text>The Routledge Research Companion to John Gower.</text>
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          <name>Chaucer Subject</name>
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          <elementTextContainer>
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              <text>Sources, Analogues, and Literary Relations&#13;
Wife of Bath and Her Tale&#13;
Man of Law and His Tale&#13;
Legend of Good Women</text>
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              <text>mea; SAC 42:27</text>
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              <elementText elementTextId="2831875">
                <text>Gower and Chaucer.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2831876">
                <text>Describes four aspects of the critical tradition of exploring relations between Gower's and Chaucer's poetry--"biography, common literary sources and analogues [especially in WBT, MLT, and Philomela in LGW], thematic issues, and poetics/style"--surveying the field and commending studies that consider how the poets' "union allows us greater understanding of their respective works and their literary environment," rather than preferring one poet over the other.</text>
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