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              <text>Schwebel, Leah A.</text>
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              <text>Ph.D. Dissertation. University of Connecticut, 2014. Fully accessible via https://digitalcommons.lib.uconn.edu/dissertations/406 (accessed April 3, 2026).</text>
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              <text>iii, 150 pp.</text>
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          <name>Chaucer Subject</name>
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              <text>Sources, Analogues, and Literary Relations\&#13;
Knight and His Tale&#13;
Clerk and His Tale&#13;
Monk and His Tale&#13;
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              <text>mea; 4/3/2026</text>
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                <text>Re-Telling Old Stories: Chaucer’s Italian Poetics of Intertextual Commentary.</text>
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            <description>An account of the resource</description>
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                <text>Focuses on KnT, ClT, and MkT to demonstrate that Chaucer "models his treatment" of his source-authors--Boccaccio and Petrarch--"on their own strategies of intertextual play," arguing that "intertextual engagement goes beyond mere imitation, and can include the erasure and manipulation of previous works."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Fawsitt, Diana.</text>
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        <element elementId="98">
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              <text>Ph.D. Dissertation. University College Cork, 2014. Abstract accessible at https://cora.ucc.ie/items/988913c6-f62f-44c9-b3e9-e12145f20049 (accessed April 3, 2026).</text>
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              <text>vii, 252 pp.</text>
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          <name>Chaucer Subject</name>
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              <text>Chaucer's Influence and Later Allusion</text>
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              <text>mea; 4/3/2026</text>
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        <element elementId="114">
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          <elementTextContainer>
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              <text>2014</text>
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                <text>Reading Lydgate's Troy Book: Patronage, Politics, and History in Lancastrian England.</text>
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            <description>An account of the resource</description>
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                <text>Examines Lydgate's "Troy Book" as "as a vehicle to propagate the idea that the House of Lancaster is the legitimate successor to King Richard II in order to smooth over the usurpation of 1399." Acknowledges that "Chaucer had a definitive impact on Lydgate's writing," that Lydgate "manipulate[s] this influence for his own ambitions," and that he "works to promote Chaucer's canon so that as Chaucer's successor, he will inherit more prestige."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Hadley, James Luke.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2854376">
              <text>Ph.D. Dissertation. University of East Anglia, 2014. Fully accessible via https://ueaeprints.uea.ac.uk/id/eprint/48683/ (accessed April 3, 2026).</text>
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              <text>233 pp.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2854378">
              <text>Canterbury Tales--General&#13;
Tale of Melibee&#13;
Background and General Criticism</text>
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              <text>mea; 4/3/2026</text>
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          <elementTextContainer>
            <elementText elementTextId="2854380">
              <text>2014</text>
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            <description>A name given to the resource</description>
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                <text>Theorizing in Unfamiliar Contexts: New Directions in Translation Studies.</text>
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            <description>An account of the resource</description>
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                <text>Uses "abductive logic" to infer "translators' probable understandings of their own actions, and compares these with the reasoning" provided by various theories of translation, assessing as case studies Chaucer's use of translation in CT (especially Mel) "and that of Japanese storytellers in classical Kamigata rakugo." Focuses on such issues as "foreignization" and "excogitatio" and mediation as ways of conceptualizing "the act of translation."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Smith-Laing, Tim.</text>
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        <element elementId="98">
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              <text>Ph.D. Dissertation. Oxford University, 2014. Dissertation Abstracts International C74.06. Fully accessible via https://ora.ox.ac.uk/objects/uuid:0f4305c6-3c62-4f89-a3b2-d8204893fdfb (accessed March 13, 2026).</text>
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              <text>xvi, 338 pp.</text>
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            <elementText elementTextId="2854369">
              <text>Dissertation Abstracts International 74.06. </text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854370">
              <text>Sources, Analogues, and Literary Relations&#13;
Chaucer's Influence and Later Allusion&#13;
Legend of Good Women&#13;
Knight and His Tale</text>
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              <text>mea; 4/3/2026</text>
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          <elementTextContainer>
            <elementText elementTextId="2854372">
              <text>2014</text>
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            <description>A name given to the resource</description>
