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              <text>Goedhals, Antony.</text>
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              <text>Studia Neophilologica 90.2 (2018): 206-24.</text>
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              <text>Studia Neophilologica 90 (2018)</text>
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              <text>mea; SAC 42:190</text>
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          <name>Date</name>
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              <text>2018</text>
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                <text>Auctor and Auctoritee in Chaucer's "The Book of the Duchess."</text>
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            <description>An account of the resource</description>
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                <text>Highlights the "creative disruptions of Chaucerian parody" and argues that BD satirizes the language of courtly complaint to privilege more naturalistic expression of mourning. Through his conversation with the dreamer, the knight's language moves from highly conventional, impersonal phrasing common to the langue d'amours to a "bathetic simplicity" that indicates the speaker's "authenticity and naturalness." Claims that BD demonstrates how individual experience is best articulated through fresh rather than formal language.</text>
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              <text>Wells, Marion.</text>
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              <text>In Jamie C. Fumo, ed. Chaucer's "Book of the Duchess": Contexts and Interpretations (Cambridge: D. S. Brewer, 2018), pp. 71-93.</text>
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              <text>Book of the Duchess: Contexts and Interpretations.</text>
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              <text>Book of the Duchess&#13;
Sources, Analogues, and Literary Relations&#13;
Chaucer's Inf;uence and Later Allusion</text>
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              <text>mea; SAC 42:198</text>
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        <element elementId="114">
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              <text>2018</text>
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                <text>Discovering Woe: The Translation of Affect in Chaucer's "Book of the Duchess" and Spenser's "Daphnaïda."</text>
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                <text>Drawing on affect theory and psychoanalytic methodologies, considers the relationship between the "awake body" and "emotional utterance" in BD, relating this to notions of "translatio." Highlights the centrality of the Ceyx and Alcyone episode to this topic, exploring its interplay with Ovid's "Metamorphoses" and Spenser's "Daphnaïda."</text>
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              <text>Sturm-Maddox, Sara.</text>
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              <text>In Jamie C. Fumo, ed. Chaucer's "Book of the Duchess": Contexts and Interpretations (Cambridge: D. S. Brewer, 2018), pp. 119-34.</text>
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              <text>Book of the Duchess: Contexts and Interpretations.</text>
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              <text>Book of the Duchess&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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            <elementText elementTextId="2833228">
              <text>mea; SAC 42:197</text>
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                <text>Tribute to a Duchess: "The Book of the Duchess" and Machaut's "Remede de Fortune."</text>
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            <description>An account of the resource</description>
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                <text>Argues for the "strong intertextual presence" of Machaut's "Remede de Fortune" in BD, reflective of developments in late medieval francophone and anglophone social history. Both poems combine praise for an idealized lady with an account of the lover's development, gently resisting the expectations of elegy.</text>
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              <text>Strakhov, Elizaveta.</text>
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              <text>In Jamie C. Fumo, ed. Chaucer's "Book of the Duchess": Contexts and Interpretations (Cambridge: D. S. Brewer, 2018), pp. 157-75.</text>
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              <text>Book of the Duchess: Contexts and Interpretations.</text>
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              <text>Book of the Duchess&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; SAC 42:196</text>
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              <text>2018</text>
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                <text>"Counterfeit" Imitatio: Understanding the Poet-Patron Relationship in Machaut's "Fonteinne amoureuse" and Chaucer's "Book of the Duchess."</text>
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            <description>An account of the resource</description>
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                <text>Argues that the differing treatments of Morpheus in BD and Machaut's "Fonteinne amoureuse" "reflect on the advantages and limitations of 'imitatio' as a tool for authorial self-promotion." Underlying this reflection are contrasting strategies for harnessing poetic authority, either through literary history or through contemporary patronage.</text>
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              <text>Phillips, Helen.</text>
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              <text>In Jamie C. Fumo, ed. Chaucer's "Book of the Duchess": Contexts and Interpretations (Cambridge: D. S. Brewer, 2018), pp. 177-97.</text>
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              <text>Book of the Duchess: Contexts and Interpretations.</text>
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              <text>Book of the Duchess&#13;
Parliament of Fowls&#13;
Legend of Good Women&#13;
Style and Versification</text>
