<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271212">
    <dcterms:title><![CDATA[Þe Comoun Peplis Language]]></dcterms:title>
    <dcterms:description><![CDATA[Eleven essays on Old and Middle English language and literature. For two essays that pertain to Chaucer, search  for Comoun Peplis Language under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275872">
    <dcterms:title><![CDATA[Zur Theorie der Zeitung in Deutschland zwischen dem 17. und dem Mittleren 19. Jahrhundert.]]></dcterms:title>
    <dcterms:description><![CDATA[Uses media and communication theory to explore relations between modernity and the rise of the newspaper as a medium in Germany. Includes in Chapter III.3 an excursus (&quot;Excurs&quot;) on fame and rumor in HF, observing in Chaucer&#039;s depiction of them a sophisticated understanding of language, speech, testimony, and communication. ]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275412">
    <dcterms:title><![CDATA[Zur Allegorischen Deutung der Nonnes Preestes Tale.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes several layers of allegorical meaning in NPT, explaining them in an ascending scheme of specific to general, content to form; suggests that Chaucer artfully combines the incommensurable to maintain both jest and earnest.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264521">
    <dcterms:title><![CDATA[Zum Mittelaltereinfluss in der modernen Dichtung: Ezra Pounds Chaucerbild]]></dcterms:title>
    <dcterms:description><![CDATA[In &quot;ABC of Reading&quot; Pound praises Chaucer above Shakespeare and Dante, and in his &quot;Cantos&quot; he makes important use of Chaucer&#039;s works, the short poems especially.  Chaucer provides a setting-off point for understanding Pound&#039;s ideas about poetry and his manner of composition.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261997">
    <dcterms:title><![CDATA[Zu Chaucers &#039;Troilus and Criseyde&#039;, Buch IV]]></dcterms:title>
    <dcterms:description><![CDATA[Book IV divides into five sections, as does section 5 (the parting scene)--Chaucer being influenced by Boethius even in matters of structure.  The whole poem has &quot;dramatic&quot; qualities, but in Book IV the drama is of non-action.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275977">
    <dcterms:title><![CDATA[Zhou Zuoren: An Early Chaucerian in China.]]></dcterms:title>
    <dcterms:description><![CDATA[Focuses on early scholarship and translations of Chaucer in China connected with the &quot;New Culture Movement,&quot; which worked to effect &quot;social modernization&quot; by &quot;importing western literary forms and subjects.&quot; Emphasizes how Zuoren&#039;s translation of WPT, with its representation of women&#039;s &quot;desire and call for mutual respect and compromise in marriage,&quot; exemplified this early scholarship.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270434">
    <dcterms:title><![CDATA[Zeremonie, Gestalt und Wirklichkeit: Anmerkungen zur Phänomenologie der &#039;Knight&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses the arena and attendant temples in KnT as a squared circle,  central symbol in the tale and its concerns with perception and reality.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269959">
    <dcterms:title><![CDATA[Zénobie: Péché d&#039;orgueil et port de la vitremyte]]></dcterms:title>
    <dcterms:description><![CDATA[In MkT,Zenobia is punished  for transgressing her gender; and symbols of her former power (including the vitremyte, here newly interpreted) become burlesque attributes.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274703">
    <dcterms:title><![CDATA[Zenobia&#039;s Objects.]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the exchange of objects in the Zenobia/Cenobia story in MkT not as a punitive measure for pushing back on gender constructs or a validation of the Monk&#039;s blatant misogyny, but rather as a moment of empowerment.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269002">
    <dcterms:title><![CDATA[Zenobia&#039;s &#039;Vitremite,&#039; or The Case of the Unidentified Headdress]]></dcterms:title>
    <dcterms:description><![CDATA[Gillmeister explains &quot;vitremite&quot; as a combination of &quot;uistre&quot; (oyster) and &quot;ermite&quot; (hermit), a Chaucerian coinage for a kind of headwear the poet may have associated with monasteries.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263018">
    <dcterms:title><![CDATA[Zenobia in Medieval and Renaissance Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Dealing with &quot;gender difference, injunctions on sexual pleasure, and domestic role,&quot; Wayne offers a feminist analysis of Zenobia, used as an exemplum by many writers, including Chaucer in MkT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270194">
    <dcterms:title><![CDATA[Zenobia in Chaucers Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Lindeboom discusses how Zenobia in MkT helps to characterize the Monk and his spiritual condition. In Dutch.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274854">
    <dcterms:title><![CDATA[Zeigen und Bezeichnen: Zugange zu allegorischem Erzahlen im Mittelalter.]]></dcterms:title>
    <dcterms:description><![CDATA[Studies the uses of allegory in western literature--classical, continental, and English, from Prudentius to George Herbert--with emphasis on growth and variety in the tradition, signals to allegory in the texts, and embedded uses of allegory as well as wholly allegorical narratives. Includes discussion of allegorical aspects of HF and its relations with earlier allegorical traditions.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271660">
    <dcterms:title><![CDATA[YouTube]]></dcterms:title>
    <dcterms:description><![CDATA[Website of eclectic user-generated audio-visual materials, with internal search engine. A search for &quot;Chaucer&quot; produces thousands of results, including links to lectures on the poet&#039;s life, language, works, and historical contexts, as well as student projects, video clips and images, movie trailers, related music, parodies, and reviews.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270227">