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                <text>Variorum Vitae: Theseus and the Arts of Mythography in Medieval and Early Modern Europe.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Focuses on the "complex textual contingency" of the figure of Theseus in the "history of mythographical discourse," exploring "the fragmentary, fluid and polymorphous nature of mythology" in a wide variety of medieval and early modern texts--English, Italian, and French--and their classical intertexts. Includes comparison of Chaucer's tale of Theseus and Ariadne in LGW and Gower's in "Confessio Amantis" in light of Ovid's "Heroides," "Ovide Moralisé," and other versions. Also assesses Chaucer's role as one of several influences on Lydgate's presentation of Theseus in "Fall of Princes" and Shakespeare's in "A Midsummer Night's Dream."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Phillips, Noëlle.</text>
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              <text>Ph.D. Dissertation. University of British Columbia, 2011. Fully available via https://open.library.ubc.ca/soa/cIRcle/collections/ubctheses/24/items/1.0071672 (accessed March 18, 2026).</text>
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              <text>viii, 280 pp.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854361">
              <text>Chaucer's Influence and Later Allusion&#13;
Manuscript and Textual Studies&#13;
Troilus and Criseyde</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
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              <text>mea; 4/1/2026</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>2011</text>
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            <description>A name given to the resource</description>
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                <text>Families, Fictions, and Seeing through Things: Re-reading Langland, Chaucer, and the "Pearl"-Poet.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Uses the "two models" of "genealogy and thing theory" to explore "the generation of meaning in medieval texts," addressing issues of differences between the "Chaucerian" tradition and the "Piers Plowman" tradition and the processes of their formulations. Explores how the "Chaucerian tradition enabled a truly 'public voice' or common identity among English writers" and includes discussion of the presence of TC and "Piers Plowman" in both Huntington Library, San Marino MS HM 143 and HM 114. Also assesses relations between "Pearl" and "Piers Plowman."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Barlow, Gania.</text>
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              <text>Ph.D. Dissertation. Columbia University, 2014. Dissertation Abstracts International A75.11 (E). Fully available via ProQuest Dissertations &amp; Theses and via https://academiccommons.columbia.edu/</text>
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              <text>iii, 253 pp.</text>
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            <elementText elementTextId="2854352">
              <text>Dissertation Abstracts International 75.11 (E). </text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
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              <text>Background and General Criticism&#13;
Legend of Good Women&#13;
Man of Law and His Tale&#13;
Chaucer's Retraction&#13;
Chaucer's Influence and Later Allusion&#13;
Franklin and His Tale</text>
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              <text>mea; 3/19/2026</text>
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              <text>2014</text>
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                <text>Revisionary Retelling: The Metapoetics of Authorship in Medieval England.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854348">
                <text>Explores how Marie de France, the 'Orfeo' poet, Thomas Chestre, Chaucer, and John Lydgate "tell stories about the possibilities and problems of vernacular retelling . . . [and] imagine and enact a type of authorship--and a type of authority--based in creative revision." Chapter three argues that Chaucer "depicts his own canon as dependent and unstable in his catalogues of his works [LGWP, MLP, Ret], and thereby takes ownership of the challenges of vernacular authorship and invents himself as an authoritative Middle English writer." Also addresses FranT as a lay and Chaucer as authority in Lydgate's Fall of Princes.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854341">
              <text>Mack, Orysia Lonchyna.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854342">
              <text>Ph.D. Dissertation. University of Virginia, 2014. Fully accessible via https://libraetd.lib.virginia.edu/public¬_view/c247ds38n (accessed March 12, 2023).</text>
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          </elementTextContainer>
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        <element elementId="99">
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          <elementTextContainer>
            <elementText elementTextId="2854343">
              <text>279 pp.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854344">
              <text>Chaucer's Influence and Later Allusion&#13;
Book of the Duchess&#13;
House of Fame&#13;
Parliament of Fowls&#13;
Legend of Good Women</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854345">
              <text>mea; 3/19/2026</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854346">
              <text>2014</text>
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          </elementTextContainer>
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      </elementContainer>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854339">
                <text>The Afterlife of the Medieval Dream Poem in the English Renaissance.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854340">
                <text>Argues "that poets after Chaucer employ the dream form not simply in imitation of their master but rather to assert for themselves the same freedom to write imaginative fictions that Chaucer found in the form," exploring Chaucer's dream visions, along with works by Henryson, Dunbar, Douglas, Skelton, Sackville, Lodge, Spenser, Shakespeare, Jonson, and Milton.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
  </item>
  <item itemId="277592" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854332">
              <text>Shaeffer, Katherine Heath.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854333">
              <text>Ph.D. Dissertation. University of Florida, 2015. Dissertation Abstracts International A79.02(E). Fully accessible via https://ufdc.ufl.edu/ (accessed March 16, 2026).</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854334">
