<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267494">
    <dcterms:title><![CDATA[Asking Why Exactly &#039;Them,&#039; &#039;These,&#039; and &#039;Those&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes the development of th- forms of pronouns (as opposed to h- forms), suggesting that they have less to do with Scandinavian influence than with linguistic generalization and assimilation.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263450">
    <dcterms:title><![CDATA[Aspectos de la estructura diagonal en &#039;The Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[The &quot;illocutionary&quot; system of the narration in CT is organized into six levels based on two criteria:  direct communication between literary personae standing at the same illocutionary level and transferred communication between different levels.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265214">
    <dcterms:title><![CDATA[Aspects of Chaucer&#039;s Adjectives of Hue]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer employed color adjectives more extensively than did his contemporaries.  He preferred basic colors and used them most in connection with human beings.  Chaucer&#039;s most &quot;colorful&quot; poem is KnT, followed by Rom and GP.  Often, his colors are used symbolically.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265703">
    <dcterms:title><![CDATA[Aspects of Chaucer&#039;s Narratorial Self-Representation in &#039;The Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Two tales in CT define Chaucer&#039;s role as an &quot;implied author&quot; and reflect his double vocation as a poet and diplomat.  Th is a &quot;brilliant example of his mastery as a poet&quot;; Mel expresses his &quot;ideological premises,&quot; anticipating the closing of the Canterbury fiction and providing a means to assess other tellers and their characters.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274545">
    <dcterms:title><![CDATA[Aspects of Chaucer&#039;s Use of Animals.]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys Chaucer&#039;s various metaphoric uses of animals, from &quot;simple and conventional ideas about animals to throw light on man&quot; to more elaborated or developed characterizations through more detailed comparisons.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262134">
    <dcterms:title><![CDATA[Aspects of Female Piety in the &#039;Prioress&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Robertson encourages feminist critics to confront &quot;the complexities of the relationship between women and religion&quot; in Chaucer&#039;s religious tales, for &quot;what appear in these tales to be extremes of female suffering and violence against women are actually representations of positions of power and strength.&quot;  Exploring connections between oppression of women and neglect of Christian values, PrT depicts &quot;the nature of a specifically female religious voice.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274452">
    <dcterms:title><![CDATA[Aspects of Form in the Nun&#039;s Priest&#039;s Tale.]]></dcterms:title>
    <dcterms:description><![CDATA[Uses principles of Kenneth Burke&#039;s rhetoric of form to analyze NPT, commenting on aspects of its progressions (syllogistic, inverted, and repetitive), aspects of its genre conventions, and examples of its rhetorical ornamentation.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263758">
    <dcterms:title><![CDATA[Aspects of Gluttony in Chaucer and Gower]]></dcterms:title>
    <dcterms:description><![CDATA[According to a theological tradition of the late Middle Ages, gluttony included swearing, blasphemy, sorcery, witchcraft, and devil worship, as well as excessive eating and drinking.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275368">
    <dcterms:title><![CDATA[Aspects of Irony in &quot;The Friar&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Interprets details of FrT in light of contemporaneous social commentaries to clarify nuances of irony, sarcasm, and criticism of the Summoner.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267351">
    <dcterms:title><![CDATA[Aspects of Lexical and Morphosyntactical Mixing in the Languages of Medieval England]]></dcterms:title>
    <dcterms:description><![CDATA[Studies the &quot;York Memorandum Book&quot; for examples of the ways Latin, French, and English &quot;intertwined&quot; in medieval England. Rothwell opens with commentary on the vocabulary of a passage from MLP in which Chaucer &quot;Englishes&quot; several French words and makes hybrid words from the two languages.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275790">
    <dcterms:title><![CDATA[Aspects of Order in the Knight&#039;s Tale.]]></dcterms:title>
    <dcterms:description><![CDATA[Reinforces studies of structural and thematic order in KnT, identifying a threefold pattern of ordering principles: a backdrop natural order of cycles, rituals, folk customs; the noble social ordering of chivalry and tournament; and the universal, Boethian order of temples, gods, and the heavens.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272634">
    <dcterms:title><![CDATA[Aspects of Patterning in the Vocabulary of Chaucer, with Particular Reference to His Courtly Terminology, Volume 1]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the semantics of approximately fifty words that signify &quot;benevolence and malevolence within courtly contexts in the works of Chaucer,&quot; exploring them diachronically and attending to &quot;extralinguistic&quot; factors in order to pursue a &quot;literary critical procedure&quot; that combines descriptive linguistics with literary and intellectual history. Thesis completed in 1971.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268401">
    <dcterms:title><![CDATA[Aspects of Subjectivity: Society and Individuality from the Middle Ages to Shakespeare and Milton]]></dcterms:title>
    <dcterms:description><![CDATA[Subjectivity and a sense of the importance of the inner self and the individual developed gradually from the early Middle Ages to the seventeenth century. Nothing is altogether new in the stunning early-modernist sense of a vast, inner world of the self. What is new is the sense that the world within is more real than the world outside. Chaucer&#039;s Pardoner displays little awareness of his inner self. His despicable character and behavior make him a negative exemplar, whom Chaucer holds up for his audience&#039;s blame and execration.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263432">