    <dcterms:title><![CDATA[Your Very First ESP Text (Wherein Chaucer Explaineth the Astrolabe)]]></dcterms:title>
    <dcterms:description><![CDATA[Banks gauges the place of Astr in the development of English scientific prose, tabulating grammatical metaphors, verbal nouns (ending with -ing), passive voice, personal pronouns, and instructional syntax (an infinitive clause followed by an imperative clause). Treats Astr as a &quot;how-it-works&quot; manual, comparing it with modern examples.]]></dcterms:description>
    <dcterms:description><![CDATA[Lightly revised version entitled &quot;Beginning with Chaucer&quot; in David Banks, The Development of Scientific Writing: Linguistic Features and Historical Context (Oakville, Conn.: Equinox, 2008), pp. 23-35.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269293">
    <dcterms:title><![CDATA[Your Malady Is No &#039;Sodeyn Hap&#039;: Ophthalmology, Benvenutus Grassus, and January&#039;s Blindness]]></dcterms:title>
    <dcterms:description><![CDATA[Considered in the light of writings by thirteenth-century ophthalmologist Benvenutus Grassus, January&#039;s blindness in MerT is no sudden infirmity. With his admitted habit of &quot;overindulgence&quot; in women, food, and drink, January has been working on becoming blind for quite some time.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275779">
    <dcterms:title><![CDATA[Young Hugh of Lincoln and Chaucer&#039;s &quot;The Prioress&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses unity in PrP, PrT, and the GP description of the Prioress, focusing on their liturgical references and allusions: the canonical hours, the Prioress&#039;s &quot;service dyvyne&quot; (1.122), and the plea for aid from Hugh of Lincoln at the end of the tale (7.684-90).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274068">
    <dcterms:title><![CDATA[You&#039;ve Read &quot;The Canterbury Tales.&quot; Prepare to Play the Board Game.]]></dcterms:title>
    <dcterms:description><![CDATA[Announces a forthcoming board game, &quot;The Road to Canterbury&quot; (Gryphon Games), created by Alf Seegert. The game focuses on the Pardoner, who is traveling with &quot;seven of Chaucer&#039;s pilgrims, each of whom is afflicted with one of the seven deadly sins.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276885">
    <dcterms:title><![CDATA[You&#039;re Collating Just Fine and Other Lies You&#039;ve Been Telling Yourself.]]></dcterms:title>
    <dcterms:description><![CDATA[Compares &quot;manual and computer-assisted approaches to collation methods,&quot; drawing examples from the texts of TC, CT, Dante&#039;s &quot;Commedia,&quot; and the Greek New Testament. Argues for full-text rather than selected-text analysis, the importance of variant distribution, and the need to avoid a-priori decisions, preferring computer-assisted techniques over manual ones.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274970">
    <dcterms:title><![CDATA[You und Thou: Studien zur Anrede im Englischen (Mit einem Exkurs über die Anrede im Deutschen.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes a section entitled &quot; Das Pronomen bei Chaucer&quot; (pp. 74-86) that examines Chaucer&#039;s artistic uses of the second person pronouns of address, focusing particularly on TC and including comments on WBPT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264462">
    <dcterms:title><![CDATA[Yif I &#039;Arma Virumque&#039; Kan: Note on Chaucer&#039;s &#039;House of Fame&#039; Line 143]]></dcterms:title>
    <dcterms:description><![CDATA[Just as the theme of memory pervades HF, so Chaucer&#039;s recounting of the &quot;Aeneid&quot; in book 1 begins with both detail and accuracy and ends in hasty paraphrase.  Chaucer&#039;s lines 143-48 translate the opening sentence of the &quot;Aeneid&quot; accurately, save for the interpolated &quot;yif I kan,&quot; the last word of which phrase may echo Virgil&#039;s &quot;cano.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276717">
    <dcterms:title><![CDATA[Yet Once More &quot;For the Nones.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[On contextual and linguistic grounds, rejects Marion Montgomery&#039;s suggestion (1957) that &quot;for the nones&quot; in LGW-P (F 292-96 and G 194-98) is a &quot;reference to the canonical hour of Nones, with its attendant services.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264257">
    <dcterms:title><![CDATA[Yeoman, Parson, Poet: A Validation]]></dcterms:title>
    <dcterms:description><![CDATA[Ret is a mature expression of a poet in command of his faculties and intent.  The Canon&#039;s Yeoman&#039;s disillusionment in CYT provides preparation for Ret, while ParsT prepares for the abandonment of sin.  Structure and design of CYT and ParsT validate Ret.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270783">
    <dcterms:title><![CDATA[Yeoman Services: Chaucer&#039;s Knight, His Critics, and the Pleasures of Historicism]]></dcterms:title>
    <dcterms:description><![CDATA[In striving to contextualize the portrait of the Yeoman in relation to real-world late medieval weaponry and hunting gear, critics overlook both the Yeoman&#039;s service as the &quot;bearer&quot; of aristocratic masculinity and the portrait&#039;s phallic humor. In doing so, they inevitably repeat the latter, even as they leave unacknowledged the &quot;ardor&quot; of &quot;scholarly arduousness.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276708">
    <dcterms:title><![CDATA[Ye Miller&#039;s Tale: From The Canterbury Tales.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. WorldCat records provide the following note: &quot;freely translated by Jerry Kamstra; with cheering drawings by Michael McCracken.&quot;]]></dcterms:description>
</rdf:Description></rdf:RDF>