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              <text>mea; SAC 42:195</text>
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              <text>2018</text>
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                <text>The Shock of the Old? The Unsettling Art of Chaucer's Antique Citations.</text>
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            <description>An account of the resource</description>
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                <text>Studies the rhetorical topos of exemplary lists of famous antique figures in BD, in comparison with contemporary uses of the device. Chaucer's lists are more than simply didactic or conventional, affirming "chivalric and regal identity" and thus participating in "a language of fashionable prince-pleasing art." Includes consideration of LGW and PF.</text>
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              <text>Knox, Philip.</text>
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              <text>In Jamie C. Fumo, ed. Chaucer's "Book of the Duchess": Contexts and Interpretations (Cambridge: D. S. Brewer, 2018), pp. 135-56.</text>
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              <text>Book of the Duchess: Contexts and Interpretations.</text>
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              <text>Book of the Duchess&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; SAC 42:192</text>
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                <text>"Hyt am I": Voicing Selves in the "Book of the Duchess," the "Roman de la rose," and the "Fonteinne Amoureuse." </text>
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                <text>Shows how the "relationship between voice and identity" is a preoccupation of both BD and one of its chief sources, Machaut's "Dit de la fonteinne amoureuse." Highlights the formative influence of the composite "Roman de la Rose"--particularly its conjuring of an authorial "je"--on "the powers and the limitations of the voice" in the later narratives.</text>
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              <text>Espie, Jeff. </text>
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                <text>"Noon other werke": The Work of Sleep in Chaucer's "Book of the Duchess." </text>
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                <text>Considers how technologies of memory inform reflections on composition, literary relationships, and the elegiac project in BD, engendering a "focused commentary" on the "work of recollection." In this, BD participates in a discursive field shared by several works by Machaut, particularly the "Prologue."</text>
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                <text>Outlines the numerous problems surrounding BD's dating, occasion, early transmission history, title, and text. Because of the small number and lateness of manuscript witnesses, BD evinces significant "textual uncertainty"; consequently, literary interpretation must maintain "a proper awareness of the problems that inhere in the material evidence of its survival."</text>
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                <text>Idleness, Chess, and Tables: Recuperating Fables in Chaucer's "Book of the Duchess." </text>
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                <text>Considers the relations between BD and fourteenth-century devotional texts, particularly "Cursor mundi," that disparage "fable" as a form of idleness. Rejecting the popular association between consuming fiction and playing idle games, BD reclaims storytelling as "active, productive, and restorative," thus critiquing "medieval attitudes toward fiction."</text>
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                <text>Includes nine essays, plus a response, by various authors, with an index and an introduction by the editor. Argues for a reassessment of the critical relevance of BD, which has often been marginalized, as a work that is simultaneously "multilingual" and "seminally 'English,' " emphasizing its internationalism and sophistication as a contribution to late medieval practices of vernacularity and ideas of authorship. Contains units on "Books and Bodies" and "The Intertextual Duchess," focusing, respectively, on the poem's "textual construction and internal dynamics" and on its literary relationships as seen through a comparatist lens. For nine essays that pertain to Chaucer, search for Book of the Duchess: Contexts and Interpretations under Alternative Title.</text>
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Truth&#13;
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                <text>Boethius and Chaucer: The Consolations of "Trouthe." </text>
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                <text>Argues that Chaucer anticipates readings of Boethius's "Consolation of Philosophy" as centrally devotional rather than philosophical. Chaucer's word choices in Bo bring this emphasis to the fore, especially of the concluding lines of the work. Examines Chaucer's Boethian poems, eschewing the well-known pagan narrative Boethian poetry for the less-studied Christian poetry such as Truth and Form Age.</text>
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              <text>Études Médiévales Anglaises 92 (2018): 73-94.</text>
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              <text>Treatise on the Astrolabe&#13;
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              <text>mea; SAC 42:181</text>
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                <text>Révolutions/évolutions? "Le Traité de l'astrolabe" de Chaucer et la perception de l'évolution et de l'innovation.</text>
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                <text>Explores the meaning of Chaucer's astrolabe and reflects upon medieval England and the English language.</text>
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              <text>Mitchell, J. Allan.</text>
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              <text>Studies in the Age of Chaucer 40 (2018): 1-41.</text>
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              <text>Studies in the Age of Chaucer 40 (2018)</text>