              <text>177 pp.; 67 illus.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854335">
              <text>Dissertation Abstracts International 79.02(E)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854336">
              <text>Canon's Yeoman and His Tale&#13;
Manuscripts and Textual Studies&#13;
Facsimiles, Editions, and Translations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854337">
              <text>mea; 3/19/2026</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854338">
              <text>2015</text>
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          </elementTextContainer>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854330">
                <text>The Invisible Art of Alchemy: Chaucer to the Graphic Novel.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854331">
                <text>"[I]nvestigates literary and pictorial manuscripts on the subject pf alchemy in conjunction with the theories surrounding sequential art," i.e., "comics theory," considering selected works, from CYPT to modern graphic novels. Opens with a "close reading" of CYPT and "analysis of some of the illustrations of that Tale" in the Ellesmere manuscript, illustrated editions, and the graphic version by Seymour Chwast.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="277591" public="1" featured="0">
    <collection collectionId="8">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854324">
              <text>Collins, Shane Maurice.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854325">
              <text>Ph.D. Dissertation. Durham University, 2012. Fully accessible via https://etheses.dur.ac.uk/5902/ (accessed March 16, 2026).</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854326">
              <text>[iv], 335 pp.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854327">
              <text>Canterbury Tales--General&#13;
Chaucer's Influence and Later Allusion&#13;
Troilus and Criseyde&#13;
Wife of Bath and Her Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854328">
              <text>mea; 3/19/2026</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854329">
              <text>2012</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854322">
                <text>The Language of the Body: An Analysis of Chaucer, Dunbar and Henryson.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854323">
                <text>Explores how "multiple modes of discourse" about the body--medical, philosophical, religious, and courtly--underlie works by Chaucer, Dunbar, and Henryson, arguing that CT, through its multiplicity of voices, "demonstrates fundamental medieval anxieties about the body’s stability," "how authoritative modes of discourse were used by different social types, and how their . . . claims to authoritative discourse were frequently unreliable." Also considers the "language of the body" in Henryson's "Testament of Cresseid" and Dunbar's "Tretis of the Tua Marit Wemen and the Wedo," with attention to the influences of TC and WBPT respectively.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="277590" public="1" featured="0">
    <collection collectionId="8">
      <elementSetContainer>
        <elementSet elementSetId="1">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854316">
              <text>Wharton, Robin.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854317">
              <text>Ph.D. Dissertation. University of Georgia, 2009. Fully accessible via https://openscholar.uga.edu/record/7013?ln=en&amp;v=pdf (accessed February 23, 2026).</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854318">
              <text>vi, 302 pp.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854319">
              <text>General Prologue to the Canterbury Tales&#13;
Man of Law aand His Tale&#13;
Sources, Analogues, and Literary Relations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854320">
              <text>mea; 3/13/2026</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854321">
              <text>2009</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854314">
                <text>The Literature of Sovereignty in Late Medieval England.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854315">
                <text>Treats GP among a number of other works in Middle English, arguing that its uses of estates satire align with notions of individual responsibility found in Henry Bracton's legal discourse, "De Legibus et Consuetudinibus Angliae." Also considers MLT and its analogues in light of the "debate over the nature and scope of royal and individual sovereignty."</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="277589" public="1" featured="0">
    <collection collectionId="8">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
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      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854308">
              <text>Wilson, Katharina Margit.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854309">
              <text>Ph.D. Dissertation. University of Illinois, Urbana-Champaign, 1980. Dissertation Abstracts International A41.11. Fully accessible via ProQuest Dissertations &amp; Theses (accessed 3/13/2026).</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854310">
              <text>iv, 289 pp.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854311">
              <text>Wife of Bath and Her Tale&#13;
Sources, Analogues, and Literary Relations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854312">
              <text>mea; 3/12/2026</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854313">
              <text>1980</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854306">
                <text>Wikked Wyves and Blythe Bachelers: Secular Misogamy from Juvenal to Chaucer.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854307">
                <text>Assesses secular misogamy as a topos "exploited in early Western literature for two fundamental purposes: propaganda and entertainment," dividing it into four categories: Pagan, Ascetic, Philosophic, and General. Discusses WBP in the latter category as a ironic "'dissuasio' disguised as a 'persuasio'," rife with familiar commonplaces, and addressed to a general audience for essentially comic entertainment.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
  </item>
  <item itemId="277588" public="1" featured="0">
    <collection collectionId="8">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854300">
