<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263162">
    <dcterms:title><![CDATA[Artful Indirections]]></dcterms:title>
    <dcterms:description><![CDATA[Review article.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270511">
    <dcterms:title><![CDATA[Arthur Dimmesdale Meets the Pardoner]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies parallels between Chaucer&#039;s Pardoner and Arthur Dimmesdale of Nathaniel Hawthorne&#039;s &quot;The Scarlet Letter,&quot; without claiming influence.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276041">
    <dcterms:title><![CDATA[Arthur Hugh Clough, Francis James Child, and Mid-Victorian Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Explains how written correspondence between Arthur Hugh Clough and Francis James Child--recurrently concerned with metrical and linguistic issues--reveals influence of Clough on Child&#039;s &quot;Observations on the Language of Chaucer&quot;(1862); Clough&#039;s comments on Child&#039;s proposed but never completed edition of Chaucer; and Clough&#039;s Chaucer-inspired series of poems, &quot;Mari Magno.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265262">
    <dcterms:title><![CDATA[Arthurian and Other Studies Presented to Shunichi Noguchi]]></dcterms:title>
    <dcterms:description><![CDATA[Twenty-six essays on linguistics, early publishing, and English literature, especially Malory, other Arthurian materials, and Chaucer.  Also includes a few Renaissance and modern topics.For four essays that pertain to Chaucer, search for Arthurian and Other Studies Presented to Shunichi Noguchi under Alternative Title. ]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263933">
    <dcterms:title><![CDATA[Arthurian Literature and Society]]></dcterms:title>
    <dcterms:description><![CDATA[In an effort to &quot;historicize&quot; Arthurian legend, Knight discusses the societies that &quot;produced and consumed&quot; various Arthurian works. Does not discuss works by Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264097">
    <dcterms:title><![CDATA[Arthurian Literature, II]]></dcterms:title>
    <dcterms:description><![CDATA[Includes six essays by different hands on various Arthurian matters.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267955">
    <dcterms:title><![CDATA[Arthurian Melodrama, Chaucerian Spectacle, and the Waywardness of the Cinematic Pastiche in First Knight and A Knight&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Examines postmodern elements in two pseudomedieval films, arguing that awareness of film theory and formal film analysis are more illuminating than comparison with medieval sources. Jerry Zucker&#039;s First Knight is a &quot;star vehicle&quot; and a &quot;director&#039;s picture,&quot; while Brian Helgeland&#039;s A Knight&#039;s Tale is &quot;composed by pastiche and deeply indebted to the virtual reality of fantasy sports&quot;; A Knight&#039;s Tale takes its inspiration from the &quot;tradition of Chaucerian portraiture and apocryphal continuation.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262508">
    <dcterms:title><![CDATA[Artifice and Redemption: Figuration and Failure of Reference in Chaucer&#039;s &#039;The Book of the Duchess&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[BD contains analogies within analogies and poems within poems. The poem&#039;s subject is the mental movement from figure to embedded figure.  The redemption offered in the poem is &quot;the salvation that is opened within the mind as it recedes into analogical spaces.  That mental motion, among levels of analogies, is itself a form and a way of salvation.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271493">
    <dcterms:title><![CDATA[Artisans and Narrative Craft in Late Medieval England]]></dcterms:title>
    <dcterms:description><![CDATA[Explores literary production and representations of craft labor and artisans in the Middle Ages. Looks at works by Chaucer, Lydgate, and Caxton, as well as lesser-known medieval writers.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273376">
    <dcterms:title><![CDATA[Artistic Ambivalence in Chaucer&#039;s &quot;Knight&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that for readers sensitive to literary tradition and genre expectations KnT is a &quot;delightful satire&quot; of courtly love and the metrical romance genre, along with the &quot;chivalric code implicit in them.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273297">
    <dcterms:title><![CDATA[Artistic Ambivalence in Chaucer&#039;s Knight&#039;s Tale.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that &quot;for the sophisticated reader&quot; KnT satirizes the &quot;hallowed institutions of the chivalric tradition and their literary and supposed societal foundations.&quot; While &quot;literal-minded&quot; readers may justifiably find that the Tale &quot;idealizes the faded age of chivalry&quot; and the genre of &quot;metrical romance,&quot; closer attention to Chaucer&#039;s treatment of romance elements reveals deep-seated ambivalence about the romance genre and its underlying ethos, both undercut by recurrent humor in the Tale, communicated through exaggerated epic conventions (in comparison with Boccaccio&#039;s &quot;Teseida&quot;) and inconsistent treatment of the courtly code of love. ]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263302">
    <dcterms:title><![CDATA[Artistic Conclusiveness in Chaucer&#039;s &#039;Parliament of Fowls&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Although PF ends inconclusively, Chaucer gives it a sense of ending through the concluding roundel, which provides an image of resolution, affirming that, while life may be inconclusive, art can provide an ending.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263718">
    <dcterms:title><![CDATA[Artistic Intention and Chaucer&#039;s Use of Scriptural Allusion]]></dcterms:title>
    <dcterms:description><![CDATA[Also in Revue de l&#039;Universite d&#039;Ottawa 53 (1983): 297-308.]]></dcterms:description>
    <dcterms:description><![CDATA[Explicitly, implicitly, openly, or covertly, Chaucer uses the Bible in paraphrase, brief citation, quotation, misquotation, or &quot;proper citation in inappropriate context,&quot; as in ParsT, GP, RvP, MerT, MilT, and SumT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277204">