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              <text>Treatise on the Astrolabe&#13;
Squire and His Tale&#13;
House of Fame</text>
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              <text>mea; SAC 42:180</text>
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                <text>Transmedial Technics in Chaucer's "Treatise on the Astrolabe": Translation, Instrumentation, and Scientific Imagination.</text>
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                <text>Considers the astrolabe as an instrument and Chaucer's Astr as a translation, correlating their "transmedial" features, which provoke "alternate angles of view on instrumentality" and interrogate relations between human and nonhuman epistemologies. Connects these concerns with metaphor and literary mimesis, anthropomorphism, hybridized gender in Astr, "zoomorphic intermediaries" in SqT and HF, and technologies of knowing. Includes 5 b&amp;w illus.</text>
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              <text>Whitaker, Cord J.</text>
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              <text>In Jeffrey Jerome Cohen and Lowell Duckert, eds. Veer Ecology: A Companion for Environmental Thinking (Minneapolis: University of Minnesota Press, 2017), pp. 106-21.</text>
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Duckert, Lowell, ed.</text>
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              <text>Anelida and Arcite</text>
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              <text>mea; SAC 42:178</text>
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                <text>Remember.</text>
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            <description>An account of the resource</description>
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                <text>Argues that Anel "proffers lessons about memory and progress" that can help survivors of modern cancer victims to achieve "intergenerational" memory, an ethical and therapeutic notion that derives from Paul Davies's contested theory that cancer cells carry memory. Includes attention to memory, "thirling," and cycles of history in Anel.</text>
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              <text>Tasioulas, Jacqueline.</text>
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              <text>Critical Survey 30.2 (2018): 6-19.</text>
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              <text>Anelida and Arcite&#13;
Sources, Analogues, and LIterary Relations</text>
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                <text>"Double Sorrow": The Complexity of Complaint in Chaucer's "Anelida and Arcite" and Henryson's "Testament of Cresseid."</text>
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                <text>Argues that not just TC but also Anel has an important function in Henryson's "Testament." Echoes of this poem affect judgment of Cresseid and Troilus, and the question of what constitutes "truth," for lover, narrator, or reader. The notion of "doubleness" in Chaucer's treatment of the loves of Anelida and Arcite mirrors the amatory and textual doubleness basic to the "Testament."</text>
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              <text>In Barry Taylor and Alejandro Coroleu, eds. Brief Forms in Medieval and Renaissance Hispanic Literature (Newcastle upon Tyne: Cambridge Scholars, 2017), pp. 44-65. </text>
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Coroleu, Alejandro, ed.</text>
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Sources, Analogues, and Literary Relations</text>
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                <text>On the Eastern Origin and Iberian Analogues of Geoffrey Chaucer's "Canon's Yeoman's Tale." </text>
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                <text>Identifies possible analogues to CYPT and constructs stemmata of narrative motifs to explore the relations between Chaucer's work and the others, showing that the ninth chapter of the "Kitah al-mukhtar fı kashf al-asrar" of thirteenth-century Syrian writer Al-Jawbarı provides close and numerous analogues to Chaucer's work, discussing details and motifs available to Chaucer via a "lost archetype" of the "Kitah" that is separate from tales by Ramon Llull and Don Juan Manuel.</text>
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              <text>Brady, Lindy, and Andrew Rabin.</text>
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              <text>Notes and Queries 263 (2018): 174-77.</text>
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              <text>Notes and Queries 263 (2018)</text>
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Sources, Analogues, and Literary Relations</text>
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                <text>"Arnold of the Newe Toun" Revisited: A Note on the Sources of the "Canon's Yeoman's Tale."</text>
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                <text>Demonstrates that in his remarks on distilling mercury, the Canon's Yeoman draws from Arnald Villanova's "De secretis" rather than from the "Rosarium," as the Yeoman claims (CYT 8.1028-29). Claims that Chaucer's misidentification plausibly springs from the works' frequently appearing together in manuscripts in which the term "Rosarium" would denote a florilegium.</text>
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              <text>Diacritics: A Review of Contemporary Criticism 45.2 (2017): 54-83.</text>
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              <text>Diacritics: A Review of Contemporary Criticism 45 (2017)&#13;
Diacritics 45 (2017)</text>
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              <text>Nun's Priest and His Tale&#13;
Franklin and His Tale&#13;
Chaucer's Retraction</text>
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              <text>mea; SAC 42:174</text>
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                <text>Chaucer, Kant, and Continental Materialism.</text>
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                <text>Shows how NPT, FranT, and Ret reveal the rigor of Chaucer's philosophy, comparing matter-form distinctions underlying these works with the positions of a wide range of notable philosophers, from Plato and Aristotle to Jacques Lacan and François Laruelle, the latter closest to Chaucer's perspective. NPT "serves as" Chaucer's Logic; FranT his Ethics; with Ret as "a formal retraction of a formal retraction," through which we "experience [Chaucer's] love for us" by way of (un-)decidability.</text>