              <text>Fruoco, Jonathan. </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854301">
              <text>Ph.D. Dissertation. Université de Grenoble, 2014. Fully available via https://theses.fr/2014GRENL003 (accessed March 12, 2026).</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854302">
              <text>276 pp.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854303">
              <text>Language and Word Studie&#13;
Sources, Analogues, and Literary Relations&#13;
Chaucer's Influence and Later Allusion</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854304">
              <text>meea; 3/12/2026</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854305">
              <text>2014</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854298">
                <text>Evolution Narrative et Polyphonie Littéraire dans l'Oeuvre de Geoffrey Chaucer.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854299">
                <text>Argues that "Chaucer's decision to write in Middle-English . . . was consistent with an intellectual movement that was trying to give back to European vernaculars the prestige necessary to a genuine cultural production, which eventually led to the emergence of romance and of the modern novel. The assimilation of the specificities of the poetry of Chrétien de Troyes, Guillaume de Lorris and Jean de Meun thus allowed Chaucer to give back to English poetry some of its respectability. Nonetheless, it was his discovery of the Divina Commedia that made him aware of the true potential of literature: Dante thus allowed him to free the dialogism of his creations and to give his poetry a first-rate polyphonic dimension. As a result, if Chaucer cannot be thought of as the father of English poetry, he is however the father of English prose and one of the main artisans of what Mikhail Bakhtin called the polyphonic novel."</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="277587" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
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              <text>Jagot, Shazia.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2854292">
              <text>Ph.D. Dissertation. University of Leicester, 2014. Dissertation Abstracts International C74.06. Fully available via https://figshare.le.ac.uk/articles/thesis/Fin_amors_Arabic_learning_and_the_Islamic_world_in_the work of Geoffrey Chaucer/10158581?file=18307655 (accessed March 11, 2026).</text>
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          <elementTextContainer>
            <elementText elementTextId="2854293">
              <text>294 pp.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2854294">
              <text>Dissertation Abstracts International 74.06.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854295">
              <text>Sources, Analogues, and Literary Relations&#13;
Troilus and Criseyde&#13;
Knight and His Tale&#13;
Canon's Yeoman and His Tale&#13;
Treatise on the Astrolabe</text>
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          </elementTextContainer>
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          <name>Source</name>
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          <elementTextContainer>
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              <text>mea; 3/12/2026</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
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              <text>2014</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2854289">
                <text>"Fin' amors," Arabic learning, and the Islamic World in the Work of Geoffrey Chaucer.</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854290">
                <text>Demonstrates that "Chaucer's portrayal of fin' amors is informed by Arabic learning in the related fields of medicine, natural philosophy, astrology and alchemy, disseminated through Latin translations from the Iberian Peninsula in particular." Considers Chaucer's presentations of Islam and Arabic learning in his works, assessing courtly, alchemical, and astrological aspects of TC, KnT, CYT, and Astr, with attention to "Chaucer's dichotomous attitude toward Arabic learning and Islam as a religion."</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854283">
              <text>Khoury, Marcelle Muasher.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854284">
              <text>Ph.D. Dissertation. University of Virginia, 2014. Fully accessible via https://libraetd.lib.virginia.edu/public_view/sn009z07c (accessed March 11, 2026)</text>
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          </elementTextContainer>
        </element>
        <element elementId="99">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854285">
              <text>xii, 306</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854286">
              <text>Chaucer's Influence and Later Allusion&#13;
Sources, Analogues, and Literary Relations&#13;
Clerk and His Tale&#13;
Canon's Yeoman and His Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854287">
              <text>mea; 3/12/2026</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854288">
              <text>2014</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2854281">
                <text>The Poetics of Alchemical Engagement: The Allegorical Journey to God in Ripley and Norton after Chaucer.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2854282">
                <text>Argues that "fifteenth-century alchemical poets, George Ripley and Thomas Norton, perceived themselves to be 'Chaucerian' in far deeper ways than has been recognized," joining "author, reader and pilgrim on an essentially hermeneutical journey to Wisdom," and perceiving themselves to share" with Chaucer "the Boethian belief" that perception of the supernatural can be achieved. Includes discussion of Ripley's and Norton's uses of CYPT and reads ClPT for ways Chaucer engages Heraclitus's "river of time," challenges Petrarch's "debunking" of the Middle Ages, and presents Walter and Griselda's marriage as a union of "Time with Eternity, and the human with the divine."</text>
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  <item itemId="277585" public="1" featured="0">
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854274">
              <text>McShane, Kara L.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854275">
