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              <text>Journal of the Early Book Society 26 (2023): 209-21.</text>
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Knight and His Tale&#13;
Tale of Melibee</text>
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                <text>Some Unindexed Verses from Bodleian Manuscripts--with Some Further Thoughts on Method.</text>
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                <text>Presents previously overlooked "gleanings" of verse that are missing from the general catalogues: one is at the end of Mel in MS Barlow&#13;
20, while another is an analogue to lines from KnT.</text>
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The Manuscript World, no. 14.</text>
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              <text>Lawrie, Richard Lawrie, ed.&#13;
Atkinson, Laurie, ed.&#13;
Mooney, Linne.&#13;
Pearsall, Derek.&#13;
Rainey, Elizabeth.&#13;
Edwards, A. S. G.</text>
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                <text>Middle English Manuscripts and Their Legacies: A Volume in Honour of Ian Doyle.</text>
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                <text>Seventeen essays by various authors on topics in Middle English manuscripts, their legacies, and the career of Ian Doyle, with an introduction by Saunders and Lawrie, an afterword by Linne Mooney and Derek Pearsall, a list of Doyle's publications by Elizabeth Rainey (assisted by A. S. G. Edwards), an index of manuscripts and early printed books, and a comprehensive index. For two essays that pertain to Chaucer, search for Middle English Manuscripts and Their Legacies under Alternative Title.</text>
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Lawrie, Richard, ed.&#13;
Atkinson, Laurie, ed. </text>
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Lyrics and Short Poems</text>
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                <text>Chaucer in Small Parcels: Odd Texts of Chaucer's Short Poems, and Their Manuscript Contexts.</text>
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                <text>Describes conjunctions--"many of them improbable or curious"--among the materials contained in manuscripts "which preserve just one or two of Chaucer's short poems," exploring what they "can tell us about the reception and transmission of Chaucer's verse." Aligns the range of circulation of Chaucer's "moral lyrics" with their status as "wise and semi-proverbial."</text>
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Lawrie, Richard, ed.&#13;
Atkinson, Laurie, ed.&#13;
eds.</text>
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                <text>Pope's Chaucer.</text>
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                <text>Challenges the traditional provenance of CT manuscript Oxford, Trinity College, MS 49, detaching it from Saffron Walden, and asserting that it was not donated to Trinity College by Sir Thomas Pope, founder of the college, but given by Thomas Unton, as is recorded in Trinity's Library Benefactors' Book. Summarizes Unton's life and book ownership and explores broader implications of this ownership.</text>
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Manuscripts and Textual Studies&#13;
Chaucer's Life</text>
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                <text>Fictions of Witness in the "Confessio Amantis."</text>
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                <text>Studies the manuscripts of John Gower's "Confessio Amantis" as evidence of his status and role in the production of Lancastrian literature and propaganda, challenging long-held assessments of the dates and sequence of the manuscripts and what they reflect about Gower's intentions and his reception. Includes comments on Gower's relations with Chaucer, issues of "laureation" and scribal activities that pertain to the works of both poets, and Venus's praise of Chaucer in some manuscripts of the "Confessio."</text>
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              <text>Huntington Library Quarterly 85 (2022): 643-61.</text>
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Facsimiles, Editions, and Translations&#13;
Chaucerian Apocrypha</text>
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                <text>Compares the contents of manuscripts of Chaucer's works and those of early printed editions, especially William Thynne's 1532 edition of "Works." Focuses on the heterogeneous mixture of Chaucerian materials, apocrypha, and works by other authors in Thynne's edition--and the impact of their arrangements--to clarify the nature of "miscellaneity," its value as a critical concept, and its role in canon formation.</text>
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                <text>Miscellaneity and Apocrypha in Chaucer's Works (1532)</text>
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Contzen, Eva von.</text>
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Facsimiles, Editions, and Translations</text>
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Jimura, Akiyuki, trans.</text>
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Facsimiles, Editions, and Translations</text>
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                <text>"The Works of Geoffrey Chaucer": William Morris's Ideal Book.</text>
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                <text>Summarizes the development of Morris's Kelmscott Press and describes the achievement of his aesthetic ideals in the Kelmscott Chaucer.</text>
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              <text>Flannery, Mary.</text>
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                <text>Delimiting Chaucerian Obscenity in Caxton's Second Edition of "The Canterbury Tales."</text>
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                <text>Examines Caxton's deletions from his first to his second edition of CT, showing that most of them were "bawdy spurious verse." Argues that the deletions evince Caxton's awareness of Chaucer's own "ribaldry" and that—not concerned with obscenity per se—he was anxious to present only the poet's own works.</text>
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Parliamant of Fowls</text>
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              <text>D. Phil. Thesis. Oxford University, 1985. Copyright 1986. Fully accessible via http://ora.ox.ac.uk/objects/uuid:69a69618-50df-4f27-8291-98546df046eb (last accessed January 22, 2026)</text>
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              <text>vii, 293 pp.</text>
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              <text>Style and Versification&#13;
Background and General Criticism</text>
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              <text>mea; 11/23/2025</text>
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              <text>1985&#13;
1986</text>
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                <text>Eloquence as Profession and Art: The Use of the "Ars Dictaminis" in the Letters of Gilbert Stone and His Contemporaries c1300-c1450.</text>