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              <text>Oerlemans, Onno.</text>
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              <text>New York: Columbia University Press, 2018.</text>
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              <text>xii, 238 pp.</text>
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Background and General Criticism</text>
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                <text>Poetry and Animals: Blurring the Boundaries with the Human.</text>
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                <text>Explores the connection between animals and poetry, arguing for an emphasis on poetry that describes animals. Maintains that poetry's openness to experimentation with language mirrors its depiction of a blurred boundary between the human and the animal. Moves from medieval to postmedieval poetry, connecting poetic depictions of animals from Chaucer to contemporary poets. In particular, focuses on animals in NPT to show what these allegorical depictions can convey about literal animals. Argues that NPT troubles this boundary between human and animal through the desire of Chanticleer.</text>
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              <text>Chaganti, Seeta.</text>
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              <text>Exemplaria 29 (2017): 314-30.</text>
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              <text>Style and Versification&#13;
Nun's Priest and His Tale&#13;
Sources, Analogues, and Literary Relations&#13;
House of Fame&#13;
Adam Scriveyn</text>
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              <text>mea; SAC 42:171</text>
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                <text>Avian Provocation: Roosters and Rime Royal in Fifteenth-Century Fable.</text>
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                <text>Analyzes the "quotidian vocality of the medieval chicken yard" in John Lydgate's and Robert Henryson's versions of the "cock and jewel" fable, focusing on how avian vocality draws attention to the pace and meaning of the rhyme-royal verse form of the poems. Includes comments on Chaucer's "careful onomatopoeic distinctions" among Chauntecleer's "different vocalizations" in NPT, the eagle's vocality in HF, and the rhyme-royal form of Adam.</text>
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              <text>Rentz, Ellen K.</text>
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              <text>Notes and Queries 263 (2018): 172-74.</text>
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              <text>Notes and Queries 263 (2018)</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Tale of Melibee</text>
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            <elementText elementTextId="2833064">
              <text>mea; SAC 42:169</text>
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            <elementText elementTextId="2833065">
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                <text>Lines from Chaucer's Melibee in an English Book of Hours, c. 1425-50.</text>
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            <description>An account of the resource</description>
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                <text>Argues that San Marino, Huntington Library, MS HM 64538, a short Middle English defense of women attributed to Solomon, appears to derive from Chaucer's Mel, specifically Mel, 1103-9. Suggests that "scholars ought to continue thinking about the relationship between books of hours and literary culture."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Nakao, Yoshiyuki.</text>
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              <text>Hiroshima: Keisuisha, 2018.</text>
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              <text>248 pp.</text>
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              <text>Tale of Sir Thopas&#13;
</text>
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              <text>mea; SAC 42:168</text>
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              <text>Chaucer's Language and Cognition: The Language of Sir Thopas and the Multidimensional Schematization of "Diminution."</text>
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                <text>Chōsā no gengo to ninchi:  topasu kyō no hanashi no gengo to sukīma no tajigen kōzō. [Chaucer's Language and Cognition: The Language of Sir Thopas and the Multidimensional Schematization of "Diminution." ]</text>
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                <text>Argues that the scheme of "diminution" penetrates every dimension of Th and discusses how the meanings are generated and complicated through combination of different dimensions. In Japanese.</text>
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              <text>Kao, Wan-Chuan.</text>
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              <text>Exemplaria 30 (2018): 147-71.</text>
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              <text>Tale of Sir Thopas&#13;
Manuscripts and Textual Studies</text>
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              <text>mea; SAC 42:167</text>
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                <text>Cute Chaucer.</text>
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                <text>Drawing on the superflat movement in Japanese contemporary art, argues that cuteness in Th effects a compression of the text's narrative layers and semiotic networks. Mirroring the horizontal, non-linear organization of the poem's layout in medieval manuscripts, desire moves sideways across Th. Reading Th through cuteness shifts critical attention to questions of aesthetics and affect. Claims that features such as infantilization and feminization trigger both tender caretaking and sadistic aggression; the cute object is paradoxically held gently and squeezed violently.</text>
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