              <text>Ph.D. Dissertation. University of Rochester, 2014. Dissertation Abstracts International A75. 09(E). Fully accessible via https://urresearch.rochester.edu/institutionalPublicationPublicView.action?institutionalItemId=28064 (accessed March 11, 2026).</text>
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          </elementTextContainer>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854276">
              <text>ix, 214 pp.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854277">
              <text>Dissertation Abstracts International 75. 09</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854278">
              <text>House of Fame</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854279">
              <text>mea; 3/12/2026</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854280">
              <text>2014</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854272">
                <text>In the Words of Others: Exotic Documents and Vernacular Anxieties in Medieval England.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854273">
                <text>Examines anxieties about the status of the vernacular and cultural identity in late medieval England, particularly as evident in "exotic documents" found in Middle English narratives. Includes discussion of such documents in "Alexander and Didimus," "The Book of John Mandeville," "St. Erkenwald," and HF, assessing in the latter how the "architectural image-text of Aeneas and Dido and the names inscribed in ice" outside Fame's house engage questions about the authority of writing.</text>
              </elementText>
            </elementTextContainer>
          </element>
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  </item>
  <item itemId="277584" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854265">
              <text>Bucciarelli, Stacee M.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854266">
              <text>Ph.D. Dissertation. Loyola University, 2014. Dissertation Abstracts International A76.06(E). Fully accessible via https://ecommons.luc.edu/luc_diss/1252 (accessed March 2, 2026).</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854267">
              <text>ix, 337 pp.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854268">
              <text>Dissertation Abstracts International 76.06</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854269">
              <text>Sources, Analogues, and Literary Relations&#13;
Manuscripts and Textual Studies&#13;
Knight and His Tale&#13;
Clerk and His Tale&#13;
Merchant and His Tale&#13;
Franklin and His Tale&#13;
</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854270">
              <text>mea; 3/12/2026</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854271">
              <text>2014</text>
            </elementText>
          </elementTextContainer>
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      </elementContainer>
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      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854263">
                <text>Re-Examining the Female Voice in Chaucer's Italian-Sourced Works: A Study in Paleography, Textual Transmission, and Masculinity. </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854264">
                <text>Defines "medieval female voice" as "any instance of thought or speech by a female character" and "evaluates the alterations made (by Chaucer and scribes) to five Italian-sourced female voices" in KnT (Emelye and Ypolita), MerT (May), FranT (Dorigen), and ClT (Griselda), exploring various practical and theoretical problems while seeking to study the "interconnectivity between the medieval female voice and its masculine influences."</text>
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            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
  </item>
  <item itemId="277583" public="1" featured="0">
    <collection collectionId="8">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854257">
              <text>Mitchell, Robert.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854258">
              <text>Ph. D. Dissertation. University of Manchester, 2012. Fully accessible via https://research.manchester.ac.uk/en/studentTheses/guilt-and-creativity-in-the-works-of-geoffrey-chaucer/ (accessed February 23, 2026).</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854259">
              <text>213 pp.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854260">
              <text>House of Fame&#13;
Canterbury Tales--General</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854261">
              <text>mea; 2/23/2026</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854262">
              <text>2012</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854255">
                <text>Guilt and Creativity in the Works of Geoffrey Chaucer.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854256">
                <text>Explores the "sense of guilt and uncertainty about the value of creative literature" in Chaucer's works, particularly as it generates "expansive, questioning poetics" in HF and "problematises the principle of allegory" in the final fragments of CT, parts 8-10 especially. Traces how Chaucer seeks "to reconcile the boldness and independence of his poetic vision with the demands of his faith" through "penitential poetics."</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="277582" public="1" featured="0">
    <collection collectionId="8">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854248">
              <text>Slipp, Nicole Elizabeth.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854249">
              <text>Ph.D. dissertation, Queens University, 2017. Fully accessible via https://queensu.scholaris.ca/items/2168a905-fe87-4bbd-a896-5492740912bf (accessed February 22, 2026).</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854250">
              <text>Background and General Criticism&#13;
Wife of Bath and Her Tale</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854251">
              <text>2/22/2026</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854252">
              <text>2017</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854253">
              <text>v, 275 pp.</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854246">
                <text>Kinky Reading: Power, Pleasure, and Performance in Middle English Texts.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854247">