    <dcterms:title><![CDATA[Aspects of Syntax and Lexis in the &#039;Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[The lack of a clearcut distinction between connotative and denotative associations of words, as well as the looseness of syntactical patterns in Middle English, forces us to focus on the rhetorical arrangement of ideas and words--repetition, balance, and contrast.  In the description of the Prioress in GP, Chaucer exploits the resources of language in a teasing portrait.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262085">
    <dcterms:title><![CDATA[Aspects of the Chaucerian Apocrypha : Animadversions on William Thynne&#039;s Edition of the &#039;Plowman&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer&#039;s canon evolved alongside a substantial body of virtually contemporary apocryphal texts attributed to him.  But before the end of the last century, judgment concerning a text&#039;s authenticity was often indebted to extratextual biases:  the complex political, social, moral, and religious beliefs that informed the editor&#039;s historical imagination.]]></dcterms:description>
    <dcterms:description><![CDATA[This insinuation of social climate into editorial judgment is demonstrable in Francis Thynne&#039;s account of his father&#039;s discussion with Henry VIII about his merits of &quot;The Plowman&#039;s Tale&quot; in his edition of Chaucer&#039;s works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270742">
    <dcterms:title><![CDATA[Aspects of the History of the English Language and Literature: Selected Papers Read at SHELL 2009, Hiroshima]]></dcterms:title>
    <dcterms:description><![CDATA[Twenty-eight essays by various authors. For six essays that pertain to Chaucer, search for Aspects of the History of the English Language and Literature under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263353">
    <dcterms:title><![CDATA[Aspects of the Medieval French and English Traditions of the &#039;De Consolatione Philosophiae&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the influence of Boethius&#039;s &quot;Consolatione,&quot; with its medieval glosses, on Old French and Middle English literature, especially Jean de Meun&#039;s &quot;Roman de la Rose&quot; and Chaucer&#039;s MkT (Croesus, Nero), Bo, KnT, and TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263407">
    <dcterms:title><![CDATA[Aspects of Time in Medieval Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Concepts of time in nonliterate, oral traditions differ from those in literate, written traditions.  Examines timing and logical linearity in ShT (pp. 234-39).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261605">
    <dcterms:title><![CDATA[Assertion of the Self in the Works of Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[CT exhibits tension between the corporate nature of medieval society and the domestic impulses of an &quot;inner-directed society,&quot; in which the emergence of the poet is an important aspect of assertion of the self.  In GP, the narrator signals irony.  Pilgrims are personalized by their intentions.  The confessional mode is related for the search for individuality.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275154">
    <dcterms:title><![CDATA[Assertive Women, Oral Confessions: The Wife of Bath and Molly Bloom.]]></dcterms:title>
    <dcterms:description><![CDATA[Presents Chaucer&#039;s Wife of Bath and James Joyce&#039;s Molly Bloom as counter-cultural figures, from the perspective of their characters, their views of man-woman relationships, and their sexuality. Contrasts the different forms of expression of their assertiveness and confessions.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266684">
    <dcterms:title><![CDATA[Assumptions of Gender: Rhetoric, Devotion, and Character in Chaucer&#039;s &#039;Troilus and Criseyde&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Rejects psychological characterizations of Troilus and Criseyde, arguing that they are better seen in light of rhetorical and devotional traditions.  Associates Troilus with the ethos of petition and devotion and Criseyde with the pathos.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266745">
    <dcterms:title><![CDATA[Astrolabes and the Construction of Time in the Late Middle Ages]]></dcterms:title>
    <dcterms:description><![CDATA[Considers Astr and three other treatises on the astrolabe, exploring what they reflect about medieval notions of time.]]></dcterms:description>
    <dcterms:description><![CDATA[The treatises describe practical uses of the astrolabe, and they also describe operations that had ethical and moral implications.  However, they do not speculate about the nature of cosmic time, as do theoretical treatises.]]></dcterms:description>
    <dcterms:description><![CDATA[Laird claims that &quot;lyte Lowis&quot; was not Chaucer&#039;s only intended audience.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265574">
    <dcterms:title><![CDATA[Astrological Structures in the Poetry of Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys Chaucer&#039;s works for evidence of his knowledge and acceptance of astronomy and astrology.  Argues that he uses astrological allegory as a structural device in his poetry.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275159">
    <dcterms:title><![CDATA[Astrologija i književnost&quot; [Astrology and Literature]]]></dcterms:title>
    <dcterms:description><![CDATA[A shortened version of an essay from a two-volume work not seen: Ljiljana Banjanin, Persida Lazarević Di Giacomo, Sanja Roić, and Svetlana Šeatović, eds. Il SoleLuna presso gli slavi meridionali, 2 vols. (Alessandria: Edizioni dell&#039;Orso, 2017). Includes comments on the Wife of Bath&#039;s use of her horoscope as justification for her claims to sovereignty in marriage.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266135">
    <dcterms:title><![CDATA[Astrology and English Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Illustrates a variety of ways astrology has been used in literature, drawing examples from Chaucer, Shakespeare, John Webster, and Samuel Beckett.  Cites examples from Mars, MilT, and FranT, as well as Hypermnestra in LGW.]]></dcterms:description>
</rdf:Description></rdf:RDF>