    <dcterms:title><![CDATA[Artistry in Troilus and Criseyde: A Study of Chronology, Structure, Characterization, and Purpose.]]></dcterms:title>
    <dcterms:description><![CDATA[Compares TC with Boccaccio&#039;s &quot;Filostrato,&quot; arguing that Chaucer &quot;adapted more portions&quot; of it &quot;than has previously been noticed,&quot; subordinating formulas, conventions, thematic concerns, and moral concerns to artful construction and &quot;psychological realism.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265883">
    <dcterms:title><![CDATA[Artistry, Decorum, and Purpose in Three Middle English Retellings of the Cecilia Legend]]></dcterms:title>
    <dcterms:description><![CDATA[Retellings of the Cecilia legend exemplify the range and flexibility of Middle English hagiography.]]></dcterms:description>
    <dcterms:description><![CDATA[The &quot;Northern Homily Cycle&quot; &quot;presents Cecilia as a model of ladylike behavior&quot;; the &quot;South English Legendary&quot; &quot;makes her quite bold and transgressive.&quot;]]></dcterms:description>
    <dcterms:description><![CDATA[Chaucer treads a middle ground in SNT, presenting his heroine in a restrained fashion that effects a &quot;satiric commentary on a contemporary ruler or rulers whom he saw as re-enacting the sins&quot; of ancient Roman persecutors.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268130">
    <dcterms:title><![CDATA[Artists Reading Romance: The Tryst Beneath the Tree]]></dcterms:title>
    <dcterms:description><![CDATA[Furrow surveys medieval verbal and visual depictions of the love-tryst beneath the tree, focusing on the duping of Mark by Tristan and Isolde. Adaptations of the scene in romances include MerT and its analogue, &quot;The Comedy of Lydia.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271352">
    <dcterms:title><![CDATA[Arts &amp; Humanities Through the Eras: Medieval Europe, 814-1450]]></dcterms:title>
    <dcterms:description><![CDATA[An encyclopedic survey of medieval arts and humanities.  The section on Literature, by Lorraine Stock, includes a summary analysis of CT (pp. 199-201) and a description of Chaucer&#039;s life and works (p. 205).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276548">
    <dcterms:title><![CDATA[Arts of Dying: Literature and Finitude in Medieval England.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores a tradition of literature about dying that &quot;combines medieval work<br />
on the philosophy of language with contemporary theorizing on death and dying.&quot; Analyzes dying and tragedy in KnT, PardT, and BD.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267041">
    <dcterms:title><![CDATA[Arts of Letter-Writing, Literature, and Social Practice in Medieval England]]></dcterms:title>
    <dcterms:description><![CDATA[The medieval &quot;ars dictaminis&quot; evolved from fusion of rhetorical theory and letter-writing practice. Though originally an all-male art, epistolary form eventually became accessible to women. Examines PardT and other works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268516">
    <dcterms:title><![CDATA[Arts of Possession: The Middle English Household Imaginary]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the household as a complex image central to understanding late-medieval England, exploring literary, historical, and economic representations for what they disclose about the &quot;ethics of possession.&quot; Analyzes aspects of &quot;Winner and Waster,&quot; &quot;Piers Plowman,&quot; and other narratives. Reads FranT as the teller&#039;s &quot;fantasy&quot; of gentle behavior and the Franklin as Chaucer&#039;s exploration of the &quot;interplay between display and reticence.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261496">
    <dcterms:title><![CDATA[As Chaucer&#039;s Narrator Says, So Say I]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes Chaucer&#039;s self-consciousness as a writer though the narrator in the prologue, the proems, and the ending of TC. Not the result of naivete, the contradictions, emotional involvement, and irony suggest that the narrator&#039;s design is to whet the reader&#039;s critical faculties.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277104">
    <dcterms:title><![CDATA[As the Chess-Set Flies: Arthurian Marvels in Chaucer&#039;s &quot;Squire&#039;s Tale&quot; and the &quot;Roman van Walewein.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Compares and contrasts SqT and the analogous Middle Dutch &quot;Roman van Walewein,&quot; focusing on their eastern settings, treatments of marvel, and other romance conventions. Considers Chaucer&#039;s possible knowledge of Middle Dutch and &quot;Van Walewein,&quot; observes connections with Th, and posits that Arthurian allusions in SqT may be a &quot;nod&quot; in the direction of Flanders.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270401">
    <dcterms:title><![CDATA[As Viagens de Chaucer à Itália]]></dcterms:title>
    <dcterms:description><![CDATA[Investigates Chaucer&#039;s biographical and literary &quot;travels&quot; to Italy, with chapters dedicated to 1) English travel to Italy; 2) Chaucer and the &quot;Italian wedding&quot; of Prince Lionel; 3) Chaucer and Petrarch; 4) Chaucer in Milan; and 5) the influence of Italian literature on the works of Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261465">
    <dcterms:title><![CDATA[Ascalaphus and Philomela: Myth and Meaning in Chaucer&#039;s Troilus and Criseyde]]></dcterms:title>
    <dcterms:description><![CDATA[Two allusions to birds of mythology suggest the &quot;conflicts of signification&quot; in TC; their ambiguity makes the reader &quot;an active participant in the poem.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276488">
    <dcterms:title><![CDATA[Asinine Heroism and the Mediation of Empire in Chaucer, Marlowe, and Shakespeare]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses Theseus of LGW as a &quot;superlative of falseness,&quot; arguing that the figure, more so than the Theseus of KnT or its classical precedents, influenced Marlowe and Nash&#039;&#039;s &quot;Dido, Queen of Carthage&quot; and, subsequently, Shakespeare&#039;s &quot;A Midsummer Night&#039;s Dream.&quot;]]></dcterms:description>
</rdf:Description></rdf:RDF>