                <text>Outlines "the history and theory of BDSM [bondage and discipline, domination and submission, and sadism and masochism]" and explores "concepts of fantasy, performance, consent, and eroticized violence" in "Sir Gowther," "The Book of Margery Kempe," and WBPT "from the perspective of kinky reading, a methodology that draws on the traditions of feminist and queer theory and the new field of kink studies."</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="277581" public="1" featured="0">
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              <text>Sapio, Jennifer Leigh.</text>
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              <text>Ph.D. Dissertation, University of Texas at Austin, 2017. Fully accessible via https://repositories.lib.utexas.edu/items/ad2752f5-c295-4379-bbdd-1fab164a5106 (accessed February 22, 2026).</text>
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              <text>Manuscripts and Textual Studies&#13;
Chaucer's Complaint to His Purse&#13;
Wife of Bath and Her Tale</text>
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              <text>mea; 2/22/2026</text>
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              <text>x, 196 pp. </text>
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                <text>Anthologizing Women: Medieval Genre, Gender and Genital Poetics.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2854240">
                <text>"[I]nvestigates three medieval manuscript collections--compiled in the 14th and 15th centuries in Herefordshire, Derbyshire and East Anglia, respectively--that are significant in their similarly implied female readerships, their thematic treatment of the 'problem of women,' and their vocalization of the perspectives, and indeed often complaints, of female characters." Uses WBPT as a "focal point" for her study and includes a "gendered reading" of Chaucer's Purse as part of a "feminist sequence" of texts found in the Findern manuscript (Cambridge University Library MS Ff.1.6).</text>
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          <description/>
          <elementTextContainer>
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              <text>Reinbold, Charlotte Rose Alice.</text>
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              <text>Ph.D. Dissertation, University of Cambridge, 2017. Abstract available at https://www.repository.cam.ac.uk/items/e26e369b-4069-465e-a00d-49e07967cbcd (accessed February 22, 2026); full-text embargoed until January 1, 2400. </text>
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              <text>Bckground and General Criticism</text>
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              <text>mea; 2/22/2026</text>
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                <text>"Unstabled, according to the place": Setting and Convention in Chaucerian Dream Poetry.</text>
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          <element elementId="41">
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                <text>Argues "that conventions of setting, familiar themes or locations which create expectations in the reader about the content of the dream itself, provide a valuable and largely overlooked perspective upon the genre of Chaucerian dream poetry." Considers "conventional settings such as the temple of glass" and "the dream in its broader setting or context, as autobiographical reflection, mnemonic device, and simultaneous lament for the ephemeral nature of literature and attempt to preserve oneself for posterity."</text>
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              <text>Honoré-Duvergé, Suzanne.</text>
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              <text>Recueil de Travaux Offert a M. Clovis Brunel, Membre de l’Institut, Directeur Honoraire de l’École des Chartes, par Ses Amis, Collèagues et Élèves (Paris: Société de l'École Chartes, 1955), Volume 2, pp. 9-13.</text>
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          <elementTextContainer>
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              <text>Mémoires et Documents Publiés par la Société de l’École des Chartes, no. 12, vol. 2</text>
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        <element elementId="102">
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              <text>Chaucer's Life&#13;
Monk and His Tale</text>
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          <elementTextContainer>
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              <text>mea; 2/20/2026</text>
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                <text>Chaucer en Espagne? (1366).</text>
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                <text>Republishes (from 1890) a document originally from the "Cartulario" of Carlos II, king of Navarre, correctly transcribing Chaucer's name (Chauserre rather than Chanserre), and suggesting that he was granted safe-conduct in Spain to participate in Henry of Trastamara's campaign against Don Pedro, king of Castile (Pedro the Cruel). Observes that the latter is referred to in MkT (7.2375ff.).</text>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
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              <text>Hagstrum, Jean H.</text>
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              <text>Chicago: University of Chicago Press, 1958.</text>
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          <description/>
          <elementTextContainer>
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              <text>xxii, 337 pp.; 39 illus.</text>
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          <elementTextContainer>
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              <text>Style and Versification&#13;
Romaunt of the Rose&#13;
House of Fame&#13;
Knght and His Tale&#13;
Facsimiles, Editions, and Translations&#13;
&#13;
</text>
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              <text>mea; 2/20/2026</text>
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        <element elementId="114">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854224">
              <text>1958</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854217">
                <text>The Sister Arts: The Tradition of Literary Pictorialism and English Poetry from Dryden to Gray.</text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854218">