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                <text>Studies the "ars dictaminis" in late-medieval England, focusing on its influence and uses in administrative circles, ecclesiastical and secular, with particular attention to the career of Gilbert Stone, an "episcopal chancellor." Includes discussion of the influence of the "ars" on the "poetic form and style" of Thomas Hoccleve and Chaucer. In the case of the latter, the influence was "not a strong direct influence" but "part of complex conditioning literary environment."</text>
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              <text>Botelho, José Francisco Hillal Tavares de Junqueira.</text>
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                <text>Between Strangeness and Familiarity: Recreating Chaucer's Tales in Modern Brazil.</text>
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                <text>Using "several translation theories," Botelho analyzes selected passages of his own 2013 translation of CT into Portuguese, describing choices made to mediate linguistic and historical distances between Chaucer's poem and Botelho's target audience. Includes an abstract in Portuguese.</text>
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              <text>Philips, Julian, comp.&#13;
Plaice, Stephen, libretto.</text>
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              <text>New York: Peters Edition, 2017.</text>
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              <text>Opera score.</text>
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              <text>Merchant and His Tale&#13;
Facsimiles, Editions, and Translations&#13;
Recordings and Films</text>
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              <text>mea; 11/22/2025</text>
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            <elementText elementTextId="2852240">
              <text>2017</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2852233">
                <text>The Tale of Januarie.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2852234">
                <text>Item not seen. Description and sample score available at https://www.wisemusicclassical.com/publishers/edition-peters/ (accessed November 22, 2025). Opera in four acts; running time 2 hrs. 15 min.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2852227">
              <text>Silvera, Frank, reader.&#13;
Sackler, Howard, dir.</text>
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        </element>
        <element elementId="98">
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            <elementText elementTextId="2852228">
              <text>New York: Caedmon, [1954]. (TC 1021).</text>
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          </elementTextContainer>
        </element>
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          <elementTextContainer>
            <elementText elementTextId="2852229">
              <text>Sound recording. LP record.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2852230">
              <text>Recordings and Films&#13;
Legend of Good Women</text>
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        <element elementId="109">
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            <elementText elementTextId="2852231">
              <text>mea; 11/19/2025</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2852232">
              <text>1954</text>
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            <name>Title</name>
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              <elementText elementTextId="2852225">
                <text>Hearing Poetry. Volume One: Chaucer Through Milton.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2852226">
                <text>Item not seen. WorldCat record indicates this includes selections from LGW Prologue, read by Frank Silvera.</text>
              </elementText>
            </elementTextContainer>
          </element>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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        <element elementId="110">
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            <elementText elementTextId="2852219">
              <text>Zhong, Fang, trans.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2852220">
              <text>Shanghai: Xin wenyi, 1955.</text>
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          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852221">
              <text>186 pp.; illus.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2852222">
              <text>Troilus and Criseyde&#13;
Facsimiles, Editions, and Translations</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852223">
              <text>mea; 11/19/20225</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852224">
              <text>1955</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2852217">
                <text>Teluolesi yu Kelixide.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2852218">
                <text>Item not seen. WorldCat records indicate this is a translation of TC into Chinese, with illustrations (some in color).</text>
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            </elementTextContainer>
          </element>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2852211">
              <text>Warren, Robert Penn, ed. &#13;
Erskine, Albert, ed.</text>
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        </element>
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          <name>Published</name>
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            <elementText elementTextId="2852212">
              <text>New York: Dell, 1955.</text>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852213">
              <text>[vii], 545 pp.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2852214">
              <text>Facsimiles, Editions, and Translations&#13;
Merciles Beaute&#13;
Truth&#13;
Chaucer's Complaint to His Purse&#13;
Legend of Good Women</text>
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          </elementTextContainer>
        </element>
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          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2852215">
              <text>mea; 11/19/2025</text>
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          <description/>
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            <elementText elementTextId="2852216">
              <text>1955</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2852209">
                <text>Six Centuries of Great Poetry: From Chaucer to Yeats.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2852210">
                <text>Anthologizes selections from the poetry of English writers, arranged chronologically from Chaucer to Wilfred Owen, with an Introduction by the editors that justifies the selections. Includes an alphabetical index of titles and first lines. The Chaucer selection include MerB, Truth, Purse, and the Balade from LGWP, all in Middle English, with glosses. No edition specified.</text>
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