                <text>Studies the use of pictorial imagery in neoclassical English poetry, its aesthetic effects, and the "tradition out of which it grew," from the classics forward. Includes discussion of the Chaucer's ekphrastic descriptions in HF, KnT, and Rom, describing similarities and differences between his descriptions and classical practice. Also comments on expanded "pictorialism" in Dryden's and Pope's adaptations of Chaucerian works.</text>
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            </elementTextContainer>
          </element>
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  <item itemId="277577" public="1" featured="0">
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          <elementContainer>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
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              <text>Williams, Graham.</text>
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        <element elementId="98">
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              <text>London: Palgrave Macmillan, 2018.</text>
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          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854212">
              <text>xiii, 256 pp.</text>
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        <element elementId="104">
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          <description/>
          <elementTextContainer>
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              <text>New Approaches to English Historical Linguistics.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854214">
              <text>Language and Word Studies&#13;
Book of the Duchess&#13;
Troilus and Criseyde&#13;
Tale of Melibee&#13;
Canterbury Tales--General</text>
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          </elementTextContainer>
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          <description/>
          <elementTextContainer>
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              <text>mea; 2/13/2026</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854216">
              <text>2018</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2854208">
                <text>Sincerity in Medieval English Language and Literature.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854209">
                <text>Pragmatic analysis of the historical development in early English of the ideal of sincerity and of "affective-linguistic" apology. Identifies the roots of sincerity in Christian devotion and traces its literary and historical developments among intersections between devotional and courtly literatures as they reflect and affect human emotions. Includes comments on BD and lengthier discussion of CT (especially Mel) while exploring the growth of "apologetic culture." Also examines questions of "affective sincerity versus linguistic performance" in TC, particularly how they lead readers "to be convinced of Criseyde’s sincere, compassionate love."</text>
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  <item itemId="277576" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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            </element>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854201">
              <text>Baldini, Gabriele.</text>
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        </element>
        <element elementId="98">
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              <text>Turino: Edizioni Radio Italiana, 1958.</text>
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          <elementTextContainer>
            <elementText elementTextId="2854203">
              <text>446 pp.</text>
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        <element elementId="104">
          <name>Series</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854204">
              <text>Letterature e Civiltà</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2854205">
              <text>Background and General Criticism&#13;
Chaucer's Life</text>
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          <name>Source</name>
          <description/>
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              <text>mea; 2/13/2026</text>
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          <elementTextContainer>
            <elementText elementTextId="2854207">
              <text>1958</text>
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            <elementTextContainer>
              <elementText elementTextId="2854199">
                <text>Storia della Letteratura Inglese: La Tradizione Letteraria dell'Inghilterra Medioevale.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2854200">
                <text>Includes a brief biography of Chaucer and a lengthy chronological work-by-work introduction to his oeuvre. Also includes a chapter on Chaucerian apocrypha, relations with Gower, and influence on later poets.</text>
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  <item itemId="277575" public="1" featured="0">
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              <name>Title</name>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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            <elementText elementTextId="2854193">
              <text>Auld, William, ed.&#13;
Rossetti, Rito, ed.&#13;
Auld, William, trans.</text>
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          <description/>
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              <text>Rotterdam: Universala Esperanto-Asocio, 1957.</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854195">
              <text>319 pp.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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              <text>Facsimiles, Editions, and Translations&#13;
Complaint of Chaucer to His Purse&#13;
Wife of Bath's Prologue and Tale</text>
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              <text>mea; 2/13/2026</text>
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        <element elementId="114">
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          <description/>
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              <text>1957</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>Anglo Antologio: 1000-1800.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2854192">
                <text>Anthologizes translations of selections and excerpts from English poetry and prose into Esperanto; by various translators. The selection from Chaucer (Purse and a portion of WBP 3.35-134) is translated by William Auld.</text>
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